Lakshmi Narasimha Temple: Hoysala Architecture

Total Page:16

File Type:pdf, Size:1020Kb

Lakshmi Narasimha Temple: Hoysala Architecture Lakshmi Narasimha Temple: Hoysala Architecture drishtiias.com/printpdf/lakshmi-narasimha-temple-hoysala-architecture The 13th century Lakshmi Narasimha temple in Bhadravati of Shivamogga district, Karnataka is being renovated. About Lakshmi Narsimha Temple The temple was built during Hoysala rule in the early 13th century. It is built in ‘Trikuta’ style, that is, having three shrines- dedicated to Lakshmi Narasimha, Venugopalaswamy and Purushothama. The outer walls of the temple bear great detailed carvings in Hoysala style. The concrete flooring on the platform, also called jagati, is used by devotees as pradakshina path (ambulatory passageway for circumambulation). About Hoysala Architecture 1/2 Hoysala architecture is the building style developed under the rule of the Hoysala Empire between the 11th and 14th centuries, mostly concentrated in southern Karnataka. Hoysala temples are sometimes called hybrid or vesara as their unique style seems neither completely Dravida nor Nagara, but somewhere in between. The Hoysala temples, instead of consisting of a simple inner chamber with its pillared hall, contain multiple shrines grouped around a central pillared hall and laid out in the shape of an intricately-designed star. The most characteristic feature of these temples is that they grow extremely complex with so many projecting angles emerging from the previously straightforward square temple, that the plan of these temples starts looking like a star, and is thus known as a stellate-plan. Since they are made out of soapstone which is a relatively soft stone, the artists were able to carve their sculptures intricately. This can be seen particularly in the jewellery of the gods that adorn their temple walls. They are easily distinguishable from other medieval temples by their highly original star-like ground-plans and a profusion of decorative carvings. Some of the famous temples are: Hoysaleshvara temple (Lord of the Hoysalas) at Halebid in Karnataka that was built in dark schist stone by the Hoysala king in 1150, Chennakeshava temple in Somnathpura, Karnataka built around AD 1268 under Narasimha III, Kesava temple at Belur in Hassan district of Karnataka built by Vishnuvardhana. 2/2.
Recommended publications
  • Construction Techniques of Indian Temples
    International Journal of Research in Engineering, Science and Management 420 Volume-1, Issue-10, October-2018 www.ijresm.com | ISSN (Online): 2581-5782 Construction Techniques of Indian Temples Chanchal Batham1, Aatmika Rathore2, Shivani Tandon3 1,3Student, Department of Architecture, SDPS Women’s College, Indore, India 2Assistant Professor, Department of Architecture, SDPS Women’s College, Indore, India Abstract—India is a country of temples. Indian temples, which two principle axis, which in turn resulted in simple structural are standing with an unmatched beauty and grandeur in the wake systems and an increased structural strength against seismic of time against the forces of nature, are the living evidences of forces. The Indian doctrine of proportions is designed not only structural efficiency and technological skill of Indian craftsman to correlate the various parts of building in an aesthetically and master builders. Every style of building construction reflects pleasing manner but also to bring the entire building into a a clearly distinctive basic principle that represents a particular culture and era. In this context the Indian Hindu temple magical harmony with the space. architecture are not only the abode of God and place of worship, B. Strutural Plan Density but they are also the cradle of knowledge, art, architecture and culture. The research paper describes the analysis of intrinsic Structural plan density defined as the total area of all vertical qualities, constructional and technological aspects of Indian structural members divided by the gross floor area. The size and Temples from any natural calamities. The analytical research density of structural elements is very great in the Indian temples highlights architectural form and proportion of Indian Temple, as compared to the today's buildings.
