Vol. 37 No. 1 Friday 17Th March 1967 10 Cents

Total Page:16

File Type:pdf, Size:1020Kb

Vol. 37 No. 1 Friday 17Th March 1967 10 Cents SEMPER FLOREAT vol. 37 no. 1 friday 17th march 1967 10 cents BLACK CATCH THE OPEN FORUM What has happened to our Uni­ ALLIED APPROVAL- y A DEPRIVED CRITIC SPEAKS versity? This is a game classed by SiR ON BEHALF OF a leading English paper as the game Mr. Laver, after listening to A DEPRIVED PUBLIC founded on the Dung Hills of Sir: your talk on Friday, 23rd February England. It is ignored by overseas I came away greatly impressed by I was sent a copy of The End Universities who play only Rugby your obviously high standards o{ sir: Of Time and a copy of Semper Union. What a 'woop woop' uni­ moral justice. I agree with you, versity if we had not the Union Floreat. I would like to spend a Referring to article in this that the right to demonstrate against players and received a visit from few minutes to comment on your morning's Courier Mail, it is indeed the status quo is an essential one. Oxford or Cambridge - the Union university newspaper. pleasing to note that those attending However I hesitate to partake of players from the New Zealand Uni­ the University are to work on a Let me begin by saying that I demonstrations because I believe versities are now playing Japanese better public image of themselves. found your newspaper interesting, ±eir gains are negligible. universities in Japan - perhaps the humorous, intellectual and stim­ I criticise you on your dogmatic Brisbane Rugby League university It is not before time but I'm ulating. I can honestly say that view that every student not willing players could arrange a match with afraid too late and nigh impossible. there was not a single section in the to demonstrate is an apathetic or the University of "FrogsHoUow* and However, a genuine effort could edition that I found dull or boring. unthinking person. I don't consider play for the Hunter Brothers' "Poopy" include - One article entitled "Semper Talks it is unreasonable for people to cup. Wake up Brisbane 'Varsity To Mr. Plinth" was quite entertain­ abstain from taking part in some­ 1. Wash daily, etc. and dress in and tell these 'Dung Hill' players ing. I refer to the issue of Thursday, thing for which they see no notice­ a manner befitting the inteiligencia you do not want that class of game June 30, 1966. Another article, able gains. Your demonstrations as an example to easily influenced in our University. "Drama In August" was impressive have certainly aroused public ignoramuses. and made me envious of the variety attention but only during the time of drama presented in Brisbane. 2. Dispense with their egotistical I remain, Sir, the demonstration was in progress. habit of wearing University gowns Not a supporter of Dung There was certainly a considerable This notice is no more than fleeting selection of works and I feel certain curiousity for something unusual when parading in anti-hanging Harold Gibsoa demonstrations, etc. that they were well performed and a This I am sure is not your aim. Your success. aim is an idealistic one which 3. Seta standard of ethics amongst supposes that your audience is as Queensland University students themselves which could avoid such BEWARE- well informed, as discontented and appear to be quite interested in brilliant actions as throwing paint COMMUNISTS IN COMMEM. has as high moral standards as you modern foreign relations as well as over the cars of visiting world figures do. and over the clothes of the general their own university affairs. This interest was reflected in the quality It seems more plausible to me public. Sir: of letters I read in. "The Open that instead of fruitlessly demon­ 4. Publish number of first-year Forum. "Your students do not appear strating you should aim to educate According to Press reporters, you failures in various faculties in order to be apathetic or unthinking at all the public. (I fully support "Impact" appear to be a man with a strong to impress on public, the brilliance as was claimed DP page ten. Rather in this respect) mind - providing, you can drive of hard working students, to the contrar) I should say. The I would like to conclude by into the placard bearing element, brand of humor presented in the asserting that this article isnotanti- that university training demands I wonder whether you read the paper was agreeable and amusing. dignity, that communists are always SDA, anti-Mr, Uvet but simply comments of Mr, J.R. Clark, an on the fringe of all Protest marches Again, I refer to Mr. Plinth and the anti-demonstrations which I feel educationalist member of board of ready to rush in and bring the march cartoon strips. Lest I forget, I