31, 2020 Track Listing & Transcripts
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Maria Khan, Matthew Epperson, Disconnetted
positivelyaware.com MAY+JUNE 2012 TWo EPIDEMICS IncarceratIon and HIV How the criminal justice system can play an effective role in the treatment and prevention of HIV ThE benefiTs of opT-out tesTiNg risk fAcTors for women coNfErencE Update: croi B:16.5 in T:16 in S:15 in www.egrifta.com YOU’VE WORKED TO CONTROL YOUR HIV. NOW, TIME TO WORK ON YOUR FILE NAME 0053_EGR_AD_SPD_ HIV-RELATED EXCESS BELLY FAT. PA_May_August_ In two separate clinical trials of HIV-infected people with lipodystrophy, each lasting 6 months, EGRIFTA® (tesamorelin M3.inddDATE 03.30.12 for injection) reduced HIV-related excess belly fat by an average of 18% in the rst trial, and 14% in the second trial. CLIENT This reduction in excess belly fat resulted in an approximate 1-inch reduction in waist size. Individual results may vary. On ® Egrifta average, patients on EGRIFTA did not lose weight. PART # Like HIV, HIV-related excess belly fat is a chronic condition. In clinical studies: 120127-102148 • People who used EGRIFTA® continuously for 1 year maintained their results over this time period DESCRIPTION • People who stopped taking EGRIFTA® after 6 months had their HIV-related excess belly fat come back EGRIFTA® is believed to work with your own body to produce natural growth hormone to reduce your excess belly fat. Print Ad Positively Aware - Spread SPECS Indication: EGRIFTA® is a daily injectable prescription medicine to reduce the excess abdominal fat in HIV-infected patients with lipodystrophy. Trim: 16 x 10.5” Limitations of use: Bleed: 16.5 x 11” • The impact and safety of EGRIFTA® on cardiovascular health has not been studied Safety: 15 x 9.5” • EGRIFTA® is not indicated for weight-loss management Gutter: 1” • It’s not known whether taking EGRIFTA® helps improve compliance with antiretroviral medications Colors: 4C, CMYK • EGRIFTA® is not recommended to be used in children COLOR INFO Important Risk Information • Injection-site reactions, such as redness, itching, pain, irritation, T:10.5 in T:10.5 S:9.5 in Do not use EGRIFTA® if you: bleeding, rash, and swelling. -
Psychosocial Aspects of HIV/AIDS: Children and Adolescents Kristin L
Chapter Title Psychosocial Aspects of HIV/AIDS: Children and Adolescents Kristin L. Close, LMSW Objectives Overview 1. Identify psychosocial factors that affect children and Children and adolescents are an ever-growing part of the adolescents infected with human immunodeficiency human immunodeficiency virus (HIV)/AIDS pandemic. virus (HIV)/AIDS and how these factors relate to In 2007, an estimated 2.1 million children younger than general chronic illness. 15 years were living with HIV, and 290,000 children 2. Identify sources of stigma and discrimination died from the disease in 2007 alone. HIV/AIDS takes against children and adolescents and explore how an enormous physical toll on those infected by the stigma affects disclosure of HIV status. virus as well as those who care for them. However, the 3. Examine issues of death and dying and the grief/ psychological toll of the pandemic is just as significant. bereavement process that follows for survivors. The psychological and social effects of HIV/AIDS are 4. Identify particularly vulnerable pediatric and magnified in today’s youth. adolescent populations and explore reasons why they are at increased risk of HIV/AIDS infection and Children involved in the pandemic face a set of psycho- progression. logical and social issues that must be addressed, not 5. Discuss special issues encountered by adolescents overlooked. This chapter will discuss how children and infected with and affected by HIV/AIDS. adolescents are affected by important aspects of the HIV/ AIDS pandemic, including stigma, disclosure, and death, Key Points as well as how health care professionals can support them while dealing with these challenges. -
Hiv/Aids and Its Impact Hiv/Aids
