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William Murray
When it Mattered Episode 17: William Murray Chitra Ragavan: Hello everyone. I'm Chitra Ragavan and this is When it Mattered. When it Mattered is a podcast exploring how leaders are forged from critical moments and how they deal with and learn from adversity. My guest today is the legendary William Murray. He's a retired senior operations officer who spent nearly 38 years at the Central Intelligence Agency. During his tenure, Murray was posted to some of the most dangerous CIA stations in the world, often during war and civil unrest including Beirut, Tehran, Pakistan, Syria, and the Balkans. This episode is brought to you by Goodstory, an advisory firm helping technology startups find their narrative. Chitra Ragavan: Murray also held senior management roles in Washington DC and was seconded in the US Senate to help create the intelligence reform and terrorism prevention act of 2004, which resulted in the largest change in US government structures since the end of World War II. Murray has received numerous awards including the Distinguished Career Intelligence Medal. He currently is founder of the Alphom group. A business intelligence and risk management consulting firm. Bill, welcome to the podcast. William Murray: Hi Chitra, how are you this afternoon? Chitra Ragavan: I'm good. How are you? William Murray: I'm fine. Thank you. Chitra Ragavan: You come from a humble working class, Irish Catholic family in Boston. In some ways, you were an unlikely candidate for the CIA. William Murray: That's true. At the time I joined virtually everybody who had come in before me and the people were still coming in were all Ivy League, sort of East Coast big families, long established families, et cetera. -
295 INDEX © in This Web Service Cambridge
Cambridge University Press 978-0-521-74538-3 - The Cambridge Companion to Arthur Miller, Second Edition Edited by Christopher Bigsby Index More information INDEX Aarnes, William 281 Miller on 6, 152, 161 Abbott, Anthony S. 279 and No Villain/They Too Arise 6, 25, 28 “About Theatre Language” 76 productions xiii, 159, 161, 162 Ackroyd, Peter 166–67 revisions 160, 161 Actors’ Studio 220, 226 American Legion 215 Adding Machine, The 75 Anastasia, Albert 105 Adler, Thomas P. 84n, 280, 284 Anastasia, Tony 105, 108n Adorno, Theodor 201 Anderson, Maxwell 42 After the Fall xii, xiii, 4, 8, 38, 59–60, 61, Angel Face 209 118, 120–26, 133, 139, 178, 186, 262, Another Part of the Forest 285 265, 266 Anthony Adverse 216 changing critical reception 269–70 Antler, Joyce 290 The Last Yankee and 178 Archbishop’s Ceiling, The 5–6, 8, 141, Miller on 54–55, 121–22, 124, 126, 265 145–51, 167, 168 productions xii, xiii, 121, 123, 124–25, Miller on 147, 148, 152 156–57, 270, 283 productions xiii, 159, 161–62 The Ride Down Mount Morgan and 173 revisions 141, 159, 161, 162n structure 7, 128 Aristotle 13, 64, 234, 264 studies of 282, 284–85, 288, 290, 293 Aronson, Boris 129 viewed as autobiographical/concerned Art of the Novel, The 237n with Monroe 4, 121, 154, 157, 195, Arthur Miller Centre for American Studies 269, 275 (UEA) xiv, xv, 162 Ajax 13 Arthur Miller Theatre, University of Albee, Edward 154 Michigan xv Alexander, Jane 165 Aspects of the Novel 235 All My Sons xi, 2, 4, 36–37, 47, 51–62, 111, Asphalt Jungle, The 223 137, 209, 216, 240, 246, 265 Assistant, The 245 film versions xiv, 157–58, 206–12, 220, Atkinson, Brooks 293 232 Auden, W. -
ALL MY SONS a Play in Three Acts by Arthur Miller Characters: Joe Keller
ALL MY SONS a play in three acts by Arthur Miller Characters: Joe Keller (Keller) Kate Keller (Mother) Chris Keller Ann Deever George Deever Dr. Jim Bayliss (Jim) Sue Bayliss Frank Lubey Lydia Lubey Bert Act One The back yard of the Keller home in the outskirts of an American town. August of our era. The stage is hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere. Upstage is filled with the back of the house and its open, unroofed porch which extends into the yard some six feet. The house is two stories high and has seven rooms. It would have cost perhaps fifteen thousand in the early twenties when it was built. Now it is nicely painted, looks tight and comfortable, and the yard is