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Readings Theory and History of Literature Edited by Wlad Godzich and Jochen Schulte-Sasse Volume 77. Helene Cixous Readings: The Poetics of Blanchot, Joyce, Kafka, Kleisl, Lispector, and Tsvetayeva Volume 76. Jean-Luc Nancy The Inoperative Community Volume 75. Rey Chow Woman and Chinese Modernity: The Politics of Reading between West and East Volume 74. Paul J. Thibault Social Semiotics as Praxis: Text, Social Meaning Making, and Nabokov's Ada. Volume 73. Helene Cixous Reading with Clarice Lispector Volume 72. N. S. Trubetzkoy Writings on Literature Volume 71. Neil Larsen Modernism and Hegemony: A Materialist Critique of Aesthetic Agencies Volume 70. Paul Zumthor Oral Poetry: An Introduction Volume 68. Hans Robert Jauss Question and Answer: Forms of Dialogic- Understanding Volume 66. Paul de Man Critical Writings, 1953-1978 Volume 64. Didier Coste Narrative as Communication Volume 63. Renato Barilli Rhetoric Volume 62. Daniel Cottom Text and Culture: The Politics of Interpretation Volume 61. Theodor W. Adorno Kierkegaard: Construction of the Aesthetic Volume 60. Kristin Ross The Emergence of Social Space: Rimbaud and the Paris Commune Volume 59. Lindsay Waters and Wlad Godzich Reading de Man Reading Volume 58. F. W. J. Schelling The Philosophy of Art Volume 57. Louis Marin Portrait of the King Volume 56. Peter Sloterdijk Thinker on Stage: Nietzsche's Materialism Volume 55. Paul Smith Discerning the Subject Volume 54. Reda Bensma'ia The Barthes Effect: The Essay as Reflective Text Volume 53. Edmond Cros Theory and Practice of Sociocriticism Volume 52. Philippe Lejeune On Autobiography Volume 51. Thierry de Duve Pictorial Nominalism: On Marcel Duchamp's Passage from Painting to the Readymade Volume 50. Luiz Costa Lima Control of the Imaginary: Reason and Imagination, in Modern Times Volume 49. Fredric Jameson The Ideologies of Theory: Essays 1971-1986. Volume 2, Syntax of History Volume 48. Fredric Jameson The Ideologies of Theory: Essays 1971-1986. Volume 1, Situations of Theory Volume 47. Eugene Vance From Topic to Tale: Logic and Narrativity in the Middle Ages Volume 46. Jean-Fran9ois Lyotard The Differend: Phrases in Dispute Volume 45. Manfred Frank What Is Neostructuralistn? Volume 44. Daniel Cottom Social Figures: George Eliot, Social History, and Literary Representation Volume 43. Michael Nerlich The Ideology of Adventure, Volume 2 For other books in the series, see p. 157 Readings The Poetics of Blanchot, Joyce, Kafka, Kleist, Lispector, and Tsvetayeua Helene Cixous Edited, translated, and introduced by Verena Andermatt Conley Theory and History of Literature, Volume 77 University of Minnesota Press, Minneapolis Copyright © 1991 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 2037 University Avenue Southeast, Minneapolis, MN 55414 Printed in the United States of America on acid-free paper Library of Congress Cataloging-in-Publication Data Cixous, Helene, 1937- Readings : the poetics of Blanchot, Joyce, Kafka, Kleist, Lispector, and Tsvetayeva / Helene Cixous ; edited, translated, and introduced by Verena Andermatt Conley. p. cm. — (Theory and history of literature series ; v. 77) Includes bibliographical references and index. ISBN 0-8166-1940-9 (he) ISBN 0-8166-1941-7 (pb) 1. Literature, Comparative —History and criticism. I. Title. II. Series. PN871.C55 1991 809^dc20 91-12384 C1P The University of Minnesota is an equal-opportunity educator and employer. Contents Acknowledgments vii Introduction ix 1. Writing and the Law: Blanchot, Joyce, Kafka, and Lispector 1 2. Grace and Innocence: Heinrich von Kleist 28 3. Apprenticeship and Alienation: Clarice Lispector and Maurice Blanchot 74 4. Poetry, Passion, and History: Marina Tsvetayeva 110 Index 153 This page intentionally left blank Acknowledgments My indebtedness goes to Helene Cixous, whose readings are the basis of this project. As for the first volume, Reading with Clarice Lispector, I would like to express my gratitude to Iowa State University and James Dow for making the initial stages of this project possible through a summer grant. My thanks to Miami University of Ohio for providing me with the generous award of a research leave leading to its completion. Special thanks go to Marguerite Sandre for her patient recordings and her general help, to Claudia Guimaraes for helping me with the Portuguese translations, to Susan Bennett for her help with the Russian translation and bibliography, and to Audrone Willeke and Ed Plater for providing bibliographical information on Kleist's translations. I would like to thank David, Francine, and my parents for their patience, and above all Tom Conley for his continued assistance and especially for his wonderful sense of Irish humor. This page intentionally left blank Introduction The present volume can be read side by side with Reading with Clarice Lispector (University of Minnesota Press, 1990). The readings included were given in semi- nar form