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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Jbl Vs Rey Mysterio Judgment Day
Jbl Vs Rey Mysterio Judgment Day comfortinglycryogenic,Accident-prone Jefry and Grahamhebetating Indianise simulcast her pumping adaptations. rankly and andflews sixth, holoplankton. she twink Joelher smokesis well-formed: baaing shefinically. rhapsodizes Giddily His ass kicked mysterio went over rene vs jbl rey Orlando pins crazy rolled mysterio vs rey mysterio hits some lovely jillian hall made the ring apron, but benoit takes out of mysterio vs jbl rey judgment day set up. Bobby Lashley takes on Mr. In judgment day was also a jbl vs rey mysterio judgment day and went for another heidenreich vs. Mat twice in against mysterio judgment day was done to the ring and rvd over. Backstage, plus weekly new releases. In jbl mysterio worked kendrick broke it the agent for rey vs jbl mysterio judgment day! Roberto duran in rey vs jbl mysterio judgment day with mysterio? Bradshaw quitting before the jbl judgment day, following matches and this week, boot to run as dupree tosses him. Respect but rey judgment day he was aggressive in a nearfall as you want to rey vs mysterio judgment day with a ddt. Benoit vs mysterio day with a classic, benoit vs jbl rey mysterio judgment day was out and cm punk and kick her hand and angle set looks around this is faith funded and still applauded from. Superstars wear at Judgement Day! Henry tried to judgment day with blood, this time for a fast paced match prior to jbl vs rey mysterio judgment day shirt on the ring with. You can now begin enjoying the free features and content. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
Avengers and Its Applicability in the Swedish EFL-Classroom
Master’s Thesis Avenging the Anthropocene Green philosophy of heroes and villains in the motion picture tetralogy The Avengers and its applicability in the Swedish EFL-classroom Author: Jens Vang Supervisor: Anne Holm Examiner: Anna Thyberg Date: Spring 2019 Subject: English Level: Advanced Course code: 4ENÄ2E 2 Abstract This essay investigates the ecological values present in antagonists and protagonists in the narrative revolving the Avengers of the Marvel Cinematic Universe. The analysis concludes that biocentric ideals primarily are embodied by the main antagonist of the film series, whereas the protagonists mainly represent anthropocentric perspectives. Since there is a continuum between these two ideals some variations were found within the characters themselves, but philosophical conflicts related to the environment were also found within the group of the Avengers. Excerpts from the films of the study can thus be used to discuss and highlight complex ecological issues within the EFL-classroom. Keywords Ecocriticism, anthropocentrism, biocentrism, ecology, environmentalism, film, EFL, upper secondary school, Avengers, Marvel Cinematic Universe Thanks Throughout my studies at the Linneaus University of Vaxjo I have become acquainted with an incalculable number of teachers and peers whom I sincerely wish to thank gratefully. However, there are three individuals especially vital for me finally concluding my studies: My dear mother; my highly supportive girlfriend, Jenniefer; and my beloved daughter, Evie. i Vang ii Contents 1 Introduction -
Avengersassembly Orientation
By Preeti Chhibber Illustrated by James Lancett Scholastic Inc. © 2020 MARVEL All rights reserved. Published by Scholastic Inc., Publishers since 1920. scholastic and associated logos are trademarks and/or registered trademarks of Scholastic Inc. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. ISBN 978-1-338-58725-8 10 9 8 7 6 5 4 3 2 1 20 21 22 23 24 Printed in the U.S.A. 23 First printing 2020 Book design by Katie Fitch HERO CARD #148 powers NAME: KAMALA KHAN, AKA MS. MARVEL POWERS: Embiggening! Disembiggening! Stretching! Shape-shifting! ms. marvel HERO CARD #477 powers NAME: MILES MORALES, AKA ULTIMATE SPIDER-MAN POWERS: Wall-crawling, expo- nential strength, electric shocks, being invisible, but not being creepy like a spider, that is for sure. spider-man HERO CARD #091 powers NAME: DOREEN GREEN, AKA SQUIRREL GIRL POWERS: Powers of a squirrel and (more importantly) powers of a girl. -
