Autumn 2017 Hello

We are pleased to announce Black Dog Publishing’s Autumn 2017 catalogue, which includes an exciting range of new titles, as well as recent bestsellers and our renowned backlist.

New titles for the autumn season include Bish Bosch, the first scholarly analysis of Scott Walker’s work published with the musician’s permission; Becoming Animal, a study of existential human experience through art; and folly, a beautiful publication of British artist Phyllida Barlow’s work for the upcoming British Pavilion at the 57th Venice Biennale.

Celebrating 150 years of Canada, we are excited to introduce The Faraway Nearby, which offers stunning documentation and a unique view into Canadian history through photographs published in The New York Times. Alongside this, Kent Monkman: Shame and Prejudice, A Story of Resilience, our second publication with the artist, documents an extensive collection of his paintings, drawings and sculptural work, which offer the audience an acute and scathing commentary on Canada’s chequered history. We are also pleased to announce the reprinting of Wreckers of Civilisation, the iconic book that explored the history of the British musical and visual arts group Throbbing Gristle.

Finally, this season’s catalogue presents two fascinating titles that are of great importance for America, and that have gained the support of the acclaimed, far-reaching and ambitious Pacific Standard Time: LA/LA initiative from Getty, which explores Latin American and Latino art. The first, How to Read El Pato Pascual, is a thrilling investigation into Walt Disney’s influence on Latin American popular culture and visual art, and intends to show how culture is created through a sequence of exchanges, responses and (mis)appropriations. This is followed by Guatemala from 33,000 km, the first major publication that documents Guatemalan contemporary art, and the sociopolitical trends that made the country's art scene flourish.

As always, we continue to support our diverse range of popular backlist titles including Picasso: The Artist and His Muses; RAVE: Rave and its Influence on Art and Culture; Turn and Face the Strange; Lost Utopias; The Beaver Hall Group: 1920s Modernism in Montreal; The Nuclear Culture Source Book; Frank Bros.: The Store That Modernized Modern, and many more.

1 Black Dog Publishing New Titles

6 8 12 30 34 38 HOW TO READ EL PATO PASCUAL GUATEMALA FROM 33,000 KM BISH BOSCH LIBRE MEL KENDRICK KENT MONKMAN Disney’s Latin America Contemporary Art Ambisymphonic: A Project DHC/ART Wood Blocks Shame and Prejudice, and Latin America’s Disney from 1960–Present by Scott Walker, Water Drawings A Story of Resilience Iain Forsyth and Jane Pollard

16 18 20 42 44 46 WRECKERS OF CIVILISATION FOLLY THE FARAWAY NEARBY EMPIRE OF ILLUSION NEIL GALL OUT OF ICE Phyllida Barlow Photographs from The New York Times Terry Munro The Drawings The Secret Language of Ice Canadian Collection

22 26 28 50 52 54 BECOMING ANIMAL HARTMUT BÖHM THE PALE PATH FORM FOLLOWS FICTION ENTANGLED SIMON ENGLISH Objects in Dialogue Stephen Appleby-Barr Art and Artists in Toronto Two Views on Contemporary my big self decoy justin beiber Canadian Painting

2 3 Black Dog Publishing

56 58 60 IRIS HAÜSSLER THE BOOK OF NEOISM?! FORM, MODEL, SYNTAX, DISPLAY The Sophie La Rosière Project Terence Gower Sculpture Works

New Titles

62 64 66 GARY PEARSON WHAT NOW? NECROPOLITICS AND ITS Short Fictions On Future Identities DISCONTENTS Art, Morality and the Political Imagination

68 70 71 DES HUGHES AFTER THE EDUCATIONAL TURN BACKLIST One Hand Washes the Other Critical Art Pedagogies and Decolonialism 107 CONTACTS

Image from The Pale Path

4 6

MAK CENTER FOR ART AND ARCHITECTURE English and Spanish and English ·180 ills pages 304 ·9×12 cm ×23 in 30 £29.95 ·$45.00 978-1-911164-72-2 ISBN Hardback 2017 Sep US/CAN 2017 Aug UK Lerner and Rubén Ortiz-Torres, amongst others. amongst Ortiz-Torres, Rubén and Lerner Jesse from contributions written as well as Herrera, Arturo including Porter, Liliana and Chagoya, Nadín Enrique Ospina, graphic work, drawing, sculpture and video, as well as vernacular vernacular as well as video, and sculpture drawing, work, graphic engagement within Latin America, extending from Donald Donald from extending America, Latin within engagement the Disney’s book considers material, and documentary objects Latin America. Pascual ElPato to Read How companies, the production world’s largest of one of imagery the of reuse and reception the Investigating Ortiz-Torres Rubén and Lerner Jesse Editors: Disney America’s Latin and America Disney’s Latin PATO EL READ TO HOW PASCUAL of American cultural imperialism. cultural of American vehicles as lens aMarxist through comics Disney critiques that Mattelart Armand and Dorfman Ariel by 1971), essay an (Chile, Pascual Pato El to Read How theory. and postcolonial research historical studies, cultural on drawing essays commissioned of series Dead. the of Day the copyright to 2013 attempt the to Don Donald short Mexican-themed 1937 the role, featured first The book includes artistic contributions from artists contributionsThe from book artists includes artistic includingExamined painting, through photography, artworks The reach and influence of Disney is also examined in a in examined also is Disney of influence and reach The explores the prevalent presence of Walt Disney in Disney Walt of presence prevalent the explores How to Read Donald Duck Donald to Read How of areprint features also

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, 7 GUATEMALA FROM 33,000 KM Contemporary Art from 1960–Present Contributors: Rosina Cazali Escobar, Silvia Herrera Ubico, Mario Roberto Morales, Martín Fernández Ordóñez et al

Guatemala from 33,000 km: Contemporary Art from 1960– Present features artists, works and themes that have defined Guatemala’s contemporary art scene since the 1960s. The book brings together works that have rarely been seen outside Guatemala, but that speak to a range of formal, political and social concerns that permeate contemporary art both in Latin America and across the globe. MUSEUM OF CONTEMPORARY ART SANTA BARBARA Featuring artwork in a range of media that traces the tumultuous route traversed through the history of Guatemala since the mid-twentieth century, the book is structured around UK Oct 2017 clusters or groups of works that represent central ideas, US/CAN Dec 2017 themes and media that have been pivotal in Guatemala’s Flexicover art over the last 50 plus years. These clusters are: art and ISBN 978-1-911164-41-8 politics; land, landscape, territory; popular cultures; racism £29.95 · $39.95 and identities; religion, spirituality, metaphysics; gender 28 × 23 cm · 9 × 11 in perspectives; violence and trauma; art histories; and formal 192 pages · 140 ills experimentation. The book contains full-colour reproductions of the works, Spanish edition as well as essays that relay a wealth of new research, by ISBN 978-1-911164-47-0 curators and Guatemalan scholars Rosina Cazali Escobar, Silvia Herrera Ubico, Mario Roberto Morales and Martín Fernández Ordóñez. Guatemala from 33,000 km is a visual record of many works that have been not been documented. It will itself be a product of contemporary Guatemalan artistic practitioners, and is designed by Ambush Studio, which is based in Guatemala City. Published in partnership with the Museum of Contemporary Art Santa Barbara, in conjunction with the exhibition Guatemala from 33,000 km: Contemporary Art from 1960–Present.

Shirin Aliabadi, Miss Hybrid 3, 2008

8 8 9 Image from Guatemala from 33,000 km

10 11 12 £59.95 £59.95 978-1-911164-80-7 ISBN recording of of recording including edition audio Special ills ·240 pages 288 ·9×11 cm ×23 28 in £39.95 978-1-911164-43-2 ISBN Hardback 2017 Dec US/CAN 2017 Oct UK ·$49.95 · $75.00 Bish Bosch Bish

Iain Forsyth and Jane Pollard Jane and Forsyth Iain Walker, Scott by AProject Ambisymphonic: BOSCH BISH the installation will be included as a digital download. download. adigital as included be will installation the in featured tracks the of arrangements ambisonic the of mixes binaural several addition, In himself. musician the by available made lyrics, handwritten Walker’s and pages, notebook and pictures never-before-seen rare script, the complete spatialisation of the Bish Bosch fragments together with the installation, of making the on Pollard Jane and Forsyth Iain by Walker Scott with conducted interview arare features book The album. groundbreaking the of reimagining sonic immersive and unique utterly an Bish Bosch: Ambisymphonic create to Pollard Jane and Forsyth Iain Bish Bosch date, to album studio longest his 2012 in with concluded with Walker’s uncompromising, avant-garde ‘ examine critically will publication The permission. musician’s the with published be to book first the is and work, Walker’s Scott of analysis scholarly first the Bish Bosch: Ambisymphonic presents Young Rob Pollard, Jane Forsyth, Walker, Iain Scott Contributors: Scoates Christopher Editor: practices of this most reclusive of musicians. musicians. of reclusive most this of practices roster of Walker’s provide collaborators insight into the working a while music, experimental of context larger the and art sound of history the within work Walker’s place succinctly Scoates The Wire artists mixed-media British with up teamed Walker 2013, In Tilt Tilt 11 Drift The with continued 1995, in ’s Rob Young and curator and writer Christopher Christopher writer and ’s curator Young and Rob trilogy years later, years and ’ , which beganwhich

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9 781911 164029 Image from Bish Bosch: Ambisymphonic

14 15

WRECKERS OF CIVILISATION Editor: Simon Ford

“These people are the wreckers of civilisation”, exclaimed the Conservative Member of Parliament Nicholas Fairbairn in 1976. His outburst was meant to describe four artists and musicians: Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson and Chris Carter—members of the seminal band Throbbing Gristle. Throbbing Gristle are widely lauded as the band that invented industrial music, and their influence can be observed across today’s musical landscape: from house and techno to industrial death metal. Wherever experimental electronic music is being made, Throbbing Gristle’s influence can be felt. From the foreword by Jon Savage: “Wreckers of Civilisation recalls a time which, despite volumes of print, remains occluded, obdurate, even intimidating: that moment before the conservative UK Aug 2017 reconstruction. To be awake in London in the late 1970s was to be US/CAN Oct 2017 plunged into turmoil: externally manifest in riot, internally within Paperback various forms of damage and depression and, if one felt brave ISBN 978-1-911164-73-9 or driven, extreme aesthetics. Throbbing Gristle’s work marks £24.95 · $34.95 the furthest reaches of that impulse: even more so than punk, 23 × 17 cm · 6½ × 9 in they plunged into a technological and personal examination 256 pages · 110 ills of the dark side—the forbidden, the taboo, the dystopian future on the doorstep. Today this might seem like science fiction or deliberate shock tactics, but then it seemed like reportage, front line dispatches from a convulsed country.” Reprinted nearly two decades after its original release, the book coincides with Hull—the city in northern England from which Throbbing Gristle hail—being named UK City of Culture. For perhaps the first time, the eyes of the world will be trained not just on Hull, but on its most controversial cultural provocateurs.

16 17 17 FOLLY Phyllida Barlow Writer: Emma Dexter

BRITISH COUNCIL folly presents the British Council’s new commission created by Phyllida Barlow for the British Pavilion at the 57th Venice Biennale. Best known for her colossal sculptural projects, for Phyllida Barlow over five decades Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, rubber, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them. Drawing on memories of familiar objects from her surroundings, folly Barlow’s practice is grounded in an anti-monumental tradition characterised by her physical experience of handling materials in an expedient and direct way. UK May 2017 Phyllida Barlow was born in 1944 in Newcastle upon Tyne, US/CAN Jul 2017 England. Barlow studied at Chelsea College of Art (1960–1963) and Hardback the Slade School of Art (1963–1966). Her recent solo exhibitions ISBN 978-1-911164-67-8 include: demo, Kunsthalle Zürich, 2016; tryst, Nasher Sculpture £19.95 · $29.95 Center, Dallas, 2015; dock, the Duveen Commission at Tate Britain, 28 × 23 cm · 9 × 11 in London, 2014; HOARD, Norton Museum of Art, West Palm Beach, 128 pages · 70 ills 2013; scree, Des Moines Art Center, 2013; siege, New Museum, New York, 2012; Cast, Kunstverein Nurnberg, Nuremberg, Germany, 2011; and in 2010, she was in the critically acclaimed two-person show at the Serpentine Gallery, London with Nairy Baghramian. In 2011 she became a Royal Academician, and she was awarded a CBE in 2015. Phyllida Barlow is represented by Hauser & Wirth.

18 19 THE FARAWAY NEARBY Photographs from The New York Times Canadian Collection Contributors: Gerald McMaster, Denise Birkhofer, Gaëlle Morel, Paul Roth

RYERSON IMAGE CENTRE On the occasion of Canada’s 150th anniversary in 2017, The Faraway Nearby presents a century of Canadian history through photographs published in The New York Times, the United States’ “newspaper of record”. The book will take readers on a visual journey through photographs ranging from breaking news to portraiture, depicting many of the key events and personalities that helped to define Canada in the twentieth century. Taking an expansive view of many of the diverse histories that have constituted Canadian life, The Faraway Nearby UK Jun 2017 highlights images of major political events and conflicts, the US/CAN Aug 2017 Canadian role in wartime, iconic landscapes across the nation, Hardback hockey and other sports heroes, and candid reportage on the ISBN 978-1-911164-68-5 lives of everyday Canadians. Also featured prominently are £29.95 · $45.00 images of Indigenous peoples, immigrant communities, notable 28 × 22 cm · 8 × 11 in international figures on official visits to Canada, as well as 256 pages · 150 ills portraits of such iconic figures as Margaret Atwood, Glenn Gould, Marshall McLuhan, Mary Pickford and Pierre Elliott Trudeau. The publication draws from an archive of nearly 25,000 photographs of Canadian subject matter that appeared in The New York Times, a promised gift to the Ryerson Image Centre from the collection of Toronto-based entrepreneur Chris Bratty. [Swimming Pool at Chateau

Photographer unknown, Untitled [“Trudeaumania”, Toronto] Lake Louise, Alberta], c 1930, silver gelatin print detail, 1968, silver gelatin print Untitled Railway, Pacific Canadian 21 BECOMING

ANIMAL BECOMING ANIMAL Editors: Claus Carstensen, Jens Tang Kristensen Contributors: Brian Massumi, Raymond Tallis, Sven-Olov Wallenstein, Donald Preziosi et al

“As for humans, God tests them so that they may see that they are like the animals. Surely the fate of human beings is like that of the animals; the same fate awaits them both: As one dies, so dies the other. All have the same breath; humans have no advantage over animals. Everything is meaningless.” DEN FRIE CENTRE OF CONTEMPORARY ART BECOMING —Ecclesiastes, 3:18–19

What does it mean to be human? Unlike animals, who have little ANIMAL to no consciousness of their own existence or the inevitability of death, humans are painfully conscious of themselves, the limits of UK Dec 2017 life, and the emptiness that lies ahead. Becoming Animal explores US/CAN Feb 2018 the existential nature of human experience through a rich survey of Paperback major modern and postmodern artworks in a visually and critically ISBN 978-1-911164-40-1 ambitious cross section of twentieth- and twenty-first-century art. £29.95 · $39.95 This investigation builds from a literary and philosophical 28 × 23 cm · 9 × 11 in framework that addresses the development of consciousness and 240 pages · 180 ills self-awareness. Through a series of apparently irreconcilable artistically and politically divergent movements, empty transcendence is confronted by the enduring concepts of eternity and utopia. In particular, Symbolism and Minimalism are juxtaposed as art movements that shaped the nineteenth and twentieth centuries’ exploration of the relationship between life and death, emptiness and meaning, with their specific artistic languages. Featuring artists such as Francisco de Goya, Albert Oehlen, Gardar Eide Einarsson and Matias Faldbakken, Becoming Animal also includes essays from international thinkers on emptiness and transcendence in modern and contemporary art, including Giorgio Agamben, Michael Kjær, Claus Carstensen, Anne Gregersen and Rosalind Krauss. Becoming Animal coincides with an exhibition produced by a collaboration between Den Frie Centre of Contemporary Art, Copenhagen, and the Museum of Religious Art, Lemvig, which will run from spring to autumn 2018.

22 23 Image from Becoming Animal (Francisco de Goya, Simpleton)

24 25 HARTMUT BÖHM Objects in Dialogue

DIEHL GALLERY ‘Matrix and metaphor’, ‘emptiness and volume’, ‘overlayering and penetration’, ‘system and syntax’ and ‘form and structure’ are terms Hartmut Böhm offers to his audience in exploring his work. Known for his use of industrial materials, Böhm is one of the most influential German non-figurative and minimalist artists of his generation. Hartmut Böhm is the first substantial publication of the artist’s work to be published in the English language. As a major influence in Europe’s Constructivist art movement in the 1960s, Böhm’s art has been included in numerous revolutionary exhibitions, such as the 1964 exhibition Nouvelle Tendance at the Musée des Arts Décoratifs at the Palais du Louvre, as well as one of the first survey exhibitions of Kinetic art in Europe: Kinetika in Vienna. His later work steps away from geometric art and its dogmas, and explores mathematical systems through simple and UK Sep 2017 repetitive installations, which aim to find discipline and structure US/CAN Nov 2017 to confront and oppose the chaos of the world. Paperback His work is currently included in 70 public collections ISBN 978-1-911164-84-5 worldwide, including the Neuberger Museum of Art, New York; £24.95 · $34.95 Busch-Reisinger Museum at Harvard University, Massachusetts; 34 × 24 cm · 9 × 13 in Kunstmuseum Bonn; Museum Ritter, Waldenbuch; Louisiana 152 pages · 80 ills Museum of Modern Art, Humlebæk; Museum Haus Konstruktiv, Zurich; and the Tel Aviv Museum of Art, amongst many others.​

26 27

THE PALE PATH Stephen Appleby-Barr Author: Mark Kingwell

Born in Canada, Stephen Appleby-Barr is a young artist who employs a classical style in a contemporary world, creating oil paintings and etchings that call to mind Renaissance art with a NICHOLAS METIVIER GALLERY postmodern twist. Inspired by the dramatic work of Old Masters such as Rembrandt, Goya and Velázquez, Appleby-Barr infuses these elements with arcane references, sci-fi allusions and comic touches. The Pale Path explores Appleby-Barr’s artistic practice, juxtaposing it with images by artists such as Bosch, Delacroix, Freud and Goya as reference points. An accompanying essay by writer and philosopher Mark Kingwell will wind mesmerisingly UK Aug 2017 throughout the book, surrounded by Appleby-Barr’s figurative US/CAN Oct 2017 painting, surreal pastiche and anthropomorphic figures. Hardback Appleby-Barr is a member of Team Macho, an artist collective ISBN 978-1-911164-45-6 previously featured in the 2007 publication Fancy Action Now: The £24.95 · $34.95 Art of Team Macho. His work has featured in exhibitions at the 28 × 23 cm · 9 × 11 in Harbourfront Centre, Toronto; Gallery Hanahou, New York; Art 128 pages · 100 ills Gallery of Ontario, Toronto; Magic Pony, Toronto; and Nicholas Metivier Gallery, Toronto.

“It’s as though Rembrandt or Vermeer had played Dungeons & Dragons, or been obsessed by The Hobbit.” —The Toronto Star

28 28 29

LIBRE DHC/ART LIBRE DHC/ART DHC/ART LIBRE Contributors: Sarah Thornton, Jan Verwoert et al LIBRE: DHC/ART tells the story of a contemporary art foundation unlike any other in Canada. Situated in the cosmopolitan city of Montreal, DHC/ART is dedicated to bringing impactful DHC/ experiences with contemporary art to the public with a mission of accessibility on multiple levels. Since its launch in 2007 by Phoebe Greenberg, the foundation has presented a critically acclaimed programme with major artists from around the world, including Christian Marclay, Joan Jonas and Yinka

back spine front ART LiveSurface: DHC Book: Plus Book 8023 (1:1 scale) Shonibare MBE. In a short time, the foundation has created new UK Dec 2017 opportunities for the intellectual and creative communities in US/CAN Feb 2018 Montreal while establishing itself as a strong collaborator with Hardback both local and international partners. ISBN 978-1-911164-71-5 This publication chronicles the evolution of DHC/ART and £29.95 · $45.00 through its story provides a platform for critical essays that 29 × 27 cm · 11 × 12 in open up larger questions about the potential for innovative 204 pages · 150 ills institutional models to develop contemporary art audiences for the future. Amongst the contributors are Sarah Thornton, who will situate DHC/ART within the global philanthropic context, and French edition Jan Verwoert, who explores the interrelated notions of seduction, ISBN 978-1-911164-75-3 value and metabolism.