    [Show full text]
  • Hoysala King Ballala Iii (1291-1342 A.D)
    FINAL REPORT UGC MINOR RESEARCH PROJECT on LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA III (1291-1342 A.D) Submitted by DR.N.SAVITHRI Associate Professor Department of History Mallamma Marimallappa Women’s Arts and Commerce College, Mysore-24 Submitted to UNIVERSITY GRANTS COMMISSION South Western Regional Office P.K.Block, Gandhinagar, Bangalore-560009 2017 1 ACKNOWLEDGEMENT First of all, I would like to Express My Gratitude and Indebtedness to University Grants Commission, New Delhi for awarding Minor Research Project in History. My Sincere thanks are due to Sri.Paramashivaiah.S, President of Marimallappa Educational Institutions. I am Grateful to Prof.Panchaksharaswamy.K.N, Honorary Secretary of Marimallappa Educational Institutions. I owe special thanks to Principal Sri.Dhananjaya.Y.D., Vice Principal Prapulla Chandra Kumar.S., Dr.Saraswathi.N., Sri Purushothama.K, Teaching and Non-Teaching Staff, members of Mallamma Marimallappa Women’s College, Mysore. I also thank K.B.Communications, Mysore has taken a lot of strain in computerszing my project work. I am Thankful to the Authorizes of the libraries in Karnataka for giving me permission to consult the necessary documents and books, pertaining to my project work. I thank all the temple guides and curators of minor Hoysala temples like Belur, Halebidu. Somanathapura, Thalkad, Melkote, Hosaholalu, kikkeri, Govindahalli, Nuggehalli, ext…. Several individuals and institution have helped me during the course of this study by generously sharing documents and other reference materials. I am thankful to all of them. Dr.N.Savithri Place: Date: 2 CERTIFICATE I Dr.N. Savithri Certify that the project entitled “LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA iii (1299-1342 A.D)” sponsored by University Grants Commission New Delhi under Minor Research Project is successfully completed by me.
    [Show full text]
  • The Goths in Ancient Poland.Pdf
    The Goths In Ancient Poland By Jan Czarnecki READ ONLINE If searched for the ebook by Jan Czarnecki The Goths in Ancient Poland in pdf format, then you've come to correct website. We presented the complete release of this book in doc, txt, ePub, DjVu, PDF formats. You can read The Goths in Ancient Poland online by Jan Czarnecki either load. Therewith, on our site you can reading the manuals and another art books online, either download their. We want attract your attention that our site not store the eBook itself, but we give link to website where you can downloading or reading online. So that if you have must to downloading by Jan Czarnecki The Goths in Ancient Poland pdf, then you've come to the correct website. We own The Goths in Ancient Poland DjVu, ePub, doc, PDF, txt forms. We will be glad if you will be back us more. Poland photos -- national geographic stage after a performance in Poland. Steeped in history and ancient by Jan Wlodarczyk/Photo Poland s old royal capital. The Gothic church was rebuilt on Krakow travel guide | fodor's travel Expert picks for your Krakow vacation, including hotels, once the ancient capital of Poland The seat of Poland's oldest university, Goths - wikipedia, the free encyclopedia The settlement in today's Poland may correspond to the introduction of Scandinavian burial traditions, Goths; Ancient Germanic peoples; Late Antiquity; Origin of the goths - total war center The object of this thread is to show the theories of the origins of the Goths, not what they were to become, but where they came from.
    [Show full text]
  • 2010 Workshop II Version Final.Indd
    Professor Modjtaba Sadria, who served on the Award’s master jury in 2004 and was a List of Contributors steering committee member from 2005 – 2007, proposed the Knowledge Construction Workshops to address and build upon the discussions taking place at the Award at that time. The first workshop was held in London in 2008 entitled ‘Multiple Modernities in Muslim Societies’ and its proceedings were subsequently published in a separate volume. The second workshop was held in Vancouver in 2009 to explore the tangible elements of modernity, focusing on the issue of representation in architecture. This event was organised in collaboration with the Institute for the Study of Muslim Civilisations (AKU-ISMC) in London. Following the workshop the papers presented were further developed under the editorial direction of Professor Sadria and edited by Rebecca Mohammad al-Asad is a Jordanian architect and architectural historian. He is the founding Williamson of AKU-ISMC. The volume was prepared for publication by Nuha Ansari, director of the Center for the Study of the Built Environment in Amman, and is a member of the Project Officer at the Award. I would like to express my thanks and warm appreciation Steering Committee of the Aga Khan Award for Architecture. Dr. al-Asad studied architecture at to these individuals and all those who participated in the workshops and contributed the University of Illinois at Urbana-Champaign and history of architecture at Harvard University, their research. before taking post-doctoral research positions at Harvard and at the Institute for Advanced Study at Princeton. He has taught at the University of Jordan, Princeton University, the Massachusetts Institute of Technology and the University of Illinois at Urbana-Champaign, where he was the Alan K.
