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Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2004 Free Indirect Affect in Cassavetes' Opening Night and Faces Homay King Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Film and Media Studies Commons Custom Citation King, Homay. "Free Indirect Affect in Cassavetes' Opening Night and Faces." Camera Obscura 19, no. 2/56 (2004): 105-139, doi: 10.1215/02705346-19-2_56-105. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/40 For more information, please contact [email protected]. 1 Homay King, “Free Indirect Affect in Cassavetes’ Opening Night and Faces,” Camera Obscura 56, v. 19, n. 2 (Summer 2004): 104-135. Free Indirect Affect in Cassavetes’ Opening Night and Faces Homay King How to make the affect echo? — Roland Barthes, Roland Barthes by Roland Barthes1 1. In the Middle of Things: Opening Night John Cassavetes’ Opening Night (1977) begins not with the curtain going up, but backstage. In the first image we see, Myrtle Gordon (Gena Rowlands) has just exited stage left into the wings during a performance of the play The Second Woman. In this play, Myrtle acts the starring role of Virginia, a woman in her early sixties who is trapped in a stagnant second marriage to a photographer. Both Myrtle and Virginia are grappling with age and attempting to come to terms with the choices they have made throughout their lives. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
Series 28: 7) John Cassavetes, KILLING of a CHINESE BOOKIE (1976, 135 Minutes)
March 11, 2014 (Series 28: 7) John Cassavetes, KILLING OF A CHINESE BOOKIE (1976, 135 minutes) Directed by John Cassavetes Cinematography by Mitch Breit Ben Gazzara ... Cosmo Vittelli Timothy Carey ... Flo Al Ruban ... Marty Reitz JOHN CASSAVETES (director) (b. John Nicholas Cassavetes, December 9, 1929 in New York City, New York—d. February 3, 1989 (age 59) in Los Angeles, California) directed 16 films and TV shows, which are 1986 Big Trouble, 1984 Love Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of a Chinese Bookie, 1974 A Woman Under the Influence, 1972 “Columbo” (TV Series), 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob Hope Presents the Chrysler Theatre” (TV Series), 1962-1963 “The Lloyd Bridges Show” (TV Series), 1963 A Child Is Waiting, 1961 Too Late Blues, 1959-1960 “Johnny Staccato” (TV Series), and 1959 Shadows. He also wrote 14 films and TV shows—2010 Antes del estreno (original story), MITCH BREIT (cinematography) has been cinematographer for 1999 Gloria (1980 screenplay), 1997 She's So Lovely, 1984 Love 2 films: 1976 The Killing of a Chinese Bookie and 1974 A Streams, 1980 Gloria, 1977 Opening Night, 1976 The Killing of Woman Under the Influence. a Chinese Bookie, 1974 A Woman Under the Influence, 1971 Minnie and Moskowitz, 1970 Husbands, 1968 Faces, 1966 “Bob BEN GAZZARA ... Cosmo Vittelli (b. Biagio Anthony Gazzara, Hope Presents the Chrysler Theatre” (TV Series), 1961 Too Late August 28, 1930 in New York City, New York—d. February 3, Blues, and 1959 Shadows—and edited 2—1968 Faces and 1959 2012 (age 81) in New York City, New York) appeared in 133 Shadows. -
MARY MCDONNELL to RECEIVE 2018 PELL AWARD for LIFETIME ACHIEVEMENT in the ARTS Pell Awards Gala to Be Held May 21, 2018
Curt Columbus, The Arthur P. Solomon and Sally E. Lapides Artistic Director, Tom Parrish, Executive Director 201 Washington Street ⬣ Providence ⬣ Rhode Island 02903 ⬣ www.trinityrep.com FOR IMMEDIATE RELEASE: April 9, 2018 CONTACT: Caitlin Howle, Digital Marketing Coordinator; (401) 521-1100 ext. 226; [email protected] MARY MCDONNELL TO RECEIVE 2018 PELL AWARD FOR LIFETIME ACHIEVEMENT IN THE ARTS Pell Awards Gala to be held May 21, 2018 PROVIDENCE, RI – Trinity Repertory Company announced today that actress Mary McDonnell will be honored with the 2018 Pell Award for Lifetime Achievement in the Arts at the theater’s 22nd annual Pell Awards Gala on Monday, May 21, 2018. A two-time Oscar nominee for Dances with Wolves and Passion Fish, McDonnell’s theater, film and television career has spanned more than four decades with dynamic character portrayals in period and present-day roles, including TNT’s The Closer and Major Crimes, Syfy’s Battlestar Galactica, Donnie Darko, and Sneakers. Artistic Director Curt Columbus said, “Mary McDonnell’s