30 30 31 Image from Libre: DHC/ART

32 33 MEL KENDRICK, WOOD BLOCKS WATER DRAWINGS MEL KENDRICK Wood Blocks Water Drawings MEL KENDRICK Marking the artist’s first major publication in his 30-year-plus career, Mel Kendrick: Wood Blocks Water Drawings presents a

DAVID NOLAN GALLERY collection of the American artist’s wood block prints and water drawings. Produced over a period from the early 1990s to the present day, Kendrick’s prints explore bold yet complex arrangements, all the while introducing the subtle grain of the wood, signifying the organic quality of the artist’s creative process. These WOOD BLOCKS large-scale prints, typically measuring 3 × 2 metres in size, are WATER DRAWINGS largely informed by the artist’s ongoing sculptural practice, in both spatial engagement and process. Kendrick’s work is discussed within the book through texts UK Jul 2017 that investigate the relationship that the works hold with both US/CAN Sep 2017 architectural and artistic influencers, as well as with his well- Hardback established sculptural practice, through which he has a storied ISBN 978-1-911164-82-1​ history of using wood, bronze, rubber, paper and cast concrete. £24.95 · $34.95 Kendrick has exhibited extensively and to great acclaim 28 × 23 cm · 9 × 11 in since the mid-1970s at institutions including the Metropolitan 192 pages · 130 ills Museum of Art, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; and the Brooklyn Museum, New York, among many others. His work is included in many significant public collections, including those of the Art Institute of Chicago; the Brooklyn Museum; the Metropolitan Museum of Art; the Museum of Modern Art; the National Gallery of Art, Washington, DC; the Walker Art Center, Minneapolis; and the Whitney Museum of American Art. He has been the recipient of several awards, including the Francis J. Greenburger Award and the Academy Award for Art from the American Academy of Arts and Letters.

34 35 Image from Mel Kendrick: Wood Blocks Water Drawings KENT MONKMAN Shame and Prejudice, A Story of Resilience Contributors: Kent Monkman, Barbara Fischer et al

Kent Monkman’s new, large-scale project takes the viewer on a journey through Canada’s history that starts in the present and takes us back to 150 years before Confederation. With its entry points in the harsh urban environment of Winnipeg’s north end, and contemporary life on the reserve, Kent Monkman: Shame and

ART MUSEUM, UNIVERSITY OF TORONTO Prejudice, A Story of Resilience takes us all the way back to the period of New France and the fur trade. The Rococo masterpiece The Swing by Jean-Honoré Fragonard is reinterpreted as an installation with Monkman’s alter ego, Miss Chief Eagle Testickle, in a beaver-trimmed baroque dress, swinging back and forth between the Generals Wolfe and Montcalm. UK May 2017 As both artist and curator, the book coincides with Kent US/CAN July 2017 Monkman’s first major solo exhibition at the Art Museum at the Hardback University of Toronto, and includes his own paintings, drawings ISBN 978-1-911164-69-2 and sculptural works, in dialogue with historical artefacts and £24.95 · $34.95 artworks borrowed from museum and private collections from 28 × 23 cm · 9 × 11 in across Canada. 160 pages · 110 ills Kent Monkman is a Canadian artist of Cree ancestry who works with a variety of mediums, including painting, film/video, performance and installation. He has had exhibitions at numerous major museums worldwide, including Witte de With, Rotterdam; the Museum of Contemporary Art, Toronto; and MASS MoCA, Massachusetts. The book accompanies a travelling North American exhibition of Monkman's work stopping at nine venues through to 2020, including the Art Museum at the University of Toronto, the University of Quebec and the Museum of Anthropology.

39 Image from Kent Monkman: Shame and Prejudice, A Story of Resilience

40 41 EMPIRE OF ILLUSION EMPIRE OF ILLUSION EMPIRE OF ILLUSION Terry Munro Contributor: Bill Jeffries

Over the past decade Canadian artist Terry Munro has TERRY MUNRO concentrated his creative efforts in documenting one street: Las Vegas Boulevard in Nevada, USA. Visually, Las Vegas offers an unprecedented environment that purposely and at great expense seeks to interrogate the relationship between reality, TERRY MUNRO symbols and society in often bizarre, ethnocentric, exaggerated, extraordinary and outrageous ways. It is a place that demands UK Jul 2017 the craving of fantasy, ecstasy and illusion. US/CAN Sep 2017 Munro’s photographs deal in part with the architecture of Hardback the region and how the real and fiction are seamlessly blended ISBN 978-1-911164-81-4 together, with themes for some of the largest hotels in the £24.95 · $34.95 world spanning from the Roman Empire and contemporary 28 × 30 cm · 11 × 12 in Paris to ancient Egypt. Rising from a vast desolate desert, the 128 pages · 100 ills city is a strange and massive American economic engine fuelled by entertainment, gambling, consumerism and sex. The photographs presented here in duotone by Munro distil the hyperbole and extravagance of the Las Vegas strip to reveal simple truths about spectacle as the final manifestation of capitalism. Exploring the ideas and influences of Munro, Bill Jeffries has contributed a text that explores these themes in more detail, and how the photographer’s work sits within the canon of North American photography. Terry Munro is a Canadian artist who lives in Calgary and Vancouver. His photographs can be found in the collections of the National Gallery of Canada, Alberta Foundation for the Arts, Canada Council Art Bank and many others. He is a graduate of the San Francisco Art Institute in California. Bill Jeffries is a writer, artist and former curator, and was recently the Director/ Curator of Presentation House Gallery and Simon Fraser University Galleries in Vancouver.

42 42 43 NEIL GALL The Drawings

Neil Gall: The Drawings brings together nearly 60 works of paper by British artist Neil Gall, created from 2005 up to the present. The book will offer an overview of Gall’s engagement with the medium of drawing and, in so doing, highlight this important thread running through his practice. Gall’s works typically engage a range of cultural and art historical references, all of which operate within his own unique and precisely determined visual language. In recent years, the artist has developed a highly skilful and virtuosic approach to drawing, which involves a rendering of loosely constructed maquettes, assembled using coloured tape, translucent cellophane, ping-pong balls and other materials that he finds UK Oct 2017 in his studio. US/CAN Dec 2017 Neil Gall was born in Aberdeen, Scotland, and currently Hardback lives and works in London. He received his BA in Painting ISBN 978-1-911164-76-0 at Gray’s School of Art and then attended Slade School of £29.95 · $39.95 Art in London in 1991. His art has garnered him numerous 28 × 23 cm · 9 × 11 in awards in Great Britain, and his work is featured in prominent 144 pages · 90 ills international collections including the Denver Art Museum, The Morgan Library, New York and the Zabludowicz Collection, London. Gall is represented by David Nolan Gallery in New York and Aurel Scheibler Gallery in Berlin.

44 45 OUT OF ICE The Secret Language of Ice Editors: Jane Warrilow, Elizabeth Ogilvie Contributors: Andrew Patrizio, Katherine Heron, Tim Ingold, Bergit Arends, Astrid Ogilvie, Julie Decker et al OUT OF ICE Elizabeth Ogilvie

UNIVERSITY OF EDINBURGH Elizabeth Ogilvie is a Scottish environmental artist who focuses on the psychological, physical and poetic dimensions of ice and water. Out of Ice was Ogilvie’s gigantic immersive art piece, a site-specific work designed for the vast Ambika P3, a London gallery and former construction hall. Her work is deeply concerned with nature, global warming, the age of UK Sep 2017 the Anthropocene and deep time, employing a fusion of art, US/CAN Nov 2017 architecture and science. Hardback This publication will explore one of the most significant ISBN 978-1-911164-23-4​ artists of her generation in Scotland: it includes essays RRP £29.95 · $39.95 focusing on critical interrogation of Ogilvie’s work but also 27.5 × 27.5 cm · 11 × 11 in poetry, journal extracts and the artist’s own writing. A series 180 pages · 120 ills of stunning images will document Ogilvie’s field research and experimental work, the Out of Ice installation process, and the artist’s community engagement. Ogilvie was the recipient of a Creative Scotland/National Lottery Award, as well as an Arts Council of England grant and a Saltire Award for Art in Architecture. She is the founder/ director of Scottish-based cultural trust Lateral Lab, and she has exhibited in numerous galleries worldwide, including in Korea, Germany, Iceland and Japan.

46 47 Image from Out of Ice: The Secret Language of Ice

48 49 FORM FOLLOWS FICTION Art and Artists in Toronto Contributors: Luis Jacob, General Idea, Michael Snow, Robert Houle, Camille Turner, Suzy Lake et al

How do artists in Toronto visualise their sense of place? Are there particular made-in-Toronto ways of thinking about the city? Bringing together work selected by internationally renowned Toronto-based artist Luis Jacob, Form Follows Fiction: Art and

ART MUSEUM, UNIVERSITY OF TORONTO Artists in Toronto concentrates on a period of more than 50 years to consider the ways in which artists visualise Toronto. Presenting a thematic clustering of works by 86 artists, the book is premised on the tendency of artists in the city to favour performative and allegorical procedures to articulate their sense of place. Four gestures—mapping, modelling, performing and UK Aug 2017 congregating—serve as signposts to a diverse array of artistic US/CAN Oct 2017 practices. The book is a constellation of symbolic forms, or Hardback memes, that repeatedly appear in the work of artists of different ISBN 978-1-911164-70-8 generations; it presents a panorama of the blueprints that artists £29.95 · $39.95 have drafted over many decades to give form to life in one of North 28 × 23 cm · 9 × 11 in America’s largest cities. 208 pages · 160 ills The book includes historical documents gathered from local archives, contemporary ephemera and work from artists including Suzy Lake, Kent Monkman, Ed Pien, Roula Partheniou, General Idea, Oliver Husain, Lisa Steele and Michael Snow.

50

ENTANGLED Two Views on Contemporary Canadian Painting Editors: Bruce Grenville, David MacWilliam

The story of contemporary painting in Canada is constantly

VANCOUVER ART GALLERY e n t a n g l e d under revision, and for good reason—dynamic and influential t w o v i e w s o n art practices, wildly differing opinions, strongly held beliefs contemporary and high expectations make for a charged atmosphere in art c a n a d i a n p a i n t i n g schools, studios and public and private galleries. Within this community of painters, strong ideas give shape to new modes of painting, new techniques and new dogmas that are in turn shared, debated, tested and critiqued in studios across the country. Entangled: Two Views on Contemporary Canadian Painting offers an insight into two distinctly different modes that have come to dominate contemporary painting in this country. The UK Sep 2017 origins of both can be effectively traced back to the 1970s, to a US/CAN Nov 2017 moment when the continued existence of painting was hotly Paperback debated. Within that debate two new strategies were devised: ISBN 978-1-911164-44-9 one that proposed the possibility of conceptual painting—a £19.95 · $29.95 highly refined notion of painting that emerged from and returned 28 × 21 cm · 8 × 11 in to the ‘idea’—and a second, ambivalent proposition that valued 112 pages · 90 ills actions and materials over ideas: in short, doing and making were pitted against ideas and concepts. Entangled: Two Views on Contemporary Canadian Painting traces the legacy of that debate and documents the work of 32 artists who have been largely responsible for the strong revival that painting now enjoys in Canada. With work by artists from Halifax to Victoria and many places in-between, the book offers a convincing survey of the lively exchanges that make painting relevant and meaningful today, including the work of Gary Neill Kennedy, Gerald Ferguson, Jeffrey Spalding, Stephanie Aitken, Marvin Luvualu Antonio and Rebecca Brewer.

52 52 53 DIEHL GALLERY ills ·70 pages 144 ·9×12 cm ×23 in 30 ·$34.95 £24.95 978-1-911164-77-7 ISBN Paperback 2017 Nov US/CAN 2017 Sep UK 54 Sally Sally emanating from English’s and database, drawing imaginary atext contribute will who Scott, Laurence from contributions dealer”. acrack of equivalent the is English myself, like addicts picture “for that wrote Arning Bill 2004, In enough. never is more and much too is one say that within ‘ the are His overpainting. and deletions black heavy beneath buried or page, the of surface the on clear too only left is history surfing His cyberspace. entering one of collide. fact and fetish where aplace in fiction and friction of confabulation disputes—a and desires devotions, with jostle Diaries psyche. artist’s the of vortex colourful and energetic the into viewer the pulling space, for another one with tussle drawings brutal and delicate exquisitely These contemplation. quiet resist and invite to page the on text and image both with spread, page double the around themselves format that artist the by drawings painted of body new significant brings together a beiber justin decoy self big my English: Simon O'Reilly Sally Scott, Laurence Contributors: beiber justin decoy self my big ENGLISH SIMON writer and critic who recently published her first novel, Crude novel, first her published recently who critic and writer The Four-Dimensional book the of Human author and awriter is Scott Laurence worldwide. institutions and museums galleries, in exhibited been has work his then, Since 1994. in Gallery Saatchi the at III Artists Young British in debut his made who fantasy. and fiction theory, art, between The work within the book is brought together with written written with together brought is book the within work The instincts the with page blank the across draws English Simon Simon English is a Berlin-born British artist based in London London in based artist British aBerlin-born is English Simon O ’ work somewhere somewhere work the for avoice construct will who Reilly, old gremlins, the monsters the monsters ’ gremlins, . Sally O’Reilly is a a is O’Reilly . Sally .

55 ISBN 9781911164029 92995 >

9 781911 164029 IRIS HAÜSSLER The Sophie La Rosière Project Editor: Philip Monk

Since 2009, Iris Häussler has produced the complete oeuvre of unknown French painter Sophie La Rosière, who died in 1948. In fact, Häussler has created an artistic persona through which to channel this fictitious artist’s secrets, while at the same time

ART GALLERY OF YORK UNIVERSITY fabricating a biography for her and an elaborate backstory of IRIS HÄUSSLER a hidden erotic liaison that intersects with real people, historical events and actual artistic movements. THE SOPHIE The paintings are merely a kernel within the larger shell LA ROSIÈRE of La Rosière’s life circumstances, which include the recreation PROJECT of her studio, its products and detritus, and the elements of a forensic investigation that tries to answer the questions, after the paintings’ discovery, of why these paintings were abandoned, why they were concealed by a layer of black encaustic and, UK Jul 2017 ultimately, what secrets do they conceal? Following the spirit US/CAN Sep 2017 of the overall project, this book includes a catalogue raisonné Hardback of all Sophie La Rosière’s 293 works, forensic evidence, expert ISBN: 978-1-911164-24-1 analyses and official reports. £29.95 · $39.95 Iris Häussler is a German-born conceptual and installation 27 × 17 cm · 7 × 10 in artist, who lives and works in Toronto, Canada. She consistently 224 pages · 190 ills works with immersive installations that revolve around fictitious stories. Beginning with detailed biographies of invented characters, she builds the material evidence of their obsessive lives and works. This results in unsettling site- specific environments in domestic dwellings, historical houses and museum spaces.

56 57 THE BOOK OF NEOISM?! Author: Istvan Kantor

The Book of Neoism?! brings together the collected writings of Hungarian-Canadian artist and cultural provocateur Istvan Kantor, one of the early members of the Neoism movement. The central tenet of Neoism is to ‘make shit happen’, be that ritualistic book burnings, public ‘blood protests’ at MOMA, raucous musical performances or innovative experiments in sculptural form. This parodic movement originated as an underground network in Canada in the late 1970s, operating as a subversive collective creating controversies, live installations and, eventually, an international subculture. Its members employed shared pseudonyms, most notably ‘Monty Cantsin’, which Kantor himself appropriated for his performance art. In this publication, Kantor will continue this tradition by using AMEN. as his nom de plume. This is Black Dog Publishing's second book regarding the work of Kantor. The first, Rivington School, tells the story UK Oct 2017 of his time founding a punk movement on Manhattan’s Lower US/CAN Dec 2017 East Side. Most recently, Kantor hit the headlines after Paperback he missed his own book burning due to being detained by ISBN 978-1-911164-74-6 customs authorities. £19.95 · $29.95 Kantor’s further writings are brash and experimental, 22 × 14 cm · 6 × 9 in forming a vital part of underground subcultural history, and 496 pages · 80 ills The Book of Neoism?! promises to shed light on the infamous activities of twentieth-century Neoists.

58 59 form, model, syntax, display FORM, MODEL, SYNTAX, DISPLAY Terence Gower Sculpture Works Editor: Terence Gower

Form, Model, Syntax, Display is the third monograph on the work of Terence Gower. Although best known for his large research-based installations on twentieth-century architecture and urbanism, this recent body of work analyses post-war abstract sculpture. Gower is interested in how abstract form— in sculpture and architecture—represents abstract ideas, and how these forms’ associated meanings change over time. He has studied the work of artists such as Barbara Hepworth and Isamu Noguchi, using drawing, room-sized mobiles and sculptures in papier mâché, polystyrene, stone and concrete. UK Sep 2017 The design of this book, including its layout and title, is US/CAN Nov 2017 closely modelled on the 1960s Vision & Value book series (Braziller, Hardback New York), in which György Kepes invited contributors from ISBN: 978-1-911164-48-7 wide-ranging disciplines to write on the same cultural or scientific £24.95 · $34.95 theme. Gower has invited seven writers from literature, art and 24 × 22 cm · 8.5 × 9.5 in the social sciences to contribute essays, each accompanied by 128 pages · 70 ills documentation from the artist’s ten-year study of modern sculpture. Form, Model, Syntax, Display is published to coincide with the installation of Six Formes, a public artwork commissioned by the Région Auvergne-Rhône-Alpes, France.

60 61 KELOWNA ART GALLERY 100 ills ·100 pages 144 ·9×11 cm ×23 28 in £24.95 978-1-911164-50-0 ISBN Paperback 2017 Dec US/CAN 2017 Oct UK 62 ·$34.95 Canada, since 1991. since Canada, at award-winning An studio. Kelowna his in back is he once paintings large into feed later pieces small His journal. his in writing as well as residencies, Norway, Germany, York, New in residencies artist’s and exhibitions Turner, Holubizky Ihor Michael Peck, Aaron Contributors: Wylie Liz Editor: conceptual and documentary. fictional both well, as videos make to him led has creativity restless his and drawings, large-scale produces also artist The condition. human the explores which work, his in means painterly than rather graphic mainly using sensibility, adark has Pearson idiom, but in Expressionism. the vein ofcontemporary Northern a in works who artist protean and inventive an is Pearson Gary curator Ihor Holubizky.curator and writer Canadian known internationally by artist the with interview an of atranscription also is There accompanies). book this exhibition solo major the of curator (the Wylie Liz and Turner Michael Peck, Aaron writers Canadian by work Fictions Short GARY PEARSON of of University the Pearson has travelled widely, having participated in participated having widely, travelled has Pearson Gary Pearson:Gary Short Fictions Poland, Mexico and Australia. When on the road or at at or road the on When Australia. and Mexico Poland, he generally works on paper and at a small scale, scale, asmall at and paper on works generally he artist, Pearson has been Associate Professor Associate been has Pearson artist, British Columbia Okanagan in Okanagan Kelowna, Columbia British includes texts on Pearson’s Pearson’s on texts includes

/

63 ISBN 9781911164029 92995 >

9 781911 164029 WHAT NOW? What On Future Identities Editors: Anne Barlow, Kristen Chappa Now? ART IN GENERAL What Now? On Future Identities examines the notions of ‘future On identities’ through discussions around the construction of the self, queer theory, self-determination, mutability, the body, technology Future and social media, as well as the ever-evolving relationship between Identities the digital and the material. Bringing together contributions from artists, curators, educators, cultural theorists and psychologists, alongside artists’ interventions, What Now? On Future Identities is the second in a series of publications that coincide with a symposium of the same name, held by Art in General, New York. The book considers how this contemporary political moment is different from the kinds of activism that arose around identity politics during the 1960s through to the 1990s, and how new thinking might shape ideas around ‘performing citizenship’ or UK Jul 2017 creating a new sense of commons in the future. US/CAN Sep 2017 What Now? On Future Identities follows Black Dog Publishing’s Paperback previous title with Art in General, What Now? The Politics ISBN 978-1-911164-46-3 of Listening. The series is ongoing, with another title to be £16.95 · $19.95 published next season. 25 × 19 cm · 7 ½ × 10 in 96 pages · 40 ills

65 Em. Us sequam et velique as alitatia que net ommod Necropolitics ma dolessit faccate magnatempor acerum sape pla voluptaectur aperiam rendi re, inulpa cum ent haritat uribus ut elloris ut di archil excessi tiatus, et odissus, inus NECROPOLITICS AND ITS DISCONTENTS quamendi aut et eostiandit et minctate sintis simus con cullenda di volorem ut moluptatque vel illignat es int et lamus pa debita dipsa. Art, Morality and the Political Imagination Ut liqui a nonsequi con es ut occullent et autat rendigendam, magnatempor acerum sape pla voluptaectur aperiam rendi re, inulpa cum ent haritat uribus ut elloris ut di archil excessi tiatus, et odissus, Editors: Mick Wilson, Silvia Loeffler inus quamendi aut et eostiandit et minctate sintis simus con cullenda di volorem ut moluptatque vel illignat es int et lamus pa debita dipsa vitiusam, ut fugiae. Ut liqui a nonsequi con es ut occullent et autat rendigendam, natur Contributors: Noel Fitzpatrick, Birgitta Nordström, Behjat mi, to ma is mos abo. Nequam autPudi qui estissunt.

