BREAKFAST IN THE RUINS AND OTHER STORIES: THE BEST SHORT FICTION OF VOLUME 3 PDF, EPUB, EBOOK

Michael Moorcock | 352 pages | 30 Dec 2014 | Orion Publishing Co | 9780575115538 | English | London, United Kingdom by Michael Moorcock

Oct 12, Pavlo Tverdokhlib rated it liked it Shelves: fantasy , sci-fi , post-apocalyptic. I reviewed "" previously, but it's important to note that this is the much shorter, original novella and not the expanded, standalone work- 60 pages, as opposed to about of the expanded work. So the focus here is on "Breakfast in Ruins". It's essentially a collection of period vignettes, covering each decade fr The last of the 3 volumes of Moorcock's Best Short Fiction is focused on Karl Glogauer- the main character of both "Behold the Man" and the titular "Breakfast in Ruins". It's essentially a collection of period vignettes, covering each decade from the s to the s. This man introduces Karl to the technique that allows him to experience the lives of his earlier incarnations. As Karl masters the skill, his incarnations gain progressively more agency over the events in their lives- and as they act out in increasibgly selfish ways, so does the "real world" Karl assume a progressively more vampiric role in the strange relationship with his benefactor. However, in terms of individual vignette pieces, Moorcock's writing is top notch as always. While I didn't particularly care for the meta-plot or the philosophical "What would you do? Of the rest of the works in the collection, "London Flesh" I read before in "The Metatemporal Detective" collection, and "Behold the Man" is, as mentioned, a shorter version of the standalone work I reviewed earlier. I didn't really get much out of "The Dead Singer"- a story featuring a ghost? Overall, an interesting compilation to round off the Best of Short Fiction collection, but nothing truly standout, unlike the earlier volumes. Tvermar rated it really liked it Jan 03, Martin rated it it was ok May 29, Papi Elric rated it really liked it Nov 01, Robert rated it liked it Oct 13, Jacob Guy rated it really liked it Oct 16, John Kenny rated it really liked it Mar 05, Fred Kiesche rated it it was amazing Aug 18, David Alexander rated it really liked it Mar 20, Sean rated it really liked it Jul 26, Graeme Talboys added it May 17, Sarah marked it as to-read Jun 14, Taneli Kolppanen marked it as to-read Aug 26, Kurt Rocourt marked it as to-read Jan 02, Matt marked it as to-read Aug 19, Naomi Scott marked it as to-read Nov 26, Chris Jackson marked it as to-read Feb 01, Abhiram Padmanabhan is currently reading it Apr 14, John marked it as to-read Jul 19, Emily Noel marked it as to-read Nov 18, Gordon Wilson marked it as to-read Feb 03, Sebastian Jones marked it as to-read Feb 19, Hayden Brown added it Apr 18, Jeff Hodson marked it as to-read May 27, David Raz added it May 31, Manatees marked it as to-read Aug 31, Kostas added it Sep 04, Yenni marked it as to-read Jan 02, Michael marked it as to-read Feb 23, Seven Negen marked it as to-read Sep 02, There are no discussion topics on this book yet. About Michael Moorcock. Michael Moorcock. Michael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in , Michael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels. Other Editions 9. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Breakfast in the Ruins , please sign up. Be the first to ask a question about Breakfast in the Ruins. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Breakfast in the Ruins. Feb 06, Multiple Galerie rated it really liked it Shelves: favorites. I've been starting to read this over and over again since about but get distracted by some or other idea that the text brings up and end up losing my place. If publishers would restore the practice of including a bookmark ribbon this would never have happened. Jan 04, Jen rated it did not like it. I kept waiting for this book to make sense, but it never did. Breakfast in the Ruins is one of Moorcock's least accessible or comprehensible books. It was rather shocking when it appeared for its depiction of an ongoing homosexual relationship and later cannibalism, so the story itself tended to be overlooked as a secondary consideration by the critics of the time. The main character is Karl Glogauer Carl on the cover flap, leading one to wonder how carefully the publisher studied the manuscript , who was previously in Behold the Man, though the time trav Breakfast in the Ruins is one of Moorcock's least accessible or comprehensible books. The main character is Karl Glogauer Carl on the cover flap, leading one to wonder how carefully the publisher studied the manuscript , who was previously in Behold the Man, though the time travel in this one appears to be imaginary Some of the other multiverse characters appear as well, though we can't be sure what version of them appear, or even in what context. Each of the eighteen segments is followed by a "What Would You Do? It does have some interesting parts, particularly for Moorcock enthusiasts for example there's an "introduction" which simply states that Michael Moorcock died last year and we don't know the current whereabouts of Karl Glogauer , but I can't believe it can simply be enjoyed as a normal novel entertainment. This is an odd volume, even for Moorcock. Shelves: sf. This is sort of a sequel to a much more successful novel, Behold the Man, as it has the same protagonist and involves time travel--though here only in the imagination. One gets the impression that Moorcock was fed up with humanity and put these vignettes together to vent his spleen. Mar 26, Emily rated it it was ok. Unfortunately, this story seems only the slightest