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Joanna Newsom Covers in the Blogosphere Shayne Pepper Northeastern Illinois University, [email protected]
Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2010 Joanna Newsom Covers in the Blogosphere Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Part of the Film and Media Studies Commons, and the Other Music Commons Recommended Citation Pepper, Shayne, "Joanna Newsom Covers in the Blogosphere" (2010). Communication, Media and Theatre Faculty Publications. 3. https://neiudc.neiu.edu/cmt-pub/3 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. Joanna Newsom Covers in the Blogosphere Shayne Pepper “This is an old song. These are old blues. And this is not my song, but it’s mine to use.” -- “Sadie” Joanna Newsom’s 2004 album, The Milk-Eyed Mender, was released at a time when music blogs were reaching new levels of popularity within certain sections of music and online communities. During this time, songs from nearly every high profile indie rock release seemed to find their way onto music blogs (often, to the chagrin of the music industry, far before slated release dates). Newsom’s songs were no exception – she was often something of a hot topic on blogs like Stereogum, My Old Kentucky Blog, Brooklyn Vegan, Gorilla vs. -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin -
Joanna Newsom (Musa De Armani): Mídia E Antimídia Em Busca De Uma Teoria Da Moda
JOANNA NEWSOM (MUSA DE ARMANI): MÍDIA E ANTIMÍDIA EM BUSCA DE UMA TEORIA DA MODA JOANNA NEWSOM (ARMANI'S MUSE): MEDIA AND ANTI-MEDIA IN SEARCH OF A FASHION THEORY Rodrigues, Dinamara Garcia; Dra.; Unirp – Centro Universitário de Rio Preto (São José do Rio Preto – SP – Brasil) [email protected]; Costa; João Gabriel de Oliveira; estudante; Unirp – Centro Universitário de Rio Preto (São José do Rio Preto – SP – Brasil); [email protected] Resumo Elegendo a cantora, compositora e harpista californiana que foi modelo de um ensaio assinado por Giorgio Armani, para a W Magazine, discutiremos o nascimento de uma teoria crítica da moda em relações com a construção de subjetividades midiáticas e antimidiáticas. Palavras-chave: Joanna Newsom; mídia/antimídia; teoria da Moda Abstract By electing the californian harpist singer-songwritter, who starred a photo shooting signed by Giorgio Armani, for W Magazine, we will discuss the birth of a fashion critics theory in relations with the mediatic and anti-mediatic construction of subjectivities. Keywords: Joanna Newsom; media/anti-media; fashion theory 1 Dinamara Garcia Rodrigues é Doutora em Teoria da Literatura, pela UNESP – Universidade Estadual Paulista (São José do Rio Preto – SP.); professora de Semiótica da Moda e Discursos do Corpo, na UNIRP – Centro Universitário de Rio Preto; editora-chefe da Óbvio – Revista eletrônica de comunicação, cultura e artes, da UNIRP – Centro Universitário de Rio Preto (http://www.unirpnet.com.br/Evttmp/revistaobvio/obvio.html). O mais profundo é a pele Paul Valéry2 A imagem de várias bolhas de sabão acopladas, entrando umas nas outras, conectadas em diversas direções simultâneas, em movimento, sem que se possam notar claramente os limites de cada uma ou de cada grupo delas talvez possa ser uma representação eficiente dos fenômenos de Moda neste início do século XXI. -
The Harp in Jazz and American Pop Music Megan A. Bledsoe A
The Harp in Jazz and American Pop Music Megan A. Bledsoe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2012 Reading Committee: Donna Shin, Chair Valerie Muzzolini Gordon Áine Heneghan Program Authorized to Offer Degree: Harp Performance Bledsoe - DMA Harp Performance ©Copyright 2012 Megan A. Bledsoe 2 Bledsoe - DMA Harp Performance University of Washington Abstract The Harp in Jazz and American Pop Music Megan A. Bledsoe Chair of the Supervisory Committee: Assistant Professor of Flute Donna Shin, Chair Instrumental Performance, School of Music The harp has endured a tenuous relationship with the genres of jazz and American popular music throughout history. While a few harpists have enjoyed successful and significant careers in these fields, the harp is