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SCHINDLERS HÄUSER Forum SCHINDLER’S HOUSES LES MAISONS DE SCHINDLER Regie: Heinz Emigholz

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SCHINDLERS HÄUSER Forum SCHINDLER’S HOUSES LES MAISONS DE SCHINDLER Regie: Heinz Emigholz Berlinale 2007 SCHINDLERS HÄUSER Forum SCHINDLER’S HOUSES LES MAISONS DE SCHINDLER Regie: Heinz Emigholz Österreich/Deutschland 2007 Dokumentarfilm Sprecher Christian Reiner Länge 99 Min. Format 35 mm, 1:1.37 Farbe Stabliste Konzept, Regie, Kamera, Schnitt Heinz Emigholz Kameraassistenz Volkmar Geiblinger Schnittassistenz Markus Ruff Sounddesign Jochen Jezussek Christian Obermaier Originalton May Rigler Mischung Eckart Goebel Produktionsltg. Alexander Glehr Prod.koordination USA May Rigler Produzenten Gabriele Kranzelbinder Alexander Dumreicher- Skolnik House (1950 –52) in Los Feliz Ivanceanu Co-Produzent Heinz Emigholz Redaktion Johanna Hanslmayr, SCHINDLERS HÄUSER – PHOTOGRAPHIE UND JENSEITS, TEIL 12 ORF Der Film zeigt in chronologischer Reihenfolge vierzig Bauwerke des öster- Jutta Krug, WDR III reichisch-amerikanischen Architekten Rudolph Schindler (1887–1953) aus Reinhard Wulf, den Jahren 1921 bis 1952. Schindlers pionierhafte Arbeit in Südkalifornien WDR/3sat Co-Produktion Heinz Emigholz begründete einen eigenen Zweig der architektonischen Moderne. Alle Auf - Filmproduktion, nahmen zum Film fanden im Mai 2006 statt. Der Film bildet damit auch ein Berlin aktuelles Porträt städtischen Wohnens in Los Angeles, das in dieser Aus - ORF, Wien formung noch nie dokumentiert worden ist. WDR III, Köln „1975 bin ich durch Zufall am Lovell House in Newport Beach vorbeige- WDR/3sat, Köln kommen. Der Bau kam mir auf den ersten Blick zugleich eigenartig und Produktion sinnvoll vor. Aber zu der Zeit war ich als Filmemacher mit extrem zeitanaly- Amour Fou Filmproduktion tischen Kompositionen beschäftigt, kein Gedanke an Architekturen außer- Lindengasse 32 halb des Mediums Zeit. Die Ausdehnung meiner filmischen Arbeit auf A-1070 Wien Raumfragen und Raumdarstellungen kam erst später. Ich hatte die Tel.: 1-99 49 91 10 Fax: 1-99 49 91 120 Begegnung mit dem Haus auch vergessen, bis ich es auf der Drehreise im www.amourfou.at Mai 2006 wiedererkannte. Erst Ende der 80er Jahre sind mir ein oder zwei [email protected] Häuser [von Schindler] in Los Angeles bewusst aufgefallen. Ein paar Jahre später habe ich dann den Plan für die Filmserie ,Photographie und jenseits‘ Weltvertrieb entwickelt. Und Schindler war nach Louis Sullivan und Robert Maillart Autlook Filmsales Zieglergasse 75/1 zusammen mit Adolf Loos, Bruce Goff und Frederick Kiesler das missing link A-1070 Wien zur Gegenwart – was jedenfalls mein Raumempfinden anbelangt.“ Tel.: 720-55 35 70 (Heinz Emigholz über seine erste Begegnung mit Schindlers Werken, aus Fax: 720-55 35 72 einem Interview mit Marc Ries) www.autlookfilms.com [email protected] SCHINDLER’S HOUSES – PHOTOGRAPHY UND BEYOND, PART 12 Festivals The film shows, in chronological order, forty buildings of the Austrian- Austrian Film Commission, Wien American architect Rudolph Schindler (1887–1953) from the years 1921 to 1952. Schindler’s pioneering work in southern California founds a particular branch of architectonic Modernism. All of the photography took place in May 2006. The film therefore offers a current portrait of urban living in Los Angeles that has never been documented in this form before. 30 “In 1975 I came by chance upon the Lovell House in Newport Beach. At first Filmografie glance the building seemed both singular and sensible. But at that time I 1972- SCHENEC-TADY I was occupied as a filmmaker with extremely time-analytical compositions, 1973 Kurzfilm 1973 SCHENEC-TADY II with no thought to architecture beyond the medium of time. It was only Kurzfilm later that I expanded my filmic work to include questions and depictions of 1973- ARROWPLANE space. I had forgot about the encounter with the house until I recognized 1974 Kurzfilm it again while filming in May 2006. At the end of the 1980s I first conscious- 1974 TIDE ly took notice of one or two other houses in Los Angeles [by Schindler]. A Kurzfilm 1972- SCHENEC-TADY III few years later I developed the plan for the film series ‘Photography and 1975 Kurzfilm beyond’. And Schindler, after Louis Sullivan and Robert Maillart and along- 1975- HOTEL side Adolf Loos, Bruce Goff and Frederick Kiesler, was the missing link to the 1976 Kurzfilm present – at least as far as my sense of space is concerned.” 