bit related. Like, maybe that the main character has the same name as that other one. This Karl Glogauer encounters and enters into a sexual escapade with an African visitor to England. During the course of their liaison, Karl imagines himself as many different people living in the midst of important historical events. Each vignette is told in italics between descriptions of the present-day action. I didn't really see a thread or theme running through the stories. The ending was completely mystifying. I'm no prude, but some of the sexual stuff wasn't pleasant to read about. There also seemed to be an unseemly racial undercurrent that also didn't come off as particularly thematic or edifying. This was really disappointing after the total brilliance of Behold the Man. Seriously, read that twice, and skip this entirely. May 29, Jon Padgett rated it it was amazing. I have a new favourite book. I first encountered this novel as a 12 year old. I had just read my first Moorcock novel Elric of Melnibone courtesy of the school library. It had been deemed too adult and was languishing in the 6th Form library, but being a librarian had some advantages. Even today I'm not sure what this is about, but its definitely NOT fantasy. Now, almost 40 years later, I have finally attempted to read it again. This time something clicked and it all fell into place. I've been a fan of Moorcocks ever since I first read Elric. He has his pulp books Corum, Elric. Then there is this study of inhumanity set amongst some of the more dangerous hotspots of the last years. This is his best work. May 09, Clive Wheeler rated it liked it. Less a novel and more a series of short stories or vignettes linked by a one night stand that takes its participants through a range of experiences and emotions. The vignettes place the same character in different locations and times that are all linked by the danger and inhumanity enacted during this time and at this place. I think Michael Moorcock is asking the reader to acknowledge the darker side of humanity and then to challenge it. This thinking is encouraged by the thought experiments unde Less a novel and more a series of short stories or vignettes linked by a one night stand that takes its participants through a range of experiences and emotions. This thinking is encouraged by the thought experiments under the title What Would You Do? May 19, Gareth Farrow rated it really liked it. I found this one of the more obscure stories my Micheal Moorcock. Having read most of his works and enjoyed them all, this is a kind of an exception. I felt like I was reading it just to complete a collection. It wasn't that enjoyable. Thankfully the story was short which is typical of this author. Saying all that I did think it was very well written and it did make me think. So decent enough but most certainly not near the best Moorcock can offer. A series of often grizzly and depressing historical vignettes featuring alternate versions of Karl Glogauer the protagonist of Behold the Man across time and place, interspersed with a frame narrative about a s Karl Glogauer having a night of sexual adventure with a Nigerian businessman and undergoing a transformative experience. Bit different. Oct 20, Keith marked it as to-read Shelves: sci-fi. I removed the following rambling, spoiler-laced review from the default description of this work where it did not belong. I retain it here for the record; the words are not mine, and the author is perfectly welcome to repost them as their own review. The chapters are each also followed, except for the 19th, by a short section entitled What would you do? One is eight years old. A girl. One is six years old. One is a few months old. A boy. You are told that you can save any two of them from death, but not all three. You are given five-minutes to choose. Which one would you sacrifice? His imaginings are interrupted by a "deep, slightly hesitant, husky" voice, a "Good afternoon" from a dark-skinned man who's never named. Glogauer wrongly assumes him to be a rich American tourist, annoyed to have been disturbed from his reverie. The man then asks Glogauer if he may photograph him. Flattered, he assents. Doing so, the man explains he's from Nigeria, attempting to convince the UK government to buy copper at a higher price. Glogauer says he's an illustrator. Breakfast in the Ruins - Wikipedia

But the journey is beyond treacherous. With his boon companion, Oladahn, the beastman of the Bulgar Mountains, Hawkmoon discovers the peaceful city of Soryandum, which holds the power to transcend the confines of time and space. This power, which keeps the city from falling to the Dark Empire, could keep the Kamarg safe. But alas his love Yisselda is now a prisoner of the Mad God, whose powerful amulet is linked to Hawkmoon's ultimate destiny: a power that began at creation and calls heroes to arms throughout existence. Hawkmoon must rip this amulet from the neck of the Mad God if he hopes to save the Kamarg and free his friends and his one true love from the Dark Empire's relentless wrath. Duke Dorian Hawkmoon's quest to destroy the Dark Empire of Granbretan leads him onto the path of a man who possess a rare ring that allows men to travel through time. Hawkmoon uses this ring to travel to a far future New Orleans, where he must battle the Pirate Lords who possess the Great Sword of the Dawn, which can end the Dark Empire once and for all. In his first story collection, Robert Charles Wilson, one of the most distinguished SF authors of his generation, weaves a tapestry of tales set in and around the city of Toronto - a haunted, numinous Toronto of past, present and future, buzzing