    [Show full text]
  • TEMPLE ARCHITECTURE of KADAMBAS of GOA: a STUDY Mr
    TEMPLE ARCHITECTURE OF KADAMBAS OF GOA: A STUDY Mr. Sadashiv S. Mugali1, Dr. G. B. Kulkarni 1 Ph. D, Research Scholar, Dept of History, R. C. U, P.G. Center, Vachan Sangam Toravi, Vijaypur . 2 Research Guide and Principal, S. R. Narasapur Arts and M. B. S. Commerce College, Bagalkot. ABSTRACT The Kadambas of Goa as a feudatory rulers of the Chalukyas of Kalyan. The Kadambas ruled Goa from 10th to the 14 century A.D. The Goa Kadambas were the Scions of the Early Banavasi Kadamba dynasty who ruled from 4th century A.D. to end of the 6th century A.D. In first half of the 10th century A.D. Goa was part of southern Konkan while in possession of the silahara rulers, the appointed governors of the Rashtrakutas of malkhed, perhaps it is the help that shashtadev rendered to the kalyani Chalukya ruler made him to possess the throne of Goa domain, in 980 A.D, The contribution of the Kadambas to the Architectural Heritage of this region is certainly worthy of recognition. The Kamala Narayan Temple at Degaon (Belagavi Dist), Saptakoteshwar Temple at Narve and Mahadev Temple at Tambadi Surla (Goa) are the true illustrative claracteristic Features of this style. Kamal Narayana Temple located in Degaon (Degamve or Devgram) in Belagavi District of Karnataka. Saptkoteshwar a form of god Shiva, was one of the Chief deities and also family god of the kings of Kadambas of Goa. This temple was built around the 12th Century A.D. The most ancient temple in the whole goa is located at a place called Tambadi Surla.
    [Show full text]
  • Laxmi Devi Temple: Hoysala
    Laxmi Devi Temple: Hoysala drishtiias.com/printpdf/laxmi-devi-temple-hoysala Why in News Recently, a Hoysala-era idol of Goddess Kali of the Lakshmi Devi Temple at Doddagaddavalli, Karnataka has been found damaged. Key Points Lakshmi Devi Temple: Lakshmi Devi temple was built by the Hoysalas in the year 1114 CE during the rule of king Vishnuvardhana. The building material is Chloritic schist, more commonly known as soapstone. The temple does not stand on a jagati (platform), a feature which became popular in later Hoysala temples. The temple is a chatuskuta construction (4 shrine and tower). The towers are in Kadamba nagara style. The mantapa is open and square. The reason for the square plan is the presence of shrines on all four sides of the mantapa. There is a separate fifth shrine of Bhairava, an avatar of Lord Shiva. The main deity is Goddess Lakshmi whereas all Hoysala temples are dedicated to either Lord Vishnu, Lord Shiva and in some cases to Jains. An archaeological Survey of India (ASI) monument and is also among the monuments proposed for the UNESCO World Heritage Site. 1/4 2/4 Hoysala Temple Architecture: It is the building style developed under the rule of the Hoysalas and is mostly concentrated in southern Karnataka. Hoysala temples are sometimes called hybrid or vesara as their unique style seems neither completely dravida nor nagara, but somewhere in between. They are easily distinguishable from other medieval temples by their highly original star-like ground-plans and a profusion of decorative carvings. The temples, instead of consisting of a simple inner chamber with its pillared hall, contain multiple shrines grouped around a central pillared hall and laid out in the shape of an intricately-designed star.
