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ALL MY SONS a Play in Three Acts by Arthur Miller Characters: Joe Keller
ALL MY SONS a play in three acts by Arthur Miller Characters: Joe Keller (Keller) Kate Keller (Mother) Chris Keller Ann Deever George Deever Dr. Jim Bayliss (Jim) Sue Bayliss Frank Lubey Lydia Lubey Bert Act One The back yard of the Keller home in the outskirts of an American town. August of our era. The stage is hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere. Upstage is filled with the back of the house and its open, unroofed porch which extends into the yard some six feet. The house is two stories high and has seven rooms. It would have cost perhaps fifteen thousand in the early twenties when it was built. Now it is nicely painted, looks tight and comfortable, and the yard is green with sod, here and there plants whose season is gone. At the right, beside the house, the entrance of the driveway can be seen, but the poplars cut off view of its continuation downstage. In the left corner, downstage, stands the four‐foot‐high stump of a slender apple tree whose upper trunk and branches lie toppled beside it, fruit still clinging to its branches. Downstage right is a small, trellised arbor, shaped like a sea shell, with a decorative bulb hanging from its forward‐curving roof. Carden chairs and a table are scattered about. A garbage pail on the ground next to the porch steps, a wire leaf‐burner near it. On the rise: It is early Sunday morning. Joe Keller is sitting in the sun reading the want ads of the Sunday paper, the other sections of which lie neatly on the ground beside him. -
May 2019 Digital
MAY 2019 80 YEARS OF CINEMA MAY 2019 MAY GLASGOWFILM.ORG | 0141 332 6535 CINEMASTERS: HIROKAZU KORE-EDA | ITALIAN FILM FESTIVAL | HIGH LIFE 12 ROSE STREET, GLASGOW, G3 6RB WOMAN AT WAR | TOLKIEN | VOX LUX | FINAL ASCENT | AMAZING GRACE CONTENTS Access Film Club: Eighth Grade 20 Nobody Knows 9 The Straight Story - 35mm 8 Amazing Grace 13 Shoplifters 10 MOVIE MEMORIES Arctic 14 Still Walking 9 Rebecca 19 Ash Is Purest White 15 CINEMASTERS: Rebel Without a Cause 19 Beats 14 STANLEY KUBRICK SCOTTISH MENTAL HEALTH Birds of Passage 14 2001: A Space Odyssey 10 ARTS FESTIVAL Dead Good 5 Dr Strangelove or: How I Learned to 10 Evelyn + Skype Q&A 8 Stop Worrying and Love the Bomb Donbass 15 Irene’s Ghost + Q&A 8 13 Full Metal Jacket 10 Eighth Grade SPECIAL EVENTS Final Ascent 13 EVENT CINEMA Asbury Park: 6 Have You Seen My Movie? 13 Bolshoi Ballet: Carmen Suite/Petrushka 18 Riot, Redemption, Rock ‘n’ Roll High Life 14 Margaret Atwood: Live in Cinemas 18 Cléo from 5 to 7 6 The Keeper 15 NT Live: All My Sons 18 Crossing the Line: Al Ghorba: 6 Madeline’s Madeline 14 NT Live Encore: One Man, Two Guvnors 18 Be:Longing in Britain The Thing 14 NT Live: The Lehman Trilogy 18 Dead Good + Q&A 5 Tolkien 15 NT Live: Small Island 18 Inquiring Nuns + Skype Q&A 7 Neither Wolf Nor Dog + Q&A 7 @glasgowfilm Too Late to Die Young 15 ITALIAN FILM FESTIVAL Visible Cinema: Edie 20 Capri-Revolution 11 Preview: Freedom Fields + Q&A 6 Vox Lux 13 The Conformist 11 Preview: In Fabric + Q&A 7 Woman at War 13 Daughter of Mine 12 Preview: Sunset - 35mm + Q&A 5 XY Chelsea 15 -
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices by Gunnella Thorgeirsdottir A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences School of East Asian Studies August 2014 ii iii iv Abstract In recent years there has been an oft-held assumption as to the decline of traditions as well as folk belief amidst the technological modern age. The current thesis seeks to bring to light the various rituals, traditions and beliefs surrounding pregnancy in Japanese society, arguing that, although changed, they are still very much alive and a large part of the pregnancy experience. Current perception and ideas were gathered through a series of in depth interviews with 31 Japanese females of varying ages and socio-cultural backgrounds. These current perceptions were then compared to and contrasted with historical data of a folkloristic nature, seeking to highlight developments and seek out continuities. This was done within the theoretical framework of the liminal nature of that which is betwixt and between as set forth by Victor Turner, as well as theories set forth by Mary Douglas and her ideas of the polluting element of the liminal. It quickly became obvious that the beliefs were still strong having though developed from a person-to- person communication and into a set of knowledge aquired by the mother largely from books, magazines and or offline. v vi Acknowledgements This thesis would never have been written had it not been for the endless assistance, patience and good will of a good number of people. -
