Martin Amis: 'I Don't Want to Tread Carefully' | Books | the Guardian
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British Fiction Today
Birkbeck ePrints: an open access repository of the research output of Birkbeck College http://eprints.bbk.ac.uk Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. This is an author-produced version of a paper published in British Fiction Today (ISBN 0826487319). This version has been peer-reviewed but does not include the final publisher proof corrections, published layout or pagination. All articles available through Birkbeck ePrints are protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Citation for this version: Brooker, Joseph (2006). The middle years of Martin Amis. London: Birkbeck ePrints. Available at: http://eprints.bbk.ac.uk/archive/00000437 Citation for the publisher’s version: Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. http://eprints.bbk.ac.uk Contact Birkbeck ePrints at [email protected] The Middle Years of Martin Amis Joseph Brooker Martin Amis (b.1949) was a fancied newcomer in the 1970s and a defining voice in the 1980s. He entered the 1990s as a leading player in British fiction; by his early forties, the young talent had grown into a dominant force. Following his debut The Rachel Papers (1973), he subsidised his fictional output through the 1970s with journalistic work, notably as literary editor at the New Statesman. -
Touring Mallorca, À La Carte
FRIDAY-SUNDAY, MARCH 26-28, 2010 Amsterdam sinologist Otto Franke (1863-1946) Until June 13 % art through paintings and objects from 44-131-624-6200 “Kienholz: Hoerengracht” displays a his studies in Asia. www.nationalgalleries.org walk-through evocation of Amster- Museum Dahlem- dam’s red-light district by American Museum of Asian Art London Until May 24 artists Edward and Nancy Kienholz. music % 49-30-8301-382 Amsterdam Historisch Museum “Teenage Cancer Trust 2010,” www.smb.museum Until Aug. 29 is being supported by top Brit- % 31-20-5231-822 ish musical acts, including Arctic music www.ahm.nl Monkeys and The Who, “Festtage 2010” is a classical-music festi- which will perform Barcelona val, featuring opera performances of “Eu- “Quadrophenia.” gene Onegin,” “Simon Boccanegra” and March 26, Noel film “Tristan and Isolde” alongside recitals. Gallagher “Frederico Fellini: The Circus of Illusions” Staatsoper Unter den Linden March 27, presents more than 400 images illus- Until April 5 Arctic Monkeys trating the work process, inspirations % 49-30-2035-4438 March 28, JLS and films of the Italian director. www.staatsoper-berlin.org March 29, The Specials CaixaForum Barcelona March 30, The Who Until June 13 Bilbao Royal Albert Hall % 34-93-4768-600 art www.royalalberthall.com obrasocial.lacaixa.es “Anish Kapoor” is a touring exhibition presenting 20 major sculptural works design music by the Turner Prize-winning artist, “Sustainable Future” show- “Woody Allen and His New Orleans from the 1970s to the present. cases prototypes, samples, Sammlung Otto Franke, Privatbesitz Jazz Band” conclude the European Museo Guggenheim Bilbao products and films illustrat- March tour of the jazz ensemble. -
Narrative and Narrated Homicide" : the Vision of Contemporary Civilisation in Martin Amis's Postmodern Detective Fiction
Title: "Narrative and narrated homicide" : the vision of contemporary civilisation in Martin Amis's postmodern detective fiction Author: Joanna Stolarek Citation style: Stolarek Joanna. (2011). "Narrative and narrated homicide" : the vision of contemporary civilisation in Martin Amis's postmodern detective fiction. Praca doktorska. Katowice : Uniwersytet Śląski University of Silesia English Philology Department Institute of English Cultures and Literatures Joanna Stolarek „Narrative and Narrated Homicide”: The Vision of Contemporary Civilisation in Martin Amis’s Postmodern Crime Fiction Supervisor : Prof. dr hab. Zbigniew Białas Katowice 2011 1 Uniwersytet Śląski Wydział Filologiczny Instytut Kultury i Literatury Brytyjskiej i Ameryka ńskiej Joanna Stolarek „Narratorska i narracyjna zbrodnia: Wizja współczesnej cywilizacji w postmodernistycznych powie ściach detektywistycznych Martina Amisa Promotor : Prof. dr hab. Zbigniew Białas Katowice 2011 2 Contents Introduction ....................................................................................................... 6 Chapter 1: Various trends and tendencies in 20 th century detective fiction criticism ............................................................................. 24 1.1. Crime fiction as genre and as popular literature ........................................ 24 1.2. A structural approach to detective fiction .................................................. 27 1.3. Traditional and modern aspects of crime literature in hard-boiled detective fiction ........................................................................................... -