should fall fat short of the capabilities of Gordonstown School, Scotland. Re­ to violence, while their big bosses mention the name of the famous - die leaders of student groups. garding finance for education, he now internationally so - Ramita keep safely on the outside looking Karin Jordana ARTS U said, "All countries need more on - where they won't get hurt. Pyuras. I read more of him in The money for education and it is per- Next day, out come protests from End Of T[rrie than in Semper, but I liaps even more important that a rollicked at each encounter. these overpaid 'War Lords' at the Karin, 1 agree with you that at fair proportion of this be spent at And as for Miss Uni. , tears welled Trades Hall, of police brutality, this stage of the peace bajtle a great primary and secondary levels rather in my eyes at the thought of the Have you ever queried the pay of number of people ate alienated by than all the exira money going to death of that beloved bourgeois secretary, MacDonald and President, demonstrations. However, they are tertiary education, new Universities harlot. Tis a pity she may no longer Egerton? the only means existing to vent and the like." He also commented reign at Queensland. But let it be opinion. The mass media as you on the fact that a child from a rich known that I support her as do my To the students under you, tell are aware is controlled by conserv­ environment had a better chance of friends that read of this magnificent them also, Court convictions - are ative forces. I agree with you that doing well than a deprived youngster female. Personally, I would have for life. The Court does not erase education of the community is convictions on request. You might voted for Ah, but that would necessary for a revitalisation of the The public image of University too, put a stop to the absolutely be giving international fame to one democratic process. Even papers students will certainly improve when stupid splashing around in that mud contestant and unfair to the others. like 'Impact' are very costly to they dress and act like sane folk, bole - called splosh ball Children Really, they were all lovely. We produce. The demonstration gives not the egotistical show-off galahs would be slapped for splashing are students at New York University, peace fighters a sense of commun- that they appear now. aroundin mud with a ball -and here where I attend Washington Squaie icatioa When they meet and Sincerely, we have people with brains enough College. This is all in New York display their opinions they do feel "Critic". to pass their senior to get to the uni­ City. I am studying history, parti­ the vital spirit of the movement. versity and behave such as they have cularly Latin American History. Believe me it is necessary for people LEAGUE ON THE DUNG HILLS done in the past. I could go on and on about how whoarerevulsed by the insensibility much I enjoyed this newspaper of In the world. More than this though, With compliments to you and yours, but let it suffice here to say the rl^t to demonstrate has not Sir: success in bringing the dignity of the I am pleased it was sent to me. I yet been secured. Perhaps there university up to standard. is no other way to sever this freedom I see by the paper that you have Larry Booker, than to demonstrate? students prepared to and also going Mrs. E.E.Pitt to play Rugby League. Brian Laver P. S, This Yank digs Australia. Semper Floreat Friday March 17 Page 3 versity of the rather second rate them the potential to renew this goals which our culture regards as University and to supply that which embodying the good life. I have said is lacking in it at pres­ In Orientation Week two prominent lecturers ent - a genuinely committed Uni­ It is partly due to the anti- versity community. made several statements about University intellectual strain still about in the life to first years. These comments received Australian community. It is also my hope that amongst considerable publicity in local and national you new students there will be many It is partly due to accidental who will lay yourselves open to dis­ press, but were not received favourably by but important features of University cerning the malaise of our Univers­ all staff members. life like the poor staff/student ratios ity, and who will respond in wjiat that make face to face contact be­ ever way your own judgement a nJ tween staff and students so difficult conscience dictates to meeting tliis to attain. situation even if this costs you, as it will, a personal tension and dis- It is partly a function of the ' tress as well as enabling youtogrow kinds of hours many students are into free and responsible persons in I'd like to begin by thanking Mr.