largely absent from mainstream jazz and American pop. The purpose of this dissertation is to ascertain a definitive cause for such exclusion and use this information to identify a feasible path toward further integration of the harp in jazz and American pop music. This paper examines the state of the harp in jazz and American pop from various angles, including historical perspective, analytical assessment, and a study which compares harpists’ improvisational abilities to those of their mainstream jazz instrumentalist counterparts. These evaluations yield an encompassing view of the harp’s specific advantages and detriments in the areas of jazz and American pop. The result of this research points to a need for specialization among harpists, particularly in defining new styles. It is evident that harpists’ careers generally necessitate a working knowledge of various styles of music. -
Learning of a Multilingual Bitaxonomy of Wikipedia and Its Application to Semantic Predicates
Learning of a multilingual bitaxonomy of Wikipedia and its application to semantic predicates Department of Computer Science Dottorato di Ricerca in Informatica – XXVII Ciclo Candidate Tiziano Flati ID number 1143472 Thesis Advisor Prof. Roberto Navigli A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Computer science June 2015 Thesis not yet defended Learning of a multilingual bitaxonomy of Wikipedia and its application to semantic predicates Ph.D. thesis. Sapienza – University of Rome © 2015 Tiziano Flati. All rights reserved This thesis has been typeset by LATEX and the Sapthesis class. Version: July 13, 2016 Author’s email: fl[email protected] iii Abstract The ability to extract hypernymy information on a large scale is becoming increas- ingly important in natural language processing, an area of the artificial intelligence which deals with the processing and understanding of natural language. While initial studies extracted this type of information from textual corpora by means of lexico-syntactic patterns, over time researchers moved to alternative, more structured sources of knowledge, such as Wikipedia. After the first attempts to extract is-a information from Wikipedia categories, a full line of research gave birth to numerous knowledge bases containing information which, however, is either incomplete or irremediably bound to English. To this end we put forward MultiWiBi, the first approach to the construction of a multilingual bitaxonomy which exploits the inner connection between Wikipedia pages and Wikipedia categories to induce a wide-coverage and fine-grained inte- grated taxonomy. A series of experiments show state-of-the-art results against all the available taxonomic resources available in the literature, also with respect to two novel measures of comparison. -
Finger-Pickin'good
Finger-pickin’good featuring > Nico > Emiliana Torrini > Joanna Newsom > Joni Mitchell > José Gonzalez > Elliot Smith > Papa M > Mory Kanté among other great artists 1. Time After Time - 2000 - Blix Street Records 2. Chelsea Girl – 1967 - Polydor 3. I, Lucifer – 2004 - six degrees records 4. Home – 2003 - Post Parlo Records 5. Fisherman’s woman – 2005 – Rough Trade 6. Clouds – 1969 – Warner Bros 7. Not a Pretty Girl – 1995 - Righteous Babe 8. Lady & Bird – 2003 - Labels 9. Veneer – 2005 – Phantom Compiled in July 2005. 10. Time Of No Reply – 1979 - Hannibal Tracks selected by Jody G. and Gilles P. sharing songs and thoughts. 11. The End is Near – 2004 - Touch & Go Drawings by Anne Bacheley, visit http://anne.bacheley.free.fr Thumb up to: Jamie, Natalie, Jody’s grandpa, AC, Arno, staff@café Salonen, Roskilde 12. The Optimist - 2001 - Astralwerks festival ‘05, JTFA. 13. Os Afro-Sambas - 1966 - Forma 14. Sabou – 2004 - Riverboat 15. From a Basement on the Hill – 2004 – Anti 16. One EP – 2003 – Domino 17. [single] – 2000 - Mantra 18. The Milk-Eyed Mender – 2004 – Drag City 19. Facing Future – 2003 - Mountain Apple Company 20. Pause – 2001 - Domino 21. Ma Ya – 1999 - Putumayo Joanna Newsom – Sprout and the beans Israel Kamakawiwo Ole' - Somewhere It's just that I've been losing so long. Eva Cassidy - Kathy's Song Over The Rainbow (Paul Simon) I slept all day I've stopped my dreaming, (E.Y. Harburg/George Weiss/Bob Thiele) I woke with distaste I won't do too much scheming I hear the drizzle of the rain These days, these days. -