Masaki Kobayashi: HARAKIRI (1962, 133M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 8, 2019 (XXXIX: 7) Masaki Kobayashi: HARAKIRI (1962, 133m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Masaki Kobayashi WRITING Shinobu Hashimoto wrote the screenplay from a novel by Yasuhiko Takiguchi. PRODUCER Tatsuo Hosoya MUSIC Tôru Takemitsu CINEMATOGRAPHY Yoshio Miyajima EDITING Hisashi Sagara The film was the winter of the Jury Special Prize and nominated for the Palm d’Or at the 1963 Cannes Film Festival. CAST Tatsuya Nakadai...Tsugumo Hanshirō (1979), Tokyo Trial* (Documentary) (1983), and Rentarō Mikuni...Saitō Kageyu Shokutaku no nai ie* (1985). He also wrote the screenplays Akira Ishihama...Chijiiwa Motome for A Broken Drum (1949) and The Yotsuda Phantom Shima Iwashita...Tsugumo Miho (1949). Tetsurō Tamba...Omodaka Hikokuro *Also wrote Ichiro Nakatani...Yazaki Hayato Masao Mishima...Inaba Tango SHINOBU HASHIMOTO (b. April 18, 1918 in Hyogo Kei Satō...Fukushima Masakatsu Prefecture, Japan—d. July 19, 2018 (age 100) in Tokyo, Yoshio Inaba...Chijiiwa Jinai Japan) was a Japanese screenwriter (71 credits). A frequent Yoshiro Aoki...Kawabe Umenosuke collaborator of Akira Kurosawa, he wrote the scripts for such internationally acclaimed films as Rashomon (1950) MASAKI KOBAYASHI (b. February 14, 1916 in and Seven Samurai (1954). These are some of the other Hokkaido, Japan—d. October 4, 1996 (age 80) in Tokyo, films he wrote for: Ikiru (1952), -
Directed by Masaki Kobayashi Screenplay by Shinobu Hashimoto
February 26, 2008 (XVI:7) Mervyn LeRoy Gold Diggers of 1933 19 Masaki Kobayashi HARA KIRI (1962, 135min.) ((117(117minmin.)minutes) Directed by Masaki Kobayashi Screenplay by Shinobu Hashimoto Story by Yasuhiko Takiguchi Produced by Tatsuo Hosoya Original Music by Tôru Takemitsu Cinematography by Yoshio Miyajima Tatsuya Nakadai...Hanshiro Tsugumo Rentaro Mikuni...Kageyu Saito Shima Iwashita...Miho Tsugumo Akira Ishihama...Motome Chijiiwa Masaki Kobayashi (14 February 1916, Hokkaido, Japan—4 October 1996, Tokyo, cardiac arrest) directed 22 films: Shokutaku no nai ie/ Family Without a Dinner Table (1985), Tokyo saiban/ Tokyo Trial (1983), Moeru aki/Glowing Autumn (1979), Kaseki/ The Fossil (1975), Inochi bô ni furô/At the Risk of My Life (1971), Nihon no seishun/Hymn to a Tired Man (1968), Kaidan/Ghost Stories (1964), Seppuku/Harakiri (1962), Ningen no joken III/The Human Conditiion III (1961), Ningen no joken II/The Human Condition II (1959), Ningen no joken I/The Human Condition I KOBAYASHI, MASAKI (1959), Kuroi kawa/Black River (1957), Anata kaimasu/I’ll Buy from World Film Directors, V. II. Ed. John Wakeman. The You (1956), Izumi/The Spring (1956), Uruwashiki saigetsu/ H.W. Wilson Company, NY, 1988. Beautiful Days (1955), Kono hiroi sora no dokoka ni/Somewhere Under the Broad Sky (1954), Mittsu no ai/Three Loves (1954), The Japanese director and scenarist was born in the small port of Magokoro/Sincerity (1953), Kabe atsuki heya, The Thick-Walled Otaru on Hokkaido, the northernmost of the Japanese islands, and Room (1953), and Musuko no seishun/My Sons’ Youth (1952). went to school there. In 1933 he entered Waseda University in Tokyo, studying philosophy and Oriental art, especially Buddhist Shinobu Hashimoto (18 April 1918) has written 55 scripts, the sculpture. -
Collected Writings
THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) . -
Yamada Yoji Harks Back to Japanese Cinema's Golden Age
