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The A publication by the Southwest Bluegrass Association SWBA BOARD OF DIRECTORS The Bluegrass Soundboard STAFF President Vice-President Terry Brewer Marc Nelissen Managing Editor Terry Brewer 661-364-9321 909 289 8730 661-364-9321 [email protected] [email protected] [email protected] Associate Editors Treasurer Secretary Sheila Brewer, Mark Shutts Paula De Bie Missy Lyn Gibson 951-934-3478 774-248-4128 Regular Contributors [email protected] [email protected] Terry Brewer, Bert Luontela, Ann Smith, Membership Connie Tripp Chris Jones, Wayne Erbsen, Eric Nordbeck Sheila Brewer 661-305-1554 Distribution 661-364-7415 [email protected] Flo De Bie, Carol Lister, Frank & Patsy Abrahams, [email protected] Susan Brown, Ella Carter, Paula De Bie Tony Pritchett Paul Haas The Bluegrass Soundboard Deadlines 661-305-7866 [email protected] [email protected] DECEMBER JANUARY issue November 1st FEBRUARY /MARCH issue January 1st Louie De Bie 951-934-3478 [email protected] APRIL MAY issue March 1st JUNE JULY issue May 1st COMMITTEE CHAIRPERSONS AUGUST SEPTEMBER issue July 1st OCTOBER NOVEMBER issue September 1st Soundboard & Web manger Social Media Terry Brewer Terry Brewer ADVERTISING RATES Missy Lyn Gibson Single Issue Yearly SWBA Host Julie Ann Evans Full page $65 $350 Sheila Brewer Half page $35 $190 $25 SWBA Jam Host Advertising Quarter page $130 $10 $60 Howard Doering Missy Lyn Gibson Card size Marc Nelisse Terry Brewer Foe more information concerning advertising Mark Shutts (including special rates and discounts) Contact Terry Brewer René Baquet Campout Hosts 661-364-9321 [email protected] Paul Haas Paula De Bie SWBA Membership SWBA School Program For member information, change of address, phone and emails. Sheila Brewer Contact Sheila Brewer 661-364-7415 [email protected] Eric Nordbeck, Scott Sandoval, Bill Inger, Mike SWBA Trailer SWBA DIRECTORY Send $10.00 check or money order Johnston, Art Tate, Marina Louie De Bie made payable to Southwest Bluegrass Association Kranz, Toni Clegg to SWBA Directory,PO Box 55 Mira Loma CA 91752 TREASURER'S REPORT Send $5.00 to Treasurer Report, PO Box 55 Mira Loma CA 91752 BOARD MEETINGS: All members are encouraged to attend board meetings. To attend, call a board member for the date, time and place. The information in this publication is supplied by an all-volunteer effort and SWBA works hard to keep it accurate and up-to-date. We encourage those whose events listed in this publication to keep your information current – if you have any changes, additions or edits, please let them know by submitting an updated event info. VISIT US ON THE WEB AT Neither the Southwest Bluegrass Association nor the people involved in providing information on this website can be held responsible for www.southwestbluegrass .org any result stemming from errors in information found on the Southwest Bluegrass Association website. Please check with the actual venue before traveling long distances to bluegrass events. Views expressed in these pages are not necessarily those of The Bluegrass Soundboard, Southwest Bluegrass Association, it's Board of Directors or the Editorial Staff. The Southwest Bluegrass Association, is dedicated to the preservation Pickers and grinners promoting Bluegrass and promotion of Bluegrass music, has been designated by the IRS as a 501(c)(3) tax-exempt organization. Contributions are deductible for music and those involved in it. Federal or State income tax purposes. With Summergrass, Pick’ In The Pines and several others postponed until 2021 and The Great 48 Hour Jam in Bakersfield canceled and postponed until 2022. The only festival that may still happen in the Southwest is Via Las Vegrass in October and Wickenburg in November. SWBA Super Jam / Fall Campout is still on for the 4th Hello Southwest Bluegrass Association weekend of October, but things need to change for this members and friends, I hope this to happen, Keep your fingers crossed. And if its not newsletter finds you safe and well. safe to gather we will postpone until it is, more info will I apologize for the delay of this newsletter be available in the next newsletter. as I was starting to put it together, I received an envelope in the mail from an anonymous member from Stay Safe and God Bless ~ Terry Brewer somewhere in San Bernardino county. PAUL HAAS MUSIC Enclosed was a copy of my last Presidents letter with circles on several misspelled words and a note saying paulhaasmusic.com how embarrassing this is for SWBA. Paul Haas writes songs influenced by And yes, sometimes there are misspelled words and at Country, Folk & Bluegrass music . His 3 am and spell check not working right and 20 pages, Debut album"Long Long Time" out now sometimes more, and only a few hours to get it to the on Teahouse