DAVID W. FOSTER EDITOR 323-860-8400 (Kober Post) – David@Koberpost.Com 626-422-1360 (Cell)

DAVID W. FOSTER EDITOR 323-860-8400 (Kober Post) – [email protected] 626-422-1360 (cell) – [email protected] IMDB: http://www.imdb.com/name/nm0287764/ SUMMARY OF QUALIFICATIONS Three time Emmy nominated editor with over 40 years experience on programming for all major networks, as well as corporate and direct to video programming. Projects include dramatic and comedy series, concert and comedy specials, awards specials, operas, award winning documentaries, animated series, sitcoms, music videos, sports events, and national and local commercials. Over 21 years experience editing, grading and mixing with Avid Media Composer systems, including Avid Symphony and Avid|DS, as well as Final Cut Pro, tape or file-based workflow. Comfortable working either alone or as part of a team, I enjoy being actively involved in the creative process and take pride in delivering a product meeting or exceeding expectations and broadcast quality standards. I’m currently on staff at Kober Post Production in Hollywood. Staff positions in the past include Netter Digital Entertainment, (1994- 2000), Laser Pacific Media Corp. (1984-1990), Telemation Denver (1982-1983), Pacific Video Inc. (1979-1982), and ABC Television Network (1972-1979). Freelance positions (1990-2006), include Triage Entertainment, Evergreen Films, Kickstart Entertainment, Stone Stanley Entertainment, Laser Pacific Media Corp, Complete Post, Rattlesnake Productions, and The Wrightwood Group. SELECTED CREDITS In Performance at The White House: Women of Soul. PBS The Beatles: The Night That Changed America - A Grammy Salute, CBS Great Voices Sing John Denver, Independent Film Talking Funny, HBO 51st Annual L.A. County Holiday Celebration, PBS Tracy Morgan Black and Blue, HBO Cedric The Entertainers Urban Circus, TBS Ricky Gervais: Out of England 2 - The Stand-up Special, HBO* Kathy Griffin Does The Bible Belt, Bravo Comedy Central Presents (4 seasons, 82 episodes), Comedy Central 50th Annual L.A. County Holiday Celebration, PBS Kathy Griffin: Balls of Steel, Bravo* Jim Jefferies: I Swear to God, HBO Kathy Griffin: She’ll Cut A Bitch, Bravo 49th Annual L.A. County Holiday Celebration, PBS Dana Carvey: Squatting Monkeys Tell No Lies, HBO Celine Dion: That’s Just The Woman In Me, CBS Mike Birbiglia: What I Should Have Said Was Nothing, Comedy Central My Buddy Bill, Comedy Central Mariah Carey: Adventures of Mimi Tour, DVD Legends: Rodney Dangerfield, Comedy Central Robotech: The Shadow Chronicles, DVD The Amazing Screw-On Head Pilot, SciFi An All-Star Salute to Patti LaBelle: Live from Atlantis, UPN One Night Stand, 10 episodes, HBO Genius: A Night for Ray Charles, CBS Simon & Garfunkel: Old Friends - Live on Stage, DVD Richard Pryor: I Ain’t Dead Yet #*%$#@!!, Comedy Central Laffapalooza, Comedy Central Secrets of Pearl Harbor, Discovery “Cowboy U”, CMT Walking With Cavemen, Discovery Primetime Glick, (3 seasons), Comedy Central PopStars, WB Christina Aguilera: My Reflection, ABC The Real Flying Tigers, History Channel Voltron: The Third Dimension, 3D Animated Syndicated Series Babylon 5, (4 seasons + MOW) WB/TNT The Wild West, Documentary Mini-Series References, a reel and other information will be provided upon request. * Emmy Nomination .