Martin Amis: Intoxicating, Free – the Novelist Life - Telegraph
Martin Amis: intoxicating, free – the novelist life - Telegraph http://www.telegraph.co.uk/culture/hay-festival/8825242/Marti... Martin Amis: intoxicating, free – the novelist life Last week’s Hay Festival in Mexico found Martin Amis on robust and outspoken form. In this extract from his talk, the writer discusses America in decline, the fear th0at comes with turning 60, and what it means when women like pornography. Plus he offers a sneak preview of his new novel – a biting satire of modern Britain. 6:16PM BST 14 Oct 2011 7 Comments (http://www.telegraph.co.uk/culture/hay-festival/8825242/Martin-Amis-intoxicating-free-the-novelist- life.html#disqus_thread) Edmundo Paz Soldán (Bolivian novelist and professor) I’d like to talk about your last novel, The Pregnant Widow. What do you have to say about the relationship between beauty and ageing? Martin Amis That you get ugly when you get old. It’s all perfectly simple. In fact I can tell you how it’s going to go. Everything seems fine until you’re about 40. Then something is definitely beginning to go wrong. And you look in the mirror with your old habit of thinking, “While I accept that everyone grows old and dies, it’s a funny thing, but I’m an exception to that rule.” Then it becomes a full-time job trying to convince yourself that it’s true. And you can actually feel your youth depart. In your mid-forties when you look in the mirror this idea that you’re an exception evaporates. Then, you think life is going to get thinner and thinner until it dwindles into nothing. -
Gala Dinner 2019
Gala Dinner 2019 Established 1920 Martin Amis is a renowned novelist, essayist, and cultural The Board of Trustees of commentator. As the author of fourteen novels, several collections The American Library in Paris of short stories, two screenplays, and eight collections of nonfiction, requests the pleasure of your company at Amis has established himself as one of the great British writers of our time. Born in Oxford, England in 1949, Amis found success early in his career. His first novel,The Rachel Papers, written in 1973, won the Somerset Maugham Award for best first novel. Amis is best known for his London trilogy, published in the 1980s and 1990s: Money: A Suicide Note, London Fields, and The Information. In 2005, The 2019 Gala Dinner Time Magazine named Money: A Suicide Note one of the best 100 English-language novels since 1923, the year of the magazine’s founding. He has also been listed twice for the Booker Prize for his with guest of honor novels Time’s Arrow (1991) and Yellow Dog (2003). Martin Amis As a nonfiction writer, Amis has explored a range of topics including politics, pop culture, sports, and literature. He received the James Tait Black Memorial prize for his 2000 memoir Experience. His most recent collection The Rub of Time: Bellow, Thursday 6 June 2019 Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017 investigates many subjects of American culture. Cocktails 19h00 Dinner 20h00 Martin Amis is a 1968 graduate of Exeter College, Oxford. In 1977, Amis became the literary editor at the British cultural magazine, New Statesman. -
ORB 3 1.Indd
Oxonianthe Review michaelmas 2003 . volume 3 . issue 1 of books Voices of the Victims Narrating the Genocide in Rwanda n May 2003, I rode a bus from Kigali, the capital of Rwanda, to Gashora, a village two Ihours south, with 70 men who had committed genocide or crimes against humanity nine years earlier, when between 500,000 and 1 million Tutsis and moderate Hutus were systematically killed in rapid and barbaric waves of ethnic violence. The men on the bus – some as young as 19, meaning they had committed genocide crimes when they were 10 – had, along with 20,000 other detainees across Rwanda, confessed to participating in the killing spree. In return for their confessions, the prisoners were being released provi- Gil Courtemanche. sionally from the country’s sordid, overcrowded jails and transported back to their home A Sunday at the Pool in communities. Waving, cheering locals – mostly Hutus – lined the streets to welcome the Kigali. Translated by Patricia returning genocidaires as if they were a liberation army. Claxton. Edinburgh: Onboard the detainees danced and sang as they watched the prison camp recede in Canongate Books, 2003. the rear window and the red dirt roads wind homeward before them. Soon their ecstasy 258 pages. turned to frustration at the slowness of the bus as it bounced along the rutted, dusty Peter Harrell. tracks out of Kigali, then to fatigue and finally to uncertainty and fear at the realities of Rwanda’s Gamble: Gacaca their situation. They had confessed to some of the worst crimes imaginable and now they and a New Model of Transi- tional Justice. -
American Values Revisited
