Lucy Telles (Circa 1870- 1885-1955-56, Left)

Total Page：16

File Type：pdf, Size：1020Kb

Lucy Telles (Circa 1870- 1885-1955-56, Left)

Making Their Mark 27 A CELEBRATION OF GREAT WOMEN ARTISTS The history of twentieth-century Native American arts, as well as the history of Yosemite National Park, would not be complete without mentioning Lucy Telles (circa 1870- 1885-1955-56, left). Telles, whose Native American name was Pa-ma-has ("Meadows"), was a Mono Lake Paiute and Southern Sierra Miwok artist who transformed the 8,000-year old tradition of Native American basketry. The sheer scale of her baskets was both new and Lucy Telles, Mono Lake Paiute Basket, 1916. Coiled Brachen fern widely admired; it was her addition of a second root, willow, sedge root. 7 x 13 1/2 inches. Yosemite Natl. Park. color, red, to the traditional Miwok black designs that was even more revolutionary. She also designed new patterns that she adapted from traditional Native American beadwork. Although there were a number of well-known women basket weavers at Yosemite at the time, including Carrie Bethel (1898-1974), Lucy Telles was considered by many to be the best and most innovative. Lucy Telles with her largest basket in 1933. Although the nation had experienced a so-called "basket craze" around 1900-1910, no doubt spawned by the general interest in the mythology of the American West, and by extension, in the narratives of Native American extinction and Manifest Destiny, the revived interest in Yosemite basket weaving came in part because of the National Park Service's "Indian Field Days." This festival, held annually at the park from 1916 to 1929, was largely a publicity event in which participants were chosen based on their adherence to what the National Park Service deemed to be "authentically" Native American. While much of the festivities revolved around rodeo Lucy Telles with her largest basket in 1933. The basket took Telles four years to complete and is viewed today as her masterpiece. performances and stereotypical Native American dances, there were contests held for crafts. Basket weaving became a competitive event, and artists like Telles worked to larger, more ornate, and more lucrative pieces for the tourists who attended the Field Days. Her basket of 1933 (below, left and above left) is a masterpiece of the medium. Some three-feet in diameter, the basket took Telles four years to complete and earned her an award at the 1933 Century of Progress Exposition in Chicago. She spent her life demonstrating her craft to visitors to Yosemite until her passing around 1955 or 1956. Her contibutions are now viewed as instrumental to the art of the American West as the paintings of Thomas Moran or the photographs of Carleton Watkins. Lucy Telles, Mono Lake Paiute Basket, circa 1912. Telles use of two colors was innovative, as was the lid--an addition made to appease the Lucy Telles, Basket, 1933. Coiled basket, Bracken fern root, redbud, sedge root. tourists to the Yosemite Valley. 19 x 36 inches. Yosemite National Park. KAM CELEBRATES WOMEN'S HISTORY MONTH.

Copy Link

Recommended publications

Na Publication of Tehe Antique Trwibal Art Dealers Association
Contents ATADA WINTER ISSUE 2010 VOL. 20, NO. 1 Table of Contents: NA PUBLICATION OF TEHE ANTIQUE TRWIBAL ART DEALERS ASSOCIATION From the President 3 Executive Board Editor's Notebook 5 President Arch Thiessen Executive Board Member Close-Up: Darlene and Bob Seng 6 Education Committee Chair Robert Bauver Kansas City Board Retreat Notes 11 Legal Committee Co-chairs Roger Fry and Len Weakley (one vote) Art and the Law: Bay Area panel discussion Treasurer Robert Gallegos planned for February 11 16 Executive Director, Secretary From ATADA's email: IACA Testifies on Crafts Alice Kaufman Laws December 2, 2009, Washington, D.C. 16 Membership Committee Chair Brant Mackley Members' Forum 17 Vice President Theft Alert 17 Michael McKissick Caveat Emptor 17 International Trade Committee Doug Morris Ramona Morris Calendar 18 Past Presdient Thomas Murray Directory Updates 34 Web Committee Chair Arch Thiessen At Large Anna Bono and Ted Trotta (one vote) Edith and Roland Flak (one vote) John Molloy Clinton Nagy Editor Alice Kaufman Design and Production Weston Pritts - www.PrittsDesign.com SUBSCRIPTION ORDERS/INQUIRES AND ADDRESS CHANGES 82 Madrone Ave. Policy Statement... ATADA was formed to represent professional dealers of Larkspur, CA 94939 antique tribal art. Our objectives are to promote professional conduct among 415-927-3717 dealers and to educate others in the valuable role of tribal art in the wealth [email protected] of human experience. We will develop informed opinions and practices by publications, educational grants and legal activism. Those actions will be sup- www.atada.org ported by newsletters, seminars and the formation of action committees.