by Helene Cixous between 1980 and 1986 at the Universite de Paris VIII, at the Centre d'Etudes Feminines. The selections are my own, except for the passages on Kleist that Cixous wished to have included. The organization into chapters, as well as the selection of about 600 pages for the two volumes from among the original 2,500 pages, are also my own. I kept those passages that seemed the most significant —at times the most controversial — of Cixous's thought. Much of the material under discussion —all eminently readable because of the pedagogical tenor of the seminars — is elsewhere transformed poetically in her fictional writings. In these pages she explains what her fiction performs. The seminars can be read as laboratory for Cixous's fictional and critical practices. Given the oral nature of this material, the problems in translation, as outlined in the first volume, have to do mainly with recurring expressions. To avoid excessive repetition, I have modified some of the prevailing use of the ily a. For Cixous, the deictic expression il y a constitutes a statement of no origin that brings with it a gift of language. The implied sense of a gratuitous "giving" has had to be somewhat attenuated. A number of other expressions also remain difficult to translate. For example, du cote de, "on the side of," is one of Cixous's favorite formulas, used in the context of her simultaneous reading of several texts at once. It was ren- dered variably as "in the direction of," "toward," or "leaning toward." Eire dans quelque chose, "to be into something," which has a colloquial ring in En- glish, has been changed to "to engage in" or other synonyms. The neo-Hegelian ix x D INTRODUCTION expression, travailler sur quelque chose, "to work on something," has been trans- posed as "to study," "to explore," or "to see." For the literary texts discussed by Cixous, at times I have modified the English translations to make them correspond more closely to her own readings, which are based primarily on French transla- tions, especially where the latter seem closer to the tenor of her analyses. A result of Cixous's reading practices, the juxtaposition of texts in the two volumes across centuries and national boundaries opens possibilities of multiple readings in various directions that acquire many shadings, flickers, and refrac- tions. Cixous's reading of texts side by side, at times dialectical by implication (for example, in the chapter on Blanchot and Lispector), is always in movement and prevents mastery or appropriation of the text by the reader. The primary car- rier of Cixous's readings is an ongoing interest in poetry attached to the proper name of Clarice Lispector, whose texts are read alongside those of Joyce, Kafka, Kleist, Blanchot, and Tsvetayeva. Many of these proper names have crisscrossed Cixous's texts since the beginning of her career as a writer. Lispector has been a concern for a number of years, but the shift toward Eastern Europe is recent and now (in 1990) indicates how artists' interests announce political events that fol- low. If the texts chosen by Cixous reflect in various ways a preoccupation with writing as well as an insistence on pleasure, they are also linked to current issues in literary theory. Cixous's analyses offer at times welcome divergences from more established canonical lines. She takes up now-consecrated literary figures, mainly from the past. Rarely do her analyses extend to contemporary culture in a specific sense. She chooses to stay within the aura of what she calls "poetic writing." Cixous's purpose in these seminars seems twofold: to essay certain kinds of textual readings without advocating a style or a simple interpretation; and to develop further discourse concerning ethics. Despite a synchronic approach to the texts and a concentration on generations of writers rather than surrounding facts (dates, sources, filiations) or, more broadly, literary history, nevertheless a shift in interest emerges between 1980 and 1986, from work on the origin of writing and the primal scene, or love and the gift, to problems of history. There is an avowed change, in Cixous's terms, "from the scene of the unconscious to that of history." The artist is now viewed caught in historical turmoil. But emphasis is still placed on the scene, on the word and poetry, on topics that do not immediately mobilize an overt activism. Cixous's general, almost cliched pronouncements on history may startle the reader but her close readings of texts are always compelling. Next to a growing interest in cultures of the Third World (here in the seminars mainly those of South America), the holocaust, and Eastern European countries, something else now comes forward, in the apres-coup, that is manifested in her strong affiliation with the Jewish question and with its cultural representatives past and present —Freud, Kafka, Lispector, Celan, Derrida, and others.

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