green with sod, here and there plants whose season is gone. At the right, beside the house, the entrance of the driveway can be seen, but the poplars cut off view of its continuation downstage. In the left corner, downstage, stands the four‐foot‐high stump of a slender apple tree whose upper trunk and branches lie toppled beside it, fruit still clinging to its branches. Downstage right is a small, trellised arbor, shaped like a sea shell, with a decorative bulb hanging from its forward‐curving roof. Carden chairs and a table are scattered about. A garbage pail on the ground next to the porch steps, a wire leaf‐burner near it. On the rise: It is early Sunday morning. Joe Keller is sitting in the sun reading the want ads of the Sunday paper, the other sections of which lie neatly on the ground beside him. -
Portrayal of Married Women Arthur Miller's All My Sons and Death of A
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 20, Issue 9, Ver. III (Sep. 2015), PP 35-38 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Portrayal of Married Women Arthur Miller’s All My Sons and Death of a Salesman 1P.Ananthan, 2Dr. K.Balachandran, Ph.D...(External)Research scholar,Bharathiyar University. Research Supervisor. 1Assistant Professor Dept. of English Pachaiyappa’s College for Men Kanchipuram Tamilnadu-631501 2Research Supervisor Dept. of English Abstract: Arthur Miller (1915-2005) is an important American playwright where work occupies a significant place in the tradition of American literature. He has rich experience about life of the common man in America which get reflected in his plays. All My Sons (1947) and Death of Salesman (1949) reflected about married women in American society. In his early plays, by depicting major women characters like Kate Keller and Linda Loman as both wives and mothers according to the social condition and dominant cultural value. Miller exposes their bitterness and frustration in the traditional gender would by depicting them both victims and victimizer under the particular society. This paper attempts to study the portrayal of married women in Miller’s contemporary American society. Kate Keller is a busy housewife. She asked her husband “will you do me a favour Joe? Don’t be helpful.” Linda Loman is Willy Loman’s wife who loves him, despite all his difficulties. Thus Miller presents the role of married women in family as well as in society I. Introduction: Arthur Miller first Broadway hit All My Sons (1947) and masterpieces Death of a Salesman (1949) are his early plays of the contemporary American society. -
May 2019 Digital
MAY 2019 80 YEARS OF CINEMA MAY 2019 MAY GLASGOWFILM.ORG | 0141 332 6535 CINEMASTERS: HIROKAZU KORE-EDA | ITALIAN FILM FESTIVAL | HIGH LIFE 12 ROSE STREET, GLASGOW, G3 6RB WOMAN AT WAR | TOLKIEN | VOX LUX | FINAL ASCENT | AMAZING GRACE CONTENTS Access Film Club: Eighth Grade 20 Nobody Knows 9 The Straight Story - 35mm 8 Amazing Grace 13 Shoplifters 10 MOVIE MEMORIES Arctic 14 Still Walking 9 Rebecca 19 Ash Is Purest White 15 CINEMASTERS: Rebel Without a Cause 19 Beats 14 STANLEY KUBRICK SCOTTISH MENTAL HEALTH Birds of Passage 14 2001: A Space Odyssey 10 ARTS FESTIVAL Dead Good 5 Dr Strangelove or: How I Learned to 10 Evelyn + Skype Q&A 8 Stop Worrying and Love the Bomb Donbass 15 Irene’s Ghost + Q&A 8 13 Full Metal Jacket 10 Eighth Grade SPECIAL EVENTS Final Ascent 13 EVENT CINEMA Asbury Park: 6 Have You Seen My Movie? 13 Bolshoi Ballet: Carmen Suite/Petrushka 18 Riot, Redemption, Rock ‘n’ Roll High Life 14 Margaret Atwood: Live in Cinemas 18 Cléo from 5 to 7 6 The Keeper 15 NT Live: All My Sons 18 Crossing the Line: Al Ghorba: 6 Madeline’s Madeline 14 NT Live Encore: One Man, Two Guvnors 18 Be:Longing in Britain The Thing 14 NT Live: The Lehman Trilogy 18 Dead Good + Q&A 5 Tolkien 15 NT Live: Small Island 18 Inquiring Nuns + Skype Q&A 7 Neither Wolf Nor Dog + Q&A 7 @glasgowfilm Too Late to Die Young 15 ITALIAN FILM FESTIVAL Visible Cinema: Edie 20 Capri-Revolution 11 Preview: Freedom Fields + Q&A 6 Vox Lux 13 The Conformist 11 Preview: In Fabric + Q&A 7 Woman at War 13 Daughter of Mine 12 Preview: Sunset - 35mm + Q&A 5 XY Chelsea 15 -