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Tommy Jacquette-Halifu
Tommy Jacquette-Halifu Tommy Jacquette-Halifu (1943-2009) was a co-founder of the annual Watts Summer Festival in 1966, a founding member of the organization Us, executive director of the Watts Summer Festival for over 40 years, a highly-respected social activist, community organizer, and veteran of the 1965 Watts Revolt. And although he was best known for his work as executive director for the Watts Summer Festival (at times featuring Coretta Scott King, Myrlie Evers, Betty Shabazz, Sammy Davis Jr., Richard Pryor, Sammy Davis Jr., Isaac Hayes, Muhammad Ali, Quincy Jones and a host of elected officials as grand marshals of the festival parade), he was also worked with the Watts Christmas Parade, Watts Willowbrook Chamber of Commerce, the Watts Gang Taskforce and organizations and community programs. He was born in Los Angeles, California, the eldest of six children, and grew up in the Imperial Courts in Watts, a residential district in the southern part of Los Angeles, California. Jacquette-Halifu is survived by his wife, Carmen Eatmon of Los Angeles; four sons, Derek and Raymond of Los Angeles and Damien and Juba of Phoenix; two daughters, Julienne Jacobs of St. Louis and Denise McFall of Los Angeles; his mother, Addie Young of Los Angeles; a brother, Bob Henson of Carmel; two sisters, Brenda Lake and Diane Young of Los Angeles; 23 grandchildren and four great-grandchildren. 6 The Journal of Pan African Studies, vol.3, no.6, March 2010 In memory of Tommy Jacquette-Halifu, Congresswoman Maxine Waters gave the following statement at the U.S. House of Representatives in Washington, D.C.
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
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Mood Indigo: a Playlist for the Mind” by Holland Cotter New York Times, February 2013
Maccarone 630 Greenwich Street NY, NY 10014 t. 212 431 4977 f. 347 394 0043 RODNEY McMILLIAN “Mood Indigo: A Playlist for the Mind” By Holland Cotter New York Times, February 2013 Mood Indigo: A Playlist for the Mind By HOLLAND COTTER I grew up in a music-loving family. A lot of what we loved was blues of one kind or another, sung mostly by women: Bessie Smith, Billie Holiday, Maria Callas. I thought of Callas as a blues singer who happened to do Verdi. She sang about love, death and rising up just as Bessie and Billie did. But it was how she sang that clinched it: with all of herself, out of her life, with an ache. It wasn’t a pretty sound; there were scratches and shrieks. But you’d sit there hearing her wrestle her voice — her heart — to the ground, and suddenly out came the most beautiful note in the world, like a soul set free. That was the blues for me. Struggle, loss, joy, art that said: all of me. You won’t hear Callas’s voice in the ambient music that nudges and pulls you through the exhibition “Blues for Smoke” at the Whitney Museum of American Art, though the show’s playlist is much more eclectic than any I ever knew. Smith and Holiday are here, along with classic Coltrane, Monk and Mingus. But so are Erykah Badu, Olivier Messiaen, Richard Pryor and Red Krayola. As a musical category blues is hard to pin down, and this show makes the job harder, which seems to be its point.
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Similar Hats on Similar Heads: Uniformity and Alienation at the Rat Pack’S Summit Conference of Cool
University of Huddersfield Repository Calvert, Dave Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool Original Citation Calvert, Dave (2015) Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool. Popular Music, 34 (1). pp. 1-21. ISSN 0261-1430 This version is available at http://eprints.hud.ac.uk/id/eprint/22182/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool Abstract This article considers the nightclub shows of the Rat Pack, focussing particularly on the Summit performances at the Sands Hotel, Las Vegas, in 1960. Featuring Frank Sinatra, Dean Martin, Sammy Davis Jr, Peter Lawford and Joey Bishop, these shows encompassed musical, comic and dance routines, drawing on the experiences each member had in live vaudeville performance.
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c01.qxd 12/18/06 1:10 PM Page 5 1 Out of the Ashes of Despair The difference [between a director and an auteur] is that a director who is working for a living simply does the job, which may not be akin to his philosophy, but it is not inconsistent to have the same man being both. The word is “hunger.” If you are hungry and nobody will buy your orig- inal idea, you might get lucky, direct a Kellogg’s cornflakes commercial and take home a few boxes. —Mel Brooks, 1971 n the early 1970s, Mel Brooks had reason to find himself in an ironic I position as far as his career was concerned. He had already won Acad- emy Awards and Emmys, and had hit radio commercials and three suc- cessful comedy albums (such as The 2000 Year Old Man). He was a veteran of the writing teams for two of the most cherished series of Amer- ican television’s golden age: Your Show of Shows and Caesar’s Hour. Brooks’s recent association with the highly successful sitcom Get Smart had enhanced his visibility with the public and given him additional industry credibility.COPYRIGHTED Although his movie TheMATERIAL Twelve Chairs (1970) had failed to make any tangible impact at the box office, The Producers (1968) was well on its way to becoming a cult favorite. Yet Brooks was now unable to get any new show business projects off the ground and into production. How many times, he must have won- dered, did he have to crash through the establishment’s barriers before he gained solid acceptance from his peers and the public? How long could he continue to subject himself to the ordeal of starting over—yet again? 5 c01.qxd 12/18/06 1:10 PM Page 6 6 IT’S GOOD TO BE THE KING For a time, Mel wanted to produce a film version of She Stoops to Conquer.