Records. printer. And for whatever reason I guess there is no excuse. Country Singer-Songwriter Still this seem too push my button and I started to rethink 65-year-old Country/Folk/Bluegrass singer-songwriter all I do for SWBA and maybe I took on too much. It was very hard to get motivated to continue on this newsletter Paul Haas’ words and music pour out of the stereo and I didn’t enjoy working on it as much as past speakers like midnight waves crashing on the coastline newsletters. But I think it turned out ok. of his native California state. It’s also a metaphor of this brave man’s artistic journey. And like most If I am an embarrassment to our organization I will gladly pilgrimages, the making of his debut album LONG, step down and past on the newsletter and website to anyone who is interested. LONG TIME is ultimately a story of redemption and salvation. With a richness that only time, wisdom and The pandemic has made getting the newsletter to the pain can provide, Paul Haas’ new album provides a post office a real challenge and has caused delays for playlist for what it means to be human: joy, sadness, reasons out of our control. Special thanks go out to Paul Haas, Marc Nelissen, Missy Lyn Gibson, and Frank & love, loss, exuberance, confusion, and hope with a Patsy Abrahams for there time to make this happen over couple of beers and shots thrown in to wash it all down the past months. with. The Board of Directors election is now complete and will A bonafide true son of California (4th generation, still be approved by the board in August and officers will be living in his hometown of Covina, CA), Paul wrote songs selected and voted for at the upcoming board meeting. in his bedroom at night for 35 years and dreamed of being Special thank you to Tabitha Lievanos for her time an artist while being a single parent and working in the counting votes and receiving the ballots. trucking industry before making his first ever recording in the winter of 2019. With no write ins there will be a total of 8 Board members for the upcoming fiscal year. Looking forward to working Proudly and unabashedly carrying the musical DNA of with these fine folks and I truly appreciate their willingness his generation, you can clearly hear his influences: the to serve on the board. romance of country crooner George Jones, the Tony Pritchett is stepping down from the SWBA Board Americana grit of Waylon Jennings, the Grand Ole Opry and plans to relocate to Kentucky soon. Recently Tony simplicity of Hank Williams, the bluegrass moan of Bill spent several days in the hospital with covid-19 but is now Monroe, the Western swing charm of Bob Wills, the home recovering. I would like to thank Tony for all he has emotional purity of Buddy Holly, and the Zen haiku done for the Southwest Bluegrass Association and the minimalism of the late, great J.J. Cale. bluegrass music community, hosting house concerts and A lot of songwriters claim these serving on the Board for several years. Thanks Tony influences, fair enough, but Paul Not much going on due to the pandemic and all the has something that sets his work shutdowns, festivals are postponing until 2021, and large apart: the complete inability to gatherings are not allowed, can’t even sing in church. be anything but himself, Some small jams happening, but most are saying with 7 incapable or unwilling to mimic, or less. Mary Jane Cupp is doing a monthly Slow Jam copy or follow. This is how iconic over Zoom. and timeless art is created. It is very sad to say we have lost more of our Bluegrass family. Mike Nadolson passed away on June 4th, 2020 at his home in Lake Elsinore, California Born in Newark, Ohio, Mike had a passion for music of all kinds, especially Bluegrass. He was an accomplished musician for over 40 years and loved playing the guitar. Always laughing and smiling, Mike was a friend to all, and if he was sitting in a jam you knew it was going to be a good one. Well known in the Bluegrass community, not only for his singing, in 1980 & 1981 he won the Four Corners Regional Flatpicking Championship in Wickenburg, Arizona. As founder and owner of Tricopolis Records, Mike set up a traveling music store at several festivals for many years, helping introduce thousands to the world of bluegrass. With several instruments, cases, gig bags, CD's, how-to books, strings, picks, and tuners. Mike made available, to the first-time festival goer to the advanced picker the necessary supplies to ensure a great festival experience. Mike performed with several Southern California bands, including Shadow Mountain with Ron Block and Dennis Caplinger, Damascus Road, a gospel group, Circuit Riders, and Silverado.
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    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
  • BB-Country-Music-Ann