Section 1 HIV/AIDS and its impact Section 2 Legal and policy HIV/AIDS AND ITS IMPACT framework Section 3 Employers need a clear understanding of HIV/AIDS and the impact of the epidemic in order to plan a workplace programme. Developing workplace policies This Section helps you fi nd basic information about inf HIV and inf AIDS, and their implications for society as a whole as well as for Section 4 the world of work. Implementing workplace programmes To view the contents, click on the headings on the left or scroll through the pages. Section 5 Good practice and lessons learnt HIV/AIDS - the facts The Human Immunodefi ciency Virus (HIV) is a virus that weakens the body’s immune system, ultimately causing AIDS. The Acquired Immune Defi ciency Syndrome (AIDS) is a cluster of medical conditions linke to HIV infection. These conditions include diseases known as inf 2 opportunistic infections, as well as certain cancers. To date there is no cure, but the onset of AIDS can be slowed and symptoms relieved with the appropriate use of antiretroviral drugs (ARVs). A person with HIV is not necessarily sick, and can go on working for a number of years after infection. ARVs make it possible for people to continue living full and productive lives. You are in Section 1 The ILO Code of Practice on HIV/AIDS and the world of work (Appendix I) and the accompanying HIV/AIDS and its impact Education and Training Manual contain basic facts about the epidemic and its implications, conditions that contribute to inf HIV and AIDS – the facts vulnerability, and the gender dimension. -
Dec1 Untitled REF GUIDE FINAL[2]
UNTITLED RESOURCE GUIDE SUGGESTIONS FOR ENGAGEMENT ABOUT UNTITLED Beginning with a reflection on the early AIDS epidemic, Untitled eschews a linear narrative to introduce a fractious timeline, moving from the sublime to the tragic and back again. By juxtaposing mainstream network news, activist footage, artists' work, and popular entertainment from the last turbulent decades, Untitled references regimes of power that precipitated a generation of AIDS and queer activism and continues today with international struggle and expression. In 2010, artist Jim Hodges was invited to give a lecture on the billboard project of Félix González-Torres at San Antonioʼs Artpace. He teamed up with fellow filmmakers Carlos Marques da Cruz and Encke King to create Untitled. Neither a portrait or a documentary about González- Torres, the film was an attempt to place the viewer “in his room,” that is to say, the filmmakers worked to create, for the viewer, an understanding of the influences and contexts within which González- UNTITLED Torres was working. In Hodges's words, “In this way, the framing of the artist can become a way to project any number of people, endlessly.” A Film by Untitled can therefore be considered to be as much about González- Jim Hodges, Carlos Marques da Cruz, and Encke King Torres and the AIDS crisis as it can be seen as grappling with the continuum of global dehumanization. PURPOSE OF THIS RESOURCE GUIDE In an effort to honor the sense of endlessness that Untitled suggests, this guide is a resource for provoking both public and private conversation. We have provided you with: • WORDS for engagement regarding HIV/AIDS, art, and culture • THOUGHTS to provoke dialogue • HIV/AIDS TIMELINE • INFORMATION about prevention and wellness • LINKS to extend the conversation CREDITS • Like the film, this Resource Guide hopes to raise more questions than it answers. -
WORLD AIDS DAY 2018 the 30Th Anniversary
