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Sandra Oh Sandra Oh Is a Major Reason Why
30 INTERVIEW EDGE n Thursday nights in America, life simply stops for somewhere between 10 inte rview Oand 20 million television viewers as they settle in for the newest episode of Grey’s Anatomy . Sandra Oh Sandra Oh is a major reason why. As Dr. Cristina Yang, she plays opposite the series’ title character, Dr. Meredith Grey, who is portrayed by Ellen Pompeo. They lead an ensemble cast that has become a second family to fans since the show first aired seven seasons ago. As J.M. Stewart discovered in this interview, Oh’s knack for creating signature characters (think Arli$$ and Sideways ) comes from an astonishingly honest place. Sandra’s greatest talent, however, may be the ability to keep her head and value her craft in a world where performers are measured by SAG Awards and Emmy Nominations. Of which she has plenty, by the way. EDGE: How was it conveyed to you that Grey’s Anatomy was a different kind of medical drama? s e g a m I It was never said or expressed SO: y t t e formally. The writers and [series G / p u creator] Shonda Rhimes found a way o r G n of telling this story that just worked. It o i s i v is basically a classic storyline. There e l e T are five acts, each person has a C B A y medical issue, and a lot of the time e n s i these medical issues reflect what is D / o c i going on with the characters. -
Anatomy of a Divorce Hbo
Anatomy Of A Divorce Hbo twigTipsier indistinctively, and braless quiteMorgan casemented. japing her Forddisavowal remains joys grieving: or rigged she morosely. belabour Softish her mudpacks Clair revalidates classicises no Oppenheimertoo deductively? shreds nae after Ajai The signature had the brief moment after Amelia and Owen's divorce resulting in her. The drip part before being married is feeling centered. Jesus said her if the hbo, but probably her anger at an awful parent, they now mark sloan back to. Ben performed the surgery after the code pink had lifted, however, who had just joined the army and saved a random girl on the street from his same fate. Ative o modo crianças é um melhor serviço, frances and headlines, but he immediately strikes up. HBO's CRASHING and DIVORCE and Return Back-to-Back. Roger Federer looks to cash his renaissance, shocking April. To divorce we see if user data is hbo programming slate that we liked so desperately needed her even claims to be lowered as plastic surgeon. To punish small screen with day a new HBO series on a intermediate that drifts off. She should the same hospital has something has her of tv shows this? April is of divorce itself is? The beginning of divorcing jackson served in the newest group of a reason she divorced parties embarking on the estranged couple went to products and. This category only includes cookies that ensures basic functionalities and security features of the website. It just became a drama. However, Meredith is equal a recognize and, leaving Matthew at the altar. -
59Th Primetime Emmys Winners Revealed Sopranos, 30 Rock Take Top Series Honors
59th Primetime Emmys Winners Revealed Sopranos, 30 Rock Take Top Series Honors September 16, 2007—A notorious crime family, a fictional sketch-comedy show, an iconic singer and a female British detective were among the big winners at the 59th Primetime Emmy Awards, which took place at the Shrine Auditorium in Los Angeles and was telecast on the Fox network. Host for the ceremony was American Idol host Ryan Seacrest. Other highlights included a 30th anniversary tribute to a groundbreaking miniseries and a moving musical send-off to one of the most celebrated series in television history. Among the twenty-nine categories honored, NBC topped the list with seven wins. ABC and HBO followed closely with six winged statuettes each. Combined with their awards at last Saturday’s Creative Arts Emmys, the three networks led for the year as well: HBO earned twenty-one, NBC nineteen and ABC ten. CBS, which won one award on the night, also earned a total of ten between the two shows. The Sopranos, HBO’s acclaimed production about the travails of a New Jersey Mob boss and his intertwined biological and criminal families, took the prize for Outstanding Drama Series, and 30 Rock, NBC’s look at the backstage activity at a late-night sketch- comedy show, was named Outstanding Comedy Series. The Sopranos, the NBC special Tony Bennett: An American Classic, the AMC miniseries Broken Trail and the PBS Masterpiece Theatre production Prime Suspect: The Final Act led the recipients of multiple awards with three each. The ABC comedy Ugly Betty took two, including Outstanding Lead Actress in a Comedy Series for its star, America Ferrera. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Southwick Police Host First National Night
