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Sandra Oh Sandra Oh Is a Major Reason Why
30 INTERVIEW EDGE n Thursday nights in America, life simply stops for somewhere between 10 inte rview Oand 20 million television viewers as they settle in for the newest episode of Grey’s Anatomy . Sandra Oh Sandra Oh is a major reason why. As Dr. Cristina Yang, she plays opposite the series’ title character, Dr. Meredith Grey, who is portrayed by Ellen Pompeo. They lead an ensemble cast that has become a second family to fans since the show first aired seven seasons ago. As J.M. Stewart discovered in this interview, Oh’s knack for creating signature characters (think Arli$$ and Sideways ) comes from an astonishingly honest place. Sandra’s greatest talent, however, may be the ability to keep her head and value her craft in a world where performers are measured by SAG Awards and Emmy Nominations. Of which she has plenty, by the way. EDGE: How was it conveyed to you that Grey’s Anatomy was a different kind of medical drama? s e g a m I It was never said or expressed SO: y t t e formally. The writers and [series G / p u creator] Shonda Rhimes found a way o r G n of telling this story that just worked. It o i s i v is basically a classic storyline. There e l e T are five acts, each person has a C B A y medical issue, and a lot of the time e n s i these medical issues reflect what is D / o c i going on with the characters. -
Sexual Harassment Confession by Marianne M. Jennings
nepe-37-02-03 Page 7 PDF Created: 2018-5-31: 9:14:AM Ethics at Work Sexual Harassment Confession Silent bystanders extend the problem By Marianne M. Jennings, JD ©iStockphoto.com/jvannice knew enough to do more than I did" was the Power confession offered by Hollywood director Quentin The Weinstein type of behavior cannot continue unless the “ Tarantino to a New York Times reporter. He then gave individual involved is powerful. The most likely source of I specific examples of producer Harvey Weinstein’s that power is the ability to control employment. Employees behavior with named actresses and offered his assurance allow bad or illegal behaviors to happen or continue that he was not speaking of knowledge through gossip or without reporting or disclosing them because of their fear of secondhand information. In fact, his one-time girlfriend Mira retaliation. Sorvino had told him about Mr. Weinstein’s advances with her. An employee at a company once remarked to me that he He added that if he had done something, he would not have was unwilling to report issues of noncompliance because been able to work with Mr. Weinstein. Mr. Weinstein and Mr. “the first whale to the surface always gets harpooned.” When Tarantino had a close business relationship that brought a subordinate engages in illegal or inappropriate behavior, both financial success and critical acclaim. Mr. Weinstein we disclose the actions and take appropriate steps. When had referred to his production company as “the house that someone above us in the organization, political world, or Quentin built” with Pulp Fiction, Inglourious Basterds, and industry engages in illegal or inappropriate behavior, we note Django Unchained being their biggest hits. -
Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
100 Sexiest Women in Comics List
100 sexiest women in comics list Continue As of 2017, Israeli actress Gal Gadot is the latest winner of FHM's 100 Sexiest Women. FHM's 100 Sexiest Women is an annual list compiled by the monthly British male lifestyle magazine FHM, on the basis of which women they consider sexy. As of 2017, each year the list is first announced through a section on the official FHM website, FHM.com. The first list was published in 1995 and was voted on by a group of 250 judges. The first winner was German supermodel Claudia Schiffer. From 1996 to 2015, the public voted for him, and at the peak of his growth, several million votes were cast each year. Then the winners were British singer Cheryl, American actress Halle Berry and Jennifer Lopez. (nb 1) At 36, Berry was the oldest woman ever to top the listing, while Lopez was the first to top it up more than once. By the time FHM stopped publishing its print edition in January 2016, the list of the 100 sexiest women had been compiled 21 times. Currently, the winner of the title Sexiest Woman is the Israeli actress Gal Gadot. Along with the list of the 100 sexiest women, FHM also published the List of Most Suitable Bachelors in 2006 and 2007 to celebrate such qualities as talent, star quality and cash. These lists were topped by American actress Mischa Barton and American socialite Kimberly Stewart, respectively. To mark the 10th and 20th anniversary of the list of the 100 sexiest women, two one-off charts showing the sexiest women were compiled in April 2004 and May 2014. -