WORLD AIDS DAY The 30th 2018 Anniversary events • information • stories #BrizWAD2018 | #myredribbon Support people living with HIV this World AIDS Day, make a donation to Brigstowe, local HIV services. Text BRIG05 and your amount to 70072. Thank you. 01 World AIDS Day was founded 30 years ago by two people who were working for the World Health Organisation. The premise was simple: to raise awareness and to dispel stigma. By 1988, tens of thousands of people had died from AIDS-related illness and that number was still rising. There was no promising treatment and people living with HIV and AIDS were experiencing discrimination from employers, landlords and health care professionals. Activist movements had started to rise out of frustration at political apathy in the face of one of the largest public health crisis in modern history. Groups like ACT UP and Treatment Action Group (TAG) were starting to demand the government pay attention. Support and advice organisations were forming to support people living with HIV and AIDS, with the myriad issues that went along with having the virus: housing; work; relationships; and of course, healthcare. Now, 30 years on, where are we? How far have we come? This magazine and programme of events has been designed with our friends, partners, colleagues and of course – people living with HIV – in order to celebrate life, remember those we’ve lost and to raise awareness of an illness that still carries a burden of misunderstanding and stigma. We hope you enjoy reading! Team Brigstowe x 02 Contents The Red Ribbon Project Page 03 #MyRedRibbon Page 04 Rockin the Ribbon since 1987 Page 05 Andy’s Story Page 06 #zerotransmission – THT Page 10 Programme of Events Page 11-17 The Diversity Trust Page 12 UWE Bristol Page 14 Don’t Tell Your Mother Page 17 About Brigstowe Page 18 Support Our Work Page 19 Emily’s Story Page 20 Programme Supporters Page 21 Top HIV Facts Page 22 03 The Red Ribbon Project The Red Ribbon has been an international symbol of HIV and AIDS for years. -
David Wojnarowicz and the Surge of Nuances. Modifying Aesthetic Judgment with the Influx of Knowledge
David Wojnarowicz and the Surge of Nuances. Modifying Aesthetic Judgment with the Influx of Knowledge Author Affiliation Paul R. Abramson & University of California, Tania L. Abramson Los Angeles Abstract: Learning that an artist was a victim of inconceivable torment is critical to how their artworks are experienced. Forced as it were to absorb the wretched demons from the here and now, artists such as David Wojnarowicz have implau- sibly found the resolve to depict this adversity, and its psychological detritus, in their singularly creative manners. Recognised for his autobiographical writings no less than his artwork, Wojnarowicz is especially admired for his sheer defiance of conventional life scripts, and his fortitude in the face of adversity in the circum- scribed world of imaginative constructions. Arthur Rimbaud in New York, A Fire in My Belly, and Wind (for Peter Hujar) for example. The enduring value of his artwork, inextricably enhanced by his diaries and essays, is that they simultane- ously provide a narrative portal into the untangling of his inner life, as well as fundamentally influence how these works are perceived. When looking at two paintings, ostensibly by Rembrandt, is there an aesthetic difference in how these paintings are experienced if we know that one of the two paintings is a forgery? Most certainly, declared Nelson Goodman, who noted that this bit of knowledge ‘makes the consequent demands that modify and differentiate my present experience in looking at the two [Rembrandt] paintings’.1 Is that also true about depictions of Christ on the cross? Does knowledge of Christ’s story alter how Michelangelo’s Christ on the Cross is experienced? If what we know, or think we know, has the capacity to ultimately influence © Aesthetic Investigations Vol 3, No 1 (2020), 146-157 Paul R. -
ACT up by Geoffrey W
