Rosh Hashanah, Yom Leading Us in High Holiday and the U.S., Cantor Levy Has Kippur, and Shabbat Services
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Folk & Rock Legends, Peter Yarrow & John Waite, To
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda Photos available upon request 845.583.2193 [email protected] FOLK & ROCK LEGENDS, PETER YARROW & JOHN WAITE, TO PERFORM IN THE EVENT GALLERY AT BETHEL WOODS THIS OCTOBER Tickets On Sale April 6th at 10 AM April 2, 2018 (BETHEL, NY) – The intimate, indoor Event Gallery at Bethel Woods Center for the Arts will host two acclaimed performers this October, including Peter Yarrow, of legendary folk group Peter, Paul & Mary, on Friday, October 5th at 8:00 p.m. and John Waite, of English/American rock supergroup Bad English, on October 21 at 8:00 p.m. Reserved seating tickets for both shows go on-sale to the general public on Friday, April 6th at 10:00 a.m. at www.BethelWoodsCenter.org Prior to the Peter Yarrow performance on October 5, indulge in an exclusive pre-show, farm-to-table dinner, presented by Bethel Woods’ own Executive Chef Armand Vanderstigchel. Plus, enhance your visit by making it a weekend getaway and joining us on Saturday, October 6th for the seventh annual Wine Festival at Bethel Woods located throughout the Bethel Woods’ main campus. Savor the finest wines from the Hudson Valley and Finger Lake regions, shop unique artisans and crafters, and enjoy specialty foods and food trucks to satisfy all cravings, all against the backdrop of live music and the beauty of the Sullivan County Catskills during peak fall foliage. Tickets for the Wine Festival are on sale now at BethelWoodsCenter.org. Continue to celebrate fall at Bethel Woods with a bountiful farm-to-table dinner presented by Executive Chef Armand Vanderstigchel with a pre-show, multi-course dinner that will take place in the Market Sheds prior to the John Waite concert on October 21. -
The Audacity of Holiness Orthodox Jewish Women’S Theater עַ זּוּת שֶׁ Israelבִּ קְ Inדוּשָׁ ה
ׁׁ ְִֶַָּּּהבשות שעזּ Reina Rutlinger-Reiner The Audacity of Holiness Orthodox Jewish Women’s Theater ַעזּּו ֶׁת ש in Israelִּבְקּדו ָׁשה Translated by Jeffrey M. Green Cover photography: Avigail Reiner Book design: Bethany Wolfe Published with the support of: Dr. Phyllis Hammer The Hadassah-Brandeis Institute, Waltham, Massachusetts, USA Talpiot Academic College, Holon, Israel 2014 Contents Introduction 7 Chapter One: The Uniqueness of the Phenomenon 12 The Complexity of Orthodox Jewish Society in Israel 16 Chapter Two: General Survey of the Theater Groups 21 Theater among ultra-Orthodox Women 22 Born-again1 Actresses and Directors in Ultra-Orthodox Society 26 Theater Groups of National-Religious Women 31 The Settlements: The Forge of Orthodox Women’s Theater 38 Orthodox Women’s Theater Groups in the Cities 73 Orthodox Men’s Theater 79 Summary: “Is there such a thing as Orthodox women’s theater?” 80 Chapter Three: “The Right Hand Draws in, the Left Hand Pushes Away”: The Involvement of Rabbis in the Theater 84 Is Innovation Desirable According to the Torah? 84 Judaism and the Theater–a Fertile Stage in the Culture War 87 The Goal: Creation of a Theater “of Our Own” 88 Differences of Opinion 91 Asking the Rabbi: The Women’s Demand for Rabbinical Involvement 94 “Engaged Theater” or “Emasculated Theater”? 96 Developments in the Relations Between the Rabbis and the Artists 98 1 I use this term, which is laden with Christian connotations, with some trepidation. Here it refers to a large and varied group of people who were not brought up as Orthodox Jews but adopted Orthodoxy, often with great intensity, later in life. -
Creating Safe, Compassionate Environments for Children and Youth