Ulloratem que consedigendi aute sum quiam harchicius, et volore elia sequiatibus molupta corporrunt, torempor am nem nusapero te evelita tiumque vitame vollorepe Omer Abdullah et al deles andandigent volectias sunt ea quod quae volo te nihicto resequam landaerum velestis pliquid istibus. a N d

its d Necropolitics and its Discontents addresses the relationship between the contemporary political production of death and isco N te ts the way mortality is figured in contemporary visual practices. Necropolitics This unique volume brings artists and theorists together to aNd its examine the complex ways in which mortality intersects with discoNteNts questions of political community, belonging and identity, as VALAND ACADEMY, UNIVERSITY OF GOTHENBURG £00.00 — $00.00 Art, Mortality explored in contemporary art practice and debate. At a time of and the Political unprecedented public violence and refugee crises, Necropolitics Imagination and its Discontents addresses the contribution of artistic practices to thinking through the culture of precarity and death UK Sep 2017 that characterises the current historical moment. US/CAN Nov 2017 The book offers a unique interdisciplinary intervention into Paperback current debates on the political and economic instrumentalisation ISBN 978-1-911164-42-5 of death, demonstrating the important role of contemporary art £19.95 · $29.95 in providing alternative images and ideas for the contemporary 23 × 16 cm · 6 × 9 in political imagination. Combining formats such as the visual 180 pages · 80 ills essay with critical theoretical interventions that draw upon contemporary political philosophy, ethnography, economics and art theory, this volume is an important contribution to understanding the processes shaping contemporary political cultures of death.

66 67 des hughes DES HUGHES One Hand Washes the Other

Bringing together work produced over the past decade, Des Hughes: One Hand Washes the Other is the most comprehensive publication on the British artist’s work to date. one hand washes the other Des Hughes' work bears witness to an obsessive, physical des enquiry into the materials, methods and traditions of sculpture, one hand washes the other hughes one hand wash rethinking conventional scu lptural materials such as plaster, marble, bronze and clay. Nothing is as it first appears; crudely modelled clay is meticulously cast in resin but, with the inclusion of marble dust, it may appear to have been carved and polished from a block of stone or fashioned from a piece of chewing gum. Hughes also considers the purpose or meaning of sculpture— UK Feb 2018 from the functional doorstop to the sacred effigy. Traditions are US/CAN Apr 2018 revised as he rethinks ecclesiastical equipment and relics Hardback as macabre joke-shop props or as modern, abstract sculptural ISBN 978-1-911164-79-1 forms (and vice versa). The traditional materials of sculpture £29.95 · $39.95 are called into question and a robust sense of imagery recalls 28 × 23 cm · 9 × 11 in classic British horror. There is a tender acknowledgement of 240 pages · 160 ills the twentieth-century modernist canon, while a pre-romantic and more medieval moment is reimagined, with a sombre world view of the transience of life, the futility of pleasure and the certainty of death. Des Hughes is a British artist who studied at Bath School of Art and Design and Goldsmiths, University of London. He has exhibited at galleries including the Henry Moore Foundation, The Hepworth Wakefield, Nottingham Contemporary and Tate Britain. The book includes a wide selection of Hughes’ work, as well as texts that contextualise the artist’s work within the scope of contemporary art practice.

68 69

AFTER THE EDUCATIONAL TURN Critical Art Pedagogies and Decolonialism Contributors: Dave Beech, Kjell Caminha, Glenn Loughran, Steven Henry Madoff, Paul O’Neill, Khashayar Naderehvandi, Mick Wilson

After the Educational Turn explores the condition and critical potential of contemporary art education with a particular focus on the question of decolonialism. In the era of the globalised art world, when worldwide norms of practice (the biennial, the white cube, the artist’s residency, the art fair) and a competitive economy of higher arts education providers have been established, VALAND ACADEMY, UNIVERSITY OF GOTHENBURG this volume challenges the conventional frameworks for thinking about critical art education. The book takes its title from the widely recognised phenomenon of the last two decades whereby artistic and curatorial practices adopted pedagogical frameworks for the realisation and production UK Nov 2017 of art (the Educational Turn) and asks how the formally instituted US/CAN Jan 2018 practices for the education of artists now operate in the wake of Paperback this critical reconstruction of education within art practice itself. ISBN: 978-1-911164-49-4 At a time when the global discussion of critical educational £19.95 · $29.95 practice is overshadowed by neoliberal assaults on public 21 × 15 cm · 6 × 8 in culture, After the Educational Turn seeks to inform the future 176 pages · 60 ills development of art educational praxis by drawing upon the project of decolonialism. Decolonialism challenges the political, social and cultural domination established through the Eurocentric Selected construction of knowledge and practice; it seeks to produce emancipatory paradigms of knowledge by drawing upon multiple cultural traditions and the concrete project of decolonisation operative for several centuries throughout Latin America, Africa and Asia. Drawing upon the cross-fertilisation of experimental A–Z Backlist artistic practice, critical pedagogy and decolonialism, this volume provides a resource for the next generation of critical arts pedagogies and reclaims an emancipatory role for art education.

Image from Roula Partheniou: Index

70

Black Dog Publishing Selected A–Z Backlist GARDINER MUSEUM GARDINER TIMES MUSEUM SOUTHERN ALBERTA ART GALLERY RICHARD HELLER GALLERY GALLERI MAGNUS KARLSSON/

30 OBJECTS 30 INSIGHTS ACE RECORDS ACTIVE WITHDRAWALS AMY BENNETT AN TE LIU ANARCHY IN THE ORGANISM Gardiner Museum Labels Unlimited Life and Death of Institutional Critique Small Changes Every Day Authors: Pablo Larios, Ken Lum, Editor: Simeon Nelson Editors: Rachel Gotlieb, Authors: David Stubbs, Rob Young Editors: Biljana Ciric, Author: Eleanor Heartney Kitty Scott, Andrew Berardini PB · ISBN 978-1-908966-28-5 Karine Tsoumis PB · ISBN 978-1-906155-03-2 Nikita Yingqian Cai HB · ISBN 978-1-910433-45-4 HB · ISBN 978-1-910433-38-6 RRP £14.95 · $19.95 PB · ISBN 978-1-908966-67-4 RRP £19.95 · $29.95 PB · ISBN 978-1-910433-25-6 RRP £19.95 · $29.95 RRP £29.95 · $39.95 25 × 17 cm · 7 × 10 in RRP £19.95 · $29.95 27 × 22 cm · 9 × 11 in RRP £24.95 · $34.95 21 × 28 cm · 11 × 8 in 28 × 21 cm · 8 × 11 in 96 pages · 70 ills 25 × 20 cm · 8 × 10 in 192 pages · 220 ills 21 × 12 cm · 5 × 8 in 96 pages · 82 ills 240 pages · 280 ills 208 pages · 120 ills 352 pages · 50 ills DAZIBAO ART GALLERY OF HAMILTON ART GALLERY OF ONTARIO LEONARD & BINA ELLEN GALLERY

ARCHIVE ACTORS, NETWORKS, THEORIES / D'UN AFTER THE AGREEMENT AGO ARE YOU EXPERIENCED? ART AND TEXT Imagining the East End: DISCOURS QUI NE SERAIT Contemporary Photography Highlights from the Collection Author: Melissa Bennett Contributors: Dave Beech, A Photographic Discourse PAS DU SEMBLANT in Northern Ireland of the Art Gallery of Ontario PB · ISBN 978-1-910433-01-0 Charles Harrison, Will Hill, Authors: Susan Andrews, Author: Vincent Bonin Author: Sarah Tuck Editor: Jim Shedden RRP £24.95 · $34.95 Kevin McCaighy, Louis Pattison Nicholas Haeffner Editors: France Choinière, PB · ISBN 978-1-908966-91-9 PB · ISBN 978-1-894243-74-2 28 × 23 cm · 9 × 11 in PB · ISBN 978-1-910433-18-8 PB · ISBN 978-1-908966-37-7 Michèle Theriault RRP £19.95 · $29.95 RRP £16.95 · $24.95 192 pages · 203 ills RRP £19.95 · $29.95 RRP £14.95 · $19.95 PB · ISBN 978-1-910433-91-1 25 × 20 cm · 8 × 10 in 23 × 16 cm · 6 × 9 in 28 × 23 cm · 9 × 11 in 24 × 18 cm · 7 × 9 in RRP £24.95 · $34.95 144 pages · 100 ills 356 pages · 300 ills 288 pages · 272 ills 96 pages · 80 ills 28 × 23 cm · 9 × 11 in 208 pages · 40 ills ARIK LEVY ARIK THE POWER PLANT/ STEPHEN BULGER GALLERY CONTEMPORARY ART GALLERY, VANCOUVER

AMNESIAC HIDE ALPHABETS AMERICAN ARTIFACTS ART AND THE INTERNET ARIK LEVY: Art OUT THERE: Arik Levy Mike Nelson A Miscellany of Letters Phil Bergerson Contributors: Joanne McNeil, Authors: Arik Levy, Asaf Gottesman, Authors: Jérôme Peignot, Authors: Dick Hebdige, Introduction: David Sacks Authors: Margaret Atwood, Domenico Quaranta, Nicholas Lambert Kenny Schachter et al Christy MacLear et al Jenifer Papararo, Julia Paoli HB · ISBN 978-1-907317-09-5 Nathan Lyons PB · ISBN 978-1-907317-98-9 HB · ISBN 978-1-908966-56-8 HB · ISBN 978-1-908966-80-3 PB · ISBN 978-1-908966-45-2 RRP £24.95 · $45.00 HB · ISBN 978-1-908966-35-3 RRP £19.95 · $29.95 RRP £24.95 · $34.95 RRP £24.95 · $34.95 RRP £19.95 · $29.95 28 × 23 cm · 9 × 11 in RRP £24.95 · $34.95 28 × 23 cm · 9 × 11 in 25 × 19 cm · 8 × 10 in 25 × 19 cm · 8 × 10 in 23 × 14 cm · 6 × 9 in 240 pages · 145 ills 28 × 31 cm · 12 × 11 in 224 pages · 300 ills 304 pages · 280 ills 272 pages · 240 ills 176 pages · 160 ills 144 pages · 120 ills

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Black Dog Publishing Selected A–Z Backlist

SETTING THE STAGE: THE EMERGENCE OF THE BEAVER HALL GROUP

Jacques des rochers

The Beaver Hall Group’s arrival on the Montreal scene ideological vision that developed with the Group of Seven in late May 1920 coincided with a pivotal moment in and spearheaded a certain Canadian identity — predomi- the history of Canadian art. In the wake of the war, a nantly defined by landscapes of the untamed North — was new generation of artists was looking for new modes of not fully embraced by the Montreal group, which instead expression. Earlier in May, the founding of the Group of emphasized the urban life of an already centuries-old Seven was marked in Toronto by its first exhibition. The Canadian city with deep and intricate roots. The larger leaders of the Toronto group and the positive reviews that number of artists associated with the Beaver Hall Group

STEPHEN BULGER GALLERY ensued bolstered those who had ideas on art differing also fostered greater diversity in subject matter and from those held by the establishment. Simultaneously, styles. But the group’s most distinctive characteristic was the artists who banded together in Montreal shared the the composition of its membership, half of whom were same desire to shed light on aesthetic options that would women, making this mixed group the first association in otherwise have gone unnoticed. At the first annual exhi- Canada to unite professional, modernist women artists. bition of the Beaver Hall Group, in January 1921, a critic declared that “the Montreal art scene has just been given The short-lived existence of the Beaver Hall Group a new boost.”1 Another reviewer was quick to identify continued to be felt in the practices of its most innova- a particular characteristic: “Individual expression… tive members, and the contacts that had preceded and is the aim of this group.”2 The cohesive aesthetic and led to its formation persisted in friendships, professional

SeTTinG The STaGe: The eM erGence of T he Beaver hall Group

9 39 MONTREAL MUSEUM OF FINE ARTS THE ARTIST'S STUDIO THE ART OF JESSICA VOORSANGER THE ART OF WALKING Joseph Hartman The Impostor Series A Field Guide Contributors: Melissa Bennett, Contributors: Kathy Kubicki, Author: David Evans Alana Traficante, Robert Enright Dr Jean Wainwright PB · ISBN 978-1-907317-87-3 HB · ISBN 978-1-911164-20-3 HB · ISBN 978-1-908966-85-8 RRP £16.95 · $24.95 RRP £24.95 · $34.95 RRP £29.95 · $39.95 23 × 17 cm · 7 × 9 in THE BEAVER HALL GROUP 23 × 30 cm · 12 × 9 in 27 × 21 cm · 8 × 10 in 192 pages · 170 ills 1920s Modernism in Montreal 144 pages · 120 ills 160 pages · 130 ills Contributors: Jacques Des Rochers, Brian Foss, Kristina Huneault et al HB · ISBN 978-1-908966-93-3 305 Prudence Heward Girl under a Tree 1931 Art Gallery (French lang) ISBN 978-1-908966-94-0 of Hamilton RRP £34.95 · $49.95

28 × 23 cm · 9 × 11 in 305 352 pages · 283 ills

The Beaver Hall Group: 1920s Modernism in Montreal presents DONALD ELLIS GALLERY ELLIS DONALD

Herein are displayed the paintings the artists of the Beaver Hall Group and their

BOOKS IN SERIES: the work of the Canadian painting collective the Beaver Hall Works by the Beaver Hall Group artists Montreal associates exhibited at Wembley Park, London, in 1924 and 1925, for which images have been traced. On the left page (1924), several works appearing elsewhere exhibited at the British Empire Exhibition, in the catalogue should be included: 36, 61 , 103, 176 and 293; on the right page (1925), the Group, known for their early modernist work and as one of the London, 1924 and 1925 following works must also be added: 104, 105, 106, 173 and 183. first collectives in Canada in which women played a vital role.

92 The Beaver Hall Group were early adopters of new modernist 83 91 94

ART ON THE UNDERGROUND 80 approaches to painting and explored their potential in a variety 81 82 93

98 95

of genres including portraiture, still life, landscape and urban 96

84

85 86 97 scenes. Through an examination of documented exhibitions, 87

CENTRAL LINE SERIES ONE THING LEADS TO ANOTHER ART OF THE ARCTIC press coverage, photographs and key works from the period, 99 100

88 89 90

Art on the Underground EVERYTHING IS CONNECTED Reflections of the Unseen the book gives a fascinating insight into the reach of the group 80 82 84 86 88 90 91 93 95 97 99 Randolph S. Hewton Mabel Lockerby A. Y. Jackson Mabel May Mabel May Kathleen Morris A. Y. Jackson Randolph S. Hewton Ethel Seath Mabel May Albert H. Robinson Julienne In the Garden Entrance to Halifax Late Winter Old House in the After Grand Mass, The Winter Road (1925 The Angel of Death (1925 The Canal, Montreal Among the Hills The Open Stream 1924 or earlier 1924 or earlier Harbour 1924 or earlier Laurentians Berthier-en-Haut or earlier) or earlier) About 1924 1925 or earlier 1923 Whereabouts Whereabouts 1919 Whereabouts 1924 or earlier Oil sketch (whereabouts In Illustrated Souvenir of In Illustrated Souvenir of Westmount, The Study Whereabouts Blérancourt, France, of work unknown of work unknown London, Tate Gallery of work unknown Whereabouts unknown) for the 1927 the Palace of Arts: British the Palace of Arts: British of work unknown Musée de la coopération (297) of work unknown painting Empire Exhibition, 1925 Empire Exhibition, 1925 96 franco-américaine 81 83 85 87 In The Canadian 98 Editors: Charlotte Bonham-Carter, Art on the Underground Authors: Donald Ellis, Dawn Ades, by concentrating on 30 established artists including Mabel May, 89 Magazine, July 1924 92 94 Prudence Heward 100 Lilias Torrance Newton Albert H. Robinson Albert H. Robinson Regina Seiden Eleanor Albert H. Robinson Head of a Girl Melting Snows, Village on the Gulf Old Immigrant Woman A. Y. Jackson A. Y. Jackson Albert H. Robinson 1924 The Bend in the Road Kathleen Morris 1924 or earlier Laurentians 1921 1922 Winter, Georgian Bay November Quebec City Collection of Susan 1925 or earlier Market Day, Berthier Whereabouts 1922 Ottawa, National Art Gallery of Hamilton (1924 or earlier) 1922 1922 Huggard Whereabouts 1925 or earlier of work unknown Ottawa, National Gallery of Canada In Joyner sales catalogue, Ottawa, National Toronto, Art Gallery of work unknown Whereabouts Louise Coysh, Tamsin Dillon Editors: Charlotte Bonham-Carter, Colin Browne, Marie Mauze Barbara Meadowcroft, Emily Coonan and Kathleen Morris. Gallery of Canada Toronto, 1994 Gallery of Canada of Ontario of work unknown HB · ISBN 978-1-907317-90-3 Louise Coysh, Tamsin Dillon HB · ISBN 978-1-910433-82-9 92 93 RRP £12.95 · $19.95 HB · ISBN 978-1-907317-89-7 RRP £40.00 · $65.00 22 × 18 cm · 7 × 9 in RRP £12.95 · $19.95 30 × 25 cm · 10 × 12 in 88 pages · 111 ills 22 × 18 cm · 7 × 9 in 256 pages · 190 ills 88 pages · 106 ills

Bharti kher VANCOUVER ART GALLERY

£24.95 ● $34.95

ISBN 9781910433973 93495 >

9 781910 433973

BAD GRAFFITI BARBARA NICHOLLS BEACONSFIELD BETWEEN EXITS BETWEEN STATES BHARTI KHER Photographer: Scott Hocking Sedimentary Flow Chronic Epoch Paintings by Hani Zurob Authors: Simon Faulkner, Matter PB · ISBN 978-1-907317-82-8 Author: Martin Holman Authors: Margaret Garlake, Author: Kamal Boullata David Reeb Editors: Daina Augaitis, Diana Freundl RRP £9.95 · $14.95 HB · ISBN 978-1-911164-21-0 Julian Stallbrass et al Introduction: Jean Fisher PB · ISBN 978-1-908966-38-4 PB · ISBN 978-1-910433-97-3 15 × 21 cm · 9 × 6 in (German lang) 978-1-911164-38-8 PB · ISBN 978-1-908966-57-5 PB · ISBN 978-1-907317-91-0 RRP £19.95 · $29.95 RRP £24.95 · $34.95 160 pages · 162 ills RRP £24.95 · $34.95 RRP £16.95 · $24.95 RRP £24.95 · $45.00 23 × 17 cm · 7 × 9 in 28 × 22 cm · 11 × 8.7 in 30 × 23 cm · 9 × 12 in 21 × 15 cm · 6 × 8 in 28 × 23 cm · 9 × 11 in 176 pages · 140 ills 160 pages · 120 ills 128 pages · 110 ills 144 pages · 75 ills 192 pages · 150 ills

74 75

Black Dog Publishing Selected A–Z Backlist BDP'S ARTWORLD SERIES ARTWORLD BDP'S

Charm, Belligerence & Perversity. THE INCOMPLETE WORKS OF GBH.