ACT UP by Geoffrey W. Bateman Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com On March 24, 1987, the AIDS Coalition To Unleash Power, or ACT UP, staged its first action in New York City on Wall Street, protesting the Food and Drug Administration and the drug company Burroughs Wellcome. Converging on the site in the hundreds, protesters passed out flyers, disrupted traffic, and drew considerable media attention. One activist even built an effigy of the head of the FDA that he hung outside a church during the protest. Through this demonstration, ACT UP initiated its direct-action strategy in the fight against the AIDS epidemic. Using bold images and confrontational tactics, ACT UP worked to promote awareness of AIDS and challenge the complacency of politicians and government officials who had yet to respond adequately to the crisis. As its statement of purpose reads, "ACT UP is a diverse, non-partisan group united in anger and committed to direct action to end the AIDS crisis. We protest and demonstrate; we meet with government and public health officials; we research and distribute the latest medical information; we are not silent." Targeting Wall Street allowed ACT UP to highlight one of the most pressing needs of those living with AIDS in the late 1980s--effective and affordable drug treatment. Because of FDA policies, Burroughs Wellcome was the only company that made and sold AZT. The high cost of the drug--anywhere from $10,000 to $13,000 a year for one patient--and the belief that it was the only treatment option available prompted New York City activists to target this monopoly. -
Larry Kramer Interview Number
A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Larry Kramer Interview Number: 035 Interviewer: Sarah Schulman Date of Interview: November 15, 2003 © 2004 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP ORAL HISTORY PROJECT Interview of Larry Kramer November 15, 2003 Tape I 00:07:00 SARAH SCHULMAN: If you could say your name, how old you are, where we are and today’s date? LARRY KRAMER: My name is Larry Kramer. We are in my study, in my lover’s and my house in New Preston, Connecticut. SS: How old are you? LK: I’m 68. SS: Mazel tov. What’s today’s date? LK: That I’ve lasted this long is a major miracle. SS: And today is? LK: November 15th, 2003. SS: Well, Larry, you’ve been interviewed many times and you have a lot to say, and what we really want to do is ask you the questions that you probably have not repeated ad nauseum before and that, maybe, more of an internal conversation from people who were inside ACT UP together. So we’re not going to be asking you these generic questions or things that anybody who is interested can find other places. I just want to ask you a few background questions. When did you family come to this country? LK: My father was born in this country, and his mother was from Russia and no one knows where his father was from. And my mother came when she was four, also from Russia. -
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Annual Report 2016-2017
Town Information Emergency Telephone Numbers Emergency Medical Fire Police 911 Emergency Call Center (when activated) 860-598-0120 Ambulance 860-434-0089 Fire (nonemergency) 860-399-7921 State Police Troop F Westbrook 860-399-2100 Town Government The Old Lyme Memorial Town Hall, 52 Lyme Street, is open Monday through Friday from 9:00 a.m. to 4:00 p.m. Please call ahead to verify lunch hour coverage. Town offices are closed during state and federal holidays. The same schedule applies to the office of the Town Clerk. Scheduled meetings of town agencies are posted in advance at the Town Hall and posted on the website. Public hearings are advertised in advance. Agendas and meeting minutes are filed with the Town Clerk and posted on the website: www.oldlyme-ct.gov. TOWN OF OLD LYME PHONE DIRECTORY All Town Hall Offices 860-434-1605, Fax 860-434-1400, Email [email protected]. Please dial the 3-digit extension number of the department or person you’d like to reach. Assessor First Selectwoman’s Office Planning Melinda R. Kronfeld 218 Michele E. Hayes 212 Kim Groves 234 Mickie Fraser 219 Catherine Frank 210 Registrars of Voters Building Health (Ledge Light Catherine Carter or John Flower 213 Health District) Marylin Clarke 226 Kathy Hall 230 Patricia Myers 214 Social Services Emergency Management Information Technology Jennifer Datum 228 David Roberge 231 237 Tax Collector Facilities Land Use (Conservation, Judy Tooker 216 Phil Parcak 245 Inland Wetlands, Planning, Toni O’Connor 217 Finance Zoning, ZBA) Town Clerk Nicole Stajduhar 232 Keith Rosenfield 225 Vicki Urbowicz 220 Amy Jensen 215 Kim Groves 234 Zoning Keith Rosenfield (ZEO/ Fire Marshal Kim Barrows 236 IWEO) 225 David Roberge 231 Parks & Recreation Kim Barrows 236 First Selectwoman Don Bugbee 235 Zoning Board of Appeals Bonnie Reemsnyder 211 Kim Barrows 236 Animal Control ................................................................................................. -