[Show full text]
Yosemite Guide Yosemite
Yosemite Guide Yosemite Where to Go and What to Do in Yosemite National Park October 7, 2015 - December 8, 2015 8, December - 2015 7, October Park National Yosemite in Do to What and Go to Where Butterfly basket made by Julia Parker. Parker. Julia by made basket Butterfly NPS Photo / YOSE 50160 YOSE / Photo NPS Volume 40, Issue 8 Issue 40, Volume America Your Experience Yosemite, CA 95389 Yosemite, 577 PO Box Service Park National US DepartmentInterior of the Year-round Route: Valley Yosemite Valley Shuttle Valley Visitor Center Upper Summer-only Routes: Yosemite Shuttle System El Capitan Fall Yosemite Shuttle Village Express Lower Shuttle Yosemite The Ansel Fall Adams l Medical Church Bowl i Gallery ra Clinic Picnic Area l T al Yosemite Area Regional Transportation System F e E1 5 P2 t i 4 m e 9 Campground os Mirror r Y 3 Uppe 6 10 2 Lake Parking Village Day-use Parking seasonal The Ahwahnee Half Dome Picnic Area 11 P1 1 8836 ft North 2693 m Camp 4 Yosemite E2 Housekeeping Pines Restroom 8 Lodge Lower 7 Chapel Camp Lodge Day-use Parking Pines Walk-In (Open May 22, 2015) Campground LeConte 18 Memorial 12 21 19 Lodge 17 13a 20 14 Swinging Campground Bridge Recreation 13b Reservations Rentals Curry 15 Village Upper Sentinel Village Day-use Parking Pines Beach E7 il Trailhead a r r T te Parking e n il i w M in r u d 16 o e Nature Center El Capitan F s lo c at Happy Isles Picnic Area Glacier Point E3 no shuttle service closed in winter Vernal 72I4 ft Fall 2I99 m l E4 Mist Trai Cathedral ail Tr op h Beach Lo or M ey ses erce all only d R V iver E6 Nevada To & Fall The Valley Visitor Shuttle operates from 7 am to 10 pm and serves stops in numerical order.
[Show full text]
(April 1948) [PDF]
Golden Eagle and Sparrow Hawk in aerial contest, Vol. XXVII April 1948 No. 4 Yosemite Nature Notes THE MONTHLY PUBLICATION OF THE YOSEMITE NATURALIST DIVISION AND THE YOSEMITE NATURAL HISTORY ASSOCIATION, INC. C . P . Russell, Superintendent D . E. McHenry, Park Naturalist H. C. Parker, Assoc . Park Naturalist R . N . Mclntrye, Acting Asst . Park Naturalist VOL. XXVII APRIL, 1948 NO . 4 LUCY TELLES, BASKET MAKER By George Ross, Ranger Naturalist During the summer of 1947, many we should respect and know her visitors inquired about Ta-bu-ce better. (Maggie Howard) . It was with regret Lucy Tom Parker Telles was born that we, the Naturalist Staff, informed to Brideport and Louisa Tom some each inquirer that the aged basket seventy years ago near Mono Lake, maker passed away in January, 1947 . Mono County, California (she ap- proximates her age at seventy but Since the war we are privileged cannot remember her birthdate) . At to have Lucy Telles with us at the a very tender age Lucy was wrapped Indian demonstration area in the snugly into a hiki (papoose carrier) summertime, for she weaves with the and carried on her mother's back up same skill and perfection as Ta-bu-ce Bloody Canyon and down through and is rapidly learning the advan Little Yosemite to an Indian village taxes of conversation with her vis at the base of Sentinel Rock . There itors. It is not uncommon to see her she lived during her early childhood burst into hilarity as the occasion in true Indian fashion, grinding acorn arises even though she s e l d o m meal for her mother, catching fish laughs with those who know her for the early hotel keepers and learn- well .