Sigur Rós in Iraq Ísafjörður's Music Festival Ambivalence Towards
UNLIKELY IDOLS Sigur Rós in Iraq Ísafjörður’s Music Festival Ambivalence Towards Prostitution Complete Reykjavík Listings, Guides and Maps ISSUE 05 / 05MAY - 18MAY 2006 ISSUE THREE: MAY 5 – MAY 18 YEAR 5 Articles The Reykjavík Grapevine crew 06 Read between the ‘( )’ The Reykjavík Grapevine Faxaskála, Faxaporti, Faxagötu 2 14 Those People Aren’t That Simple www.grapevine.is [email protected] An Interview with Halla Gunnarsdóttir Published by: Fröken ehf. 16 Turning Tricks for Movie Tix Editor: 540-3602 / [email protected] Advertising: 540-3605 / 868-8187 / [email protected] Marketing: 540-3603 / 869-7796 / [email protected] Distribution: 540-3601 / 694-2538 / [email protected] Features Production: 540-3608 / 849-5611 / [email protected] Listings: 540-3600 / 847-7335 / [email protected] Subscription: 540-3601 / 694-2538 / [email protected] 18 The Melting Pot in a Cold, Cold Place Ísafjörður’s Aldrei Fór Ég Suður Festival Publisher: Hilmar Steinn Grétarsson / [email protected] Editor: Bart Cameron / [email protected] Marketing Director: Jón Trausti Sigurðarson / [email protected] Production Manager: Oddur Óskar Kjartansson / ssentials [email protected] E Staff Journalists: Gunnar Hrafn Jónsson / [email protected] Paul Fontaine-Nikolov / [email protected] 12 Grapevine’s Government Guide Sveinn Birkir Björnsson / [email protected] Columnist: Þórdís Elva Þorvaldsdóttir Bachmann / 30 The Best Place to Buy a Xylophone [email protected] Advertising Sales: Aðalsteinn Jörundsson / [email protected] Hljóðheimurinn Sangitamaya Helgi Þór Harðarson / [email protected] Director of Photography: Guðmundur Freyr Vigfússon / Welcome to Arnarstapi á Snæfellsnesi 31 Purchases That Justify Existence [email protected] Photographer: Óskar Hallgrímsson / [email protected] - the official home of chilly mornings. -
Guidebook (PDF)
Anecdotes Tarot A Guidebook Yve Lepkowski, 2020 Contents Introduction ............................................................................ 3 The Trumps ..............................................................................5 The Numbers and Courts...................................................... 28 The Suit of Batons ................................................................. 29 The Suit of Coins .................................................................... 37 The Suit of Swords ................................................................ 45 The Suit of Cups .................................................................... 53 Selected References ............................................................... 61 2 Introduction Our lives come easy and our lives come hard. And we carry them like a pack of cards: some we don't use, but we don't discard, but keep for a rainy day. This guide is meant to give an outline of my inspiration and pro- cess for each of the images in Anecdotes Tarot. It is impossible to trace out every detail. Some are probably even lost to my con- scious mind. As much as some would like to insist there is a right and a wrong order to tarot, there are so many traditions, and it’s helpful to know from which an artist is approaching it. I hope that my writing will give some context to those tarotists who are unfamiliar with Joanna Newsom’s music, and the other way around. 3 Thank you Thank you to all Kickstarter backers who made it possible to bring this deck into the physical realm: including Zoë Adank, Richard Addison, Elina Ang, Lucy Axworthy, Scott Barton, Aisel Basil, Miss Lilla Beckman, Michael Brown, Aaron Camer- on, Laura Johanna Cantelberg, Helen Carr, Ursula Carroll, Jess D'Alton-Goode, Cindy Dekker, Pearl Denault, Daniel Duck- worth, edison347, Cristina Ferrandez, Ewa Filipowicz, Sabrina Flack, Soraya Gallant, Kathleen Gillies, Brigid H, Hanh Huynh, Patience Harvard, Perla Carlota Hatch, Bethan Healey, A.W.