Bob and Roberta Smith is the alias of the

BOB AND ROBERTA SMITH artist Patrick Brill, a leading contemporary artist known for his 'slogan' artwork. His oeuvre covers broad topics, such as the role of art in schools and the failings of contemporary politicians. ART U NEED I SHOULD BE IN CHARGE CHARM, BELLIGERENCE CONTEMPORARY ART CONTEMPORARY ART My Part in the Public Art Revolution Author: Bob and Roberta Smith & PERVERSITY IN GERMANY, AUSTRIA AND IN EASTERN EUROPE Author: Bob and Roberta Smith HB · ISBN 978-1-907317-26-2 The Incomplete Works of GBH SWITZERLAND Contributors: Marina Abramovic, PB · ISBN 978-1-906155-16-2 RRP £29.95 · $49.95 Authors: Mark Bonner, Jason Gregory Introduction: Dominikus Müller Zdenka Badovinac, Boris Groys et al RRP £19.95 · $29.95 29 × 23 cm · 9 × 11 in and Peter Hale PB · ISBN 978-1-907317-99-6 HB · ISBN 978-1-906155-84-1 24 × 18 cm · 7 × 9 in 224 pages · 300 ills HB · ISBN 978-1-910433-90-4 RRP £19.95 · $29.95 RRP £29.95 · $49.95 160 pages · 46 ills RRP £24.95 · $34.95 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 208 pages · 200 ills 240 pages · 143 ills 192 pages · 312 ills ART GALLERY OF WINDSOR STEPHEN BULGER GALLERY

BORDER CULTURES BRIAN GRIMWOOD BY RAIL AND BY SEA CONTEMPORARY ART CONTEMPORARY ART CONTEMPORARY ART Contributors: Srimoyee Mitra, The Man who Changed the Scott Conarroe IN LATIN AMERICA IN NORTH AMERICA IN THE UNITED KINGDOM Dr Lee Rodney, Bonnie Devine Look of British Illustration Contributors: Bob Bean, Contributors: Guy Brett, Luis Camnitzer, Contributors: Critical Art Ensemble, Contributors: Malcolm Dickson, PB · ISBN 978-1-910433-44-7 Author: Brian Grimwood Simon Winchester Gabriel Perez-Barreiro et al Ken Lum, Michael Wilson et al Amelia Jones, John Roberts, RRP £19.95 · $29.95 Introduction: Sir Peter Blake HB · ISBN 978-1-908966-43-8 HB · ISBN 978-1-906155-64-3 HB · ISBN 978-1-907317-23-1 Andrew Renton, John Slyce 28 × 23 cm · 9 × 11 in PB · ISBN 978-1-907317-86-6 RRP £24.95 · $34.95 RRP £29.95 · $49.95 RRP £29.95 · $49.95 PB · ISBN 978-1-907317-68-2 160 pages · 100 ills RRP £24.95 · $45.00 28 × 30 cm · 12 × 11 in 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in RRP £19.95 · $29.95 28 × 23 cm · 9 × 11 in 144 pages · 110 ills 224 pages · 300 ills 240 pages · 213 ills 28 × 23 cm · 9 × 11 in 224 pages · 238 ills 240 pages · 200 ills VANCOUVER ART GALLERY ART GALLERY OF ONTARIO

CAMERA ATOMICA CAROLEE SCHNEEMANN CHARLES EDENSHAW COLOUR IN THE MAKING THE COLOUR OF TIME COMMUNION Editor: John O’Brian Unforgivable Editors: Robin K Wright, From Old Wisdom to New Brilliance Garry Fabian Miller Ben Judd Contributors: Douglas Coupland, Contributors: Melissa Ragona, Daina Augaitis, Jim Hart et al Authors: Philip Ball, Authors: Adam Nicolson, Authors: Emma Cocker, Hiromitsu Toyoski et al Kristine Stiles, Kenneth White et al HB · ISBN 978-1-908966-20-9 Mark Clarke, Carinna Parraman Nigel Warburton, Marina Warner Alun Rowlands, Pandora Syperek PB · ISBN 978-1-908966-48-3 HB · ISBN 978-1-908966-51-3 RRP £24.95 · $39.95 PB · ISBN 978-1-907317-95-8 HB · ISBN: 978-1-907317-06-4 PB · ISBN: 978-1-908966-33-9 RRP £24.95 · $34.95 RRP £39.95 · $59.95 28 × 25 cm · 10 × 11 in RRP £19.95 · $29.95 RRP £29.95 · $49.95 RRP £14.95 · $19.95 25 × 19 cm · 7 × 10 in 25.5 × 20.5 cm · 8 × 10 in 304 pages · 280 ills 28 × 23 cm · 9 × 11 in 25 × 25 cm · 10 × 10 in 24 × 18 cm · 7 × 9 in 304 pages · 256 ills 320 pages · 200 ills 240 pages · 300 ills 192 pages · 150 ills 96 pages · 99 ills

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Black Dog Publishing Selected A–Z Backlist BOOKS IN SERIES: DRAWING SERIES: IN BOOKS

CRITICAL DICTIONARY DAVID WHITAKER DE MA MAIN À LA COULEUR / DRAWING PROJECTS DRAWING PROJECTS MAKE BUILD CREATE Author: David Evans Painting HAND TO COLOUR An Exploration of FOR CHILDREN Sculpture Projects for Children PB · ISBN 978-1-907317-49-1 Author: Matthew Sturgis Author: Jean McEwen the Language of Drawing Author: Paula Briggs Author: Paula Briggs RRP £19.95 · $29.95 HB · ISBN 978-1-907317-44-6 HB · ISBN 978-1-910433-69-0 Authors: Mick Maslen, Jack Southern PB · ISBN 978-1-908966-74-2 PB · ISBN 978-1-910433-70-6 23 × 17 cm · 7 × 9 in RRP £29.95 · $49.95 RRP £24.95 · $39.95 PB · ISBN 978-1-907317-25-5 RRP £14.95 · $24.95 RRP £14.95 · $24.95 192 pages · 248 ills 28 × 23 cm · 9 × 11 in 20 × 28 cm · 11 × 8 in RRP £19.95 · $29.95 26 × 21 cm · 8 × 10 in 26 × 21 cm · 8 × 10 in 144 pages · 120 ills 48 pages · 16 ills 26 × 21 cm · 8 × 10 in 144 pages · 120 ills 144 pages · 120 ills 240 pages · 340 ills MCINTOSH GALLERY MCINTOSH NV CARLSBERG GLYPTOTEK RYERSON IMAGE CENTRE

DE MA MAIN À LA COULEUR / THE DECORATED SCHOOL DEGAS’ METHOD THE DRAWING BOOK THE EDGE OF THE EARTH ED PIEN HAND TO COLOUR Essays on the Visual Culture of Schooling Author: Line Clausen Pedersen A Survey of Drawing: the Primary Climate Change in Photography Luminous Shadows Limited signed edition with slipcase Editors: Jeremy Howard, Contributors: Flemming Friborg et al Means of Expression and Video Authors: Catherine de Zegher, Author: Jean McEwen Catherine Burke, Peter Cunningham PB · ISBN 978-1-910433-14-0 Editor: Tania Kouats Authors: Bénédicte Ramade, Angela Kingston HB · ISBN 978-1-910433-72-0 PB · ISBN 978-1-908966-24-7 (Danish lang) ISBN 978-1-910433-21-8 PB · ISBN 978-1-904772-81-1 TJ Demos, Paul Roth PB · ISBN: 978-1-910433-96-6 RRP £200.00 · $300.00 RRP £14.95 · $19.95 RRP £39.95 · $69.95 RRP £24.95 · $39.95 HB · ISBN 978-1-910433-98-0 RRP £19.95 · $29.95 20 × 28 cm · 11 × 8 in 23 × 17 cm · 5 × 9 in 32 × 24 cm · 10 × 13 in 25 × 21 cm · 8 × 11 in RRP £29.95 · $45.00 30 × 23 cm · 9 × 12 in 48 pages · 16 ills 96 pages · 79 ills 314 pages · 159 ills 320 pages · 260 ills 25 × 28 cm · 10 × 11 in 112 pages · 160 ills 192 pages · 165 ills VANCOUVER ART GALLERY VANCOUVER ART GALLERY

DESIGN CREATIVITY & CULTURE DOUGLAS COUPLAND ECO-CHIC EMBRACING CANADA THE ESSENCE OF PERFUME EUROPEAN CONTEXTUALISING An Orientation to Design Everywhere is Anywhere is The Fashion Paradox Landscapes from Krieghoff to Author: Roja Dove IN ANALYTICAL SOCIOLOGY AND Author: Maurice Barnwell Anything is Everything Author: Sandy Black the Group of Seven HB · ISBN 978-1-908966-46-9 ETHNOGRAPHICAL REPRESENTATION PB · ISBN 978-1-907317-40-8 Authors: Daina Augaitis, Bjarke Ingels, HB · ISBN: 978-1-906155-09-4 Author: Ian M Thom RRP £29.95 · $39.95 ON HISTORY AND THE PRESENT RRP £19.95 · $29.95 Hans-Ulrich Obrist, Michael Stipe et al RRP £24.95 · $39.95 PB · ISBN 978-1-910433-56-0 30 × 22 cm · 9 × 12 in Authors: Remco Torenbosch, Charles Esche 28 × 23 cm · 9 × 11 in HB · ISBN 978-1-908966-52-0 25 × 19 cm · 8 × 11 in RRP £29.95 · $39.95 272 pages · 350 ills HB · ISBN 978-1-908966-69-8 240 pages · 120 ills RRP £24.95 · $34.95 256 pages · 267 ills 24 × 28 cm · 11 × 10 in RRP £19.95 · $29.95 28 × 23 cm · 9 × 11 in 208 pages · 155 ills 21 × 15 cm · 6 × 8 in 296 pages · 250 ills 244 pages · 212 ills

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Black Dog Publishing Selected A–Z Backlist

On the Table 7 LEARNING TO SEE YOURSELF LEARNING Let’s start with the self-evident. Great art is almost always a statement of truth and deception, revelations and hypocrisy, profound emotional release and an artistic game. Great representational art is always abstract, just as abstract art is representational. I often think of the TO SEE assertions from Borduas and Riopelle that they had finally exorcised nature from Canadian painting through abstraction. Take another look at their paintings. All you can see is nature. Van Gogh painted evident irises. Self-evident irises. Much later, these canvases sold for tens of millions to people who thought they wanted irises. I have stood in the YOURSELF walled garden of the mental asylum on the edge of Saint-Rémy-de- Provence, staring at the bed of irises which inspired Van Gogh, and it is clear that he did not paint irises. What did he paint? I don’t know. It doesn’t matter. What matters is that he created a painting which is not

DUNLOP ART GALLERY at all what it appears to be.

When you look at Kent Monkman’s Four Continents you may pass from startled silence to an embarrassed giggle to an honest laugh, only to find yourself feeling uncomfortable, then confused, then moved, wondering what he has done to you.

Good painters do things to us. The better they are the more they do. At first the Monkman contradictions seem obvious, then unclear. And then there is somehow a frightening ease of style — apparently in one manner or another — until you realize that he has turned all of these manners into something of his own. Morphing would be the wrong term because he continually re-adjusts the mix to produce a sequence of destabilizing styles. I guess you could say he has the trickster in him.

This is a concept non-Indigenous Canadians once knew, then forgot, and now are learning again. It is easily talked of in mythology and JOHN theatre and fiction. But it belongs as much, if not more, in art. Is this part of the discourse of formal Western art history? No. Even though it would have been a good concept for art in general. The thing is that RALSTON SAUL today we can see the role of the trickster in art in Canada. And we

ON THE TABLE MATERIAL GIRLS ROULA PARTHENIOU Editors: Blair Fornwald, Authors: Blair Fornwald, Index Jennifer Matotek, Wendy Peart Wendy Peart, Jennifer Matotek Author: Marcus Boon

16 PB · ISBN 978-1-911164-02-9 PB · ISBN 978-1-910433-30-0 HB · ISBN 978-1-911164-03-6 THE FOUR CONTINENTS RRP £19.95 · $29.95 RRP £19.95 · $29.95 RRP £29.95 · $45.00 THE FOUR CONTINENTS 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 25 × 19 cm · 7 × 10 in Artist: Kent Monkman 128 pages · 110 ills 144 pages · 122 ills 144 pages · 120 ills Authors: Richard Atleo, John Ralston Saul, Keith Goulet PB · ISBN 978-1-911164-08-1 RRP £19.95 · $29.95 28 × 23 cm · 9 × 11 in 64 pages · 45 ills

The Four Continents is a collection of Kent Monkman’s large-scale paintings of the same name, which are reworkings of Tiepolo’s Apollo and the Four Continents. Monkman’s paintings examine how nineteenth- and twentieth-century artists have presented Indigenous American and Canadian history, whilst also

26 27 constructing new stories through images that take into account THE FOUR CONTINENTS LEARNING TO SEE YOURSELF the missing narratives and perspectives of Aboriginal peoples.

Kent Monkman is a Canadian artist of Cree ancestry who works in a variety of mediums. His work has been exhibited worldwide at major museums including Witte de With in Rotterdam, The TRAGEDY PLUS TIME WHO’S AFRAID OF PURPLE, EXPERIMENTAL EATING Museum of Contemporary Canadian Art in Toronto, and MASS Authors: Blair Fornwald, ORANGE AND GREEN? Author: Thomas Howells MoCA in Massachusetts. Wendy Peart, Jennifer Matotek Authors: Jennifer Matotek, PB · ISBN 978-1-908966-40-7 Miss America, Drawing Miss America, Study PB · ISBN 978-1-910433-29-4 Mark Cheetham, Jaleh Mansoor RRP £16.95 · $24.95 Following The Four Continents, Black Dog Publishing will release a RRP £19.95 · $29.95 PB · ISBN 978-1-910433-28-7 23 × 17 cm · 7 × 9 in major monographic overview of the artist’s work in 2018. 24 × 18 cm · 7 × 9 in RRP £19.95 · $29.95 192 pages · 125 ills 144 pages · 172 ills 28 × 23 cm · 9 × 11 in 144 pages · 122 ills DEN FRIE

FIG-2 (50 projects 50 weeks) FINDING, TRANSMITTING, RECEIVING FOLLOW-UP ON 11 EXHIBITIONS FOR EVER GODARD FORGOTTEN FUTURES FULL OF LOVE, FULL OF WONDER Editor: Fatos Ustek Author: Hannah Collins BY JENS HAANING Editors: Michael Temple, British Municipal Cinema 1920–1980 Nike Savvas Contributors: Gilda Williams, Hans- HB · ISBN 978-1-904772-79-8 Editors: Jens Haaning, James S Williams, Michael Witt Author: Elizabeth Lebas Authors: Rachel Kent, Patricia Ellis et al Ulrich Obrist, Louisa Buck, Laura Eldret, RRP £29.95 · $45.00 Sidsel Kjaerulff Rasmussen PB · ISBN: 978-1-904772-82-8 PB · ISBN 978-1-906155-94-0 HB · ISBN 978-1-907317-83-5 Suzanne Treister, Adam Broomberg 24 × 17 cm · 7 × 10 in PB · ISBN 978-1-908966-95-7 RRP £24.95 · $39.95 RRP £24.95 · $39.95 RRP £24.95 · $45.00 & Oliver Chanarin et al 306 pages · 124 ills RRP £24.95 · $34.95 25 × 19 cm · 7.5 × 10 in 26 × 22 cm · 9 × 10 in 28 × 23 cm · 9 × 11 in HB · ISBN 978-1-911164-39-5​ 30 × 21 cm · 8 × 12 in 464 pages · 305 ills 192 pages · 187 ills 176 pages · 189 ills RRP £29.95 · $39.95 160 pages · 119 ills 27 × 21 cm · 9 × 11 in 416 pages · 300 ills

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Black Dog Publishing Selected A–Z Backlist

Each title focuses on the work of a different artist who contributed to the Fondazione Antonio Ratti’s Summer School programme and its Advanced Course in Visual Arts. The Advanced Course is a laboratory for artistic CALIFORNIA STATE and theoretical experimentation, held by

renowned artists who propose the topic UNIVERSITY ART MUSEUM of the course and then realise a final exhibition in Como, Italy. HANS HAACKE LILIANA MORO Solore, occum ipSunt 146 reped quatiS Sit voleS molore 147 Fondazione Antonio Ratti is Once Upon a Time... Moi a non-profit organisation founded by Author: Duncan McCorquodale Author: Duncan McCorquodale

BOOKS IN SERIES: FONDAZIONE ANTONIO RATTI Antonio Ratti in 1985. The aim of the PB · ISBN 978-1-907317-64-4 PB · ISBN 978-1-908966-09-4 founder was to transform his deep RRP £14.95 · $24.95 RRP £14.95 · $24.95 personal passion for art and textiles into 25 × 17 cm · 7 × 10 in 25 × 17 cm · 7 × 10 in an active reality in the world of culture. 96 pages · 120 ills 96 pages · 89 ills FRANK BROS. The Store that Modernized Modern Authors: Cara Mullio, Jennifer M Volland PB · ISBN 978-1-911164-01-2 RRP £29.95 · $45.00 28 × 17 cm · 6.7 × 11 in 272 pages · 761 ills

Clockwise from top left and opposite: Arts & Architecture magazine advertisements from July 1951, January 1951, May 1951, April 1952 Frank Bros. was at the forefront of modern furniture sales 26 EPHEMERA in the United States during the middle of the twentieth century, serving as the primary retailer for some of the most recognisable names in mid-century design. This unique publication documents the history of a store that

changed the way Americans responded to their domestic JEnnIFER M. VOLLAnd

n his architectural lectures, acclaimed racetrack and declared bankruptcy. Although the environment. Using pioneering methodologies and practices such Case Study House architect Edward A. buildings were near completion, they were dirty Killingsworth liked to recall an experience from construction, had no carpet, and were devoid he had shared with the Frank Bros. furniture of any appointments. In response, Killingsworth Istore while preparing one of his projects for a gathered together his office staff and dashed as in-house exhibitions, eye-catching graphic design photo shoot. Although he always recounted to La Jolla to start cleaning. At the same time, the event as an entertaining anecdote, a closer Stanley Young, a sales associate and interior reading of the incident sheds valuable light on designer with Frank Bros., loaded up three vans an under-examined chapter in the history of of furniture. Once Young arrived on the site, interior design in Southern California. he set to work staging each house, carefully and a specialised sales force, Frank Bros. not only promoted a The story unfolds as follows. The Triad selecting furnishings and accessories in order to (Case Study House #23; 1959–60) comprised bring out the distinct character of each design. three adjacent single-family residences that were intended as a pilot project for a larger hous- SUSAN HILLER WALID RAAD GRAFTING PROPRIETY re-envisioned post-war lifestyle, but also educated the public on ing tract in La Jolla. John Entenza, the editor of Arts & Architecture magazine, was set to feature the work in the March 1961 issue. He was under a tight deadline and had hired Julius Shulman to FRAnK The Dream and the Word Walkthrough From Stitch to the Drawn Line photograph the project. Unfortunately, however, the precepts of good design. Frank Bros.: The Store That Modernized it wasn’t ready. The project’s developer had lost all of his money gambling at the del Mar BROS. Author: Duncan McCorquodale Author: Duncan McCorquodale Authors: Emma Cocker, Danica Maier Modern comprises archival material, ephemera, essays and a hiStory PB · ISBN 978-1-907317-61-3 PB · ISBN 978-1-908966-08-7 PB · ISBN 978-1-910433-07-2 interviews, providing a rich complexion of the influence that one