    [Show full text]
  • UNIVERSITY of MYSORE DEPARTMENT of STUDIES in ANCIENT HISTORY and ARCHAEOLOGY Dr
    UNIVERSITY OF MYSORE DEPARTMENT OF STUDIES IN ANCIENT HISTORY AND ARCHAEOLOGY Dr. V. SHOBHA Telephone: (O):0821-2419613/2419618 (M): 9480475874 Assistant Professor and Chairman E-mail: [email protected] Manasagangotri MYSURU-570006 Date: 07-05-2016 M.A.-CBCS Credit Semester Code Course Hard Core/Soft core LTP Remarks Value M.A. I SEMESTER I 48601 A01 Cultural History of North India 3:1:0 4 - upto 1000 A.D. (HC) I 48602 A02 Indian Epigraphy (HC) 3:1:0 4 - I 48603 A03 Introduction to Archaeology (HC) 3:1:0 4 - I 48604 A04 World Civilizations (SC) 3:1:0 4 - I 48605 A09 Social Institutions of India (SC) 3:1:0 4 - M.A. II SEMESTER II 48611 B01 Historical Method (HC) 3:1:0 4 - II 48612 B02 Archaeology-Methods (HC) 3:1:0 4 - II 48613 B05 Indian Numismatics (SC) 3:1:0 4 - II 48614 B06 Indian Palaeography (SC) 3:1:0 4 -- II (OE) 48615 OE Chalukyas of Badami (OE) 3:1:0 4 M.A. III SEMESTER III 48621 C01 History of South India upto 1336 3:1:0 4 - A.D. (With reference to Polity) (HC) III 48622 C02 North Indian Art and Architecture 3:1:0 4 - (HC) III 48623 C04 Tourism in India (SC) 3:1:0 4 - III 48624 C05 Historical Archaeology of India 3:1:0 4 - (SC) III (OE) 48625 History of Karnataka (From 975 to 3:1:0 4 - 1336 A.D.) M.A. IV SEMESTER IV 48631 D01 Indian Pre and Proto History (HC) 3:1:0 4 - IV 48632 D02 South Indian Art and Architecture 3:1:0 4 - (HC) IV 48633 D03 PROJECT WORK (HC) 0:1:3 4 - IV 48634 D04 Museology (SC) 3:1:0 4 - IV (OE) 48635 Hoysala Art and Architecture 3:1:0 4 - 1 ANCIENT HISTORY AND ARCHAEOLOGY M.A.-CBCS SEMESTER-I CULTURAL HISTORY OF NORTH INDIA UPTO 1000 A.D.
    [Show full text]
  • The Role of Five Elements of Nature in Temple Architecture Ar
    International Journal of Scientific & Engineering Research Volume 8, Issue 7, July-2017 1149 ISSN 2229-5518 The Role of Five Elements of Nature In Temple Architecture Ar. Snigdha Chaudhary Abstract— Examine the extensive influence of the selected theories of nature in Architecture namely element of nature effects the role of five ele- ments in Temple Architecture. “Theory of five elements of nature in context to the Temple Architectural Design ‘To make student understand the basic principles of five elements of nature so that it forms the basics for study of temple design through these topics.One should have a reasonable under- standing of its operational and economic implications, and lastly “To Evaluate the understanding of the relationship between space and design through five elements of nature’’ with the help of Hindu Temple Architecture. Index Terms— Temple architecture, five elements of nature, human perception of architectural expression, and temple concept through cosmology and philosophy —————————— —————————— 1 INTRODUCTION NDIA is well known for its rich heritage and variety of India, however while the basic elements of the temple are the I culture. Temples have always played an important role in same, the form and scale varied. For example as in the case of India's history and culture. There are more than 6 lakh the architectural elements like Sikhara (pyramidical roofs) and temples in India and about 1,80,000 temples in South India. Gopurams (the gateways). India is not only famous for various states but also for the cultures and such historic background that the past still has 2 ELEMENTS OF HINDU TEMPLE so much power on the present world.