Recommended publications
  • Folk & Rock Legends, Peter Yarrow & John Waite, To
    FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda Photos available upon request 845.583.2193 [email protected] FOLK & ROCK LEGENDS, PETER YARROW & JOHN WAITE, TO PERFORM IN THE EVENT GALLERY AT BETHEL WOODS THIS OCTOBER Tickets On Sale April 6th at 10 AM April 2, 2018 (BETHEL, NY) – The intimate, indoor Event Gallery at Bethel Woods Center for the Arts will host two acclaimed performers this October, including Peter Yarrow, of legendary folk group Peter, Paul & Mary, on Friday, October 5th at 8:00 p.m. and John Waite, of English/American rock supergroup Bad English, on October 21 at 8:00 p.m. Reserved seating tickets for both shows go on-sale to the general public on Friday, April 6th at 10:00 a.m. at www.BethelWoodsCenter.org Prior to the Peter Yarrow performance on October 5, indulge in an exclusive pre-show, farm-to-table dinner, presented by Bethel Woods’ own Executive Chef Armand Vanderstigchel. Plus, enhance your visit by making it a weekend getaway and joining us on Saturday, October 6th for the seventh annual Wine Festival at Bethel Woods located throughout the Bethel Woods’ main campus. Savor the finest wines from the Hudson Valley and Finger Lake regions, shop unique artisans and crafters, and enjoy specialty foods and food trucks to satisfy all cravings, all against the backdrop of live music and the beauty of the Sullivan County Catskills during peak fall foliage. Tickets for the Wine Festival are on sale now at BethelWoodsCenter.org. Continue to celebrate fall at Bethel Woods with a bountiful farm-to-table dinner presented by Executive Chef Armand Vanderstigchel with a pre-show, multi-course dinner that will take place in the Market Sheds prior to the John Waite concert on October 21.
    [Show full text]
  • Creating Safe, Compassionate Environments for Children and Youth
    ANNUAL REPORT 2017 OPERATION RESPECT CREATING SAFE, COMPASSIONATE ENVIRONMENTS FOR CHILDREN AND YOUTH OPERATION RESPECT TABLE OF CONTENTS MESSAGE FROM Charles Dambach, Interim CEO 2 WHO WE ARE 3 MESSAGE FROM Peter Yarrow, Co-Founder and President Emeritus 4 BY THE NUMBERS 5 MESSAGE FROM Charlotte Frank, Co-Founder and Chair 6 MESSAGE FROM John McKenna, Executive Director 7 YEAR IN REVIEW 8 GRATITUDE 16 FINANCIAL SUPPORT 18 FINANCIAL Statement of Financial Position 22 Statement of Activities 23 STAFF/TRAINERS/BOARD OF DIRECTORS 24 1 INTRODUCTION MESSAGE FROM INTERIM CEO Charles Dambach When Operation Respect began some 18 years ago, a global movement to build cultural bridges enjoyed broad support both within the U.S. and worldwide. Since then, we have been able to focus our efforts on the scourge of bullying, ridicule and violence among youth. The Don’t Laugh at Me program brought children together in schools, camps, and clubs to sing and engage in exercises that built a sense of community and mutual respect. We have seen bullying, ridicule and violence recede and kindness advance where the program has been implemented. We still do, and the Don’t Laugh at Me program is just as vital and effective as ever. It remains the heart and soul of Operation Respect. However, the troubling new world of growing racial and cultural tension requires that we do more. We can’t ignore the rhetoric of division and hostility that has permeated discourse We are taking on the here in the U.S., in much of Europe and other parts of the world.
    [Show full text]
  • WOW Hall Notes 2013-01.Indd
    JANUARY 2013 WOW HALL NOTES g VOL. 25 #1 ★ WOWHALL.ORG Peter YaRrow, Today On Friday, February 1, the Peter Yarrow, with great love These books add to Peter’s Community Center for the and conviction, has assigned to dedicated efforts to bring folk Performing Arts and KRVM himself a special role in “carrying music back into the mainstream by proudly welcome Peter Yarrow to on” Mary Travers’ and the exposing children to folk music on a the WOW Hall. This is a seated trio’s tradition. Although folk broad scale in their homes, summer show. music has been largely side- camps, churches and synagogues, A Peter Yarrow performance barred for decades, Peter’s own and schools. In turn, the books, today does more than assure a groundbreaking successes might and their free-to-educator songs, memorable evening of music, change that. His million-selling also advance Peter’s central current camaraderie and “Puff’s special illustrated children’s book and CD advocacy — the utilization of the magic” for young and old alike. of Puff, The Magic Dragon has magic of music to help create safe, Peter’s music and songs resonate provided him with a new platform, bully-free school environments. with a history that he and his and created a new path, whereby Twenty-two thousand schools musical compatriots, Mary and folk music might occupy the in America now use the “Don’t Paul, not only helped to write, but limelight once again. Few, if any, Laugh At Me” Program (DLAM) one that has changed and inspired other folk singer/activists have, in of Operation Respect, a nonprofi t millions to continue to keep on recent years, sold a million copies that was founded by Peter and keepin’ on, hold fi rm to principle, of a CD, or anything else for that world-renowned educator Dr.
