Nanzan University Tradition and Ideology: Creating and Performing New Gushi in China, 1962—1966 Author(s): Ziying You Source: Asian Ethnology, Vol. 71, No. 2 (2012), pp. 259-280 Published by: Nanzan University Stable URL: http://www.jstor.org/stable/23339393 Accessed: 16-09-2015 17:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Nanzan University is collaborating with JSTOR to digitize, preserve and extend access to Asian Ethnology. http://www.jstor.org This content downloaded from 140.103.61.67 on Wed, 16 Sep 2015 17:14:04 UTC All use subject to JSTOR Terms and Conditions ZlYING YOU The Ohio State University Tradition and Ideology Creating and Performing New Gushi in China, 1962-1966 It is well known that "invented tradition" played an important role in many nationalist political movements. In the Maoist era, the Chinese Communist Party (CCP) appropriated and innovated tradition for political and ideological purposes in a variety of ways. In this article, I focus on the New Gushi Move ment, launched by the ccp in 1962 and ended in 1966, to illustrate how gushi fit# ("stories"), a vernacular narrative genre, was shaped to meet political and ideological needs in socialist education campaigns; how its form, meaning, and function were affected by incorporation into a wider system of ideological change; how storytellers responded to such changes; and how they expressed their creativity and agency in the process.