[Show full text]
A Tradition of Making: California Native Basketry at the Randall Museum by Beth Smith
BASKETRY HAPPENING A TRADITION OF MAKING: CALIFORNIA NATIVE BASKETRY AT THE RANDALL MUSEUM BY BETH SMITH ucy Parker is one in a long line of Native American basket makers who—along with her mother, Julia, daughter, Ursula, and granddaughter, Naomi—spent a day at the Randall Museum in San Francisco, California, choosing baskets for the exhibition, A Tradition of Making: California Native Basketry. “The Parkers are really the curators Lof the exhibit,” says Susan Working, curator at the Randall Museum. “They were key to knowing which baskets from the museum’s permanent collection represented the history of California Native Baskets and they generously lent baskets of their own for the exhibition.” 2 WINTER 2018/2019 | WWW.NATIONALBASKETRY.ORG …PHOTOGRAPHY During the day the Parkers spent at the museum, they talked about OPPOSITE PAGE: Four generations of Parker family the stories and design functions of the baskets. Their conversations women carry on their family’s were videotaped and their stories became the narrative for the Native American basket-making exhibition. “The Parkers are stewards of the land,” says Working. legacy. From left: Ursula Min-ne-ah Jones, Naomi Kashaya Jones, “They hold on to the tradition of how materials are used and Julia and Lucy Parker. how basket making is connected to their culture.” THIS PAGE The Randall Museum embarked on this exhibition with TOP: Randall Museum lobby, San Francisco, California a grant, part of which was designed to bring the use of California’s natural history into public view. Within the CENTER: Willow; pattern dyed or sunburned, twining. “We make tradition of California Native Basketry, different tribes use little baskets for the little kids to different materials.
[Show full text]
Northern Paiute of California, Idaho, Nevada and Oregon
טקוּפה http://family.lametayel.co.il/%D7%9E%D7%A1%D7%9F+%D7%A4%D7%A8%D7%A0%D7 %A1%D7%99%D7%A1%D7%A7%D7%95+%D7%9C%D7%9C%D7%90%D7%A1+%D7%9 5%D7%92%D7%90%D7%A1 تاكوبا Τακόπα The self-sacrifice on the tree came to them from a white-bearded god who visited them 2,000 years ago. He is called different names by different tribes: Tah-comah, Kate-Zahi, Tacopa, Nana-bush, Naapi, Kul-kul, Deganaweda, Ee-see-cotl, Hurukan, Waicomah, and Itzamatul. Some of these names can be translated to: the Pale Prophet, the bearded god, the Healer, the Lord of Water and Wind, and so forth. http://www.spiritualjourneys.com/article/diary-entry-a-gift-from-an-indian-spirit/ Chief Tecopa - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Chief_Tecopa Chief Tecopa From Wikipedia, the free encyclopedia Chief Tecopa (c.1815–1904) was a Native American leader, his name means wildcat. [1] Chief Tecopa was a leader of the Southern Nevada tribe of the Paiute in the Ash Meadows and Pahrump areas. In the 1840s Tecopa and his warriors engaged the expedition of Kit Carson and John C. Fremont in a three-day battle at Resting Springs.[2] Later on in life Tecopa tried to maintain peaceful relations with the white settlers to the region and was known as a peacemaker. [3] Tecopa usually wore a bright red band suit with gold braid and a silk top hat. Whenever these clothes wore out they were replaced by the local white miners out of gratitude for Tecopa's help in maintaining peaceful relations with the Paiute.
[Show full text]
Ethnographic Data and Tribal Engagement at Yosemite National Park
land Article Reframing Native Knowledge, Co-Managing Native Landscapes: Ethnographic Data and Tribal Engagement at Yosemite National Park Rochelle Bloom and Douglas Deur * Department of Anthropology, Portland State University, Portland, OR 97207, USA; [email protected] * Correspondence: [email protected] Received: 25 August 2020; Accepted: 18 September 2020; Published: 22 September 2020 Abstract: Several Native American communities assert traditional ties to Yosemite Valley, and special connections to the exceptional landmarks and natural resources of Yosemite National Park. However, tribal claims relating to this highly visible park with its many competing constituencies—such as tribal assertions of traditional ties to particular landscapes or requests for access to certain plant gathering areas—often require supporting documentation from the written record. Addressing this need, academic researchers, the National Park Service and park-associated tribes collaborated in a multi-year effort to assemble a comprehensive ethnographic database containing most available written accounts of Native American land and resource use in Yosemite National Park. To date, the database includes over 13,000 searchable and georeferenced entries from historical accounts, archived ethnographic notebooks, tribal oral history transcripts and more. The Yosemite National Park Ethnographic Database represents a progressive tool for identifying culturally significant places and resources in Yosemite—a tool already being used by both cultural and natural resource managers within the National Park Service as well as tribal communities considering opportunities for future collaborative management of their traditional homelands within Yosemite National Park. We conclude that the organization of such data, including inherent ambiguities and contradictions, periodically updated with data provided by contemporary Tribal members, offers a rich, multivocal and dynamic representation of cultural traditions linked to specific park lands and resources.