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices by Gunnella Thorgeirsdottir A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences School of East Asian Studies August 2014 ii iii iv Abstract In recent years there has been an oft-held assumption as to the decline of traditions as well as folk belief amidst the technological modern age. The current thesis seeks to bring to light the various rituals, traditions and beliefs surrounding pregnancy in Japanese society, arguing that, although changed, they are still very much alive and a large part of the pregnancy experience. Current perception and ideas were gathered through a series of in depth interviews with 31 Japanese females of varying ages and socio-cultural backgrounds. These current perceptions were then compared to and contrasted with historical data of a folkloristic nature, seeking to highlight developments and seek out continuities. This was done within the theoretical framework of the liminal nature of that which is betwixt and between as set forth by Victor Turner, as well as theories set forth by Mary Douglas and her ideas of the polluting element of the liminal. It quickly became obvious that the beliefs were still strong having though developed from a person-to- person communication and into a set of knowledge aquired by the mother largely from books, magazines and or offline. v vi Acknowledgements This thesis would never have been written had it not been for the endless assistance, patience and good will of a good number of people. -
Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952), -
Directed by Masaki Kobayashi Screenplay by Shinobu Hashimoto
February 26, 2008 (XVI:7) Mervyn LeRoy Gold Diggers of 1933 19 Masaki Kobayashi HARA KIRI (1962, 135min.) ((117(117minmin.)minutes) Directed by Masaki Kobayashi Screenplay by Shinobu Hashimoto Story by Yasuhiko Takiguchi Produced by Tatsuo Hosoya Original Music by Tôru Takemitsu Cinematography by Yoshio Miyajima Tatsuya Nakadai...Hanshiro Tsugumo Rentaro Mikuni...Kageyu Saito Shima Iwashita...Miho Tsugumo Akira Ishihama...Motome Chijiiwa Masaki Kobayashi (14 February 1916, Hokkaido, Japan—4 October 1996, Tokyo, cardiac arrest) directed 22 films: Shokutaku no nai ie/ Family Without a Dinner Table (1985), Tokyo saiban/ Tokyo Trial (1983), Moeru aki/Glowing Autumn (1979), Kaseki/ The Fossil (1975), Inochi bô ni furô/At the Risk of My Life (1971), Nihon no seishun/Hymn to a Tired Man (1968), Kaidan/Ghost Stories (1964), Seppuku/Harakiri (1962), Ningen no joken III/The Human Conditiion III (1961), Ningen no joken II/The Human Condition II (1959), Ningen no joken I/The Human Condition I KOBAYASHI, MASAKI (1959), Kuroi kawa/Black River (1957), Anata kaimasu/I’ll Buy from World Film Directors, V. II. Ed. John Wakeman. The You (1956), Izumi/The Spring (1956), Uruwashiki saigetsu/ H.W. Wilson Company, NY, 1988. Beautiful Days (1955), Kono hiroi sora no dokoka ni/Somewhere Under the Broad Sky (1954), Mittsu no ai/Three Loves (1954), The Japanese director and scenarist was born in the small port of Magokoro/Sincerity (1953), Kabe atsuki heya, The Thick-Walled Otaru on Hokkaido, the northernmost of the Japanese islands, and Room (1953), and Musuko no seishun/My Sons’ Youth (1952). went to school there. In 1933 he entered Waseda University in Tokyo, studying philosophy and Oriental art, especially Buddhist Shinobu Hashimoto (18 April 1918) has written 55 scripts, the sculpture. -
Biblioteques De L'hospitalet
BIBLIOTECA TECLA SALA April 16, 2020 All My Sons Arthur Miller « The success of a play, especially one's first success, is somewhat like pushing against a door which suddenly opens from the other side. One may fall on one's face or not, but certainly a new room is opened that was always securely shut until then. For myself, the experience was invigorating. It made it possible to dream of daring more and risking more. The audience sat in silence before the unwinding of All My Sons and gasped when they should have, and I tasted that power which is reserved, I imagine, for Contents: playwrights, which is to know that by one's invention Introduction 1 a mass of strangers has been publicly transfixed. Author biography 2-3 Arthur Miller All My Sons - 4 Introduction & Context All My Sons - 5-6 » Themes Notes 7 [https://en.wikipedia.org/wiki/All_My_Sons] Page 