    BB-Country-Music-Ann

    Contents The Exploding, Evolving Nashville Scene 6 The Billboard Awards 8 Top Albums, Singles 10 Top Male/Female Vocalists 12 Top Singles, Albums Artists & Publishers 14 Top Groups & Labels 16 Publisher Catalogs Bulging 20 Country Labels Enjoy Boom 22 Artists List 26 Personal Managers 36 Booking Agents 34 Fairs and Amusement Park Trends Changing..51 Pop Sounds A Radio Paradox 54 Country's Silver Circuit 56 Coast Country's Home Away From Home 60 New York Embraces Country's New Breed ....60 Country Japanese Style 61 Country Taking Hold In Europe 61 Top Booming Bluegrass Field Eludes Majors 70 Perform Today Credits Editor, Earl Paige. Story direction Gerry Wood, Country Editor. Art, Daniel Chapman Country's and Steve Brown. Production, John F. Halloran. Directory listings: Jon Braude, editor; Joan International mr Elsener, associate editor. P WE HELPED MAK In 1040, Broadcast Music Incorporated became the first licensing organization P for Country music. We made sure that publishers and writers had their P performance royalty rights protected. And, in doing so, BMI has helped make P Country part of our nation. r i' iowever, we've helped Country first place. You see, when it comes to artis _s earn more than just money. For helping Country writers, we've got with :he aid of 38 foreign performing everyone beat by a Country mile. rights societies, they've also earned inter national recognition. Which is why most Country writers and publishers BROADCAST MUSIC INCORPORATED license their music through BMI in the The world's largest performing rights organization Keeping tabs on Nashville and This, then, is Nashville '76-country and Denvers as well as the Snows, Acuffs its spiraling music business music at a critical crossroad.
  • Kosher Country: Success and Survival on Nashville's Music Row V

    Kosher Country: Success and Survival on Nashville's Music Row V

    Kosher Country: Success and Survival on Nashville's Music Row V Stacy Harris uring the last few years, Nashville's country music in- dustry has been mourning a larger number of its citizens Dthan usual. These losses included two, Norma Gerson ("makeup artist to the stars") and Rainbow Room owner/- erstwhile "Hee Haw" bit-player David "Skull" Schulman ("the mayor of Printers' Alley"), that underscore the little-known range and diversity of roles Jews have played in Nashville and country- music history. According to Karen B. Fine, Nashville's Jewish music indus- try population numbers "about 60 or 70."1 Few would characterize this minority as a vocal one. Indeed, when Life staff writer Charles Hirshberg wrote about the relationship between Jews and country music in the Forward, he titled the article "Nashville's Jewish Newcomers Assert Themselves (Softly)."2 Likening the reluctance of Jewish country-music industry participants to medieval Marranos who, Hirshberg believed, kept "their Jewishness private to protect their livelihoods," Hirshberg's observations of five years ago seem equally as dire in 1999.3 There would well be a justification for this. Country music's heritage is rooted in traditions of a Protestant-Christian America. Six years ago, this author wrote, "Most country artists have re- corded at least one album of sacred songs; indeed it is almost expected."4 112 SOUTHERN JEWISH HISTORY Nonetheless change may be imminent. With many more new artists and a younger listener base, this expectation no longer exists. While it still looks good for a country singer to have a press kit containing biographical information noting that the subject's earliest memories are of "hymns or more fervent gospel songs" and of his/her own performances in church, whether true or not, such references are increasingly less mandatory.
  • Waifsreturnwith Mixofoldandnew

    Waifsreturnwith Mixofoldandnew

    THE HUNTER’S ENTERTAINMENT GUIDE DEFINITIVE newcastlelive.com.au ENTERTAINMENT l The Waifs live at Newcastle Civic Theatre. Picture: Marina Nei Waifs return with mix of old and new THE WAIFS thigh red lace dress and black jacket, April 2 kicked off the night with Heart Of Me Civic Theatre and Donna Simpson followed soon with Somebody. But the house really got warmed up with Bridal Train, as Josh REVIEW JIM KELLAR Cunningham’s guitar magic, in this case acoustic, came to the fore and reminded everyone how important all THEY were like old friends who came three members are to the vibe of the to visit on a rare trip through band. Newcastle. They had changed a little, Josh took the spotlight for his own but the ties that bind were as tight as Dark Highway and the trio continued to ever. mix and match new and old. The Even for seasoned bands, there’s response to the classics grew louder at always a risk when you come bearing every turn – Fisherman’s Daughter, gifts of new music not heard before, Lighthouse, Highway One. Yet the new stories we don’t know. But the mix of ones were to be savoured, a clear signal new and old was seamless. Although it The Waifs have much more to offer. felt like it took a couple of songs for us The encore was worth packaging like to link up on the musical merry-go- a Christmas present, or more likely a round, once the audience was on board wedding present, as the vibe was strong everyone was certainly on the same all night about love and partners.