ANNUAL REPORT 2017 OPERATION RESPECT CREATING SAFE, COMPASSIONATE ENVIRONMENTS FOR CHILDREN AND YOUTH OPERATION RESPECT TABLE OF CONTENTS MESSAGE FROM Charles Dambach, Interim CEO 2 WHO WE ARE 3 MESSAGE FROM Peter Yarrow, Co-Founder and President Emeritus 4 BY THE NUMBERS 5 MESSAGE FROM Charlotte Frank, Co-Founder and Chair 6 MESSAGE FROM John McKenna, Executive Director 7 YEAR IN REVIEW 8 GRATITUDE 16 FINANCIAL SUPPORT 18 FINANCIAL Statement of Financial Position 22 Statement of Activities 23 STAFF/TRAINERS/BOARD OF DIRECTORS 24 1 INTRODUCTION MESSAGE FROM INTERIM CEO Charles Dambach When Operation Respect began some 18 years ago, a global movement to build cultural bridges enjoyed broad support both within the U.S. and worldwide. Since then, we have been able to focus our efforts on the scourge of bullying, ridicule and violence among youth. The Don’t Laugh at Me program brought children together in schools, camps, and clubs to sing and engage in exercises that built a sense of community and mutual respect. We have seen bullying, ridicule and violence recede and kindness advance where the program has been implemented. We still do, and the Don’t Laugh at Me program is just as vital and effective as ever. It remains the heart and soul of Operation Respect. However, the troubling new world of growing racial and cultural tension requires that we do more. We can’t ignore the rhetoric of division and hostility that has permeated discourse We are taking on the here in the U.S., in much of Europe and other parts of the world. -
Our Shabbos in Shebreshin
Our Shabbos in Shebreshin As Ashkenazim — Jews of Northern/Eastern European ances- try — we called it Shabbos; for the Mediterranean Sephardim, the word was Shabbat. It was our Sabbath, and it started on Fridays — to be exact, about six o’clock every Friday morning. I would hear my mother get out of bed and prepare herself for the big event of baking the bread that was to last all week. One day, as a young child, I too got up, announcing to my mother that I would go with her. She didn’t resist very much. She pulled down my nightshirt, took my hand, and led me in my bare feet across the few yards to my grandfather’s house. Grandma was already awake and moving about. The kitchen was brightly lit, the large brick stove and oven were fired up, and there were piles of sifted flour on the table. Some dough was already rising. The kitchen was adjacent to my grandparents’ bedroom, and the door was seldom closed. Zaida saw me coming in, smiled, and beckoned me to come join him in his bed. He put me on his chest. I buried my face in his beard. It smelled of spices. I closed my eyes and enjoyed the warmth. We watched the two women prepare the baking — sifting and kneading. First, the white flour for the twisted Shabbos challah and other white-dough baked goods; later, the dark rye OUR SHABBOS IN SHEBRESHIN 127 to bake in round loaves, sprinkled on top with caraway seeds. When fresh, the bread was soft and delicious. -
WOW Hall Notes 2013-01.Indd
JANUARY 2013 WOW HALL NOTES g VOL. 25 #1 ★ WOWHALL.ORG Peter YaRrow, Today On Friday, February 1, the Peter Yarrow, with great love These books add to Peter’s Community Center for the and conviction, has assigned to dedicated efforts to bring folk Performing Arts and KRVM himself a special role in “carrying music back into the mainstream by proudly welcome Peter Yarrow to on” Mary Travers’ and the exposing children to folk music on a the WOW Hall. This is a seated trio’s tradition. Although folk broad scale in their homes, summer show. music has been largely side- camps, churches and synagogues, A Peter Yarrow performance barred for decades, Peter’s own and schools. In turn, the books, today does more than assure a groundbreaking successes might and their free-to-educator songs, memorable evening of music, change that. His million-selling also advance Peter’s central current camaraderie and “Puff’s special illustrated children’s book and CD advocacy — the utilization of the magic” for young and old alike. of Puff, The Magic Dragon has magic of music to help create safe, Peter’s music and songs resonate provided him with a new platform, bully-free school environments. with a history that he and his and created a new path, whereby Twenty-two thousand schools musical compatriots, Mary and folk music might occupy the in America now use the “Don’t Paul, not only helped to write, but limelight once again. Few, if any, Laugh At Me” Program (DLAM) one that has changed and inspired other folk singer/activists have, in of Operation Respect, a nonprofi t millions to continue to keep on recent years, sold a million copies that was founded by Peter and keepin’ on, hold fi rm to principle, of a CD, or anything else for that world-renowned educator Dr. -
Vol XXV Issue 50 Aug 25 2016