Fall 2012 Reflections Y A L E D I V I N I T Y S C H O O L Who Are We? American Values Revisited i There is an American sermon to deliver on the unholiness of pessimism. – Earl Shorris cover art “mournings After (september 11th)” by michael seri interior photography campaign buttons from past election seasons and social issue crusades Reflections wishes to thank tom strong of new Haven and John lindner of Yale Divinity school for allowing the use of their extensive election button collections. ReFlections – Volume 99, numbeR 2 issn 0362-0611 Reflections is a magazine of theological and ethical inquiry published biannually by Yale Divinity School. Opinions expressed are solely those of the authors and do not represent those of the sponsoring institution and its administration and faculty. We welcome letters to the editor. All correspondence regarding Reflections should be addressed to Ray Waddle at the School’s address or at [email protected]. For a free subscription or to buy additional copies of this issue, please go to www.yale.edu/reflections, or call 203.432.6550. Reflections study guides, summaries of back issues, and other information can be found on the website as well. Reflections readers are welcome to order additional compli- mentary copies of this and most past issues. The only cost is the actual shipping fee. To make a request, write to [email protected] Gregory E. Sterling – Publisher John Lindner – Editorial Director Ray Waddle – Editor-in-Chief Gustav Spohn – Managing Editor Constance Royster – Senior Advisor Peter W. -
The Amis Inheritance
Martin Amis Kingsley Amis Writing and Writers Books Authors ... http://www.nytimes.com/2007/04/22/magazine/22amises.t.html?_r=1&o... April 22, 2007 The Amis Inheritance By CHARLES McGRATH Ben Jonson wrote: “Greatness of name in the father ofttimes helps not forth, but overwhelms the son; they stand too near one another. The shadow kills the growth.” This Oedipal principle applies to all sorts of professions, but few more so than the literary one. It’s not unheard of for the child of an author to try his hand at writing. Stephen King’s two sons are writers, and so is one of John Updike’s. Hilma Wolitzer’s daughter Meg is a novelist, as is Anita Desai’s daughter Kiran, whose second book just won the Booker Prize — an award that has so far eluded her mother. But writers’ offspring tend to go into the family business with far less regularity than, say, the children of doctors or lawyers, and it seldom happens that over the long haul, and in the deepening shade, the younger equals or outstrips the elder — the way that Anthony Trollope, to take a famous example, bested his mother, Fanny. The exception these days is the curious writerly firm of Amis & Amis, founded by Kingsley, who died in 1995, and now run by his son Martin. Kingsley Amis, an indelible figure in British letters, is the subject of an immense and sympathetic new biography by Zachary Leader (published this month in the United States) that has already caused a stir in England both by reminding readers of how funny Kingsley could be and because of its frankness about his personal life. -
Brian Finney
Brian Finney California State University Long Beach Home Vita Published Essays Courses Email: [email protected] Ackroyd l Amis l Barnes l Beckett l Carter l Finney l Ishiguro l McEwan l Mo l Roth l Rushdie l Self l Smith l Winterson Amis: Other People> Amis: Money> Amis: Times Arrow> Amis: The Pregnant Widow> Life and Other Genres: Martin Amis’s The Pregnant Widow In 2010 Martin Amis, possibly the most influential - and contentious - of contemporary British novelists, published The Pregnant Widow, his most acclaimed novel since The Information (1995). Greeted by many reviewers as a “return to form” (Chatfield, “Return,” White), “close to a masterpiece” (Cartwright), and worthy of the Booker Prize (Hensher), it was launched with the kind of publicity blitz that accompanied his earlier novels of the late 1980s and 1990s and won him a notoriety that ensured massive sales and royalty advances. The downside of this orchestrated exercise in public relations has been a widespread misapprehension of what this novel is aiming to achieve. In particular many of the reviewers, including those favorable to the book, cited an interview Amis gave in 2006 in which he described an earlier draft of the novel as “blindingly autobiographical” (Amis, “30 Things”). Amis provides further ammunition for such reviewers by announcing in his opening section, “Everything that follows is true” (5). As Amis subsequently explained, he embarked on an autobiographical novel after the publication in 2003 of Yellow Dog, his last poorly received novel. In Easter 2008, after it had reached a length of some 200,000 words, he realized that it was two books. -
Researching Literary Tourism Charlie Mansfield Publisher: Shadows Books & Media, Bideford (22 Sept