    [Show full text]
  • Vol XXV Issue 50 Aug 25 2016
    Volume XXV No. 50 Hometown Newspaper for Glen Cove, Sea Cliff, Glen Head, Glenwood, Locust Valley and Brookville Week of 8/25/16 75C MPSMF Closes 57th Season with its Second Annual Folk Festival Featuring PETER YARROW of Peter, Paul and Mary fame Sunday, August 28 at 5:30 p.m. - Morgan Park On Sunday, August 28, Morgan Park Summer Music Festival will host its Second Annual Folk Festival featuring Peter Yarrow of Peter, Paul and Mary fame. Also performing are Gathering Time, Matt Grabowski, Don Bikof and Bryce Larsen. The festival, which is free to the public, begins at 5:30 p.m. in Morgan Park and is sponsored by Rita and Frank Castagna. Headlining the Festival is Peter Yarrow, a treasure of American folk music: legendary musician, songwriter and activist. His career with Peter, Paul and Mary shares and is part of American history. Yarrow weaves a narrative through his music and politics, punctuating our nation’s major events with his iconic songs that we all know and love. Also performing is folk trio Gathering Time, Matt Grabowski, Don Bikof and Bryce Larsen. According to WFUV’s John Platt, “Gathering Time has harmonies that can charm the birds out of the trees” with a “savvy repertory” that ranges from traditional folk to classic rock. Famed for original music as well as covers, the group’s remake of Peter Yarrow’s Light One Candle has been played on many stations including New York City’s WCBS-FM. see FOLK FESTIVAL on page 2 Moody’s Investors Service Raises Glen Cove’s Outlook to Positive Moody’s Investors Service released its •฀ Projected฀ elimination฀ of฀ deficit฀ fund฀ standards, pinpointing new revenue following the sale of its waterfront, latest financial evaluation of the City of balance฀position฀across฀operating฀funds฀ streams and executing cost savings after which the city expects to have non- Glen Cove.
    [Show full text]
  • Rosh Hashanah, Yom Leading Us in High Holiday and the U.S., Cantor Levy Has Kippur, and Shabbat Services
    Editorials ..................................... 4A Calendar ...................................... 6A Scene Around ............................. 9A Synagogue Directory ................11A Year in Review ..........................12A Synagogue Services ..................20A WWW.HERITAGEFL.COM YEAR 45, NO. 52 AUGUST 27, 2021 19 ELUL, 5781 ORLANDO, FLORIDA SINGLE COPY 75¢ Shana Tova 5782 PAGE 2A HERITAGE FLORIDA JEWISH NEWS, AUGUST 27, 2021 JAO students score two grade levels ahead of peers For the sixth straight or also reads they are 3 years student. Through differenti- techniques, philosophies, year, on average, students at and 4 months ahead of their ated learning, it’s not just and instruction to ensure Jewish Academy of Orlando current grade level. about the speed at which a our students reach their full are performing at least two “We are always grateful student covers the material; potential.” grade levels ahead of their to see our students’ scores,” more often it is about the In addition to JAO’s strong peers nationwide. The test said Amy Polacek, principal. depth of their study. This academics, the school scores, from April 2021, were “We are proud that Jewish could include opportunities provides a multi-faceted taken using the nationally Academy of Orlando is a top- for instruction beyond their whole-child development re c og n i z ed Io wa Te st of B a sic ranking school, not only in current grade level to more program. Emily Watson, cur- Skills® (ITBS®) – commonly Orlando but in the nation.” challenging material.” riculum coordinator stated, known as the “Iowa Assess- The test is used by a large Teaching to the test is not “Jewish Academy of Orlando ments.” The Iowa Assessment number of private schools the practice of the Jewish truly believes in educating is a nationally standardized and various states to measure Academy of Orlando.
    [Show full text]
  • Peter Paul and Mary.Pptx
    Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village.