SHIRCORE Jenny
McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films. -
The Lasso of Truth a Critique of Feminist Portrayals in Wonder Woman
the lasso of truth A Critique of Feminist Portrayals in Wonder Woman sophia fOX For generations, Wonder Woman has been a staple oF both the comic book industry and popular Feminist discourse. her deeply Feminist creators, William moulton mar- ston, elizabeth holloWay marston, and olive bryne, Would surely be proud oF hoW their character has maintained her relevancy in american liFe. hoWever, the recent Wonder Woman movie seems to abandon those roots, and exposes a bleaker side oF modern Feminism. the rising commodiFication oF Feminism and the stubbornness oF derogatory representations oF Women in cinema are evident in the Film, in spite oF its immediate adoption as a Feminist victory. “The marketing power of celebrities has, somewhat inadvertently, been applied to the feminist movement. ” Wielding her Lasso of Truth and flying in her invisible air- In similar ways, celebrity endorsement has become the plane, the Amazonian enigma that is Wonder Woman still dominant conversation of modern feminism. The market- 38 holds the position as the most prominent female super- ing power of celebrities has, somewhat inadvertently, been hero of all time. The brainchild of William Moulton Mar- applied to feminism. Just as the Kardashians sell makeup ston, his wife Elizabeth Holloway Marston, and his live-in products, Beyoncé has helped to sell an ideology simply by mistress Olive Bryne, Wonder Woman was born of a attaching her image to it. People may recognize the names uniquely feminist mindset. As Harvard professor Jill Elizabeth Cady Stanton, Sojourner Truth, Betty Friedan, Lepore argues in her novel, The Secret History of Wonder and Gloria Steinem, but reading their works has become Woman, the larger-than-life fictional character acts as a far less important than being able to boldly proclaim one- link between the various stages of the feminist movement. -
JN Life Magazine | Winter 2019
Jewish News ISSUE NO. 3 LIFEWinter 2019 WONDER WOMEN AND GAL POWER JN LIFE MAGAZINE Albert Speer’s daughter talks tolerance Winter 2019 Winter SHTISEL: The Secret’s Out ISSUE NO. 3 ISSUE PLUS Fashion, Food1 JN LIFE and jewishnews.co.uk Travel 001JN LIFE 1134•••.indd 1 19/11/2019 11:36 11 30 20 THIS IS YOUR LIFE 7 Who, What & When 30 The Show Goes On Entertainment, well into 2020 Shtisel producer Dikla Barkai talks Season 3 with Brigit Grant 11 The Art of the Matter Sculptor Jill Berelowitz and artist Beverley-Jane 33 Perserverance, Persistence & Passion Stewart in profile Director Minkie Spiro is Hollywood’s new favourite 15 The Man who Captures Women 37 ‘Oh, You’re a Woman, You Can Do Divorce’ Realist Yigal Ozeri’s female focus Legal eagle Vanessa Lloyd Platt shares her story 17 One Love, One Heart 38 Women of Substance Why Bob Marley’s daughter Cedella adores Israel Female charity leaders define their roles in the future 19 Love’s Labour’s Lost 41 The Wise Cracker 32 Louise Ellman: why antisemitism led her to quit Another NY Jewish drag queen is coming to town 20 ‘I Always Put Family First’ 43 The Danish Girl Discover what really matters to Facebook Scandinavian actress Lee Levi is breaking into fashion vice-president, Lady Nicola Mendelsohn 46 Putting Faith in Fashion 23 Simply Wonderful The Jewish women behind the need-to-know labels Learn more about the life and loves of our cover girl, Israeli superhero Gal Gadot 49 Just James James Lakeland shares his fashion know-how 27 A Positive Impact A Kindertransport refugee talks about its legacy 51 Cue the Golden Oldies The clothes you love too much to throw away 28 A Daughter With No Doubts Albert Speer’s daughter Hilde Schramm on the 55 Eye on the Future impact of the Shoah The best creams for removing wrinkles round peepers 43 4 JN LIFE jewishnews.co.uk 004-005 JN LIFE 1134•.indd 4 19/11/2019 13:39 79 Editor’s Letter he theme of this issue of TLife magazine is ‘wonder women’. -
Gal Gadot Wears the Legendary Tiffany &