[Show full text]
Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography
DOCUMENT RESUME ED 370 605 IR 055 088 AUTHOR Brandt, Randal S.; Davis-Kimball, Jeannine TITLE Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography. INSTITUTION California State Library, Sacramento.; California Univ., Berkeley. California Indian Library Collections. St'ONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. Office of Library Programs. REPORT NO ISBN-0-929722-78-7 PUB DATE 94 NOTE 251p.; For related documents, see ED 368 353-355 and IR 055 086-087. AVAILABLE FROMCalifornia State Library Foundation, 1225 8th Street, Suite 345, Sacramento, CA 95814 (softcover, ISBN-0-929722-79-5: $35 per volume, $95 for set of 3 volumes; hardcover, ISBN-0-929722-78-7: $140 for set of 3 volumes). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS American Indian History; *American Indians; Annotated Bibliographies; Films; *Library Collections; Maps; Photographs; Public Libraries; *Resource Materials; State Libraries; State Programs IDENTIFIERS *California; Unpublished Materials ABSTRACT This document is the third of a three-volume set made up of bibliographic citations to published texts, unpublished manuscripts, photographs, sound recordings, motion pictures, and maps concerning Native American tribal groups that inhabit, or have traditionally inhabited, northern and central California. This volume comprises the general bibliography, which contains over 3,600 entries encompassing all materials in the tribal bibliographies which make up the first two volumes, materials not specific to any one tribal group, and supplemental materials concerning southern California native peoples. (MES) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** U.S.
[Show full text]
NATIVE BASKETRY NEW ORLEANS W'ms
ALBERTA LATINO CHICAGO NATIVE BASKETRY NEW ORLEANS W'ms. 40th Annual Smithsonian Foli<life Festival Alberta AT THE SMITHSONIAN Carriers of Culture LIVING NATIVE BASKET TRADITIONS Nuestra Musica LATINO CHICAGO Been in the Storm So Lon SPECIAL EVENING CONCERT SERIES Washington, D.C. june 3o-july n, 2006 The annual Smithsonian Folklife Festival brings together exemplary practitioners of diverse traditions, both old and new, from communities across the United States and around the world. The goal of the traditions Festival is to strengthen and preserve these by presenting them on the National Mall, so that with the tradition-bearers and the public can connect and learn from one another, and understand cultural differences in a respectful way. Smithsonian Institution Center for Folklife and Cultural Heritage 750 9th Street NW, Suite 4100 Washington, D.C. 20560-0953 www.folklife.si.edu © 2006 Smithsonian Institution ISSN 1056-6805 Editor: Frank Proschan Art Director: Krystyn MacGregor Confair Production Manager: Joan Erdesky Graphic Designer: Zaki Ghul Design Interns: Annemarie Schoen and Sara Tierce-Hazard Printing: Stephenson Printing Inc., Alexandria, Virginia Smithsonian Folklife Festival The Festival is supported by federally appropriated funds; Smithsonian trust fijnds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales. General support for this year's programs includes the Music Performance Fund, with in-kind support for the Festival provided through Motorola, Nextel, WAMU-88.5 FM, WashingtonPost.com. Whole Foods Market. Pegasus Radio Corp., Icom America, and the Folklore Society of Greater Washington. The Festival is co-sponsored by the National Park Service.
[Show full text]
A Brief Look at the Development of Stereotypical Indian Clothing Among Native Peoples in the Far West
Journal of Califomia and Great Basin Anthropology VoL 4, No. 2, pp. 55-66 (1982). Dressing the Part: A Brief Look at the Development of Stereotypical Indian Clothing Among Native Peoples in the Far West CRAIG D. BATES HE stereotyped picture of the American skirt, in one or two pieces, was worn by TIndian as a homogenous group of people women. Undecorated aprons of sagebrush living in tipis, wearing war bonnets, and bark were used by some of the Paiute people, swooping down on stagecoaches while riding while others made of buckskin and decorated pinto ponies is a famihar one. Not a new with shells and beads were reserved for image, it was well estabhshed by the turn of ceremonial occasions by many northern Cali the century, fortified and strengthened by fornia people; in nearly all cases the torso was wild west shows, paintings, dime novels, left bare. At dances women would don yards postcards, cigar store Indians, advertising ma of beads, made of clamshell, pine nuts, or terials, and later, motion pictures. By the other materials; the quantity of beads often 1920s native Cahfomians who participated in indicating the affluence of the wearer. Head- pageants and other celebrations had begun to wear differed from one group to the next; develop their own style of costuming, based some northern groups using basketry caps, on the romantic Indian image, apparently to others having a great range of styles from satisfy the request of Anglo-Americans who feather topknots to elaborate forehead bands needed Indians to look as they thought of fur or those woven of cordage and smaU Indians should.