    [Show full text]
  • Still on the Road Session Pages: 1965
    STILL ON THE ROAD 1965 CONCERTS, INTERVIEWS & RECORDING SESSIONS JANUARY 13 New York City, New York Studio A, Columbia Recording Studios, The 1st Bringing It All Back Home recording session 14 New York City, New York Studio A, Columbia Recording Studios, The 2nd Bringing It All Back Home recording session 15 New York City, New York Studio A, Columbia Recording Studios, The 3rd and last Bringing It All Back Home recording session 29 Springfield, Massachusetts Municipal Auditorium FEBRUARY 10 New Brunswick, New Jersey The State College, Rutgers Gymnasium 12 Troy, New York Troy Armory 17 New York City, New York WABC TV Studios, Les Crane Show MARCH 19 Raleigh, North Carolina Reynolds Coliseum 21 Ottawa, Ontario, Canada Capitol Theatre 26 Los Angeles, California Ciro's Le Disc, Hollywood 27 Santa Monica, California Civic Auditorium APRIL 9 Vancouver, British Columbia, Queen Elizabeth Theatre Canada 24 Seattle, Washington The Arena 26 London, England Arrival Area, London Airport 26 London, England Press Conference Room, London Airport, Short interview 27 London, England Savoy Hotel 27 London, England Savoy Hotel, Interview by Jack DeManio 27 London, England Savoy Hotel, press conference 30 Sheffield, England The Oval, City Hall, press conference 30 Sheffield, England The Oval, City Hall, soundcheck 30 Sheffield, England The Oval, City Hall MAY 1 Liverpool, England Odeon 2 Leicester, England De Montfort Hall 2 Leicester, England De Montfort Hall 3 or 4 London England A Hotel Room, Savoy Hotel 5 Birmingham, England Town Hall, backstage before
    [Show full text]
  • Like a Rolling Stone: Bob Dylan at the Crossroads Pdf, Epub, Ebook
    LIKE A ROLLING STONE: BOB DYLAN AT THE CROSSROADS PDF, EPUB, EBOOK Greil Marcus | 304 pages | 06 Jul 2006 | FABER & FABER | 9780571223862 | English | London, United Kingdom Like a Rolling Stone: Bob Dylan at the Crossroads PDF Book Instead of research, he remembers. Just as intriguing as the taped interviews up for sale are four letters Dylan wrote to Glover between and , with frank discussion of his early career and musical influences. Mar 13, C. Open Preview See a Problem? Repetitive, over the top, meandering, thin, pompous--but despite all that, it just grew on me. How Does it Feel? Bradley: Should I ask who you made the bargain with? They were just like little babies. It was shitty , is what it was. His writing is amusing in the best way of "providing interesting and enjoyable occupation," and there seem to be no limits to his curiosity or erudition. However, the literary value of the lyrics and the exactitude of the musical performance have never determined the ultimate impact of a popular song. Keeping it all over there and just going straight ahead. He went on to discuss other tidbits about his songwriting inspirations. Marcus is frequently accused of pretentiousness, and this is an accusation with which I won't argue—it's the height of artistic pretentiousness to insist, without irony or artifice, that a single song can really represent the turning point for an entire culture. Marcus is always entertaining but maybe best suited to the editorial limitations of the magazine format. I had been on a binge my whole life, you could say.
    [Show full text]
  • An Identification of Past Influences and Current Trends in Australian Piano Pedagogy
    An Identification of Past Influences and Current Trends in Australian Piano Pedagogy Monika Rutkowska BMus (Hons)(Newcastle) A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy (Music) June 2018 This research was supported by an Australian Government Research Training Program (RTP) Scholarship Master of Philosophy (Music) The University of Newcastle (Australia) Statement of Originality I hereby certify that the work embodied in the thesis is my own work, conducted under normal supervision. The thesis contains no material which has been accepted, or is being examined, for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968 and any approved embargo. Monika Rutkowska June 2018 Monika Rutkowska - 3145630 ii Master of Philosophy (Music) The University of Newcastle (Australia) Acknowledgements I would sincerely like to thank my principal supervisor Conjoint Associate Professor Rosalind Halton and co-supervisor Nathan Scott for their valuable insights, guidance and willingness in helping me to grow both as a researcher and a writer. I would like to extend thanks to Dr Gian-Franco Ricci, who was the inspiration for studying this topic, and also my principal supervisor for the first half of this research project. A warm thank you to the survey and interview participants in this study, who generously gave their time, their reminiscences, and thoughts on teaching to this project.