Volume 6 | Issue 2 | Article ID 2658 | Feb 01, 2008 The Asia-Pacific Journal | Japan Focus Yamada Yoji Harks Back to Japanese Cinema's Golden Age Mark Schilling Yamada Yoji Harks Back to Japanese "Tora-san"), his film series about a lovelorn Cinema's Golden Age peddler. 'Tora-san" put Yamada in the Guinness Book of Records for the longest-running movie Mark Schilling series in the world, but not on many foreign critics' best-director lists. Instead, he was How many directors make great movies after denounced by many critics (though not this turning 70? John Huston did it with "The Dead," one) as a studio hack, grinding out easily likewise Kurosawa Akira with "Ran" and Clint digestible product for the masses. Eastwood with "Letters from Iwo Jima," but the numbers are few. Even Yamada, when I first met him in 1991 at the height of his "Tora-san" fame, compared himself to a soba-noodle chef, tossing out bowl after bowl of what he hoped was tasty soup. Tora-san But Yamada also had higher ambitions. "Shiawase no Kiiroi Hankachi (The Yellow Handkerchief of Happiness)" from 1977 and 1991's "Musuko (My Sons)" were serious dramatic films that won many domestic awards, but were little seen abroad. His true flowering, however, has come this decade, after the "Tora-san" series. In 2002 he Yamada Yoji. Photo Miura Yoshiaki released his first period drama, "Tasogare Seibei (The Twilight Samurai)," which scooped To that short list now add Yamada Yoji. The an Oscar nomination for Best Foreign filmmaker is best known for directing all 48 Language Film. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Samplembe Reprint2010.Qxp 1/29/2010 10:00 AM Page 1
SampleMBE_reprint2010.qxp 1/29/2010 10:00 AM Page 1 Sample MBE February 1991 ® PREFACE The Multistate Bar Examination (MBE) is an objective six-hour examination developed by the National Conference of Bar Examiners (NCBE) that contains 200 questions. It was first administered in February 1972, and is currently a component of the bar examination in most U.S. jurisdictions. From time to time NCBE releases test questions to acquaint test- takers with authentic test materials. This publication consists of the actual 200-item, multiple-choice test that was administered nationally in February 1991. Fifty of these items were initially published in the 1992 MBE Information Booklet and were included in MBE Questions 1992. The February 1991 MBE consisted of questions in the following areas: Constitutional Law, Contracts, Criminal Law and Procedure, Evidence, Real Property, and Torts. Applicants were directed to choose the best answer from four stated alternatives. The purpose of this publication is to familiarize you with the format and nature of MBE questions. The questions in this publication should not be used for substantive preparation for the MBE. Because of changes in the law since the time the examination was administered, the questions and their keys may no longer be current. The editorial style of questions may have changed over time as well. Applicants are encouraged to use as additional study aids the MBE Online Practice Exams 1 and 2 (MBE OPE 1 and OPE 2), both available for purchase online at www.ncbex2.org/catalog. These study aids, which include explanations for each option selected, contain questions from more recently administered MBEs that more accurately represent the current content and format of the MBE. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Cold War Love: Producing
UNIVERSITY OF CALIFORNIA, SAN DIEGO Cold War Love: Producing American Liberalism in Interracial Marriages between American Soldiers and Japanese Women A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnic Studies by Tomoko Tsuchiya Committee in charge: Professor Yen Le Espiritu, Chair Professor Ross Frank Professor Takashi Fujitani Professor Denise Ferreira da Silva Professor Lisa Yoneyama 2011 Copyright Tomoko Tsuchiya, 2011 All Rights Reserved The dissertation of Tomoko Tsuchiya is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _________________________________________________ _________________________________________________ _________________________________________________ _________________________________________________ _________________________________________________ Chair University of California, San Diego 2011 iii TABLE OF CONTENTS Signature Page……………………………………………………………iii Table of Contents………………………………………………………...iv List of Figures……………………………………………………………..v Acknowledgements……………………………………………..