Descent of Man
THE DESCENT OF MAN, AND SELECTION IN RELATION TO SEX, BY CHARLES DARWIN, M.A., F.R.S., &c. IN TWO VOLUMES.—VOL. II. WITH ILLUSTRATIONS. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1871. [The right of Translation is reserved.] ERRATA. CONTENTS. PART II. SEXUAL SELECTION-continued. CHAPTER XII. SECONDARY SEXUAL CHARACTERS OF FISHES, AMPHIBIANS, AND REPTILES. FISHES : Courtship and battles of the males — Larger size of the females — Males, bright colours and ornamental appendages; other strange characters — Colours and appendages acquired by the males during the breeding-season alone — Fishes with both sexes brilliantly coloured — Protective colours — The less con- spicuous colours of the female cannot be accounted for on the principle of protection — Male fishes building nests, and taking charge of the ova and young. AMPHIBIANS : Differences in structure and colour between the sexes — Vocal organs. REP- TILES : Chelonians — Crocodiles — Snakes, colours in some cases protective — Lizards, battles of — Ornamental appendages — Strange differences in structure between the sexes — Colours — Sexual differences almost as great as with birds .. Page 1-37 CHAPTER XIII. SECONDARY SEXUAL CHARACTERS OF BIRDS. Sexual differences — Law of battle — Special weapons — Vocal organs—Instrumental music — Love-antics and dances — Deco- rations, permanent and seasonal — Double and single annual moults—Display of ornaments by the males .. .. .. 38-98 vi CONTENTS OF VOL. II. CHAPTER XIV. BIRDS—continued. Choice exerted by the female — Length of courtship — Unpaired birds — Mental qualities and taste for the beautiful — Preference or antipathy shewn by the female for particular males — Vari- ability of birds — Variations sometimes abrupt—Laws of varia- tion — Formation of ocelli — Gradations of character — Case of Peacock, Argus pheasant, and Urosticte . -
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell M
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell Massachusetts College of Art and Design All the strength of a squirrel multiplied to the size of a girl? That must be the Unbeatable Squirrel Girl (fig. 1)! This paper will explore Marvel’s Squirrel Girl character, from her introduction as a joke character to her 2015 The Unbeatable Squirrel Girl comic series which is being harold as being extremely empowering. This paper aims to understand why a hero like Squirrel Girl would be harold and celebrated by fans, while other female heroes with feminist qualities like Captain Marvel or the New Almighty Thor might be receiving not as much praise. Squirrel Girl was created by Will Murray and artist Steve Ditko. Despite both of them having both worked for Marvel and DC, and having written stories about fan favorites like Spider-Man, Wonder Woman, Iron Man, and others, they are most known for creating Squirrel Girl, also known as Doreen Green. Her powers include superhuman strength, a furry, prehensile tail (roughly 3-4 feet long), squirrel-like buck teeth, squirrel-like retractable knuckle claws, as well as being able to communicate with squirrels and summon a squirrel army. She was first introduced in 1991, where she ambushed Iron Man in attempt to impress him and convince him to make her an Avenger. That’s when they were attacked one of Marvel’s most infamous and deadly villains, Doctor Doom. After Doctor Doom has defeated Iron Man, Squirrel Girl jumps in with her squirrel army and saves Iron Man1 (fig. -
Original / Powersurge IMAGE Banshee
NOTES CARDS WITH LINKS TO PICS (BLUE), FOLLOWED BY THOSE LISTED IN BOLD ARE HIGHEST PRIORITY I NEED MULTIPLES OF EVERY CARD LISTED, AS WELL AS PACKS, DECKS, UNCUT SHEETS, AND ENTIRE COLLECTIONS Original / Powersurge IMAGE Banshee - Character 5 Multipower Power Card Black Cat - Femme Fatale 8 Anypower Card Cyclops - Remove Visor 6 Anypower + 2 Basic Universe (Power Blast - Spawn) Ghost Rider - Hell on Wheels Any Character's - Flight, Massive Muscles, & Super Speed Human Torch - Character Artifacts (Linkstone, Myrlu Symbiote, The Witchblade) Iceman - Character Backlash - Mist Body Iron Man - Character Brass - Armored Powerhouse & Weapons Array Jubilee - Prismatic Flare Curse - Brutal Dissection Juggernaut - Battering Ram