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities Plymouth Business School 2015-09-22 Researching Literary Tourism Mansfield, C http://hdl.handle.net/10026.1/6351 Shadows Books & Media All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. ________________________ Researching Literary Tourism Charlie Mansfield Publisher: Shadows Books & Media, Bideford (22 Sept. 2015) ISBN 9780992857936 GGKEY:APEYCWGUC95 E ASIN: B015QEL7RE 1 2 __________________________________________________________ © 2015 Charles Mansfield Copyright Statement To cite: Mansfield, C (2015) Researching Literary Tourism, Bideford, Shadows. This copy has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author, Dr Charles Mansfield. Front Cover Photo Credit: Professor Paul Brunt (2014) Fieldwork research photograph of Admiral Restaurant on junction of Avenue Pierre Gueguin and Place Jean Jaurès with Quai d'Aiguillon in foreground, taken from Ville Close, Concarneau. 3 4 Preamble This book approaches literary tourism initially from an historical perspective in order to define the phenomenon through a review of the existing academic literature in the field. The forms of literary tourism are analysed to provide a typology and from this the value of literary tourism is explained both from the visitor's point of view and the destination manager's. Current theories underpinning the existing literature on literary tourism, including Bourdieu's concept of cultural capital are reviewed. -
D:\Atlantis\Artículos Para Publicar 26.2\Editado Por Ricardo Y Por Mí
ATLANTIS 26.2 (December 2004): 87–96 ISSN 0210-6124 Through the Looking Glass: America in Martin Amis’s Money: A Suicide Note Carlos Silva Campañón Universidad Autónoma de Barcelona [email protected] Martin Amis’s self-sufficient, well-wrought fiction demands a comprehensive perspective which highlights the relationship and interconnections between its constituent parts. The writer himself has made this clear through his emphasis on the indissolubility of form and meaning in a narrative which attempts to combine the aesthetic quality with an interpretation of the historical present. It is the purpose of this essay to develop an in-depth analysis of a significant motif, America, in one of Amis’s most representative novels, Money: A Suicide Note (1984). Through a formal, symbolical and historical reading of this motif, I will trace how these different readings support each other and open a window to some of Amis’s central tropes and topics, such as duality, otherness and the nature of the self in the context of the twentieth century. Key Words: self, dualism, otherness, postmodernism, America, Martin Amis, contemporary fiction. Martin Amis’s writing has been defined by Victoria Alexander as “a queer hybrid of a Nabokovian and Bellovian world-views” (Alexander 1994: 78). By this, the critic means that it is a fiction supported and enhanced by the tension between the formal and moral aspects of his prose. Through the recurrent presence of a fixed repertoire of motifs and thematic lines, we can simultaneously observe the workings of the aesthete in search of the perfect pattern and design and hear the musings of the social commentator and satirist. -
Martin Amis Returns Withthe Pregnant Widow P5
FREE FEBRUARY 2010 Readings Monthly your independent book, music and dVd newsletter • eVents • new releases • reViews BY MARTIN AMIS (JONATHAN CAPE) SEE PAGE 5 CAPE) SEE PAGE BY MARTIN AMIS (JONATHAN THE PREGNANT WIDOW IMAGE FROM Martin Amis returns with The Pregnant Widow p5 February book, CD & DVD new releases. More new releases inside. CRIME FICTION AUST FICTION NATURAL MEMOIR DVD POP CD CLASSICAL HISTORY $32.95 $27.95 $29.95 $44.95 $59.95 $24.95 $29.95 >> p8 >> p7 >> p6 $44.95 >> p9 >> p15 >> p17 >> p19 >> p10 February Event Highlights at Readings. See more events inside. ALEXANDER PAGES TO POETRY PAULA CONSTANT XUE XINRAN MCCALL SMITH AT READINGS AT READINGS AT ASIALINK AT THE CAPITOL CARLTON PORT MELBOURNE THEATRE All shops except SLV open 7 days. SLV closed Sundays. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 State Library of Victoria 328 Swanston Street 8664 7540 email [email protected] Find information about our shops, check event details and browse or shop online at www.readings.com.au Opens February From February the Wheeler Centre will be home to talks and debates, lectures and rants, launches and readings. Join the conversation. wheelercentre.com 2 Readings Monthly February 2010 From the Editor LOOKING AHEAD: 2010 ThisREADINGS AUSTRALIAN Month’s the most talked-about News Australian writer Amsterdam, Sleepers, PB, $24.95); A new publishing year is already underway BOOK CLUB of 2009, took out top place – though not Look Who’s Morphing (Tom Cho, Giramondo, – and with that comes a brand new ‘to read’ Readings runs three Australian Book Clubs for his controversial zeitgeist-surfing novel PB, $24.99); Unparalleled Sorrow (Barry list.