2 Author biography Arthur Miller is considered Street Crash of 1929, and had to Willy Loman, an aging Brooklyn one of the greatest American move from Manhattan to salesman whose career is in playwrights of the 20th Flatbush, Brooklyn. After decline and who finds the values century. His best-known plays graduating high school, Miller that he so doggedly pursued have include 'All My Sons,' 'The worked a few odd jobs to save become his undoing. Crucible' and the Pulitzer enough money to attend the Prize-winning 'Death of a University of Michigan. While in Salesman won Miller the highest Salesman.' college, he wrote for the student accolades in the theater world: paper and completed his first the Pulitzer Prize, the New York Who Was Arthur Miller? play, No Villain, for which he won Drama Critics' Circle Award and the school's Avery Hopwood the Tony for Best Play. -
All My Sons As Precursor in Arthur Miller's Dramatic World
All My Sons as Precursor in Arthur Miller’s Dramatic World Masahiro OIKAWA※ Abstract Since its first production in 1947, Arthur Miller’s All My Sons has been performed and appreciated worldwide. In academic studies on Miller, it secures an important place as a precursor, because it has encompassed such themes as father-son conflict, pursuit of success dream in the form of a traditional tragedy as well as a family and a social play. As for techniques, to begin with, the Ibsenite method of dramatization of the present critical situation and presentation of the past “with sentimentality” are obvious. Secondly, the biblical tale of Cain and Abel from the Old Testament allows the play to disguise itself as a modern morality play on “brotherly love.” Thirdly, Oedipus’s murder of his father in Oedipus Rex is used symbolically to place the play in the Western tradition of drama. Taking all these major themes and techniques into account, the paper argues that the play is dramatizing the universal, and that by looking at the conflict between father and son, we can understand why Miller’s message in All My Sons is significant for Japanese andiences. I. Introducion Most of the reviews appearing in the major newspapers and magazines on All My Sons (1947) were rather favorable, which is quite understandable considering that the play vividly depicts the psychological aspects of the United States during and immediately after the Second World War in a realistic setting. In fact, it is impossible to understand the problems Joe and Chris Keller, the father and the son, get involved in without the background of the war. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Yamada Yoji Harks Back to Japanese Cinema's Golden Age
Volume 6 | Issue 2 | Article ID 2658 | Feb 01, 2008 The Asia-Pacific Journal | Japan Focus Yamada Yoji Harks Back to Japanese Cinema's Golden Age Mark Schilling Yamada Yoji Harks Back to Japanese "Tora-san"), his film series about a lovelorn Cinema's Golden Age peddler. 'Tora-san" put Yamada in the Guinness Book of Records for the longest-running movie Mark Schilling series in the world, but not on many foreign critics' best-director lists. Instead, he was How many directors make great movies after denounced by many critics (though not this turning 70? John Huston did it with "The Dead," one) as a studio hack, grinding out easily likewise Kurosawa Akira with "Ran" and Clint digestible product for the masses. Eastwood with "Letters from Iwo Jima," but the numbers are few. Even Yamada, when I first met him in 1991 at the height of his "Tora-san" fame, compared himself to a soba-noodle chef, tossing out bowl after bowl of what he hoped was tasty soup. Tora-san But Yamada also had higher ambitions. "Shiawase no Kiiroi Hankachi (The Yellow Handkerchief of Happiness)" from 1977 and 1991's "Musuko (My Sons)" were serious dramatic films that won many domestic awards, but were little seen abroad. His true flowering, however, has come this decade, after the "Tora-san" series. In 2002 he Yamada Yoji. Photo Miura Yoshiaki released his first period drama, "Tasogare Seibei (The Twilight Samurai)," which scooped To that short list now add Yamada Yoji. The an Oscar nomination for Best Foreign filmmaker is best known for directing all 48 Language Film.