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Various Music from the Wattstax Festival & Film
Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The
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Ur Tops Perform Eastern
Eastern Illinois University The Keep October 1988 10-20-1988 Daily Eastern News: October 20, 1988 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1988_oct Recommended Citation Eastern Illinois University, "Daily Eastern News: October 20, 1988" (1988). October. 13. http://thekeep.eiu.edu/den_1988_oct/13 This is brought to you for free and open access by the 1988 at The Keep. It has been accepted for inclusion in October by an authorized administrator of The Keep. For more information, please contact [email protected]. · ··· ···· ·· · · • i.>>·······• • •·····•• •• . V I • / ·:: .} .· ) •· . Are you aware? ·· .· • · .: <<.. ::::: . .. ' ::::: � . For more information on Alcohol Awareness DCEJ. o o o' . ·::::::::. · . }:;'.:''', Week happenings, tum to our Features page. � � � Page7 ur Tops Car crash • • perform .1n1ures Eastern local man HELLE ELLIOTT By PETE SCALES Staff writer destructible" Four Tops will be fea A Charleston businessman was in fair arents Weekend '88 on Nov. 5. condition Wednesday night after crashing oup consists of Levi Stubbs, lead his car into the side of a house early that wrence Payton, Renaldo "Obie" morning. d Abdul Fakir and has been around · Jerry Rardin, owner of Rardin Graphics, 40 years. a printing shop at 617 18th St., reportedly tructible," the title of both their lat drove his car across an empty lot and into s and the first single on the album the side of a house at 407 Madison Ave. sed early in September on their new The accident occured at about 6:45 I.. a.m., as the residents of the house were was also made for "Indestructible." asleep. Fisher, office manager at thejr pub "I didn't know what happened," said ency (Burnham Callahan), said, "This Jerry Bushue who was asleep in the t video they've actually done." upstairs apartment.
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Michael Felci [email protected] 760-834-8599 (PHOTO ATTACHED)
FOR IMMEDIATE RELEASE Media Contact: Michael Felci [email protected] 760-834-8599 (PHOTO ATTACHED) SPOTLIGHT 29 CASINO PROUDLY PRESENTS COMEDIAN MIKE EPPS ‘Next Friday,’ ‘Def Comedy Jam,’ Star Set to Perform on Friday, January 12th in the Spotlight Showroom COACHELLA, CA – (January 3, 2018) – Spotlight 29 Casino is proud to present comedian Mike Epps on Friday, January 12th in the Spotlight Showroom. Tickets are $45, $55 and $65 at Spotlight29.com. Spotlight 29 Casino’s Spotlight Showroom offers the premier entertainment experience in the Coachella Valley. Epps began his stand-up career by joining the Def Comedy Jam tour in 1995. He went on to star in two HBO Def Comedy Jam specials before being cast as Day-Day Jones alongside Ice Cube in the hit comedy, “Next Friday.” He later reteamed with the actor-rapper for the films “All About the Benjamins” and “Friday After Next.” In 2003, Epps appeared in “The Fighting Temptations” with Beyoncé, Cuba Gooding Jr. and Steve Harvey. Epps returned to his stand-up roots in 2010, releasing the special Under Rated & Never Faded, and hosting the BET Hip-Hop Awards. In 2012, he served as Super Bowl ambassador in his native Indianapolis, starring in commercials and making special appearances the week of the game. Epps portrayed comedy legend Richard Pryor in the 2016 film “Nina,” which chronicled the life of the late jazz musician Nina Simone. Epps is expected to reprise the role in a forthcoming Pryor bio-pic directed by Lee Daniels, and co-starring Eddie Murphy, Kate Hudson and Oprah Winfrey.
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Keir Nuttall Thesis
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DAVID W. FOSTER EDITOR 323-860-8400 (Kober Post) – [email protected] 626-422-1360 (Cell) – [email protected] IMDB