RRP £14.95 · $24.95 RRP £14.95 · $24.95 RRP £14.95 · $19.95 store in Long Beach had across an entire country. Caption: conem que aut venihit, voloritate dolores molaut quis ducipsa ndusant ut audi is rae. Seruptias exceate cerspel itiundendiam ipid ullabo alist. 25 × 17 cm · 7 × 10 in 25 × 17 cm · 7 × 10 in 22 × 17 cm · 7 × 9 in 218 219 96 pages · 120 ills 96 pages · 117 ills 128 pages · 73 ills YYZ VANCOUVER ART GALLERY

GROWING STUFF GUTTERS OF GOLD HABITAT ’76 HANS-ULRICH OBRIST HEAR US HARRY CALLAHAN HEW LOCKE An Alternative Guide to Gardening Volker Eichelmann with Stephen Tennant Author: Lindsay Brown Featuring Bill Burns The Street Stranger in Paradise Editor: Aimee Selby ISBN 978-1-911164-13-5 PB · ISBN 978-1-910433-17-1 Editor: Bill Burns Authors: Grant Arnold, John Pultz Authors: Jens Hoffmann, Authors: Elizabeth McCorquodale, £19.95 · $29.95 RRP £29.95 · $39.95 Contributors: Dan Adler, Jennifer Allen, HB · ISBN 978-1-910433-58-4 Indra Khanna, Kobena Mercer Richard Reynolds 25 × 21 cm · 8 × 10 in 26 × 21 cm · 8.5 × 10.5 in Dannys Montes de Oca Moreda RRP £29.95 · $39.95 HB · ISBN 978-1-907317-38-5 PB · ISBN: 978-1-906155-68-1 176 pages · 120 ills 256 pages · 172 ills HB · ISBN 978-1-910433-06-5 25 × 28 cm · 11 × 10 in RRP £24.95 · $45.00 RRP £16.95 · $24.95 RRP £29.95 · $39.95 160 pages · 100 ills 26 × 21 cm · 8 × 10 in 25 × 19 cm · 7 × 10 in 23 × 16 cm · 6 × 9 in 144 pages · 100 ills 144 pages · 212 ills 224 pages · 123 ills

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Black Dog Publishing Selected A–Z Backlist ON STELLAR RAYS

GLASS Virtual, Real Koen Vanderstukken

Erwin Eisch, Eight Heads of Harvey Littleton, 1976 I’M WITH HER IN RAMALLAH, RUNNING THE INTERPRETATION Rochelle Feinstein Author: Guy Mannes-Abbott MATTERS HANDBOOK Authors: Jennifer Kabat, David Norr Editor: Samar Martha Artspeak for the Public Glass: Virtual, Real PB · ISBN 978-1-910433-35-5 PB · ISBN 978-1-907317-67-5 Author: Dany Louise When you set up the foundation of kiln to make glass, you first search 11 Oppenheim, Leo, Glass and Glassmaking in Ancient Mesopotamia, Corning, NY: Corning in a favorable month for a propitious day, and only then you set up the Museum of Glass, 1970, p 33, accessed foundation of the kiln. As soon as you have completely finished in the August 2013, www.cmog.org/dynamic. building of the kiln, and you go and place Kubu-images there, no outsider aspx?id=5634. or stranger should enter the building thereafter; an unclean person 12 Forbes, RJ, Studies in Ancient Technology, 2nd RRP £19.95 · $29.95 RRP £19.95 · $29.95 PB · ISBN 978-1-908966-88-9 must not even pass in front of the images. You regularly perform libation ed, vol 5, Leiden: Brill, 1966, pp 133–134. offerings before the Kubu-images. On the day when you plan to place the 13 King Tut: The Golden King and the Great glass in the kiln, you make a sheep sacrifice before the Kubu-images, you Pharaohs, exhibition, Art Gallery of Ontario, Toronto, 2009–2010, organised by the place juniper incense on the censer, you pour out a libation of honey and National Geographic Society, Arts and GLASS liquid butter, and then only, you make a fire in the hearth of the kiln and Exhibitions International and AEG Exhibitions, 28 × 23 cm · 9 × 11 in 26 × 19 cm · 8 × 10 in RRP £14.95 · $19.95 with cooperation from the Egyptian Supreme place the glass in the kiln.... Council of Antiquities. The wood that you burn in the hearth of the furnace should be thick, peeled poplar wood, which has no knots, bound together with leather straps, cut in the month of the Abu [July or August]. Only this wood should Virtual, Real be in the hearth of the furnace. The persons whom you allow to come 192 pages · 152 ills 160 pages · 32 ills 20 × 20 cm · 8 × 8 in near the kiln have to be [ritually] clean and only then can you allow them to come down to the kiln. If you want to produce zagindurû-colored [greenish type of lapis lazuli] glass, you finely grind, separately, ten minas [about one pound] of Author: Koen Vanderstukken immanakku-stone [sand], fifteen minas of naga-plant ashes, and 1–2/3 96 pages · 30 ills minas of “white plant”. You mix these together. You put them into a cold kiln which has four fire openings, and arrange the mixture between the four openings.... You keep a good and smokeless fire burning until the glass glows golden yellow. You pour it on a kiln-fired brick and this is HB · ISBN 978-1-910433-92-8 called zukû-glass.11 This recipe shows how empirical knowledge and magical superstition were intertwined. Another clay tablet (also in the British Museum), found at Tell Umar, near the Tigris River in Mesopotamia, gives recipes for “santu glass” RRP £39.95 · $59.95 and “Accadian santu glass”, this time with fewer magical rituals involved. According to RJ Forbes, however, the text does contain various cryptograms to keep the details of the recipe secret and to keep the competition guessing.12 This sort of superstition and secrecy was, of course, nothing new, and it would undoubtedly have been common practice in other crafts 28 × 23 cm · 9 × 11 in as well, but the complexity of glass production—and particularly the magical transformation from sand to glass and its perceived connection with natural minerals—meant that glass, more than most other mediums, was seen as unique and superior. This superiority is possibly best expressed in the headrests found among Tutankhamun’s treasure. Two wooden headrests were intended for 288 pages · 230 ills Tutankhamun himself, but there are also two glass headrests. These are almost supernatural in quality, and technically unparalleled by any other glasswork from the same period. In all probability they were intended for the afterlife, as the perfect supports for the head of a divine being.13 Those who have seen the opaque turquoise and light-drenched cobalt blue headrests in person will have no difficulty understanding their link to the divine. Their location and the difference in function from the wooden headrests confirm

the elite status of these glass objects. Clockwise from top left: Spindle Bottle with Handle, New Kingdom Dynasty 18, reign of Akhenaten, c 1353–1336 bc, glass, 17.5 cm, height Around 1200 bce many important centres disappeared, a result of war and Vase, New Kingdom Dynasty 19–20, c 1295–1070 bc, glass, 10.5 × 7.5 cm, diameter Blue and Gold Headrest Tutankhamun, Dynasty 18, c 1332–1323 bc, 17.5 × 28.3 cm famine. The resulting drop in the general cultural level meant a strong decline Glass: Virtual, Real is a unique publication that explores the Bowl, New Kingdom, Dynasty 19–20, c 1295–1070 bc, glass, 5 × 11 cm, diameter

110 increasing use of glass in contemporary art as a relatively new artistic medium in the broader context of art history. Sculptor and educator Koen Vanderstukken investigates how postmodern art has brought glass to the forefront as a breakthrough art medium

due to its intriguing qualities. Furthermore, the book draws clear In the fall of 2016 Martin Roth published a selection of his works parallels between our increasing familiarity with a virtual reality in today's digital era and an improved understanding of glass within an artistic context. The final, and largest, section of the book explores the impact of glass on the contemporary art scene, focusing on how artists are using the medium in exciting ways in IN THE AURA OF A HOLE IN THE SPRING OF 2017 IN THE LOOP their practices. Providing fascinating insight into the impact of Exploring Sites of Material Extraction MARTIN ROTH PUBLISHED Knitting Now glass as a medium on contemporary art, this book will appeal to Author: A Laurie Palmer A SELECTION OF HIS WORKS Author: Jessica Hemmings historians, educators, students, artists and academics. ​ PB · ISBN 978-1-908966-58-2 Contributors: Daniel Bozhkov, Arnaud PB · ISBN 978-1-906155-96-4 RRP £16.95 · $24.95 Gerspacher, Kate Sutton, Kate Whitebread RRP £24.95 · $39.95 25 × 23 cm · 9 × 10 in PB · ISBN 978-1-911164-15-9 28 × 23 cm · 9 × 11 in 128 pages · 40 ills RRP £19.95 · $29.95 192 pages · 247 ills 27 × 20 cm · 8 × 11 in 144 pages · 100 ills LUMINATO FESTIVAL LUMINATO VANCOUVER ART GALLERY MCINTOSH GALLERY MCINTOSH ART GALLERY OF YORK UNIVERSITY

IAN WALLACE IF YOU COULD READ MY MIND IMAGINARY HOMELANDS INTO THE CULTURE CAVE INSECT THEATRE INVENTORS AND INVENTIONS At the Intersection Jason Mclean Contributors: Carlos Bonil, Generator of Art and Community, Photographer: Tim Edgar Introduction: Richard Fisher of Painting and Photography Contributors: David Liss, Sarah Milroy, Nicolas Consuegra, Miler Lagos, Emotions and Ideas Author: Hugh Raffles HB · ISBN: 978-1-906155-67-4 Contributors: Daina Augaitis, James Patten, Christine Walde Mateo Lopez, Mateo Rivano Editor: Jörn Weisbrodt PB · ISBN 978-1-908966-11-7 RRP £24.95 · $45.00 Jeff Derksen, Ian Wallace et al PB · ISBN 978-1-910433-03-4 PB · ISBN 978-1-910433-47-8 PB · ISBN 978-1-911164-29-6 RRP £14.95 · $24.95 28 × 23 cm · 9 × 11 in HB · ISBN 978-1-907317-57-6 RRP £14.95 · $19.95 RRP £19.95 · $29.95 RRP £29.95 · $39.95 24 × 18 cm · 7 × 9 in 288 pages · 400 ills RRP £39.95 · $59.95 22 × 24 cm · 9.5 × 8.5 in 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 64 pages · 46 ills 26 × 21 cm · 8 × 10 in 96 pages · 93 ills 176 pages · 171 ills 256 pages · 220 ills 352 pages · 300 ills

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Black Dog Publishing Selected A–Z Backlist KALLIOPI KALLIOPI LEMOS UNGE KUNSTNERES SAMFUND ART GALLERY OF YORK UNIVERSITY

INVERTED SKY IS TORONTO BURNING? JASON BROOKS KENNETH GRANGE I AM I BETWEEN WORLDS NAVIGATING IN THE DARK Letters to Jackie Three Years in the Making (and Perpetual Orgy Making Britain Modern AND BETWEEN SHADOWS Kalliopi Lemos Author: Marthe Ramm Fortun Unmaking) of the Toronto Art Scene Author: Michael Bracewell Authors: Gemma Curtin, Penny Sparke, Kalliopi Lemos Authors: Simon Critchley, Contributor: Johanne Nordby Werno Author: Philip Monk HB · ISBN 978-1-910433-55-3 Deyan Sudjic et al PB · ISBN 978-1-908966-34-6 Arthur C Danto et al PB · ISBN 978-1-910433-12-6 HB · ISBN 978-1-910433-37-9 RRP £29.95 · $39.95 PB · ISBN 978-1-907317-54-5 RRP £16.95 · $24.95 PB · ISBN 978-1-908966-31-5 RRP £14.95 · $19.95 RRP £29.95 · $39.95 33 × 27 cm · 10.5 × 13 in RRP £19.95 · $29.95 26 × 21 cm · 8 × 10 in RRP £19.95 · $29.95 25 × 18 cm · 7 × 10 in 25 × 20 cm · 8 × 10 in 168 pages · 107 ills 28 × 23 cm · 9 × 11 in 96 pages · 80 ills 28 × 23 cm · 9 × 11 in 96 pages · 44 ills 256 pages · 70 ills 224 pages · 160 ills 160 pages · 300 ills KRISTAN HORTON KRISTAN Kevin Schmidt ART FIRST

MCLAREN ART CENTER

VANCOUVER ART GALLERY VANCOUVER ART GALLERY Kevin Schmidt ART GALLERY AND KAMLOOPS ART GALLERY OF YORK UNIVERSITY JESSICA BRADLEY GALLERY (TORONTO) CONTEMPORARY ART GALLERY, VANCOUVER

JACK MILROY JERRY PETHICK JOCK MACDONALD EVOLVING FORM KEVIN SCHMIDT KRISTAN HORTON DR. STRANGELOVE DR. STRANGELOVE Cut Out Shooting the Sun/Splitting the Pie Author: Anna Hudson Contributors: Nigel Prince, Authors: Dan Adler, Kristan Horton Author: William Packer Authors: Grant Arnold, Contributors: Michelle Jacques, Linda Charo Neville, Kathleen Ritter Jonathan Shaughnessy Author: Kristan Horton HB · ISBN 978-1-910433-88-1 Monika Szewczyk, John Drury Jansma, Ian Thom PB · ISBN 978-1-910433-76-8 PB · ISBN 978-1-908966-87-2 HB · ISBN 978-1-910433-46-1 RRP £34.95 · $45.00 HB · ISBN 978-1-910433-43-0 HB · ISBN 978-1-908966-81-0 RRP £29.95 · $39.95 RRP £19.95 · $29.95 RRP £29.95 · $39.95 28 × 23 cm · 9 × 11 in RRP £24.95 · $29.95 (French lang) ISBN 978-1-910433-23-2 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 18 × 31 cm · 12 × 7 in 192 pages · 160 ills 28 × 21 cm · 8 × 11 in RRP £24.95 · $34.95 160 pages · 106 ills 192 pages · 160 ills 208 pages · 200 ills 160 pages · 70 ills 28 × 23 cm · 9 × 11 in 208 pages · 160 ills

Julia Dault Julia Julia KELOWNA ART GALLERY

CONTEMPORARY ART GALLERY, VANCOUVER Dault

JOHN HALL JULIA DAULT KENNETH ANGER KIDS IN THE WILD GARDEN LACE HERE NOW THE LADY FROM THE SEA Travelling Light: A 45-Year Author: Nigel Prince Author: Alice L Hutchison Author: Elizabeth McCorquodale Editors: Amanda Briggs-Goode, Author: Jules Wright Survey of Paintings Contributor: Julia Paoli PB · ISBN 978-1-907317-51-4 PB · ISBN 978-1-907317-20-0 Deborah Dean Photographer: Thomas Zanon-Larcher Authors: Alexandra Haeseker, Liz Wylie PB · ISBN 978-1-910433-04-1 RRP £24.95 · $34.95 RRP £9.95 · $15.95 PB · ISBN 978-1-908966-36-0 HB · ISBN 978-1-908966-63-6 PB · ISBN 978-1-910433-86-7 RRP £19.95 · $29.95 21 × 25 cm · 9.5 × 8.5 in 27 × 21 cm · 9 × 11 in RRP £14.95 · $19.95 RRP £24.95 · $34.95 RRP £24.95 · $34.95 28 × 23 cm · 9 × 11 in 256 pages · 180 ills 96 pages · 352 ills 22 × 17 cm · 7 × 9 in 28 × 19 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 160 pages · 190 ills 96 pages · 80 ills 208 pages · 195 ills 144 pages · 110 ills

86 87

Black Dog Publishing Selected A–Z Backlist KELOWNA ART GALLERY KRZYSZTOFWODICZKO

THE ABOLITION OF WAR CITY OF REFUGE LANDON MACKENZIE: LONDON STITCH AND KNIT LOST UTOPIAS MACAO MACAU Author: Krzysztof Wodiczko A 9/11 Memorial PARALLEL JOURNEY A Craft Lover’s Guide to London’s Fabric, Photographs by Jade Doskow Authors: Roger Palmer, Tim Simpson PB · ISBN 978-1-907317-66-8 Author: Krzysztof Wodiczko Works on Paper Knitting and Haberdashery Shops Authors: Richard Pare, Jennifer Minner PB · ISBN 978-1-908966-41-4 RRP £14.95 · $24.95 PB · ISBN 978-1-906155-80-3 Editors: Liz Wylie, Robin Laurence, Author: Leigh Metcalf HB · ISBN 978-1-911164-11-1 RRP £16.95 · $24.95 21 × 15 cm · 6 × 8 in RRP £19.95 · $29.95 Peter Dykhuis, David Liss PB · ISBN 978-1-910433-52-2 RRP £29.95 · $39.95 24 × 30 cm · 12 × 9 in 144 pages · 80 ills 21 × 15 cm · 6 × 8 in PB · ISBN 978-1-910433-60-7 RRP £16.95 · $24.95 26 × 31 cm · 12 × 10 in 104 pages · 54 ills 120 pages · 24 ills RRP £24.95 · $39.95 24 × 18 cm · 7 × 9 in 128 pages · 80 ills 28 × 23 cm · 9 × 11 in 192 pages · 287 ills 192 pages · 211 ills BOOKS IN SERIES: LONDON GUIDES LONDON SERIES: IN BOOKS

KRZYSZTOF WODICZKO TRANSFORMATIVE AVANT-GARDE LATE CENTURY DREAM TEA & CAKE LONDON KIDS LONDON LONDON OUT OF SIGHT Contributors: Rosalyn Deutsche, Lisa AND OTHER WRITINGS Movements in the US Indie Author: Zena Alkayat Author: Kate Trant Exploring the City’s Saltzman, Andrzej Turowski et al Author: Krzysztof Wodiczko Music Underground PB · ISBN 978-1-907317-48-4 PB · ISBN 978-1-908966-13-1 Secret Green Spaces HB · ISBN 978-1-907317-13-2 Contributor: Rosalyn Deutsche Editor: Thomas Howells RRP £9.99 · $14.95 RRP £9.95 · $14.95 Editor: Thomas Howells RRP £39.95 · $59.95 HB · ISBN 978-1-910433-27-0 PB · ISBN 978-1-907317-97-2 16 × 14 cm · 5.5 × 6.5 in 16 × 14 cm · 5.5 × 6.5 in PB · ISBN 978-1-907317-96-5 26 × 21 cm · 8 × 10 in RRP £29.95 · $39.95 RRP £19.95 · $29.95 192 pages · 170 ills 192 pages · 169 ills RRP £9.95 · $14.95 368 pages · 200 ills 25 × 17 cm · 7 × 10 in 25 × 19 cm · 7 × 10 in 16 × 14 cm · 5.5 × 6.5 in 352 pages · 6 ills 192 pages · 220 ills 192 pages · 169 ills MORRIS HELEN BELKIN ART GALLERY

LETTERS LIEBESLIED: MY SUICIDES LIFE OF WORK THE MACKAY CREEK SERIES MEAT LONDON A GUIDE TO LONDON’S CLASSIC Michael Morris and Concrete Poetry Rut Blees Luxemburg What Office Design Can Learn Ron den Daas An Insider’s Guide CAFES AND FISH & CHIP SHOPS Author: Jamie Hilder Author: Alexander Garcia Düttman From the World Around Us Artist: Ron den Daas Author & Editor: Thomas Howells Author & Editor: Thomas Howells HB · ISBN 978-1-910433-00-3 PB · ISBN 978-1-901033-52-6 Authors: Jeremy Myerson, Imogen Privett HB · ISBN 978-1-910433-40-9 PB · ISBN 978-1-907317-88-0 PB · ISBN 978-1-907317-69-9 RRP £29.95 · $39.95 RRP £16.95 · $26.95 PB · ISBN 978-1-908966-78-0 RRP £19.95 · $29.95 RRP £9.95 · $14.95 RRP £9.95 · $14.95 28 × 23 cm · 9 × 11 in 24 × 30 cm · 10 × 8 in RRP £19.95 · $29.95 27 × 29 cm · 12 × 11 in 16 × 14 cm · 5.5 × 6.5 in 16 × 14 cm · 5.5 × 6.5 in 192 pages · 171 ills 72 pages · 140 ills 20 × 20 cm · 8 × 8 in 128 pages · 121 ills 176 pages · 170 ills 176 pages · 170 ills 144 pages · 120 ills

88 89

Black Dog Publishing Selected A–Z Backlist BOOKS IN SERIES: MAPPING SERIES: IN BOOKS Griffith Marlon This is the first monograph on the procession and installation practice of Trinidadian-born, Japan- based artist Marlon Griffith. With essays by Emelie Chhangur, Chanzo Greenidge, Gabriel Levine, and Claire Tancons, Symbols of Endurance explores Griffith’s unique contribution to contemporary art through a detailed analysis of the artist’s formative engagement with vernacular tradition, popular and festive forms of civic celebration, and performative forms of colonial cultural resistance in the Americas.