extraordinary work exemplifies the artist as a socially responsible citizen. Her portrayals of strong women, from Stands with a Fist to President Roslin to Sharon Raydor, have inspired and captivated millions. Trinity Rep is thrilled to honor Ms. McDonnell’s talent and impact with this year’s Pell Award for Lifetime Achievement in the Arts.” McDonnell will join previously announced local honorees: Pawtucket-based designer and artist Morris Nathanson (receiving the Rhode Island Pell Award for Excellence in the Arts); longtime Providence philanthropist and arts advocate Jane S. Nelson (receiving the Charles Sullivan Award for Distinguished Service in the Arts); and Jeannine Chartier (receiving the Pell Award for Outstanding Leadership in the Arts). -
Sur Nos Écrans
Document generated on 09/23/2021 9:03 a.m. Séquences La revue de cinéma Sur nos écrans L’année de la femme Number 81, July 1975 URI: https://id.erudit.org/iderudit/51363ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1975). Review of [Sur nos écrans]. Séquences, (81), 39–47. Tous droits réservés © La revue Séquences Inc., 1975 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ WOMAN UNDER THE INFLUENCE • frémissements et les vibrations les plus inat Certains cinéastes conçoivent leurs tendus. On retrouve dans A Woman Under the films par grandes séquences, d'autres Influence son besoin fougueux de faire éclater les créent en fonction de la beauté, de la masques des conventions sociales et psychologi signification et de l'efficacité du plan, ques et sa soif insatiable d'étreindre jusqu'à épui plusieurs songent avant tout à l'effet global et sement le temps qui passe et qui blesse les êtres. à la fluidité de l'ensemble. John Casavetes ap Eloigné de toutes formes de formalisme, le ciné partient à la première catégorie de créateurs, ma de Cassavetes plonge au coeur même du réel à la race de ceux qui recherchent premièrement et ouvre la voie à la libération des instincts ré la sensation immédiate, la pulsation de l'instant primés ou des frustrations trop longtemps accu et la vitalité du moment présent. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Gena on John and Gena.Pdf
GENA ON JOHN AND GENA LA Weekly - December 5, 1980 “Tell me what you want me to be. I can be that. I can be anything.” Gena Rowland’s ‘Mabel’ to Peter Falk’s ‘Nick,’ A Woman Under the Influence It should be comparatively easy to convey in words the presence of someone as well known as Gena Rowlands, but in fact it’s not. Sitting with her at a restaurant, or standing speaking with her at an after-dinner party, the impression is… quietly kaleidoscopic. The phrase is awkward but accurate. The clothes are Gloria -- the dress, the shows, even the ring (which Cassavetes gave her with the first profits from A Woman Under the Influence ). The sense of assurance is Gloria’s, too. When she reaches into her handbag for a cigarette lighter, the gesture is Gloria -- the savvy, streetwise, can’t-be-pushed- around gun moll -- reaching for her gun, and I literally flinched just the a little, the first time she did it. Some of us, after all, take our fantasies very seriously. But there is certainly nothing tough in Gena. Resilient, yes. On the contrary, I’ve rarely met anyone as gentle. She speaks with the sincerity and directness of Mabel, the vulnerable, intense housewife in A Woman Under the Influence -- and often with Mabel’s hesitancy, as though testing what she’s about to say with the tip of her tongue. But she turns to include someone else in the conversation, and without a noticeable flicker of gears there is the famous, high-tuned, consummate actress of Opening Night, being quietly and skillfully gracious, and accepting the praise that is certainly her due. -
Lee, Rowlands, Reynolds to Receive Honorary Oscars