    [Show full text]
  • A Review Study on Architecture of Hindu Temple ______Prathamesh Gurme1,Prof
    INTERNATIONAL JOURNAL FOR RESEARCH & DEVELOPMENT IN Volume-8,Issue-4,(Oct-17) TECHNOLOGY ISSN (O) :- 2349-3585 A REVIEW STUDY ON ARCHITECTURE OF HINDU TEMPLE __________________________________________________________________________________________ PRATHAMESH GURME1,PROF. UDAY PATIL2 1UG SCHOLAR,2HEAD OF DEPARTMENT, DEPARTMENT OF CIVIL ENGINEERINGBHARATI VIDHYAPEETH'S COLLEGE OF ENGINEERING , LAVALE , PUNE , INDIA ABSTRACT : Hinduism is the predominant religion of the and even the traditional arts make their appearances in Indian subcontinent. Dating back to the Iron Age , it is often many sculptures of Hindu origin. Sculpture is inextricably called the oldest living religion in the world. Hinduism has linked with architecture in Hindu temples, which are usually no single founder and is a conglomeration of diverse devoted to a number of different deities. The Hindu temple traditions and philosophies rather than a rigid set of beliefs. style reflects a synthesis of arts, the ideals of dharma , Most Hindus believe in a single supreme God who appears beliefs, values , and the way of life cherished under in many different manifestations as devas (celestial beings or Hinduism. Elaborately ornamented with sculpture deities), and they may worship specific devas as individual throughout, these temples are a network of art, pillars with facets of the same God. Hindu art reflects this plurality of carvings, and statues that display and celebrate the four beliefs, and Hindu temples, in which architecture and important and necessary principles of human life under sculpture are inextricably connected, are usually devoted to Hinduism—the pursuit of artha (prosperity, wealth), the different deities. Deities commonly worshiped include Shiva pursuit of kama (pleasure, sex), the pursuit of dharma the Destroyer; Vishnu in his incarnations as Rama and (virtues, ethical life), and the pursuit of moksha (release, Krishna; Ganesha, the elephant god of prosperity; and self-knowledge).
    [Show full text]
  • Review of Research Impact Factor : 5.2331 (Uif) Ugc Approved Journal No
    Review Of ReseaRch impact factOR : 5.2331 (Uif) UGc appROved JOURnal nO. 48514 issn: 2249-894X vOlUme - 7 | issUe - 7 | apRil - 2018 __________________________________________________________________________________________________________________________ RECENT PERSPECTIVE ON KARNATAKA ART HISTORY Nagappa P. Koti Asst. Professor , Dept of History , Shri Jagadamba First Grade Art’s And Science College Hittinahalli, LT.Vijayapura . ABSTRACT The southern state of Karnataka, in India, has a distinct art and culture. The diverse linguistic and religious ethnicity that are local to territory of Karnataka joined with their long chronicles have contributed massively to the differed social legacy of the state. Aside from Kannadigas, Karnataka is home to Tuluvas, Kodavas and Konkanis who likewise think about themselves as Kannadigas. Minor populaces of Tibetan Buddhists and Siddhi clans in addition to a couple of other ethnic gatherings additionally live in Karnataka. The customary society expressions cover the whole array of music, move, dramatization, narrating by vagrant troupes, and so forth. Yakshagana, an established society play, is one of the significant showy types of seaside Karnataka. Contemporary venue culture in Karnataka is a standout amongst the most energetic in India with associations like Ninasam, Ranga Shankara and Rangayana dynamic on establishments set around the Gubbi Veeranna Nataka Company. Veeragase, Kamsale and Dollu Kunitha are popular dance forms. Bharatanatya also enjoys wide patronage in Karnataka. KEY WORDS: distinct art and culture , Tibetan Buddhists and Siddhi clans. INTRODUCTION: The antiquity of Architecture of Karnataka (Kannada: ಕಾಟಕ ಾಸುಲ) can be traced to its southern Neolithic and early Iron Age, Having witnessed the architectural ideological and utilitarian transformation from shelter- ritual- religion. Here the nomenclature ‘Architecture’ is as old as c.2000 B.C.E.