    [Show full text]
  • The Cutting Edge: New York Singles Sessions, Oct - Nov 1965
    The Cutting Edge: New York Singles Sessions, Oct - Nov 1965 by Roger Ford Dylan’s first recording session following the release of “Highway 61 Revisited” was on October 5 1965, four days after his concert with The Hawks at Carnegie Hall. At this time ‘Like a Rolling Stone’ was finally on its way down the Billboard chart at No. 33, and ‘Positively 4th Street’ was just on its way up at No. 34, but Columbia may already have been keen for Dylan to have a follow-up single ready for late autumn release.1 In fact, three days of sessions were booked in the New York studio diary, on October 4, 5 and 6, but the first and last of these were cancelled, leaving just a six-hour double session on the 5th. It seems unlikely that the studio bookings were entirely Dylan’s idea, as he evidently had no new songs finished and ready to record. But now that he had his own road band, he may have been interested to hear how they would perform in the studio, and so went ahead with the recording date anyway, maybe thinking he’d make something up on the day.2 October 5, 1965 MEDICINE SUNDAY (CO 87183) Collectors have long been familiar with a version of this fragmentary song, which was on the so-called ‘Band session’ tape of half a dozen late 1965 and early 1966 recordings, first circulated around 1971. It turns out that this was Take 2, which in fact nearly made it onto “Biograph”, and later was one of the many ‘hidden’ tracks on 1995’s “Highway 61 Interactive” CD- ROM release.
    [Show full text]
  • Special WFMA Showcase at Ireland's Four Fields
    FVOL. 26OLK NO 1 NWORLDEWS FOLK MUSIC ASSOCIATION SPRING 2012 Special WFMA Showcase at Ireland’s Four Fields Come help us bid a fond farewell to this great Washington, DC institution! On August 5, Frank Hughes, recently received her Masters Degree the owner of Ireland’s Four Fields in violin performance, provides a more (formerly known as Ireland’s Four contemporary influence to their music. Provinces, or 4Ps) announced that the Reservations are being accepted pub would close in early November. now, with the admission fee being Frank recently received an extension collected at the door (cash or check on the lease, so the pub is now only). Admission for WFMA Friends scheduled to close in a few months. of Folk Music members will be $20. The pub opened at its current Admission for non-members will be location on Connecticut Avenue in $25. Reservations can be made using 1976 and has been a mainstay of Celtic Photo by Bill Adler our Online Reservation Form at http:// music and a proud contributor to the wfma.net/res4fields.htm or by sending DC community for over 35 years. son (and Berklee College of Music an email to [email protected], with This DC icon has hosted numerous graduate), Owen Danoff. Owen is your name, phone number, number in events: concerts, fundraisers, reunions, active in the DC area music scene and party and arrival time. Those without receptions, wakes and WFMA Music has been nominated for two Wammies Internet access can make a reservation Americana Showcases. (Washington Area Music Awards). by calling the Four Fields at (202)244- In the fall of 1986, Dick Cerri Doris Justis and Sean McGhee 0860.
    [Show full text]
  • State of Lakeside
    July 12, 2014 Vol. 2014, Issue 4 Chautauqua Park Dedication celebrates progress Chaplain of the Week: Allison Moon Adolphi, to The Dr. Tony Campolo Advancement Byrds’ version Lakeside Chautauqua Communications Intern of “Turn, Turn, welcomes Dr. Tony Cam- Turn.” polo as the Chaplain of the The Dedication of Chau- Wilson and Week. tauqua Park will take place at Adolphi have a Dr. Campolo will lead 4 p.m. Sunday, July 13 in The long history of the 10:30 a.m. Hoover Com- Memorial Garden at Chau- professional ex- munity Worship Service on tauqua Park, located on the perience in bal- Sunday, July 13 in Hoover corner of Poplar Avenue and let. Auditorium. His sermon, Sixth Street. The pair has titled “Living Life Over The dedication will be a performed in Again,” is based on Philip- beautiful worship service tak- China, along pians 3:10-14. ing place under the Garden with the Fort For those who wish to Pavilion. Worth Ballet and the Methodist Theological attend worship, a compli- The service is centered on the Cleveland Ballet. School in Ohio in 2008, while mentary Church Pass may Monday-Friday. The pass Ecclesiastes 3:1, “To Every- Wilson has also danced for Adolphi went back to nursing be obtained Sundays be- includes admittance for thing There is a Season.” the Chicago City Ballet for school. tween 7:30-10:30 a.m., val- guests and auto. The dedication will in- three years. id until 3 p.m. The pass in- At 7:15 p.m. Tuesday, clude a liturgical dance Later, he answered a call See DEDICATION cludes admittance for guests Dr.
    [Show full text]