Gal Gadot Wears the Legendary Tiffany & Co. Elsa Peretti® Bone Cuff in her New Film, Wonder Woman 1984, in Theaters and Streaming on HBO Max December 25 | 1 Official Trailer, Wonder Woman 1984 Wonder Woman 1984 premieres Christmas Day and features Gal Gadot reprising her iconic role as Wonder Woman and alter ego Diana Prince. In the Patty Jenkins directed film, Gadot, as Prince, is wardrobed in the legendary Tiffany & Co. Elsa Peretti® Bone cuff in 18k yellow gold, a nod to Wonder Woman’s indestructible cuffs and a tribute to Prince’s real self—a hero. “Elsa Peretti® Bone cuff is still, to this day, the most stunning piece of jewelry that I’ve ever seen. I first became aware of this work of beauty when I received a small one as a gift from an ex’s mother. I loved it immediately, but even still, many years later when I glimpsed an editorial shot of someone wearing the long Bone cuff online, I didn’t realize it was related, and obsessively searched for what it was. When I found out it was Peretti’s extended cuff, it sealed the collection as a masterwork of adornment. My love of the cuffs became magically relevant when I directed the Wonder Woman films, as they marry perfectly with the character. As a result, we featured them as the one piece of jewelry that Diana Prince would choose in Wonder Woman 1984. It looks absolutely stunning on her, and I can’t wait for the world to see it featured in that way.” — Patty Jenkins The groundbreaking Elsa Peretti® design was introduced 50 years ago and perfectly contours to the wrist, showcasing the ergonomic sensuality that informs all of Peretti’s Tiffany & Co. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Something Interesting Is Happening. Harvey Weinstein Was the King of Hollywood
Something interesting is happening. Harvey Weinstein was the king of Hollywood. The King. He was also a bully that used his male power and privilege to harass and abuse women. His behavior was allowed to persist for years. Until now. Someone said something, and then someone else said something. Suddenly, a bigger conversation is happening. Why did it take years, decades, so many women impacted? Why are there so many examples, just like this one, in the worlds of politics, sports, families, and corporate environments? Let's make sure we keep this conversation going. Meet the boys and girls from Maine. Thousands of young people in Maine have worked with Maine Boys to Men and could talk with Harvey about the realities of male power and privilege, what empathy and emotional connectedness with others means, why gender equity in relationships is a good thing for everybody. They could talk with The Men Who Kept Harvey Weinstein Safe about what it means to be an ally; to stand up with women and girls to stop these actions before they become violent. They could explain the power that bystanders have and describe specific ways to disrupt sexist, disrespectful, and abusive behaviors long before they get to this point. In short, Harvey and so many others could learn a lot from the boys and girls from Maine! The Proof. A recent evaluation of our middle school Reducing Sexism and Violence Program (RSVP), led by the University of New Hampshire, demonstrated a significant decrease in the endorsement of attitudes supporting male power and privilege, a self- reported increase in emotional awareness, and a significant increase in the endorsement of gender equity in relationships! Multiple 3rd party evaluations of RSVP for High School, including a two- year study by the Maine Center for Public Health, showed that RSVP changes attitudes, behaviors, and beliefs about sexism, sexual harassment, and gender-based violence. -
Crítica: Mujer Maravilla
Crítica: Mujer Maravilla Gal Gadot se apropió de la Mujer Maravilla. Ya en salas de cine de La Paz. Fotos: Internet. Kinetoscopio Por Marco A. Hernández Maciel Calificación: ***** Clásico imperdible La Paz, Baja California Sur (BCS).Cuando Gal Gadot fue anunciada como la protagonista de Wonder Woman, la misoginia y demás horribles valores que explotan desde el anonimato de las redes sociales empezaron a emerger como burbujas en agua hirviendo: “es que le falta arriba, es que no tiene nada detrás, ha de ser campeona de natación, como que le hace falta más carnita”. En los foros de Facebook, comentarios en Twitter y cualquier otra plataforma o foro donde se pudiera discutir, la guerra entre marvelitas y dcliebers la iban ganado los primeros pues La Viuda Negra encarnada por Scarlett Johansson cumplía con la cuota de voluptuosidad que una heroína –según ellos– debe tener. Entonces llegó Batman v Superman, y entre las dudas de Kal-El para comportarse como un auténtico Superman y las crisis existenciales de Batman, Diana de Temyscira llegó a salvar el día liderando a este equipo de héroes y librando al mundo de Doomsday (ups!, spoiler de Batman v Superman!). Porque fue ella, con seguridad, fiereza, agilidad, fuerza, liderazgo, entrega y heroísmo que pudieron hacer equipo para derrotar esta amenaza. Fue ella, quien arrebató todas las miradas con su porte y cautivó a todos los oídos con su impresionante tema, cimbrando el suelo con los tambores y después, alentando a la pelea con ese requinto eléctrico que semeja un cuerno de guerra. En no más de 10 minutos en pantalla, Gal Gadot se apropió de la Mujer Maravilla.