    [Show full text]
  • Pattadakal Text 3
    1 ŚAIVA MONUMENTS at PAṬṬ ADAKAL Vasundhara Filliozat architecture by Pierre-Sylvain Filliozat 2 Scheme of transliteration from n āgar ī and kanna ḍa scripts Special n āgar ī letters ° ā £ ī • ū ¶ ṛ ṝ ḷ ṅ ñ ṭ ṭh – ḍ — ḍh “ ṇ ś ṣ Special kanna ḍa letters K ē N ō ¼ ḷ 3 S TABLE OF CONTENTS List of figures Introduction I. History History and chronology of Calukya kings Pulike śin II (A.D. 610-642) Vikram āditya II II. Architecture The site of Pa ṭṭ adakal The Karn āṭa-Nāgara temples at Pa ṭṭ adakal The temple of K āḍasiddhe śvara The temple of Jambuli ṅge śvara The temple of K āśī vi śvan ātha The temple of Galagan ātha The temple of P āpan ātha (M ūlasth ānamah ādeva) Miniature temples at Pa ṭṭ adakal The Candra śekhara temple The Karn āṭa-Dr āvi ḍa monuments at Pa ṭṭ adakal The temple of Vijaye śvara (Sa ṃgame śvara) The temple of Loke śvara (Vir ūpākṣa) Pr āsāda Interior Pr āsāda Exterior The Temple of Trailokye śvara (Mallik ārjuna) III. Iconography The temple of Vijaye śvara The Temple of Loke śvara External façades Loke śvara Temple, interior The temple of Trailokye śvara The temple of K āśī vi śve śvara The temple of P āpan ātha The temple of K āḍasiddhe śvara The temple of Jambuli ṅge śvara The temple of Galagan ātha IV. Epigraphy V. Conclusion Works referred to Glossary Glossary of special words in inscriptions Index 4 List of figures Photographs are by the authors assisted by Shalva Pillai Iyengar, unless otherwise stated.
    [Show full text]
  • Some Bhumija Temples of Karnataka
    Some Bhumija Temples of Karnataka Priyamvada R Sharma Designation: Ph.D Research Student, Mobile: +917387777501 Email: [email protected] Abstract The article deals with a style of temple architecture called Bhumija, which originated and developed in Central India, and spread over a vast area comprising Rajasthan, Gujarat, Madhya Pradesh, Maharashtra, Andhra Pradesh and Karnataka with regional overtones. It explains the meaning of the term Bhumija, mentions Silpa texts which give details of this style and considers examples of temples which have this style of Sikhara on the mulaprasada (shrine proper) and of its models on the walls of the temples in Karnataka. Four temples, i.e., Kasivisvesvara temple at Lakkundi, Siddhesvara temple at Haveri and Nagesvara and Chennakesava temples at Mosale Hosahalli are described as they have Bhumija style of Sikhara as models on their walls. Here I have classified the type of Bhumija according to the description given in the Silpa texts along with the illustrations of the models present on the walls of temples. A reference is made to the only inscription which mentions Bhumija style. A table containing information about sub-types of Bhumija as described in the two Silpa texts Samaranganasutradhara and Aparajitaprccha. Introduction The Bhumija style of temple architecture belongs to the Central Indian School of temple architecture. Though conforming in certain details to Nagara style, the sikhara obtains distinguishing feature of a Bhumija temple. It is generally believed that the Bhumija style originated in Malwa region. But the style was extensive in the space and time and spread across the region of Rajasthan, Gujarat, Madhya Pradesh, Maharashtra, Andhra Pradesh and Karnataka in early medieval times.
    [Show full text]