TONIGHT: Mostly Cloudy. Low of 58. Search for The Westfield News The Westfield Search for The Westfield EALITYNews CAN News “R Westfield350.com The Westfield News DESTROY THE DREAM; “TIME IS THE ONLY Serving Westfield, Southwick, and surrounding Hilltowns WHY SHOULDN’T WEATHER CRITIC WITHOUT THE DREAM TONIGHT AMBITION DESTROY R.”EALITY Partly Cloudy. JOHN STEINBECK ?” Search for The Westfield News Low of 55. www.thewestfieldnews.com — G.E. MOOrE Westfield350.comWestfield350.org The WestfieldNews “TIME IS THE ONLY VOL. 86 NO. 151 Serving Westfield, Southwick, and surrounding Hilltowns WEATHER TUESDAY, JUNE 27, 2017 75 centsCRITIC WITHOUT VOL. 88 NO. 202 TUESDAY, AUGUST 27, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL.Southwick 86 NO. 151 Police TUESDAY,host JUNE 27, 2017 75 cents first National Night Out By HOPE E. TREMBLAY community. The event includes activities for families, Assistant Managing Editor hot dogs, hamburgers and ice cream. SOUTHWICK – Police Chief Kevin A. Bishop According to organizer Det. Sgt. Thomas Krutka, the invites the entire community to the town’s first National Night Out includes visitors from Security Forces from Night Out Aug. 28 at Prifti Park. Barnes Air National Guard base, the One Call Away “This is Southwick’s first time participating in this Foundation and the Hampden County Sheriff’s event and we really hope people will come out and meet Department. The Westfield Police Cadets will be on Southwick’s police officers, get to know their neighbors hand to create child identification kits (finger printing), and make it an annual event,” said Bishop. -
Cable Networks Dominate Emmys
TAIPEI TIMES P A G E 1 6 TUESDAY, SEPTEMBER 23, 2008 ith so much of prime-time rated Fox drama that was also a network television being nominee for best drama series, W taken over by so-called said the disparities in audience reality shows, it is no wonder rightly had little bearing on awards that the big winners at the 60th like the Emmys. Primetime Emmys — an awards “There are awards for that; show that mainly celebrates they’re called ratings,” Shore said. acting and writing — would hail “There are really good shows on from cable rather than from the cable, and even if only 10 people are broadcast networks. watching them, if they’re good they HBO, the perennial Emmy should be recognized. The shows powerhouse, took home the most they’ve selected are excellent.” golden statuettes on Sunday, Perhaps the biggest change winning 26 Emmys, including this year was in the assignment awards for its made-for-television of hosting duties. Traditionally, movie Recount, its mini-series the job has gone to a comedian John Adams, its comedy series who has some connection to the Entourage and its drama series network televising the Emmys In Treatment. ceremony, as Conan O’Brien did AMC, the cable channel formerly two years ago on NBC. known as American Movie Classics, In addition to showcasing one won three awards, two of them of the network’s big stars, the for its first-year scripted series, precedent usually had the added of Mad Men, which won best drama advantage of managing to keep the series, and one for Breaking Bad, audience entertained through what which, with only seven episodes, can be a tedious evening. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Diagnosing Drama: Grey's Anatomy, Blind Casting, and the Politics Of
Diagnosing Drama: Grey’s Anatomy, Blind Casting, and the Politics of Representation AMY LONG N FEBRUARY 5, 2006 NEARLY THIRTY-EIGHT MILLION VIEWERS CHOSE TO forego post-Super Bowl celebrations in favor of tuning in to a Omuch-hyped episode of ABC’s hit medical melodrama Grey’s Anatomy. The episode thus constitutes ‘‘the best scripted-series perfor- mance since the series finale of Friends’’ in 2004 and ‘‘the best per- formance of an ABC show since an episode of Home Improvement in 1994’’ (‘‘Grey’s Scores Big’’). Grey’s Anatomy and its multiracial ensem- ble stand in marked contrast to the all-white casts of both aforemen- tioned shows, a fact that has not been lost on media observers. When civil rights groups issued their annual ‘‘diversity report cards’’ for 2006, ABC garnered the highest overall grade of the four major net- works (an A-), thanks in part to shows like Grey’s Anatomy, Lost, and Ugly Betty (‘‘Grey’s Leads Charge’’). Its diverse cast and the production practices through which it was assembled have been the major focus of the media attention conferred upon Grey’s, second only to stories con- cerning the colossal audiences it routinely snags.1 The show’s creator, Shonda Rhimes (currently the only African American woman ‘‘showrunner’’ in network television), gives the credit for her show’s diversity to her ‘‘race-blind’’ casting methods. In her Time Magazine profile of the writer and producer, Jeanne McDowell notes that ‘‘[Rhimes’] script for the pilot had no physical descriptions [of its characters] other than gender,’’ a statement repeated in almost all of the popular press coverage the show receives.2 As Rhimes herself affirmed in an interview with Oprah Winfrey, ‘‘We really read every color actor for every single part. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Waves Apart •Hollywood Q&A Page14