Symbols of Endurance follows Griffith’s artistic Symbols of Endurance trajectory from his early career as a designer, or ‘Masman’, for Carnivals in Trinidad and London and considers these origins in relation to his later large- scale public processions created and staged in-situ across the globe for contemporary art audiences. This publication is a major contribution for anyone engaged in participatory practices of collective and LUCY + JORGE ORTA creative resistance, performance as mode of public address and intercultural exchange, and alternative forms of exhibition making in the civic sphere. ART GALLERY OF YORK UNIVERSITY

ISBN 9781910433935 92995 >

£19.95 9 781910 433935 $29.95

LIGHT WORKS LUCY + JORGE ORTA PATTERN BOOK MADE BY HAND MARLON GRIFFITH MAPPING AMERICA MAPPING ENGLAND Lucy + Jorge Orta An Introduction to Collaborative Contemporary Makers, Symbols of Endurance Exploring the Continent Author: Simon Foxell Authors: James Putnam, Practices Traditional Practices Editor: Emelie Chhangur Authors: Fritz C. Kessler, Frank Jacobs Editor: Blanche Craig Gabriela Salgado Editor: Paula Orrell PB · ISBN 978-1-908966-39-1 PB · ISBN 978-1-910433-93-5 HB · ISBN 978-1-907317-08-8 HB · ISBN 978-1-906155-51-3 HB · ISBN 978-1-907317-04-0 PB · ISBN 978-1-904772-75-0 RRP £16.95 · $24.95 RRP £19.95 · $29.95 RRP £24.95 · $45.00 RRP £40.00 · $70.00 RRP £29.95 · $49.95 RRP £19.95 · $29.95 24 × 18 cm · 7 × 9 in 25 × 19 cm · 7 × 10 in 29 × 24 cm · 10 × 12 in 29 × 24 cm · 10 × 12 in 28 × 23 cm · 9 × 11 in 29 × 21 cm · 8 × 11 in 192 pages · 150 ills 176 pages · 160 ills 240 pages · 212 ills 272 pages · 212 ills 192 pages · 227 ills 160 pages · 219 ills GALERIE LELONGGALERIE VANCOUVER ART GALLERY THE BRONX MUSEUM OF THE ARTS

MAPPING THE INVISIBLE FOOD AND THE PUBLIC SPHERE MAKING STUFF MARTIN WONG MASHUP MCARTHUR BINION EU-ROMA Gypsies Authors: Lucy + Jorge Orta An Alternative Craft Book Human Instamatic The Birth of Modern Culture Re:Mine Editor: Lucy Orta Contributors: Nigel Prince, Author: Ziggy Hanaor Contributors: Antonio Sergio Bessa, Contributors: Daina Augaitis, Bruce Editors: Lowery Stokes Sims, PB · ISBN 978-1-906155-91-9 Ellen Lupton Editor: Victoria Woodcock Benjamin Binstock et al Grenville, Stephanie Rebick et al Franklin Sirmans RRP £24.95 · $29.95 HB · ISBN 978-1-910433-80-5 PB · ISBN 978-1-904772-61-3 HB · ISBN 978-1-910433-41-6 HB · ISBN 978-1-910433-39-3 HB · ISBN 978-1-910433-81-2 29 × 21 cm · 8 × 11 in RRP £29.95 · $34.95 RRP £16.95 · $24.95 RRP £24.95 · $34.95 RRP £39.95 · $59.95 RRP £19.95 · $29.95 192 pages · 153 ills 28 × 23 cm · 9 × 11 in 28 × 21 cm · 8 × 11 in 25 × 25 cm · 10 × 10 in 28 × 23 cm · 9 × 11 in 26 × 22 cm · 9 × 10 in 240 pages · 169 ills 144 pages · 212 ills 160 pages · 144 ills 368 pages · 267 ills 80 pages · 50 ills ELEVEN RIVINGTON YOSSI MILO GALLERY ON STELLAR RAYS

MAKING STUFF FOR KIDS MARCO BREUER MARIA PETSCHNIG MICHAEL DELUCIA MICHAEL WILKINSON MINING COUTURE Author: Victoria Woodcock Col•or Nineteen Videos 2002–2014 Author: Michael DeLucia 1979 A Manifesto for Common Wear PB · ISBN 978-1-906155-00-1 Contributors: Isabelle Dervaux, PB · ISBN 978-1-910433-53-9 HB · ISBN 978-1-908966-98-8 Author: Mark Fisher Editor: Barber Swindells RRP £16.95 · $24.95 Jeffrey Deshell, Mary-Kay Lombino RRP £19.95 · $29.95 RRP £19.95 · $29.95 PB · ISBN 978-1-907317-43-9 PB · ISBN 978-1-907317-92-7 25 × 19 cm · 7 × 10 in HB · ISBN 978-1-908966-90-2 21 × 16 cm · 6 × 8 in 28 × 23 cm · 9 × 11 in RRP £19.95 · $29.95 RRP £16.95 · $24.95 160 pages · 232 ills RRP £29.95 · $49.95 96 pages · 97 ills 144 pages · 219 ills 28 × 23 cm · 9 × 11 in 22 × 18 cm · 7 × 9 in 28 × 23 cm · 9 × 11 in 192 pages · 120 ills 128 pages · 107 ills 160 pages · 70 ills

90 91

Black Dog Publishing Selected A–Z Backlist

Pedro Alonzo SamDurant Sam Durant Suburban BLUM & POE The Meeting House / Build Therefore Your World Own Hymn: DAZIBAO Build Complacency The 5 Therefore = VANCOUVER ART GALLERY Meeting Complicity Your Own Pedro Alonzo

House In his research-based practice, Sam Durant follows a tradi- (2016) (fig. 1), looks at the legacy of slavery and its continu- tion of radical historians and writers such as Howard Zinn, ing role in the systemic forms of racism we face today. Roxanne Dunbar-Ortiz, Robin DG Kelley, Ward Churchill, The Meeting House proposes the uncomfortable idea and Elise Lemire. Inspired by their work, Durant uncovers that veiled and institutional forms of racism were largely aspects of history that have remained largely unknown to developed in the North and continue to thrive today through World mainstream society. Some of Durant’s previous projects the complacency or complicity of whites. Durant stated in Blum Blum include a demystification of the origin myths of Plymouth an interview that: Rock and Thanksgiving, and highlighting the human and economic costs of mass incarceration. He sees this work African-Americans experience discrimination and as critical in order to acknowledge the past and strive for worse every day, they don’t need to be informed

& the future that the American Revolution and the civil rights about this. It is the minds and hearts of whites that

Poe movement promised. His work on the historic site of The need to be opened, they are the primary audience for

Old Manse in Concord, MA, entitled The Meeting House The Meeting House.1 The Meeting House Meeting The

fig. 1 MYFANWY MACLEOD NADIA SEBOUSSI NEW SCANDINAVIAN PHOTOGRAPHY Or There and Back Again Hidad Editors: Bjarne Bare, Behzad Farazollahi Meeting House Robin Coste Lewis THE MEETING HOUSE Editor: Grant Arnold Editor: France Choinière HB · ISBN 978-1-910433-09-6

My still-shrill war My mere presence, dwelling on parole–– My dark heaven, BUILD THEREFORE YOUR OWN WORLD Inhumane bricks amid which could never be burned PB · ISBN 978-1-908966-53-7 HB · ISBN 978-1-910433-85-0 RRP £39.95 · $49.95 the oak copse there. or mounted.

The iron hook My discolored emphasis––black, hangs history Artist: Sam Durant blacker than any dusky orb, (Once more RRP £16.95 · $24.95 RRP £16.95 · $19.95 22 × 17 cm · 7 × 9 in before or since on the left). My orchard of location. My earthen descendants, My-thology My sufferance, Contributors: Pedro Alonzo, Kevin Young, (Prominent. Astounding.) My vain form. 25 × 20 cm · 8 × 10 in 23 × 26 cm · 10 × 9 in 228 pages · 211 ills My biography Midsummer Man carrying a load–– (robs and murders My inquired concern, Danielle Legros Georges, Robin Coste-Lewis, Tim Phillips the whole history A potter’s wheel of him, 128 pages · 116 ills 64 pages · 50 ills enacted here). Clay and wheel scripture–– Let Time intervene An art ever-practiced. the most distinct and dubious tradition

Last inhabitants 51

PB · ISBN 978-1-911164-34-0 50 Saluted–– of these woods standing–– before me, unoccupied Names with coil, RRP £14.95 · $24.95 election. My labored lethargy, awake, Civil speech carmine, My poetry skipping, curled up by use–– My bells rung in hot haste. The last symbol a dim garden over-run 23 × 21 cm · 8 × 9 in Engines fire all together. Fresh sparks. with Roman beggar-ticks. My ever and anon, My dent in the earth, My cooled ardor This site thought concluded. These dwellings: 96 pages · 100 ills Speaking trumpets, buried cellar stones–– Passage in the preface, and strawberries, The soul’s only survivor. thimble-berries, Heir of burning first moments. hazel-bush, My gaze, my always, remembered absolutely. chimney nook,

The Meeting House/Build Therefore Your Own World brings together With Nothing Will Surprise You Here, Velibor Božović has succeeded in infusing a dose of truth which surpasses Nothing Will Surprise You Here Velibor Božović our desire to cling to reality and facts, letting us be

carried along by the self-evidence of events. Nothing Sam Durant Sam The Meeting House Meeting The surprises us here, but everything eludes us, as if

aspirated by that truth held in shadow, so intrinsic that DAZIBAO material from American multimedia artist Sam Durant’s project of it is only revealed in the abstraction of the unspoken. We might see here an attempt to legitimate fiction as a means of attesting to history, but also a manifestation of p.19 the ascendance of the map over the territory.

the same name, which acts as a platform for inspiring new ideas The present publication is one of the constituent part of Velibor Božović’s exhibition project Nothing Will Surprise You Here, developed in collaboration with Dazibao. Nothing Avec Nothing Will Surprise You Here, Velibor Božović réussit à insuffler une charge de vérité qui surpasse in relation to the intractable structures of racial discrimination notre désir de nous rattacher à la réalité, à des faits, Will Meeting House Danielle Legros Georges pour nous laisser porter par l’évidence des événements. Rien ne nous surprend ici, mais tout nous échappe, p.70 aspirés que nous sommes par cette vérité maintenue Surprise p.13 dans l’ombre, si intrinsèque qu’elle ne se révèle que p.8 dans l’abstraction du non-dit. On pourrait y voir une and segregation. p.3 Acts of Resistance to New England Slavery by Africans Themselves in New England tentative de légitimer la fiction comme moyen d’attester You l’histoire, mais aussi une manifestation de l’ascendance de la carte sur le territoire. Self-emancipation by Here La présente publication est l’une des composantes du projet Walking into the blackest night d’exposition Nothing Will Surprise You Here de Velibor Božović Becoming the river développé en collaboration avec Dazibao. Running into the text Velibor Božović Acquiring a fine English as a Second Language The artist’s project, The Meeting House, takes place between As a third, a fourth, a fifth p.6-7 Filing for one’s freedom in the courts of Massachusetts In the courts of New Hampshire The Old Manse—a historic house where leading thinkers such In the courts of Rhode Island In the court of one’s mind In the court of one’s body Through the course of one’s body Through the course of one body And the newness of the day as Ralph Waldo Emerson, Henry David Thoreau and Margaret p.5 Feigning fullness p.14 p.62 With child Loving one’s child

Killing one’s child with the red hand of Salvation 41

Fuller discussed the issues of the day, including abolitionist 40 Danielle Legros Killing one’s owner

Working slowly Spreading rumors debates—and the Minuteman National Park, where the American Breaking tools Georges Dancing how you know Orishas on the shoulders

Revolutionary War began in 1775. Marrying NEW WAVE NINJA TUNE NOTHING WILL SURPRISE YOU HERE

Disappearing into another self Disappearing into another race Witnessing Never saying Facts about Flags 20 Years of Beats & Pieces Photographer: Velibor Božovi´c Tarrying and Suicide Spying Telling the Truth Sowing it Sam Durant has exhibited widely in the US and internationally. Reading Author: Libby Waite (Labels Unlimited) PB · ISBN 978-1-911164-28-9 Writing

His work can be found in many public collections including Tate PB · ISBN 978-1-907317-30-9 Author: Stevie Chick RRP £16.95 · $19.95 Sam Durant Sam Modern in London and the Museum of Modern Art in New York. House Meeting The RRP £7.95 · $15.00 PB · ISBN 978-1-907317-00-2 23 × 15 cm · 6 × 9 in 17 × 12 cm · 5 × 7 in RRP £19.95 · $29.95 80 pages · 50 ills 192 pages · 220 ills 27 × 22 cm · 9 × 11 in 192 pages · 193 ills YYZ

MODERN BRITISH POSTERS MOMENTO MULTIPLE ELEMENTARY NULL OBJECT ON LOCATION OUTSIDE THE BOX Art, Design & Communication Photographs by George S. Zimbel Authors: Hannah Jickling, Helen Reed Gustav Metzger Thinks About Nothing Siting Robert Smithson and Cardboard Design Now Author: Paul Rennie Author: George S Zimbel PB · ISBN 978-1-910433-61-4 Editors: Bruce Gilchrist, Jo Joelson his Contemporaries Contributors: Michael Czerwinski, HB · ISBN 978-1-906155-97-1 HB · ISBN 978-1-910433-42-3 RRP £16.95 · $24.95 PB · ISBN 978-1-908966-12-4 Author: Simon Dell Santiago Perez RRP £29.95 · $49.95 (French lang) ISBN 978-1-910433-48-5 25 × 18 cm · 7 × 10 in RRP £14.95 · $24.95 PB · ISBN 978-1-906155-59-9 PB · ISBN 978-1-907317-10-1 28 × 23 cm · 9 × 11 in RRP £24.95 · $34.95 96 pages · 87 ills 24 × 18 cm · 7 × 9 in RRP £29.95 · $55.00 RRP £19.95 · $29.95 192 pages · 250 ills 28 × 23 cm · 9 × 11 in 96 pages · 68 ills 23 × 23 cm · 9 × 9 in 21 × 21 cm · 8 × 8 in 160 pages · 155 ills 208 pages · 150 ills 208 pages · 200 ills

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Black Dog Publishing Selected A–Z Backlist

trevor paglen trinity cube

Trinity Cube, 2015 Irradiated broken glass collected from inside the Fukushima Exclusion Zone forms the outer layer of this sculpture. The work’s inner core is made out of Trinitite, the mineral created on July 16, 1945 when the United States exploded the world’s first atomic bomb near Alamogordo, New Mexico, heating the desert’s surface to the point where it turned surface sand into a greenish glass. Trinity Cube was created by melting these two forms of glass together into a cube, then installing the cube back into the Fukushima Exclusion Zone as part of the Don’t Follow the Wind project. The artwork will be viewable by the public when the Exclusion Zone opens again, anytime between 3 and 30,000 years from the present. BILDMUSEET, SWEDEN BILDMUSEET, ARTS CATALYST, LONDON

203 PEOPLE APART: 1950s PLACE LIBRE PLAYA DUST CAPE TOWN REVISITED A Proposition by Michael Lin Collected Stories From Burning Man Photographs by Bryan Heseltine Author: Michael Lin Author: Samantha Krukowski

pierre huyghe THE NUCLEAR CULTURE SOURCE BOOK untitleD (human mask) Author: Darren Newbury HB · ISBN RRP £19.95 · $29.95 PB · ISBN 978-1-908966-64-3 Editor: Ele Carpenter PB · ISBN 978-1-907317-85-9 22 × 25 cm · 10 × 9 in RRP £16.95 · $24.95 PB · ISBN 978-1-911164-05-0 RRP £19.95 · $29.95 112 pages · 56 ills 23 × 15 cm · 6 × 9 in RRP £24.95 · $34.95 28 × 23 cm · 9 × 11 in 256 pages · 178 ills 25 × 18 cm · 7 × 10 in 192 pages · 100 ills

Pierre Huyghe (Untitled) Human Mask, (Film still), 2014 Film, colour, stereo, sound, 2:66 192 pages · 110 ills Running time: 19 minutes Courtesy the artist, Hauser & Wirth, London and Anna Lena Films, Paris

The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse 214 215 ways in which post-Fukushima society has influenced artistic and cultural production. Building on four years of research by

hollington & kyprianou joy garnett / the book’s editor Ele Carpenter, the book brings together a wide- poof (2)

British Atomic Nuclear Group Joy Garnett’s painting Poof (2) comes ranging collection of material from artists and writers working design for Hollington & out of the artist’s career-long fascination Kyprianou’s The Nightwatchman, with nuclear ordinance and explosive in Art & Radioactivity, Nicholls events that mark the Anthropocene. and Clarke building, Shoreditch, It is part of a series of paintings that London, Arts Catalyst, 2008. reaches back to her research site and internet archive http://TheBombProject. within the scope of nuclear culture. org, which she founded in 2000. While on its surface, this series evokes painterly tropes and pop iconography, the explosive shapes in Garnett’s work mirror cultural and economic cycles of creation and destruction, seismic contraction and cosmic expansion. FRANCOISE Contributors and Artists include Eva + Franco Mattes, Peter C van gIlOt Wyck, Martin Howse, The Otolith Group, Jane + Louise Wilson, ART CENTRE BASEL Susan Schuppli, Mark Aeriel Waller, Cornelia Hesse-Honegger, VANCOUVER ART GALLERY Suzanne Treister, Gabrielle Hecht, Eiko Honda, Pierre Huyghe, Timothy Morton, Yves Klein et al.