[Show full text]
Visual Arts (Basket Weaving)
EDUCATOR GUIDE Story Theme: Legacies Subject: Julia Parker Discipline: Visual Arts (Basket Weaving) SECTION I - OVERVIEW ................................................................................................... 2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ................................................................................. 3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES BAY AREA RESOURCES SECTION III – VOCABULARY ........................................................................................... 7 SECTION IV – ENGAGING WITH SPARK ........................................................................ 8 Artist Julia Parker at work on a basket. Still image from SPARK story, February 2004. SECTION I - OVERVIEW EPISODE THEME INSTRUCTIONAL OBJECTIVES Legacies To help students – Understand the development of personal works of SUBJECT art and their relationship to broader social Julia Parker themes and ideas, abstract concepts, and the history of art. GRADE RANGES Develop basic observational drawing and/or K‐12 & Post‐secondary painting skills. Develop visual, written, listening and speaking CURRICULUM CONNECTIONS skills through looking at, creating and talking Visual Arts & Social Studies about visual artworks. Develop an expressive visual vocabulary with which OBJECTIVE to address personal and/or social themes and To introduce
[Show full text]
Lesson Plan – California Indians
LESSON PLAN – CALIFORNIA INDIANS TITLE: California Indians TIME: 60 minutes LEARNER POPULATION: grade level 4 CURRICULAR CONTEXT: part of Social Studies, California History; unit: Native Americans OBJECTIVES: By the end of this activity: 1) Students will be able to identify four different groups of California Indians. 2) Students will be able to identify their different environments and lifestyles. CONCEPTS/INFORMATION: • Different groups of California Indians: Pomo, Paiute, Hupa and Shasta. INSTRUCTIONAL SEQUENCE: 1) Develop students’ interest by asking them whether they have lived in different parts of California. If so, ask them how different their lives were when they lived in these places. 2) Introduce the different Native groups, Pomo, Paiute, Hupa and Shasta, by showing students on a map of California where they now live. 3) Hand out Background Information sheet on California Indians. Divide the class into 4 groups, and let each group focus on one Native group. 4) Students make themselves familiar with the Native groups’ environments and lifestyles. They either write down key words relating to climate, housing, food and basketry, and/or draw pictures of these concepts, which thereafter will be presented to the whole class. INSTRUCTIONAL MATERIALS: Background Information California Indians, map of California, paper, pencils, crayons. EXTENSION/CLOSURE: 1) Students write an essay about living in a different part of California and about how their lives would be different. Background Information: California Indians The state of California has many different environmental zones: you will find dry deserts, cooler coastal ranges, mountain areas, and also wet forests. Naturally, the environment has a big influence on people’s lives and their ways of living, for example, on housing, food, clothes, traditions and customs.
[Show full text]
Textile Arts Council
The Bay Area Forum for artists, Textile Arts Council aficionados & collectors of weaving, rugs & tapestries, baskets, costume & wearable art September 2013 Upcoming Programs and Announcements Unless otherwise indicated*, all programs are held in the Koret Auditorium at the de Young Museum in Volume XXVIII, Golden Gate Park, 50 Hagiwara Tea Drive, San Francisco. Admission to the programs is FREE to TAC Number 3 members, $10 for non-members, and $5 for FAMSF members and students with I.D. No additional Museum admission fee is necessary. You may enter from the garage level or the main floor entrance between the main and side doors to the Museum. (*alternate location, when indicated, is the Legion of Honor Museum, 34th Ave & Clement St., San Francisco.) Saturday, September 14, 2013, 10 a.m. Dale’s work continued in a management and FROM THE GROUND UP: curatorial capacity as they helped the museum’s DEVELOPING THE QUEEN SIRIKIT enthusiastic, but inexperienced, staff develop an MUSEUM OF TEXTILES administrative structure for the museum and three opening exhibitions. The Queen Sirikit Museum With Melissa Leventon of Textiles, nine long years in the making, finally In April 2004, Melissa Leventon received an opened to the public on May 9, 2012. RFQ—a request for qualifications—from an Leventon will share her perspective on the architectural firm in Chicago looking for a process, joys, and challenges of building a consulting textile specialist to assist with a museum from the ground up, across language renovation project undertaken by one of its and culture barriers and 8,000 miles of distance.
[Show full text]