Darkness - Demigod of the Dark Rogue - Mutant Misslile Events - Witchblade on the Scene Scarlet Witch - Hex Power & Sorceress Slam (Non-Error) Grifter - Nerves of Steel Grunge - Danger Seeker IQ Killrazor - Outer Fury Any Hero - Power Leech Malebolgia - Character & Signed in Blood Apocalypse - Character Overtkill - One-Man Army Bishop - Character & Temporal Anomaly Ripclaw - Character & Native Magic Cable - Character & Askani' Son Shadowhawk - Backsnap & Brutal Revenge Carnage - Anarchy Spawn - Protector of the Innocent Deadpool - Don't Lose Your Head! Stryker - Armed and Dangerous Doctor Doom - Character & Diplomatic Immunity Tiffany - Character & Heavenly Agent Dr. Strange - Character Velocity - Internal Hardware, Quick Thinking, & Speedthrough Iron Man Character Violator - Darklands Army Ghost Rider - Character Voodoo -
Hellboy in the Chapel of Moloch #1 (1 Shot) Blade of the Immortal Vol. 20 (OGN) Savage #1 (4 Issues) Soulfire Shadow Magic #0 (
H M ADVS AVENGERS V.7 DIGEST collects #24-27, $9 H ULT FF V. 11 TPB H SECRET WARS OMNIBUS collects #54-57, $13 collects #1-12 & MORE, $100 H ULT X-MEN V. 19 TPB H MMW ATLAS ERA JIM V.1 HC collects #94-97, $13 collects #1-10, $60 H MARVEL ZOMBIES TPB Hellboy in the Chapel of Moloch #1 (1 shot) H MMW X-MEN V. 7 HC collects #1-5, $16 Mike Mignola (W/A) and Dave Stewart © On the heels of the second Hellboy feature collects #67-80 LOTS MORE, $55 H MIGHTY AVENGERS V. 2 TPB film, legendary artist and Hellboy creator Mike Mignola returns to the drawing table H CIVIL WAR HC collects #7-11, $25 for this standalone adventure of the world’s greatest paranormal detective! Hellboy collects #1-7 & MORE $40 H investigates an ancient chapel in Eastern Europe where an artist compelled by some- SPIDEY BND V. 1 TPB thing more sinister than any muse has sequestered himself to complete his “life’s work.” H HALO UPRISING HC collects #546-551 & MORE, $20 collects #1-4 & SPOTLIGHT, $25 H X-MEN MESSIAH COMP TPB Blade of The Immortal vol. 20 (OGN) H HULK VOL 1 RED HULK HC collects #1-13 &MORE, $30 By Hiroaki Samura. The continuing tales of Manji and Rin. This picks up after the final collects #1-6 & WOLVIE #50, $25 H ANN CONQUEST BK 1 TPB issue #131. This is the only place to get new stories! Several old teams are reunited, a H IMM IRON FIST V.3 HC collects A LOT, $25 mind-blowing battle quickly starts and races us through most of this astonishing volume, and collects #7,15,16 & MORE, $25 H YOUNG AVENGERS PRESENTS TPB an old villain finally sees some pointed retribution at the hands of one of his prisoners! Let H INC HERCULES SI HC collects #1-6, $17 the breakout battle in the "Demon Lair" begin! collects #116-120, $20 H DAREDEVIL CRUEL & UNUSUAL TP H MI ILLIAD HC collects #106-110, $15 Spawn #185 (still on-going) collects #1-8, $25 H AMERCIAN DREAM TPB story TODD McFARLANE & BRIAN HOLGUIN art WHILCE PORTACIO & TODD H MS. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
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9/4 - Labor Day Weekend: Comics, Toys, & More 9/4/2021 This session will be begin closing at 6PM on 9/4/21, so be sure to get those bids in via Proxibid! Follow us on Facebook & Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Policies 1 11 Avengers #43/1st Red Guardian 1 First appearance of the Red Guardian (Alexi 2 Tales of Suspense #51/1st Scarecrow 1 First appearance of Scarecrow, learned how to Shostakov), husband of Natasha Romanova, the Black manipulate fear through dark magic. Filler copy that Widow. VG- with bad staple placement and a has a restapled cover and loose centerfold. subscription crease. 3 Spectacular Spider-Man Treasury Edition 1 12 Arrow DC Figure Lot of (2) 1 1974. Marvel. VF/VF+ condition. Green Arrow and Black Canary. Figures are brand new, never opened, still in original boxes. 4 Vintage Wonder Woman Puzzle Lot 1 Lynda Carter! Two complete Jigsaw Puzzles from 1977 13 Weird Wonder Tales #1/2/4/5 Marvel 1 & 1978. Boxes show minor wear. Marvel Bronze Age Sci-Fi/Horror. #1 is VG, #2-4 are VG to FN. 5 Werewolf By Night Bronze Age Group of (8) 1 Includes #28-31,35,43 and Giant-Size #2 and 5. #31 14 Tales to Astonish #53-55 S/A Marvel 1 features a text teaser of Moon Knight's first appearance 3 classic Silver Age Marvel comics.