218

— 26 — — 27 —

PICASSO The Artist and His Muses t LO i

Editor: Katharina Beisiegel ise G CO ran PB · ISBN 978-1-910433-84-3 F RRP £19.95 · $29.95 30 × 24 cm · 9 × 12 in 160 pages · 120 ills

fig.14/ Pablo Picasso, “Baboon and Young,” Vallauris, 1950–1951 (cast in bronze 1955). 53.3 x 33.3 x 52.7 cm. fig.15/ Pablo Picasso, Claude et Paloma, ACB # 73376 The Museum of Modern Art, New York. Mrs. Simon Mauris purus nib, porta nec, sagittis in lorem, mauris purus Taking a fresh approach to discussions around one of Guggenheim Fund / nibh, porta nec mattis non, sagittis in lorem / the twentieth century’s greatest artists, Picasso: The Artist and His Muses examines the significance of the six women who

— 18 — — 19 — KLAUS VON NICHTSSAGEND GALLERY were most important to Picasso’s artistic development, By the end of 1948 the Communist run Maison de la Pensée Française MUSEUM OF ART AND DESIGN, NEW YORK in Paris hosted Picasso’s first ever exhibition in the medium of ceramics. The Communists welcomed Picasso’s work in pottery above all for its workman-like, popular, and folkloric aspects, and they imbued it with social, telluric and populist qualities. It allowed them to counter the adverse image of Picasso the millionaire, as well as exploring in depth the notion of the artist/muse and it facilitated their efforts to present Picasso’s role in society, as a craftsman and worker, as a man of the people, working for the people. Moreover, and quite rightly, Picasso was hailed as the savior of the local industry, as his activity in the field and the exhibitions of his work drew new attention to the craft, and attracted young artists as well as tourists to the town.36 Moreover it allowed Picasso to work in a medium that could be sold at a cheaper price and was thus available to a relationship. Featuring texts by some of the world’s leading 37 wider audience. Similar preoccupations inspired Picasso’s work in lithography. Françoise recalls this period as one of the happiest and most harmonious times in her relationship with Picasso. In late summer 1948 she was pregnant again with Paloma, who was born in April 1949. Picasso chose the name, Spanish for dove, because she was born on the opening day of the first Congrès Mondial des female art writers, this publication covers work that spans most Partisans de la Paix, April 10-13 in Paris, where Picasso’s famous dove, which would become a worldwide symbol of peace (pax sovietica), was first seen publicly.38 It may have been Picasso’s work with ceramics that reawakened in him his love of sculpture to which he devoted much of his time in the early 1950s.39 And much like in his ceramics, Picasso, who had been trained as a painter but of Picasso’s career, from 1906 through to the early 1970s. never as a sculptor, enjoyed the freedom to work without the restriction of rules or the weight of tradition. This contributed to the playful spontaneity of much of his sculpture in which one is tempted to acknowledge the father inspired by the imagination of his children. He even refrained from casting the works in bronze at first, as bronze, according to him, gave the work a kind of museum like quality. In t LO fact, the sculptures were very personal for him and he kept most of them for himself i 40 PETER VOULKOS PAMELA JORDEN THE PARADOXICAL OBJECT and his family. In need of space to store his ceramics and for separate sculpting ise G and painting studios, Picasso bought le Fournas, a disaffected perfume factory in CO

their neighborhood in Vallauris. ran Almost all of his sculptures of the time were assemblages of various F objects. Calling himself “king of the rag pickers,” Picasso salvaged whatever appealed to him on frequent trips to the local garbage dump. This is where he The Breakthrough Years Contributors: Sarah Lehrer-Graiwer, Video Film Sculpture most likely found the basket that forms the body of the Little Girl Jumping Rope, the old shoes on her feet and the chocolate box whose lid became her head. The sculpture, on which he worked in stages from 1950-1953, is astounding, as the little girl is literally suspended in the air, held there by the rope that touches the ground. The find of yet another basket helped Picasso in his desire to make a She- goat (1950), using it for the belly of the animal. Its spine and forehead were made Contributors: Glenn Adamson et al Alice Könitz Author: Joan Truckenbrod 41 of a palm frond and her udders of two clay vessels. Picasso had a love of goats and he attached a life goat to his sculpture in the garden of his house. One of the first sculptures Picasso produced in the new space,Pregnant Woman of 1950, illustrated Picasso’s desire that Françoise should bare him a third child. Her refusal, feeling still too weak after the birth of Paloma, inspired Picasso to use three empty PB · ISBN 978-1-910433-89-8 PB · ISBN 978-1-910433-20-1 PB · ISBN 978-1-907317-60-6 water jars for the figure’s breasts and belly.42 (ACB # 73043) With yet another one of his sculptures Picasso managed to upset his son by using two of Claude’s fig.6/ Pablo Picasso, “Les deux little toy cars to make the image of a baboon cradling its little child (1950-51). Femmes Nues,” (Two Nude (Fig. 6) Even the fact that the image seems to portrait his father’s features did not Women), November 21, 1945 / console Claude over the loss of his toys. Lizzy Cowling, in her insightful essay in Picasso: The Mediterranean RRP £24.95 · $34.95 RRP £14.95 · $19.95 RRP £24.95 · $45.00 Years, 1945-1962, speaks of the metaphorical aspect of Picasso’s ceramics and sculptures, in which a ceramic vase becomes a woman, or a gas ring and a cake tin forms the basis of a baby’s head (Woman with a baby Carriage, 1950).43 Picasso himself had alluded to this when he said: “The material itself, the form and texture of those pieces often gives me the key to the whole sculpture… . I achieve 28 × 23 cm · 9 × 11 in 25 × 20 cm · 8 × 10 in 28 × 23 cm · 9 × 11 in reality through the use of metaphor. My sculptures are plastic metaphors. It’s the

fig.5/ Pablo Picasso, Woman with Hairnet, ACB # 71845. Mauris purus nib, porta nec, sagittis in lorem, mauris purus 208 pages · 130 ills 80 pages · 76 ills 160 pages · 210 ills nibh, porta nec mattis non, sagittis in lorem /

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Black Dog Publishing Selected A–Z Backlist

RAVE WALTER VAN BEIRENDONCK SCORE FOR ACID BRASS, 1997 MUSEUM OF CONTEMPORARY CANADIAN ART

Walter Van Beirendonck, Hard Beat, A / W 1989–1990 210 Photo: Ronald Stoops. Illustration: Jan Bosschaert 211 Courtesy of the artist and Rodney Newton MUSEUM OF MODERN ART ANTWERP A POCKET GUIDE TO PLANTS POINTS OF DEPARTURE POSTWAR AND GARDENING Vera Frenkel: Words and Works The Films of Daniel Eisenberg Author: Elizabeth McCorquodale Contributors: David Liss, Authors: Nora Alter, Tom Gunning et al RAVE SERGEY SHUTOV PB · ISBN 978-1-907317-71-2 Jonathan Shaughnessy PB · ISBN 978-1-906155-95-7 RRP £9.95 · $14.95 PB · ISBN 978-1-908966-72-8 RRP £24.95 · $39.95 17 × 12 cm · 5 × 7 in RRP £19.95 · $29.95 24 × 19 cm · 7 × 9 in 126 pages · 318 ills 28 × 23 cm · 9 × 11 in 192 pages · 211 ills RAVE 160 pages · 120 ills Rave and its Influence on Art and Culture Editor: Nav Haq PB · ISBN 978-1-910433-87-4 RRP £24.95 · $34.95 25 × 19 cm · 7 × 10 in 288 pages · 180 ills

Sergey Shutov, Ptuch VJ Set Compilation, 1993–1996 (video stills) 192 193 Courtesy of the artist RAVE: Rave and its Influence on Art and Culture is one of the first publications to critically engage with the rave movement of the 1980s and 1990s as it relates to contemporary art and visual RAVE HORSE POWER ARTISTS about. But if you go back to techno, if Were there many women culture. Following the death of industrial Europe, rave emerged as you go to 86–87, people would argue involved? that the music was a weak copy of Not so many. In those days, no, strangely Kraftwerk. Kraftwerk did it all! Simple not. You have Nina Kraviz, who released as that. Kraftwerk were the perfect her first record a few years ago. Since example of making electronic music then, I don’t know why but there were Europe's last big youth movement. and taking it to the dance floor. hardly any women previously. But since Worldwide. Without them, forget it. then, it’s women everywhere, producing, If you listen to the early Detroit tracks, DJing. It feels like in 2016, women rule. they were weak copies of Kraftwerk. Paula Temple, yes, she brought techno Sabine Maes and Renaat Vandepapeliere Joey Beltram in the techno scene in 89 back. We were in the midst of dubstep, Courtesy of R&S and 90. In techno, Joey is the blueprint. and Paula sent her album and I though End of story. He inspired so many with wow, this is techno-punk, in a very can earn a little bit. Trying to sell more “Energy Flash” and “Mentasm” through serious and industrial way. She brought merchandising, t-shirts, and things the whole 90s. And then you go more techno back again. Because techno like that to try to survive. If you read into pop culture with The Chemical was done, and then Paula came, and recent articles on Rihanna, she had a This book considers the social, political and economic conditions Brothers and The Prodigy. The Prodigy now the whole thing came back on. number one album in England with the really lifted it to stadium levels. So, lowest sales figures in history: 10,000 I would say The Chemical Brothers and Are you still running the label or so. And it is the number one album? The Prodigy took it to a different level. together with Sabine Maes? It’s over. I feel Soundcloud will soon be Of course, The KLF, with their Chill Out Sabine and I? Sabine tries to keep over. This morning I was reading that album. What a masterpiece that is. me stable, as I’m total chaos. She it will be absorbed by Sony, and now that led to the advent of rave as a 'counterculture' across manages the administration and I’m Sony will ask you to pay each month The KLF had a curious the creative part. Although I have to say, to use Soundcloud. The dream is to relationship with visual art. A sort when it comes to business I love to do not sell any physical records, so you of love-hate relationship with it. that but around a big table. When I have cannot own records anymore. But we If you listen back to their album, they’re to go into a meeting room for a deal, I’m still have billions of people. We still Europe, as well as its aesthetics, ideologies, and influence on all samples. How do you do that? First, ready and sharp, and I love it too. It gives have India to go, we still have South your knowledge of music has to be me a sort of adrenaline too. But I’m in America to go. I heard from many extremely good. You really have to be there to guarantee freedom, which is majors that this is the market they are a music person, to do that. And then the most expensive commodity in the looking at. India, China, South America. POET-LINC POET-LINC PROJECT 1975 to make it into one story that makes world, basically. That’s the way they are thinking. I had contemporary art and beyond. sense. Amazing. After that, it’s very guys from big commercial labels here quiet. Of course there were good techno So what’s next for R&S? prepared to set up bigger markets for tracks, don’t get me wrong. But then These days, it is trying to survive. Sales me. And I said: “I don’t want to bother”. the repetition and copycats came. But I are going down. You have streaming So here I am. POETRY SLAM POETRY SLAM VOLUME 2 Contemporary Art and the stopped for ten years, breeding horses. and few have control. But I think some Then in 2005 / 2006 come Mala and have control, the corporates—Sony, Burial. He writes a new page. I’m talking Spotify and Apple. They are connected, about artists that influence a generation and basically all they want is your ten for ten years. I’m talking about those dollars or ten euros a month. But there people, not only good tracks. is no return for the artists. What’s Editor: Andrew Kalish PB · ISBN 978-1-908966-89-6 Post-Colonial Unconscious happening? I don’t know. We all have Jungle and drum and bass were to do it with less. Luckily enough, R&S not so big in Belgium, I believe? has the support of our distributors and It was an English thing. R&S released private equity. They want to keep it alive, the first drum and bass album on the otherwise we would be dead already. PB · ISBN 978-1-908966-26-1 RRP £7.95 · $14.95 Editors: Jelle Bouwhuis, Kerstin Winking continent here, and people were not Because you know, I still think as if it’s really into it. But Burial, and Mala who the 70s. If I find an artist I will get behind BOOKS IN SERIES: LINCOLN CENTER POET-LINC is the seed of dubstep. Then you have them full on. I lost a fortune by doing that. a split from there on. You have the We’re losing money each year. commercial extreme with Skrillex, and RRP £7.95 · $14.95 20 × 13 cm · 5 × 8 in PB · ISBN 978-1-908966-22-3 then you have James Blake. And now Do you think there is a way there is nothing, there is not one person. to address this problem? I’m waiting for the new guy that gives What we are trying to do is get R&S 20 × 13 cm · 5 × 8 in 160 pages · 40 ills RRP £19.95 · $29.95 the sign for the next thing. on the road with showcases, so we 104 105 160 pages · 40 ills 24 × 16 cm · 6 × 9 in 192 pages · 170 ills RED AFRICA GALLERY 44 RED AFRICA Affective Communities and the Cold War Edited by Mark Nash DAVID NOLAN GALLERY VANCOUVER ART GALLERY VALAND ACADEMY, UNIVERSITY OF GOTHENBURG

PUBLIC ENQUIRIES RED AFRICA REFLECTIONS & REFRACTIONS RESIDUE RICHARD ARTSCHWAGER RITUAL PARK LEK and the Scandinavian Affective Communities and the Cold War Author: Alexis Dirks The Persistence of the Real Into the Desert Photographer: Vincenzo Pietropaolo Social Turn Editor: Mark Nash PB · ISBN 978-1-910433-02-7 PB · ISBN 978-1-910433-26-3 Author: John Yau Contributors: Don Snyder, Editors: Helena Selder, SOMEWHERE, PB · ISBN 978-1-910433-94-2 RRP £14.95 · $19.95 RRP £19.95 · $29.95 HB · ISBN 978-1-908966-47-6 Maia-Mari Sutnik Mick Wilson RRP £19.95 · $29.95 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in RRP £24.95 · $34.95 HB · ISBN 978-1-911164-07-4 PB · ISBN 978-1-911164-30-2 28 × 23 cm · 9 × 11 in 96 pages · 62 ills 144 pages · 69 ills 28 × 23 cm · 9 × 11 in RRP £29.95 · $39.95 RRP £19.95 · $29.95 192 pages · 110 ills 192 pages · 170 ills 27 × 31 cm · 12 × 11 in 23 × 15 cm · 6 × 9 in 208 pages · 150 ills 180 pages · 150 ills

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Black Dog Publishing Selected A–Z Backlist THE ROYAL COLLEGE OF ART OF COLLEGE ROYAL THE

Rebel CONTEMPORARY Produced yearly in collaboration with the PERSIANS RCA MA photography degree show, this series Jester presents a powerful snapshot of the cutting AGA KHAN MUSEUM Mystic edge of contemporary photography through the work of graduating students from the Poet world-leading arts institution.

Much more than an academic review, Works from the Mohammed Afkhami Collection Exhibited at the Aga Khan Museum each highly illustrated publication features original material by the new generation of EXIT STRATEGIES HARDCOVER nascent artists. The works are presented Editor: Rut Blees Luxemburg Image Perspectives alongside texts by distinguished artists and PB · ISBN 978-1-910433-10-2 Editor: Rut Blees Luxemburg academics, and edited by the renowned RRP £9.99 · $16.95 PB · ISBN 978-1-907317-41-5 REBEL, JESTER, MYSTIC, POET photographer Rut Blees Luxemburg. 24 × 18 cm · 7 × 9 in RRP £9.99 · $19.95 Contemporary Persians 128 pages · 38 ills 22 × 17 cm · 7 × 9 in Author: Fereshteh Daftari 128 pages · 44 ills Contributor: Shiva Ahmadi, Afruz Amighi, Monir Farmanfarmaian et al HB · ISBN 978-1-911164-31-9 RRP £24.95 · $34.95 28 × 23 cm · 9 × 11 in 160 pages · 180 ills

Rebel, Jester, Mystic, Poet tells the story of the evolution of Iranian Nazgol Ansarinia 75 contemporary art by examining the work of 30 artists, taken from the collection of Mohammed Afkhami. This is art where the ills of internal politics remain astutely masked beneath a layer of ornamentation, poetry or humour. What unites the disparate works into a coherent theme is the artists’ coping mechanisms, which consist of subversive critique, quiet rebellion, humour, mysticism and poetry—hence the publication’s title.

The book brings together work in a dizzying array of different SCIENCE & FICTION SEEING FOR OTHERS WAVING FLAGS

Composite painting of a camel with attendant, Iran, Khurasan, third quarter of the sixteenth century ink, opaque watercolour and gold on paper, 12.7 × 18.4 cm Khosrow Hassanzadeh, Khosrow (Ready to Order series), Gift of George D. Pratt, The Metropolitan Museum of Art, 1925 2007–2008, mixed media, 199 × 135 × 35 cm Collection of the artist mediums—from Shirin Aliabadi’s photographs of young Iranian Editor: Rut Blees Luxemburg Editor: Rut Blees Luxemburg Editor: Rut Blees Luxemburg

crammed into the body of what could be any number of animals—maybe encountered in memorial shrines placed over the tombs of martyrs who a cow, perhaps a donkey—ridden by Molla Nasreddin, a character famous died in the war. In Terrorist: Khosrow Hassanzadeh stages his self-portrait in Iran and beyond, riding his donkey backwards. Leading from behind, he against the kind of backdrop used in old photo studios, including a women resisting Islamic dress codes, and Afruz Amighi’s Persian PB · ISBN 978-1-908966-50-6 PB · ISBN 978-1-907317-62-0 PB · ISBN 978-1-908966-10-0 looks to the past rather than the future. picture of a waterfall based on a poster he bought in Lalehzar, a street in an old Tehran neighbourhood. Seated on a kilim, he holds a picture of The composite animal was inspired by a genre of paintings that includes, his grandfather in his left hand and a pot of flowers in his right, placed on for example, the sixteenth-century depiction of a camel with attendant a large box made in Yazd. Boxes hold secrets, he says.25 This dominating carpets hand-woven from the same fabric that the UN uses RRP £9.99 · $19.95 RRP £9.99 · $19.95 RRP £9.99 · $19.95 from Khurasan, Iran, in the collection of the Metropolitan Museum of pater familias, appropriating for himself the grandiosity of the larger- Art (see fig XX).23 By depicting the animal standing on a red balloon—a than-life revolutionary icons whose images are plastered on city walls and spectacle watched and photographed by a Western journalist on the left— billboards, is flanked by diminutive images of his son leisurely lounging Haerizadeh turns the collective nation-building enterprise into a risible on the grass at top right and his demure daughter at top left—in short, 24 to make tents for displaced refugees, to Mohammad Ehsai’s 22 × 17 cm · 7 × 9 in 22 × 17 cm · 7 × 9 in 24 × 18 cm · 7 × 9 in affair, worthy of a circus. he depicts a regular, peaceful, proletarian family portrait rendered in a palette that is innocently pink and baby blue. To each portrait he affixes an Armed with humour, Khosrow Hassanzadeh (b. 1963) targets America. His identity certificate which in the case of the self-portrait indicates his name, Terrorist: Khosrow, 2004, a large silkscreen, is one of seven unique prints, nationality, religion (muslim), age, profession, distinctive traits, and, most each in a different color (see plate XX). A later mixed media variation notably, in quotation marks and capital words, the word “TERRORIST” classical calligraphy works. 128 pages · 117 ills 128 pages · 59 ills 128 pages · 147 ills (Self-Portrait from the Ready to Order series), is framed in a shadow box (see plate XX). Hassanzadeh’s fascination with popular culture has led him (see fig XX). It features a display of fake flowers and light decoration that to Andy Warhol, who he has admired since 1999 and whose portrait has is even more in tune with the local vernacular: the kitsch paraphernalia recently entered into his cast of characters. The impact the Pop artist left

24 25 Sculpture Shock Sculpture ART FIRST

Sculpture Shock Site-specific interventions in Subterranean, Ambulatory and Historic contexts THE ROYAL BRITISH SOCIETY OF SCULPTORS MUSEUM OF CONTEMPORARY ART TORONTO

RIVINGTON SCHOOL ROCKY GRASSY MOUNTAIN IN JUNE SCULPTURE SHOCK SEEING AND BELIEVING SEEING IS BELIEVING THE SELF AS A STRANGER 80s New York Underground Drawings/Tony Anguhalluq Site-specific interventions in Luis Jacob The Politics of the Visual Simon Lewty Editors: Istvan Kantor, Toyo Tsuchiya Authors: Robert Kardosh, Tony Subterranean, Ambulatory Contributors: Luis Jacob, Marie Fraser, Author: Rod Stoneman Authors: Cathy Courtney, Ian Hunt et al PB · ISBN 978-1-910433-95-9 Anguhalluq and Historic contexts David Liss, Anne-Marie Ninacs PB · ISBN 978-1-908966-05-6 HB · ISBN 978-1-907317-07-1 RRP £24.95 · $34.95 PB · ISBN 978-1-911164-17-3 Editor: Claire Mander PB · ISBN 978-1-908966-06-3 RRP £19.95 · $29.95 RRP £29.95 · $49.95 28 × 23 cm · 9 ×11 in RRP £16.95 · $19.95 PB· · ISBN 978-1-911164-18-0 RRP £19.95 · $29.95 26 × 22 cm · 9 × 10 in 28 × 23 cm · 9 × 11 in 288 pages · 180 ills 23 × 25 cm · 9 × 10 in RRP £19.95 · $29.95 26 × 22 cm · 9 × 10 in 192 pages · 150 ills 192 pages · 150 ills 80 pages · 60 ills 28 × 23 cm · 9 × 11 in 192 pages · 150 ills 128 pages · 54 ills

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Black Dog Publishing Selected A–Z Backlist

STEENBECKETT Atom Egoyan MACKENZIE ART GALLERY SCULPTURECENTER KITCHENER-WATERLOO ART GALLERY

WHAT ABOUT POWER? HOW DOES IT FEEL? THE SERIOUSNESS OF PLAY STANLEY KUBRICK STEENBECKETT STILL MOVE Inquiries into Contemporary Sculpture Inquiries into Contemporary Sculpture The Art of Michael Nicoll Yahgulanaas New Perspectives Atom Egoyan Brendan Fernandes Editors: Mary Ceruti, Ruba Katrib Editors: Mary Ceruti, Ruba Katrib Author: Nicola Levell Editors: Tatjana Ljujic, Editors: Timothy Long, Christine Ramsay, Editor: Crystal Mowry PB · ISBN 978-1-908966-84-1 PB · ISBN 978-1-910433-68-3 PB · ISBN 978-1-910433-11-9 Peter Krämer, Richard Daniels Elizabeth Matheson HB · ISBN 978-1-910433-62-1 RRP £14.95 · $19.95 RRP £14.95 · $19.95 RRP £19.95 · $29.95 PB · ISBN 978-1-908966-42-1 HB · ISBN 978-1-911164-14-2 RRP £29.95 · $45.00 24 × 18 cm · 7 × 9 in 24 × 18 cm · 7 × 9 in 28 × 23 cm · 9 × 11 in RRP £29.95 · $39.95 RRP £24.95 · $34.95 28 × 23 cm · 9 × 11 in 96 pages · 35 ills 96 pages · 35 ills 160 pages · 128 ills 25 × 20 cm · 8 × 10 in 28 × 23 cm · 9 × 11 in 160 pages · 137 ills 384 pages · 260 ills 176 pages · 100 ills