Volume XXV No. 50 Hometown Newspaper for Glen Cove, Sea Cliff, Glen Head, Glenwood, Locust Valley and Brookville Week of 8/25/16 75C MPSMF Closes 57th Season with its Second Annual Folk Festival Featuring PETER YARROW of Peter, Paul and Mary fame Sunday, August 28 at 5:30 p.m. - Morgan Park On Sunday, August 28, Morgan Park Summer Music Festival will host its Second Annual Folk Festival featuring Peter Yarrow of Peter, Paul and Mary fame. Also performing are Gathering Time, Matt Grabowski, Don Bikof and Bryce Larsen. The festival, which is free to the public, begins at 5:30 p.m. in Morgan Park and is sponsored by Rita and Frank Castagna. Headlining the Festival is Peter Yarrow, a treasure of American folk music: legendary musician, songwriter and activist. His career with Peter, Paul and Mary shares and is part of American history. Yarrow weaves a narrative through his music and politics, punctuating our nation’s major events with his iconic songs that we all know and love. Also performing is folk trio Gathering Time, Matt Grabowski, Don Bikof and Bryce Larsen. According to WFUV’s John Platt, “Gathering Time has harmonies that can charm the birds out of the trees” with a “savvy repertory” that ranges from traditional folk to classic rock. Famed for original music as well as covers, the group’s remake of Peter Yarrow’s Light One Candle has been played on many stations including New York City’s WCBS-FM. see FOLK FESTIVAL on page 2 Moody’s Investors Service Raises Glen Cove’s Outlook to Positive Moody’s Investors Service released its • Projected elimination of deficit fund standards, pinpointing new revenue following the sale of its waterfront, latest financial evaluation of the City of balancepositionacrossoperatingfunds streams and executing cost savings after which the city expects to have non- Glen Cove. -
Peter Paul and Mary.Pptx
Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village. -
KIDS NOT at RISK HEARD in the BAGEL STORE Mosholu Rebbe in 5Ts Light and Darkness This Shabbos
See Page 80 $1.00 WWW.5TJT.COM VOL. 10 NO. 5 12 CHESHVAN 5770 lk lk ,arp OCTOBER 30, 2009 INSIDE FROM THE EDITOR’S DESK THE NEW AND IMPROVED KOTEL Soupy Sales BY LARRY GORDON Danny O’Doul 22 Guilty As Charged KOPEL VS. TOBACK Hannah Reich Berman 32 Those of you outside the Five The Daily Jews Towns area might feel a little Rabbi Avi Shafran 36 lost as we analyze and explore MindBiz what promises to be a hard- Esther Mann, LMSW 37 fought race between the incum- bent Nassau County Legislator Positive Parenting for the 7th District, Jeff Toback Jeff Toback and Howard Kopel C o u r t of the Democratic Party, and e Rochelle Miller 64 s y o f I the Republican challenger, one resides is how we are bom- s r a e l i A Howard (Chaim) Kopel. What is barded through the mail with n t i q u i t i relevant to all our readers is the colorful oversized cards featur- e s A u t h electoral dynamics of the ing sensational accusations that o r i t Jewish community that is on each candidate levels at the y An artist’s rendition of the Kotel Plaza archaeological park being display in this race. other. Mired beneath some- developed with excavations taking place at the Western Wall in What also may be easy to Jerusalem. A new area, at the level used in ancient times, is to be added relate to regardless of where Continued on Page 8 under the existing plaza. -
Perusal Script
by Cary Gitter PERUSAL SCRIPT www.stagerights.com THE SABBATH GIRL Copyright © 2020 by Cary Gitter All Rights Reserved All performances and public readings of THE SABBATH GIRL are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan- American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com Artwork by Muse Graphic Design PRODUCTION APPLICATION Title of Musical/Play Promotional Code __________________ Today’s Date p ORGANIZATION INFORMATION ☐ Check here if you have worked with us before. -
Special WFMA Showcase at Ireland's Four Fields