1976- DEMON – DIE ÜBERSETZUNG VON (Heinz Emigholz on his first encounter with the works of Schindler, from an 1977 STEPHANE MALLARMES „LE DEMON DE L’ANALOGIE“ interview with Marc Ries) Kurzfilm 1978- LES MAISONS DE SCHINDLER – PHOTOGRAPHIE ET AU-DELA, 12e PARTIE 1981 NORMALSATZ Le film montre, par ordre chronologique, quarante édifices de l’architecte 1974- THE BASIS OF MAKE-UP I 1983 Kurzfilm Heinz Emigholz austro-américain Rudolph Schindler (1887–1953) des années 1921 à 1952. 1979- L’œuvre de pionnier de Schindler dans le sud de la Californie établit une 1985 DIE BASIS DES MAKE-UP Biografie branche particulière du modernisme architectural. Toutes les prises de vues 1974- Geboren 1948 in Achim bei Bremen. Aus - du film eurent lieu en mai 2006. Le film constitue ainsi un portrait actuel de 1987 DIE WIESE DER SACHEN bildung als Zeichner. Studium in Hamburg. l’habitat urbain à Los Angeles, dont il n’existait encore aucun document de 1986- Seit 1973 in Deutschland und in den USA ce genre. 1990 DER ZYNISCHE KÖRPER als Filmemacher, bildender Künstler, Kame - 1983- THE BASIS OF MAKE-UP II ra mann, Schauspieler, Autor, Publizist und « En 1975, je suis passé par hasard devant la Lovell House de Newport 2000 Kurzfilm Produzent tätig. Viele Ausstellungen, Retro - Beach. Au premier coup d’œil, le bâtiment me sembla à la fois singulier et 1993- SULLIVANS BANKEN spektiven, Vorträge und Publikationen. 1974 sensé. Mais à l’époque, je me consacrais en tant que cinéaste à des compo- 2000 Kurzfilm Beginn der enzyklopädischen Zei chen serie sitions extrêmement analytiques du temps, sans la moindre pensée pour 1995- MAILLARTS BRÜCKEN „Die Basis des Make-up“. 1978 gründete er l’architecture en dehors du facteur temps. L’extension de mon œuvre ciné- 2000 Kurzfilm die Produktionsfirma Pym Films. Seit 1993 1988- MISCELLANEA I Lehrstuhl für Expe ri mentelle Filmgestaltung matographique aux questions et aux représentations de l’espace ne vint 2001 Kurzfilm an der Universität der Künste Berlin. que plus tard. J’avais oublié la rencontre avec cette maison jusqu’à ce que 1998- Mehrere neue Filme sind kurz vor der je la reconnaisse, lors du tournage, en 2006. Ce n’est qu’à la fin des années 2002 GOFF IN DER WÜSTE Fertigstellung. 80 qu’une ou deux maisons [de Schindler] à Los Angeles ont retenu mon 1997- MISCELLANEA II attention. Quelques années plus tard, j’ai élaboré le projet de la série de 2004 Kurzfilm Biography 1996- THE BASIS OF MAKE-UP III Born in 1948 in Achim near Bremen. films ‹ Photographie et au-delà ›. Et Schindler, après Louis Sullivan et Robert 2004 Kurzfilm Trained as draughtsman. Studied in Maillart ainsi que Adolf Loos, Bruce Goff et Frederick Kiesler, constituait le 2002- Hamburg. Works in Germany and USA chaînon manquant avec le présent – en ce qui concerne en tout cas mon 2005 D’ANNUNZIOS HÖHLE as filmmaker, artist, cameraman, actor, sens de l’espace. » 2005- publicist and producer since 1973. Many (Heinz Emigholz à propos de sa première rencontre avec les ouvrages de 2006 ARCHITEKTUR LABORATORIUM exhibitions, retrospectives, lectures and STEIERMARK publications. Began 1974 with ency- Schindler, extrait d’une interview de Marc Ries) Über 50 Kurzfilme clopaedic drawing series “The Basis of 2007 SCHINDLERS HÄUSER Make-Up”. Founded production company Pym Films in 1978. Professor for experi- mental filmmaking at the University for Arts in Berlin since 1993. Several new films will be finished shortly. Biographie Né en 1948 à Achim, près de Brême. Formation de dessinateur. Etudie à Hambourg. Travaille depuis 1973 en Allemagne et aux Etats-Unis comme cinéaste, artiste, caméraman, acteur, auteur, journaliste et producteur. Nombreuses expositions, rétrospectives, conférences et publications. Entame en 1974 une série encyclopédique de dessins intitulée « La Base du make-up ». Fonde la société de production Pym Films en 1978. Professeur de cinéma expérimental à l’université des arts de Berlin depuis 1993. Plusieurs nou- veaux films sont en cours d’achèvement. Kings Road House (1921–22) in West Hollywood 31.
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