SATURDAY, AUGUST 29, 2015 Silence of the Lambs director to get Venice award ilence of the Lambs director Jonathan Demme is to be present- ed with the Visionary Talent award at the upcoming Venice Film SFestival, organizers announced yesterday. Demme, who will receive the prize on September 3rd, was described by Festival direc- tor Alberto Barbera as a member of “that generation of cinephile auteurs who revolutionized Hollywood in the Seventies” and who was capable of moving easily between studio and independent pro- ductions, and from fiction to documentary work. The 71-year-old is a regular in Venice and is due to chair the jury for the Horizons world cinema section of this year’s festival which runs September 2-12 in the city of canals. Demme has made over 30 films in a career spanning five decades, including 1991’s “The Silence of the Lambs,” for which he won the best director Oscar, the acclaimed “Philadelphia” (1993) and “Married to the Mob” (1988). His Nicki Minaj latest film, “Ricki and the Flash”, starring Meryl Streep, was released in the United States earlier this month. Last year’s Visionary Talent award went to US actress Frances McDormand in recognition of her Minaj to open MTV’s 30-year career. — AFP Jonathan Demme 2015 Video Music Awards icki Minaj will open the MTV Video Music Awards this Dead rats anyone? Hollywood Sunday, MTV has announced. The female MC will join pre- Nviously announced performers Justin Bieber and The Weeknd at the ceremony. Pharrell Williams, Demi Lovato, gets creative to promote movies Macklemore & Ryan Lewis, Tori Kelly, A$AP Rocky and Twenty One Pilots will also hit the VMA stage. -
PERRY/REECE CASTING Penny Perry 310-422-1581-Cell Phone 818-905-9917-Home Phone
PERRY/REECE CASTING Penny Perry 310-422-1581-Cell Phone 818-905-9917-Home Phone MOTION PICTURES PORKY’S: THE COLLEGE YEARS Larry Levinson Productions Adam Wylie Producer: Larry Levinson Vic Polizos Director: Brian Trenchard-Smith THE INVITED Dark Portal, LLC. Lou Diamond Phillips Producer: Dan Kaplow Megan Ward Director: Ryan McKinney Brenda Vaccaro Pam Greer WHEN CALLS THE HEART Maggie Grace Producer & Director: Michael Landon Peter Coyote DISAPPEARANCES Border Run Productions Kris Kristofferson Producer & Director: Jay Craven Genevieve Bujold Lothaire Bluteau Luis Guzman FEAR X John Turturro Producer: Henrik Danstrup James Remar Director: Nicolas Winding Refn Deborah Unger DIAL 9 FOR LOVE Pleswin Entertainment Jeanne Tripplehorn Producer: Eric Pleskow /Leon de Winter Liev Schreiber Director: Kees Van Oostrom Louise Fletcher Co-Producer: Penny Perry THE HOLLYWOOD SIGN Pleswin Entertainment Burt Reynolds Producer: Eric Pleskow/Leon de Winter Rod Steiger Producer: Penny Perry Tom Berenger Director: Sonke Wortmann EXTREME OPS Diamant/Cohen Productions Brigette Wilson-Sampras Director: Christian Dugay Devon Sawa Rupert Graves FEAR.COM Diamant/Cohen Productions Stephen Dorff Producer: Moshe Diamant Natascha McElhone Director: William Malone Stephen Rea BIG BAD LOVE Sun, Moon & Stars Prod. Deborah Winger Producer: Barry Navidi Arliss Howard Director: Arliss Howard Rosanna Arquette Paul LeMat THE MUSKETEER Universal Mena Suvari Director: Peter Hyams Tim Roth Producer: Moshe Diamant Catherine Denueve Producer: Mark Damon Stephen Rea Nick Moran -
John Cassavetes
Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on -
John Cassavetes and the Making of Love Streams by Michael Ventura Kamera Books, 2007
from CASSAVETES DIRECTS – John Cassavetes and the Making of Love Streams by Michael Ventura Kamera Books, 2007 THURSDAY, MARCH 17, 1983 - Trying to get it It’s after 10 at night, the phone rings, I pick up, and the caller announces, “Michael! This is John!” Then he launches into a monologue I can barely follow, while I’m trying to figure who “John” might be. I don’t know any Johns very well. It takes a few moments to realize that this is Cassavetes speaking. Surprised -- no, stunned -- I wish I’d listened harder to his initial barrage of sentences. The man is very enthusiastic about something. I’m trying to get my bearings while he’s praising me for an interview we’d done six months before, the last time we‘d spoken. During the interview he’d stopped suddenly and said, “This isn’t going well,” and I said, “Trust me, I see your words as printed sentences as you’re saying them, and this is going very well.” Now it seems he agrees, and that I know my business is something he respects. Of course this pleases me very much, but still his rap tonight doesn’t compute -- my impression of the man is that it’s not like him to make conversation, and, at the moment, that’s what he’s doing. The thought occurs: maybe he’s drunk. In his circles, as in mine, people often are. Now he’s saying that he’s gotten a deal to direct Love Streams. Do I remember the play? Yes, but more vaguely than I admit.