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In Sfep Mqgl]zin® Ih!ide 1661 N. Wther Slro®l, Suite 411 NEWS Milwqukee, Wl 53202 Carperrter Rand;ius Mum After Ouing Attanpt ....... 4 (4i 4) 27e-784o yoke Green Boy Angels Of Hape Find Noui Hone .......... 5 (414) 27e-58cO ha iN§TErm©AOL.con DEFIARTMENTS Nedanal dr Tmorld Nouis ISSN* 104i2435 Grottp Notes ........ Rontild F. 6eimon The Arts hade' The Calandm Jo,go L Cobol The Chasies prosidBm COLUMNS William Attewell politically Speching edinrndief TitibdiT;all Jorge Lcchal Inside Out ans edin Kiepin' Iri Sap Robert:s RIAha Monuel Kom.ght assaniorfupulilishers Jock Shorts ....... Ot,i in the St¢„ ......... 62 Richard white in'orn PUBLISH[R'S NOTE: Wo oi® very pleased lo welcome loiir now Keith (lark, Ron 6eimon, Kevin lsom, Jomokayo, addfronsloourstllff.JimLautenhachisreioininglhe/n5tepleqm,thistimous Owen Keehnen, Jim W. Loutenboch, Chulene Lichtenstein, a wTifer covering evenls and neus in the Milwqukee qi'eo. As parl of our Morrin Liebmon, Cheryl Myeis, Richard Mohr, commineul lo cover lesBi6qy Wisconsin, cheryl Myers has ioined us os nell. Dole Reynolds, Shelly Roberts, Mary Shofer, Jamie Toylor, Her beat will bo the Green Bay rind Applelon areas. tledt out her story Green AhenB Zorembko, Yvonne Zipter Bdys Angels Of Hope MC( Oiurch on page 5. Richnd White, .n Ohio trms- contrwhngwhas plont, rius tone on bound us our irfem, a first for /n 5fep, dnd we are groleful lo hove him. And finafty, Munuel Kortrighl rounds out our full-tim offi[o slofl JomesToylor,Vincent6oudos os lhe Assisldul lo the Publishers. Welcome ohoqrd one and olll pholographors Roben Amold, Paul Hoffmunn, (omper unnds Wells Ink atdirrfuandaddeskyn rd###!##qT:':##,Or#€#ony#FTcthT#n£'se#xng rdgivus or pelful odentoton, pwhce oT belrfe of sock person oi moinbes of wh orgorizofro. -
David Wojnarowicz. History Keeps Me Awake at Night
David Wojnarowicz. History Keeps Me Awake at Night DATES: 29 May – 30 September, 2019 PLACE: Sabatini Building, Floor 1 ORGANIZATION: Whitney Museum of American Art, New York, in collaboration with the Museo Reina Sofia, Madrid, and the Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxembourg CURATORSHIP: David Breslin and David Kiehl COORDINATION: Rafael García TOUR: Whitney Museum of American Art, Nueva York: 13 July– 30 September, 2018 Museo Reina Sofía, Madrid: 29 May – September 30, 2019 Mudam Luxembourg - Musée d’Art Moderne Grand-Duc Jean, Luxemburg: 26 October, 2019 – 2 February 2020 The exhibition David Wojnarowicz. History Keeps Me Awake at Night is the first major review of the multifaceted creative work of the artist, writer and activist David Wojnarowicz (New Jersey, 1954-New York, 1992) since the 1999 exhibition at the New Museum in New York and the 2012 publication of Fire in the Belly: The Life and Times of David Wojnarowicz, his Cynthia Carr's detailed biography. This major retrospective, organized by the Whitney Museum of American Art in New York in collaboration with the Reina Sofia Museum and the Mudam Luxembourg - Musée d'Art Moderne Grand-Duc Jean, not only examines the plurality of styles and media that the artist displayed in his practice, but also relates his work to the political, social and artistic context of New York in the 1980s and early 1990s. That was a time marked by economic uncertainty and the terrible AIDS epidemic, but also by creative energy and a series of profound cultural changes: the intersection of different movements - graffiti, new wave and no wave music, conceptual photography, performance and neo-expressionist painting - turned the American city into an artistic laboratory for innovation.