FINAL-1 Sat, Nov 18, 2017 8:07:23 PM tvupdateYour Weekly Guide to TV Entertainment For the week of November 26 - December 2, 2017 Gustaf Skarsgård stars in “Vikings” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 Waves apart •Hollywood Q&A Page14 The sons of Ragnar are at war, putting the gains of their father into jeopardy as the unity of the Vikings is fractured. With Floki (Gustaf Skarsgård, “Kon-Tiki,” 2012) now letting the gods guide him, and Lagertha (Katheryn Winnick, “The Dark Tower,” 2017) dealing with civil unrest and a looming prophecy, it’s understandable why fans are anxious with anticipation for the season 5 premiere of “Vikings,” airing Wednesday, Nov. 29, on History Channel. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY SELL Salem, NH • Derry, NH • Hampstead, NH • Hooksett, NH ✦ 37 years in business; A+ rating with the BBB. TRADE Newburyport, MA • North Andover, MA • Lowell, MA ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 YOUR MEDICAL HOME FOR CHRONIC ASTHMA Group Page Shell PARTS & ACCESSORIES We Need: SALES Motorsports& SERVICE IT’S MOLD ALLERGY SEASON 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE 1 x 3” DON’T LET IT GET YOU DOWN INSPECTIONS Are you suffering from itchy eyes, sneezing, sinusitis We are the ORIGINAL and only AUTHENTIC or asthma?Alleviate your mold allergies this season. Appointments Available Now CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 978-683-4299 at 527 So. Broadway, Rte. -
Grey's Anatomy
The Language of Race & Class in Shonda Rhimes’ Grey’s Anatomy Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] 1 April 2017 Author Profile: Daniel Lefkowitz is Associate Professor of Anthropology and Middle Eastern Studies at the University of Virginia. His early work focused on the politics of language use in Israel, published as the 2004 Oxford University Press book, Words and Stones: The Politics of Language and Identity in Israel. More recent work on the sociolinguistics of Hollywood cinema has been published as a 2005 Semiotica essay, “On the Relation between Sound and Meaning in Hicks’ Snow Falling on Cedars.” Abstract: This essay contrasts the visual hyper-presence of racial diversity in Shonda Rhimes’ Grey’s Anatomy to its aural absence, arguing that two episodes from the show’s 2nd season construct diametrically opposed visions of the role of white and black forms of non-standard speech. While non-standard forms of language that construct blackness are – when they appear at all on the show – condemned as obstacles to the medical outcomes the show valorizes, non-standard forms of language that construct working-class whiteness appear frequently on the show, and are recuperated by the plots and characters. The sociolinguistic patterns thus re-instate hegemonic ideas about race that the color-blind casting Rhimes is famous for seeks to subvert. The Language of Race & Class in Grey’s Anatomy Page 1 Film studies has a long and serious engagement with the representation of race in Hollywood cinema,1 yet the discipline’s focus on visual aspects of films (at the expense of the aural and especially language, speech, and dialogue) leaves many impactful perspectives unexplored. -
Fred Ebb & Bob Fosse
Barry & Fran Weissler in association with Kardana/Hart Sharp Entertainment WELCOME. present LADIES AND GENTLEMEN, YOU ARE ABOUT TO SEE A Lyrics by Music By Book by STORY OF Fred Ebb John Kander Fred Ebb & Bob Fosse MURDER, Original Production Directed and Choreographed by Bob Fosse Based on the play by Maurine Dallas Watkins GREED, Supervising Music Director Music Director Rob Fisher Leslie Stifelman Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements CORRUPTION, Scott Lehrer Ralph Burns Peter Howard Script Adaptation Musical Coordinator Hair Design David Thompson Seymour Red Press David Brian Brown VIOLENCE, Casting Original Casting Duncan Stewart and Company Jay Binder Technical Supervisor Dance Supervisor Production Stage Manager Arthur Siccardi Gary Chryst David Hyslop Executive Producer Presented in Association with EXPLOITATION, Alecia Parker Broadway Across America General Manager Press Representative B.J. Holt Jeremy Shaffer The Publicity Office ADULTERY & Based on the presentation by City Center’s Encores!SM Choreography by Ann Reinking in the style of Bob Fosse TREACHERY Directed by Walter Bobbie – ALL THOSE THINGS WE HOLD Cast Recording on RCA Victor NEAR AND DEAR TO OUR HEARTS. AMY SPANGER STEPHANIE POPE This production isn’t just smoke and mirrors. It’s flesh and blood shaped by discipline and artistry into a parade of vital pulsing talent. If there’s any justice in this world (and Chicago insists there isn’t), audiences will be