SEE YOURSELF SENSING SEE YOURSELF X SHELF LIFE STONE STUDIOS FOR ARTISTS SUSAN MACWILLIAM Redefining Human Perception Human Future Expanded Neil Gall A Legacy and Inspiration for Art Concepts and Concrete Remote Viewing Author: Madeline Schwartzman Author: Madeline Schwartzman Authors: Simon Groom, Charles Darwent Editor: Joel Fisher Editors: Graham Ellard, Jonathan Editor: Karen Downey BOOKS IN SERIES: MADELINE SCHWARTZMAN PB · ISBN 978-1-907317-29-3 PB · ISBN 978-1-910433-22-5 et al HB · ISBN 978-1-907317-37-8 Harvey, Arantxa Echarte PB · ISBN 978-1-906155-78-0 RRP £24.95 · $45.00 RRP £24.95 · $45.00 HB · ISBN 978-1-904772-73-6 RRP £24.95 · $45.00 PB · ISBN 978-1-910433-08-9 RRP £19.95 · $29.95 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in RRP £29.95 · $45.00 19 × 25 cm · 10 × 8 in RRP £19.95 · $29.95 28 × 21 cm · 8.5 × 11 in 192 pages · 300 ills 192 pages · 240 ills 28 × 23 cm · 9 × 11 in 208 pages · 160 ills 27 × 21 cm · 8 × 11 in 144 pages · 170 ills 192 pages · 220 ills 128 pages · 100 ills

susan point Spindle Whorl VANCOUVER ART GALLERY AND ESKER FOUNDATION, CALGARY MORRIS HELEN BELKIN ART GALLERY MUSEUM OF CONTEMPORARY ART, BELGRADE

SUSAN POINT TAKING THE MATTER TAPESTRY THE SPACES BETWEEN SPIELRAUM STAGING DISORDER Spindle Whorl INTO COMMON HANDS A Woven Narrative Contemporary Art From Havana Jasmina Cibic Editors: Esther Teichmann, Editors: Ian Thom, Grant Arnold Contemporary Art and Contributors: Caron Penney, Contributors: Tonel, Keith Wallace et al Editors: Jasmina Cibic, Una Popovi´c Christopher Stewart Foreword: Kathleen S Bartels Collaborative Practices Fiona Mathison, Timothy Wilcox PB · ISBN 978-1-908966-54-4 HB · ISBN 978-1-911164-35-7 PB · ISBN 978-1-910433-15-7 PB · ISBN 978-1-911164-26-5 Editor: Johanna Billing HB · ISBN 978-1-907317-24-8 RRP £16.95 · $24.95 RRP £34.95 · $44.95 RRP £19.95 · $29.95 RRP £24.95 · $34.95 Contributors: Maria Lind, Lars Nilsson RRP £29.95 · $49.95 25 × 20 cm · 8 × 10 in 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in PB · ISBN 978-1-906155-18-6 28 × 23 cm · 9 × 11 in 144 pages · 119 ills 296 pages · 250 ills 128 pages · 63 ills 160 pages · 130 ills RRP £19.95 · $29.95 208 pages · 227 ills 24 × 18 cm · 7 × 10 in 144 pages · 63 ills

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Black Dog Publishing Selected A–Z Backlist SUZANNE TREISTER

HEXEN 2.0 HEXEN 2039 TEACHING PAINTING Author: Suzanne Treister, New Military-Occult Technologies for How Can Painting Be Taught Lars Bang Larsen Psychological Warfare: A Rosalind In Art Schools? PB · ISBN 978-1-907317-63-7 Brodsky Research Programme Editors: Ian Hartshorne, Donal Moloney, RRP £19.95 · $29.95 Author: Suzanne Treister Magnus Quaife 28 × 23 cm · 9 × 11 in PB · ISBN 978-1-904772-63-7 PB · ISBN 978-1-911164-10-4 HEXEN 2.0 TAROT 160 pages · 130 ills RRP £19.95 · $29.95 RRP £16.95 · $24.95 Author: Suzanne Treister 28 × 23 cm · 9 × 11 in 26 × 22 cm · 8 × 10 in PB · ISBN 978-1-910433-74-4 160 pages · 78 ills 96 pages · 30 ills RRP £22.95 · $34.95 15 × 10 cm · 4 × 6 in 78 pages · 78 ills

The second edition of the HEXEN 2.0 Tarot features 78 alchemical drawings depicting the interconnected histories of the computer and the Internet, cybernetics and countercultures, science-fiction and scientific projections of the future, government and military research programmes, social engineering and the control society, alongside diverse philosophical, literary and political responses to advances in technology. This long-awaited reprint of the companion tarot deck to Suzanne Treister’s HEXEN 2.0 takes us to

a hypnotic, mesmerising space from where one may imagine and OR GALLERY, VANCOUVER construct possible alternative futures. HFT THE GARDENER NATO TEN SHOWS Author: Suzanne Treister The Military Codification System for the Photographer: Barb Choit HB · ISBN 978-1-910433-71-3 Ordering of Everything in the World PB · ISBN 978-1-908966-66-7 RRP £34.95 · $54.95 Authors: Suzanne Treister, Marek Kohn RRP £9.95 · $14.95 28 × 23 cm · 9 × 11 in HB · ISBN 978-1-906155-61-2 13 × 13 cm · 5 × 5 in 240 pages · 166 ills RRP £35.00 · $65.00 160 pages · 74 ills 22 × 30 cm · 12 × 9 in 208 pages · 180 ills DAZIBAO SUZY LAKE ART GALLERY OF ONTARIO ART GALLERY OF WINDSOR MORRIS HELEN BELKIN ART GALLERY

In 2016 Suzy Lake won the prestigious Scotiabank photography award. Lake is a prescient image-maker, who interrogates ideas of beauty, ageing and the self. INTRODUCING SUZY LAKE SUZY LAKE TERRITORIES THINKING IS MAKING THROWN Editor: Georgiana Uhlyarik Performing an Archive Brenda Francis Pelkey Presence and Absence British Columbia’s Apprentices of HB · ISBN 978-1-908966-73-5 Editor: France Choinière Editor: Catharine M Mastin in Contemporary Sculpture Bernard Leach and their Contemporaries RRP £24.95 · $34.95 HB · ISBN 978-1-910433-67-6 Contributors: Ingrid Jenkner, Editor: Michael Taylor Editor: Scott Watson 28 × 23 cm · 9 × 11 in RRP £16.95 · $19.95 Martha Langford, Catharine M Mastin, PB · ISBN 978-1-908966-04-9 HB · ISBN 978-1-908966-99-5 288 pages · 220 ills 21 × 16 cm · 6 × 8 in Nadja Pelkey, Nancy Yakimoski RRP £29.95 · $49.95 RRP £39.95 · $59.95 64 pages · 60 ills HB · ISBN 978-1-911164-25-8 28 × 23 cm · 9 × 11 in 28 × 23 cm · 9 × 11 in (French lang) 978-1-911164-52-4 192 pages · 260 ills 304 pages · 280 ills RRP £29.95 · $39.95 28 × 21 cm · 9 × 11 in 192 pages · 150 ills

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Black Dog Publishing Selected A–Z Backlist

30 VANCOUVER ART GALLERY MCINTOSH GALLERY MCINTOSH

Brian, Mornington Crescent, July 1977 UNSEEN BY MY OPEN EYES UNSCROLLED THE VANCOUVER CARTS Authors: Kevin Gaffney, Caoimhín Mac Reframing Tradition in Chinese Photographs by Kelly Wood Giolla Léith Contemporary Art Contributors: James Patten, Kirsty 44 PB · ISBN 978-1-911164-12-8 Editors: Diana Freundl, Robertson, Max Haiven et al RRP £16.95 · $24.95 Carol Yinghua Lu PB · ISBN 978-1-910433-99-7 24 × 18 cm · 9 × 11 in HB · ISBN 978-1-908966-83-4 RRP £24.95 · $34.95 TURN AND FACE THE STRANGE 96 pages · 110 ills RRP £19.95 · $29.95 25 × 20 cm · 8 × 10 in Photographer: Jane England 30 × 25 cm · 8 × 10 in 176 pages · 160 ills Author: Adrian Dannatt 160 pages · 120 ills HB · ISBN 978-1-911164-00-5 RRP £29.95 · $45.00 28 × 21 cm · 8 × 11 in 144 pages · 130 ills

Turn and Face the Strange covers the eclectic range of subjects that Eddie, Alan and Jonathan, Angel, Islington, 1976 Alan and Jonathan, Angel, Islington, 1976 passed in front of Jane England's camera during the mid-1970s and early 1980s. England photographed friends and associates

at a time when marginalised groups and subcultures merged and VANCOUVER ART GALLERY

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came together with a shared sense of nihilism and decadence. n o t e s b y j a n e e n g l a n d Her images encompass the early years of London's punk era and Jasper Havoc Eddie was, however, a prolific and industrious punk circles around the Sex Pistols, Malcolm When Private Eye magazine satirised a scandalous Pages 10–17 draughtsman, producing sensitively observed McLaren and Vivienne Westwood. press story concocted by General Idi Amin about portraits in coloured pencil of his friends. He would Princess Elizabeth of Toro of Uganda, and invented Jasper Havoc (Peter McMahon 1953–1979) was come to visit, pin up a large sheet of paper on our For a brief period Berlin lived in a rather seedy flat the euphemism “discussing Ugandan affairs”, the birth of New Romanticism, including photographs of club kids, an Australian artist and a member of the Sydney sitting-room wall and focus intently while we sat for in West Kensington, across the railway track from Agnes, who was related to the Royal Family of the drag performance troupe Sylvia and the Synthetics him, drawing us while narrating a running account Olympia, where Jonathan Von Roth held court Kingdom of Toro, responded by wearing a t-shirt in the early 1970s. He came to London in 1977 of his latest exploits in an arch Glaswegian accent. with Eddie Cairns, Brian Britton and Little Jimmy. emblazoned with the words “Amin da Mood”. and stayed with friends in the flat below me off Writing under his real name, Bertie Marshall, Ladbroke Grove. On Saturday afternoons, my Bertie Marshall, in his book Berlin Bromley, Berlin produced a frank memoir of the years 1976 Brian Britton Teddy boys, transvestites and icons of the period such as Vivienne kitchen was often a gathering place for a motley described Eddie vividly, writing that he liked “to and 1977, titled Berlin Bromley, 2006. He wrote that Pages 28–35, 46–47 crew, appraising the possibilities of their vintage think of himself as a cross between David Hockney he had become “part of their little retinue”, and finds after mornings in Portobello Road. Afternoon and Joan Crawford, cruel tongue and far larger described life at Russell Road as “a riot; drugs, Brian Britton, Glasgow born, with an accent tea parties evolved into impromptu photographic than life, promiscuous and damned as hell”. Eddie dressing up, getting drunk and sex”. influenced by teenage years spent in South Wales sessions before everyone disappeared to dress himself thought that he was “a dead ringer” for (although everyone assumed he was Irish), came Westwood, Andy Warhol and Gilbert & George. up for their night ahead. An antiquated tungsten Jane Russell. He died of Aids in the early 1980s Bertie Marshall published a novel, Psychoboys, 1997, to London in 1972 to study at St Martin’s School of photographic light was moved from room to room when people hardly knew what it was. One of and in 2015 the British Library acquired his Art. He says that in the 1970s, he was “a glam rock as I photographed friends and visitors. Jasper his drawings was on the record cover for Coil’s personal diaries, notebooks and correspondence gender bender Bowie fan” who soon embraced the perched on the kitchen sink one afternoon, posing version of “Tainted Love”, and their mournful from 1978–2014, describing him as an “author, “chaos and excitement” of punk. with louche allure, before we took my camera out version of the song gave it a new dark meaning performer and punk scene-maker”. into the streets nearby. that expressed the tragedy of Aids-related deaths Brian lived at Butler’s Wharf and was part of the VANCOUVER SPECIAL VERY VINTAGE VIEWS OF MATLOCK BATH and their anger at the way Aids victims were being Jimmy itinerant household formed around Jonathan and As a performer, Jasper merged his Hollywood diva treated at that time. Pages 20–21, 84–85 Eddie and an ever-changing coterie who moved persona with a sharp and flamboyant wit, and his from warehouse to flat to squatted Georgian house. make-up skills made friends feel wildly glamorous Ricardo and Lavinia Jimmy, known as “Little Jimmy”, was a wiry, nervy, He was briefly the custodian of Lucian Freud’s too. He returned to Sydney where he obtained a Pages 18–19 streetwise yet vulnerable boy from the rougher apartment and studio through a friendship with one Ambivalent Pleasures The Guide to Vintage Patterns Authors: George Miles, Jeremy Millar job teaching art to correspondence school students side of Fulham who somehow ended up living with of Freud’s daughters, Rose Boyt. Bertie Marshall spread throughout the Australian Outback. He Ricardo and Lavinia were two Brazilian boys I Jonathan’s ménage at Russell Road; perhaps it was described Brian as resembling “a tree struck by died in a fire in Sydney a couple of years later, photographed one evening when they were en a refuge from whatever was happening in his life lightning in semi-drag”, but by the 1980s Brian’s remembered now as a promising painter and route to a club, having fetched up at our house elsewhere. Whenever I visited to photograph the vintage clothes period was over. He travelled and lost icon of the Sydney gay community. with mutual friends. household, he always seemed to have sustained had a productive period as an artist, living in Japan Contributors: Kathleen S Bartels, Daina and Clothing HB · ISBN 978-1-908966-82-7 some damage on a night out; a cut lip, a black eye. and New York. Now based on the Sussex coast, he Eddie Cairns Berlin spends extended periods writing and painting in Pages 14–15, 24–25, 42–44 Pages 20–23 Agnes Toro India and on a Greek island. Pages 26–27 Eddie Cairns (c 1953–1983) was an artist from Bertie Marshall was a teenager who escaped The photographs of Brian taken early evening in Augaitis, Jesse McKee, Kim Nguyen, Authors: Iain Bromley, RRP £19.95 · $29.95 Glasgow; very talented, wickedly funny, but South London suburbia and reinvented himself Tall, slender and instinctively elegant, Agnes an apartment in Mornington Crescent, became like regularly so outrageous that it verged on self- as “Berlin”: a pretty, narcissistic, self-styled Toro became a favourite house model for the stills for a non-existent film. Cinema influenced me, sabotage. Opportunities and commissions would ‘androgyne’. Berlin and his friend Siouxie Sioux fashion designer Ossie Clark. We collaborated on and I admired film noir and its auteurs of the 1940s evaporate: he became riotously drunk at a David were original members of what journalists photographic sessions, and sometimes borrowed like Jacques Tourneur: his filmsCat People, 1942, Hockney private view; and on another occasion (prompted by Malcolm McLaren) labelled the exquisite clothes from Ossie, who lived near me and I Walked with a Zombie, 1943, evoked an eerie, William Gibson, Andrew Berardini, Dorota Wojciechowska, Raven Smith 27 × 30 cm · 12 × 10 in offended a potential client, fashion doyenne Bromley Contingent. They were a ragtag collection off Ladbroke Grove. oddly hypnotic atmosphere and enigmatic mood, Lady Clare Rendlesham, with his uninhibited of suburban adolescents who hero-worshiped a world of shadows and suggestion. conversation at her elegant soirée, after being Bowie and Warhol, ‘posed’ relentlessly and introduced to her by Vogue art director, Barney Wan. managed to infiltrate and become embedded in Steffanie Ling, Richard Hill PB · ISBN 978-1-906155-38-4 96 pages · 80 ills PB · ISBN 978-1-911164-27-2 RRP £24.95 · $45.00 RRP £19.95 · $29.95 28 × 21 cm · 8 × 11 in 25 × 20 cm · 8 × 10 in 192 pages · 149 ills 144 pages · 90 ills BOOKS IN SERIES: VISUAL AID (DRAGHT ASSOCIATES) (DRAGHT AID VISUAL SERIES: IN BOOKS T rue

N ordic ELEVENRIVINGTON

George Baird is Emeritus Professor and former Dean of the

John H. Daniels Faculty of Architecture, Landscape, and Design How Scandinavia Influenced in Design Canada Praised for its material sensitivity, regarded both as modern at the University of Toronto. As an architecture student there, and humble, progressive but quiet, Nordic and Scandinavian he visited Finland in the summer of 1959. design has had an enduring influence on the development True of Canadian design sensibility. Emphasizing durability and Rachel Gotlieb is Adjunct Curator at the Gardiner Museum truth to materials, this aesthetic communicated an integrity

where she was formerly Chief Curator, and Interim Executive MUSEUM GARDINER that resonated culturally with Canadians as projecting an Director. She served as the founding Curator of the Design appealing humanistic form of Modernism. Exchange. She is currently a lecturer of Industrial Design History at Sheridan College. Richly illustrated, True Nordic: How Scandinavia Influenced Design in Canada presents a comprehensive look at the Mark Kingwell is a Professor of Philosophy at the University Nordic significance of more than nine decades of Scandinavian of Toronto. He is the author of many books and articles about and Nordic design on Canadian craft, design, and industrial politics and art, most recently the essay collections Unruly How Scandinavia production since 1920. Alongside essays by curators and Voices (2012) and Measure Yourself Against the Earth (2015). scholars, this publication offers a broad historical survey of Canadian-made ceramics, furniture, textiles, and metalware Michael J. Prokopow is a historian, curator and critic. His Influenced Design inspired by the aesthetics of Denmark, Norway, Sweden, specializations include material culture, design history, and

TAYMOUR GRAHNE GALLERY and Finland. critical theory. He is a faculty member at OCAD University. He holds a Ph. D. from Harvard University. in Canada $29.95

— £19.95

Cover Katherine Morley, Arctic Bookends, cat. 106, p. 116

TOTAL BODY CONDITIONING TRANSFIGURATIONS TRUE NORDIC A VISUAL HISTORY OF COOKERY VISUAL AID 2 VISUAL AID DOODLING BOOK Mika Tajima Photographs of Tarek Al Ghoussein How Scandinavia Influenced Design in Canada Editor: Aimee Selby You Can Never Know Enough Stuff FOR CREATIVE KIDS Author: Matthew Lyons HB · ISBN 978-1-908966-61-2 Authors: George Baird, Rachel Gotlieb, Contributors: Ferran Adriá, PB · ISBN 978-1-906155-83-4 PB · ISBN 978-1-907317-70-5 PB · ISBN 978-1-908966-97-1 RRP £29.95 · $39.95 Mark Kingwell, Michael Prokopow Anthony Bourdain, Elizabeth David, AA Gill RRP £7.95 · $15.00 RRP £6.99 · $11.95 RRP £14.95 · $19.95 24 × 32 cm · 13 × 9 in PB · ISBN 978-1-910433-63-8 HB · ISBN: 978-1-906155-50-6 17 × 12 cm · 5 × 7 in 25 × 17 cm · 7 × 10 in 28 × 23 cm · 9 × 11 in 192 pages · 155 ills (French lang) ISBN 978-1-910433-73-7 RRP £29.95 · $55.00 160 pages · 138 ills 96 pages · 90 ills 80 pages · 62 ills RRP £19.95 · $29.95 24 × 21 cm · 8 × 10 in 25 × 20 cm · 8 × 10 in 352 pages · 311 ills 128 pages · 73 ills

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106 107 CONTACTS USA, CANADA AND LATIN AMERICA

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108 Autumn 2017

Cover Image from Kent Monkman: Shame and Prejudice, A Story of Resilience

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