……..…vi Vita………………………………………………….………………….....ix Abstract of the Dissertation ……...……………………………………….x Introduction………………………………................................................ 1 Part I Love and Violence: Production of the Postwar U.S.-Japan Alliance…….36 Chapter One Dangerous Intimacy: Sexualized Japanese Women during the U.S. Occupation of Japan……...37 Chapter Two Intimacy of Love: Loveable American Soldiers in Cold War Politics.…...68 -
Israel and the Occupied Territories Under the Rubble: House Demolition and Destruction of Land and Property I
TABLE OF CONTENTS I. INTRODUCTION ...................................................................................................... 1 II. HISTORICAL BACKGROUND .............................................................................. 4 III. PATTERNS AND IMPACT OF PROPERTY DESTRUCTION AND FORCED EVICTION ..................................................................................................................... 7 III. 1. Impact on the economic situation .................................................................... 8 III. 2. Impact on women ............................................................................................. 9 IV. DESTRUCTION FOR “MILITARY/SECURITY NEEDS” ................................ 10 IV. 1. Punitive house demolition ............................................................................. 10 IV. 2. “Preventive” and “security” destruction ........................................................ 14 IV. 2.1 The West Bank ............................................................................................ 14 IV.2.2 Farms and agricultural land destroyed to build the fence/wall ................. 17 IV. 2.3 The Gaza Strip ......................................................................................... 18 IV. 2.4 Destruction of “temporarily” confiscated land ........................................ 26 IV. 3. Israel's justifications for the destruction in the Occupied Territories: “military/security needs” ........................................................................................ -
The Military Economy of Seventeenth Century Sri Lanka: Rhetoric and Authority in a Time of Conquest
UNIVERSITY OF CALIFORNIA Los Angeles The Military Economy of Seventeenth Century Sri Lanka: Rhetoric and Authority in a Time of Conquest A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Cenan Pirani 2016 © Copyright by Cenan Pirani 2016 ABSTRACT OF THE DISSERTATION The Military Economy of Seventeenth Century Sri Lanka: Rhetoric and Authority in a Time of Conquest by Cenan Pirani Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Sanjay Subrahmanyam, Chair From the end of the sixteenth century, the overseas administrative arm of the Portuguese Crown, the Estado da Índia Oriental, sought to gain complete territorial control of the island of Sri Lanka and outlined the tenets of the military project dubbed in administrative letters, “the Conquest of the Island of Ceylon”. Such efforts however would be impeded by military rebellions (ie. mutinies and desertions) by native military personnel in Portuguese service, where a rebellion that occurred in 1630 severely weakened the Estado's position in the island from which it could not recover. The specific event, the death of a Portuguese general at the hands of his own Christianized native troop, left a deep imprint on Portuguese memory. Decades later, the chronicler Fernão de Queiroz claimed the event, which paved the way for the European's eventual removal from the island by 1658, bore testament to the unbridgeable cultural and religious schism between the Portuguese and the native Sinhala people, an established viewpoint in current historiography. This study focuses attention on the documentation in Portuguese, English, Spanish, and ii Sinhalese written during the more active moments of the conquest period (1580-1640) in order to test such well-established views.