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  • OPF Head Office
    List of UNCC Un Registered Claimants for Interest Markup Payment Returned- Head Office S. No National No Name Father's Name Old NIC 1 103807 AMEER SULTAN HAMEED ULLAH 506-50-293053 2 103901 SABIR HUSSAIN KHAN BAHADAR KHAN 224-58-572755 3 105765 ALLAH DITTA DIN MUHAMMAD 224-90-012714 4 109980 SHAMIM SHAHSAWAR RAJA SHAHSAWAR 221-92-580128 5 114764 GHULAM NABI ALLAH DITTA 220-24-163473 6 150249 OURANGZEB MUHAMMAD SHARIF 301-58-297399 7 150281 JAMSHAD IQBAL CHAUDHRY MUHAMMAD HUSSAIN 224-59-104875 8 13558 HAJI MUHAMMAD DIN QADIR BUKHSH 211-27-125982 9 13577 RIAZ AHMAD 10 71 MUHAMMAD IQBAL FATEH ALI 269-47-196836 11 98 JAVED IQBAL FAZAL ELLAHI 214-39-234841 12 103 MUHAMMAD ASLAM ABBAS ALI 210-57-378648 13 282 FAYYAZ UL HAQUE MALIK FAIZ UL HAQ 217-25-218919 14 513 MUMTAZ ALI MALIK MALIK GHULAM MUHAMMAD 210-85-041678 15 538 MALIK MAHMOOD HUSSAIN AKBAR HUSSAIN 220-92-256507 16 587 MUHAMMAD IFTIKHAR MUHAMMAD AMAN 211-59-080432 17 592 MUHAMMAD IFTIKHAR ANWAR GHULAM ALI 300-53-132694 18 735 MUHAMMAD ASHRAF MUHAMMAD DIN 301-49-261432 19 749 SYED MEHTAB AHMAD SYED ABDUS SAMI 101-91-466638 20 806 QAMAR ZAMAN SHER ZAMAN 710-90-349515 21 1115 MUNIR HUSSAIN SHAH SYED MEHDI SHAH 101-27-562475 22 1196 MUHAMMAD RIAZ MUHAMMAD DIN 211-57-203718 23 1197 FEROZ DIN YASEEN 510-52-193405 24 1206 MUHAMMAD MALIK RAJAY KHAN 221-44-303356 25 1408 GUL JAHAN SHAH MIR SAHIB SHAH 155-53-397539 26 1418 MUHAMMAD AZAM KHOKHAR HAYAT MUHAMMAD KHOKHAR 101-51-624257 27 1495 WALAYAT KHAN BAHADAR KHAN 225-38-491633 28 1521 MUHAMMAD NAWAZ REHMAT KHAN 228-53-643072 29 1571 KHALIL BUTT ABDUL GHANI 276-44-291443 30 1596 MARGRATE D'COSTA CHARLIS FRANCIS 211-48-460787 31 1598 MUHAMMAD MANDAR MUHAMMAD DIN 225-55-347212 32 1599 JALIL UR REHMAN SUFI GUL NAWAZ 220-62-463192 33 1613 MUHAMMAD AKHTAR AMAM DIN 216-44-212685 34 1682 MUHAMMAD YASIN HASSAN HASSAN MUHAMMAD 266-46-100966 35 1683 TAHIR SADDIQUE RAJA M.
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  • World Anthology for the Protocol for World Peace
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  • The Lyrics of Thumn
    The Lyrics of Thumn: Hindi Poetry in a Musical Genre Lara Mirene (Lalita) du Perron A thesis submitted to the University of London for the degree of Doctor of Philosophy (PhD) Department of the Languages and Cultures of South Asia School of Oriental and African Studies January 2000 ProQuest Number: 10731628 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731628 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract Thumri is a vocal genre in North Indian (Hindustani) art music. It was traditionally used in songstress-courtesan performance, in the early nineteenth century as an accompaniment to interpretive dance, and later as a lyrical and emotive song form. TTiumri is now one of the most popular genres in contemporary art music. The lyrics of thumri have not been the subject of extensive academic enquiry. This dissertation examines thumri texts from two perspectives: linguistic and contextual. It is primarily based on song texts collected during field work in North India in 1996-97, as well as on material transcribed from commercial recordings and printed sources.
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  • List of Delhi Centre
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  • Nagar Nigam Kota (Raj.) , FSO 2013 List of Pensions Slum Dwellers
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  • Selected Renditions of Ragas of Hindustani Classical Music Dear
    Selected Renditions of Ragas of Hindustani Classical Music Dear Music Enthusiast: The following links connect you to selected renditions of ragas of Hindustani classical music by several well- known and highly respected artists and made available on the internet; notes on these ragas are contained in my bansuri and sitar notes available on rangayyan.ca. Some of the renditions listed are legendary; some are blends of current styles and preferences with our traditional arts; some have been my long-time favorites through radio shows and my collections of vinyl records, cassettes, and compact discs; some are constrained by old recording techniques; some provide high-quality video and audio recordings of recent performances. You may find on the internet many more renditions of the same ragas and others by the artists listed below and also other artists of the previous and current generations. Listening to such renditions keeps us connected to our roots; linked to our classical arts, traditions, and culture; in touch with current trends and artists; and immersed in our music. Listening to various artists and performances helps us in learning, practicing, exploring, and advancing in our artistic endeavors. I wish you success and happiness in your musical pursuits! Best wishes Raj Rangayyan PS: All links given below were functional in November 2019. Document revised on 26 November 2019. Abhogi Pandit Hariprasad Chaurasia: https://www.youtube.com/watch?v=4G_cmUgURZo https://www.youtube.com/watch?v=-cS2OG0oihU Vidushi Veena Sahasrabuddhe: https://www.youtube.com/watch?v=b21NWM6otKM
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