FVOL. 26OLK NO 1 NWORLDEWS FOLK MUSIC ASSOCIATION SPRING 2012 Special WFMA Showcase at Ireland’s Four Fields Come help us bid a fond farewell to this great Washington, DC institution! On August 5, Frank Hughes, recently received her Masters Degree the owner of Ireland’s Four Fields in violin performance, provides a more (formerly known as Ireland’s Four contemporary influence to their music. Provinces, or 4Ps) announced that the Reservations are being accepted pub would close in early November. now, with the admission fee being Frank recently received an extension collected at the door (cash or check on the lease, so the pub is now only). Admission for WFMA Friends scheduled to close in a few months. of Folk Music members will be $20. The pub opened at its current Admission for non-members will be location on Connecticut Avenue in $25. Reservations can be made using 1976 and has been a mainstay of Celtic Photo by Bill Adler our Online Reservation Form at http:// music and a proud contributor to the wfma.net/res4fields.htm or by sending DC community for over 35 years. son (and Berklee College of Music an email to [email protected], with This DC icon has hosted numerous graduate), Owen Danoff. Owen is your name, phone number, number in events: concerts, fundraisers, reunions, active in the DC area music scene and party and arrival time. Those without receptions, wakes and WFMA Music has been nominated for two Wammies Internet access can make a reservation Americana Showcases. (Washington Area Music Awards). by calling the Four Fields at (202)244- In the fall of 1986, Dick Cerri Doris Justis and Sean McGhee 0860. -
State of Lakeside
July 12, 2014 Vol. 2014, Issue 4 Chautauqua Park Dedication celebrates progress Chaplain of the Week: Allison Moon Adolphi, to The Dr. Tony Campolo Advancement Byrds’ version Lakeside Chautauqua Communications Intern of “Turn, Turn, welcomes Dr. Tony Cam- Turn.” polo as the Chaplain of the The Dedication of Chau- Wilson and Week. tauqua Park will take place at Adolphi have a Dr. Campolo will lead 4 p.m. Sunday, July 13 in The long history of the 10:30 a.m. Hoover Com- Memorial Garden at Chau- professional ex- munity Worship Service on tauqua Park, located on the perience in bal- Sunday, July 13 in Hoover corner of Poplar Avenue and let. Auditorium. His sermon, Sixth Street. The pair has titled “Living Life Over The dedication will be a performed in Again,” is based on Philip- beautiful worship service tak- China, along pians 3:10-14. ing place under the Garden with the Fort For those who wish to Pavilion. Worth Ballet and the Methodist Theological attend worship, a compli- The service is centered on the Cleveland Ballet. School in Ohio in 2008, while mentary Church Pass may Monday-Friday. The pass Ecclesiastes 3:1, “To Every- Wilson has also danced for Adolphi went back to nursing be obtained Sundays be- includes admittance for thing There is a Season.” the Chicago City Ballet for school. tween 7:30-10:30 a.m., val- guests and auto. The dedication will in- three years. id until 3 p.m. The pass in- At 7:15 p.m. Tuesday, clude a liturgical dance Later, he answered a call See DEDICATION cludes admittance for guests Dr. -
Guide to Jewish Practice, Vol
Shabbat Jacob J. Staub More than Israel has kept the Sabbath, the Sabbath has kept Israel. —Ahad Ha’am Over the long and rich history of the Jewish people, the weekly observance of Shabbat has played a central role. The actual details of how Jews have observed Shabbat As a cultural/spiritual Zionist, Ahad Ha’am wanted to shift the notion of what bound Jews to each other from an emphasis on nation state and territory to an emphasis on language and cultural practices. The Sabbath here is construed as a moral or spiritual Jewish practice, not necessarily as a religious one. Ahad Ha’am was concerned about saving Judaism, not Jews; hence, the emphasis on the Sabbath preserving Israel (Jews) rather than the reverse. Rabbi Mordecai Kaplan, of course, felt that one had to save Jews so that they could save Judaism. Thus Kaplan’s com- mitment to reconstructing Judaism. —D.D.M. EVERYDAYLIVING: Shabbat [3] "Guide to Jewish Practice, Vol. 2" is available at http://stores.jewishreconbooks.org have evolved over the centuries and varied according to where Jews have lived and which cultural traditions they have inherited. In all communities of which we are aware, however, Shabbat has been the primary axis upon which Jewish life has turned: preparing for Shabbat, lighting the candles before sunset on Friday, sanctifying the day over wine and hallah, eating, singing, praying and studying Torah. The day revolves around putting aside the cares of the week to create 25 hours devoted to holy, restful living until the moment on Saturday evening when the Havdala ceremony marks Shabbat’s end.