with strangeness. In "The Fields of Abraham", one of three stories written especially for this collection, an impoverished immigrant boy is trained in strange disciplines by a bookseller who is more than he seems. In "The Perseids", winner of Canada's national SF award, love and amateur astronomy weave in and out of a terrifying tale of forced human evolution. In "The Observers", an awkward young Canadian girl who sees extra-human presences has an extraordinary encounter in s California with Edwin Hubble. In "Plato's Mirror", a professional New Age charlatan has a genuine and terrible encounter with the extraordinary. Thanks for telling us about the problem. Return to Book Page. Preview — Breakfast in the Ruins and other stories by Michael Moorcock. Breakfast in the Ruins and other stories by Michael Moorcock. The third and final part of Gollancz's definitive collection of Moorcock's short fiction, this selection features some of his finest work. From 'The Time Dweller' to 'Breakfast in the Ruins', the stories here are incredibly varied in their style, execution and subject matter. Get A Copy. Paperback , pages. Published December 26th by Gollancz first published January 1st More Details Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Breakfast in the Ruins and other stories , please sign up. As Gollancz has not disclosed it on its website and the ISFDB is lacking on the matter, would someone be able to list the content of this anthology? See 1 question about Breakfast in the Ruins and other stories…. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Breakfast in the Ruins and other stories. Oct 12, Pavlo Tverdokhlib rated it liked it Shelves: fantasy , sci-fi , post-apocalyptic. I reviewed "Behold the Man" previously, but it's important to note that this is the much shorter, original novella and not the expanded, standalone work- 60 pages, as opposed to about of the expanded work. So the focus here is on "Breakfast in Ruins". It's essentially a collection of period vignettes, covering each decade fr The last of the 3 volumes of Moorcock's Best Short Fiction is focused on Karl Glogauer- the main character of both "Behold the Man" and the titular "Breakfast in Ruins". It's essentially a collection of period vignettes, covering each decade from the s to the s. This man introduces Karl to the technique that allows him to experience the lives of his earlier incarnations. Finally they part on roof garden where they first met - and the Nigerian if he is that has turned into a white man. The unnamed Nigerian could be an incarnation of - an urban adventurer and hipster of ambiguous and occasionally polymorphous gender , who appears in several Moorcock books. In Behold the Man, and at the start of Breakfast in the Ruins, Glogauer is white but by the end of Breakfast he has become black. Karl Glogauer goes through no less than 17 incarnations in the course of the book. In each one he is a year older and, in general, more cruel and ruthless. In many of these incarnations, though not all of them, he has a Jewish background. Some editions of the novel were printed with an introduction that contained a hoax about the death of Michael Moorcock, stating that he had "died of lung cancer, aged 31, last year". It also went on to state that the "whereabouts of Karl Glogauer" were unknown. It is thought the unnamed Nigerian could be an incarnation of Jerry Cornelius or another of the companions to the eternal champion. The fictional Moorcock Multiverse , consisting of several universes, many layered dimensions, spheres, and alternative worlds, is the place where the eternal struggle between , the two main forces of Moorcock's worlds, takes place. In all these dimensions and worlds, these forces constantly war for supremacy. Since the victory of Law or Chaos would cause the Multiverse either to become permanently static or totally formless, the Cosmic Balance enforces certain limits which the powers of Law and Chaos violate at their peril. Law, Chaos, and the Balance are active, but seemingly non-sentient, forces which empower various champions and representatives. The Champion Eternal, a Hero who exists in all dimensions , times and worlds, is the one who is chosen by fate to fight for the Cosmic Balance; however, he often does not know of his role, or, even worse, he struggles against it, never to succeed. Since his role is to intervene when either Law or Chaos have gained an excess of power, he is always doomed to be surrounded by strife and destruction, although he may go through long periods of relative quiet. In most depictions by Moorcock, all that happens in fantasy worlds - however, the same would clearly apply to Karl Glogauer's various lives in actual 20th Century situations, as described here. From Wikipedia, the free encyclopedia. Dewey Decimal. Retrieved 18 April Breakfast in the Ruins. New English Library. Bibliography of Michael Moorcock. . Hidden categories: Articles with short description Short description is different from Wikidata EngvarB from September Use dmy dates from September Read Download Breakfast In The Ruins And Other Stories PDF – PDF Download

Even today I'm not sure what this is about, but its definitely NOT fantasy. Now, almost 40 years later, I have finally attempted to read it again. This time something clicked and it all fell into place. I've been a fan of Moorcocks ever since I first read Elric. He has his pulp books Corum, Elric. Then there is this study of inhumanity set amongst some of the more dangerous hotspots of the last years. This is his best work. May 09, Clive Wheeler rated it liked it. Less a novel and more a series of short stories or vignettes linked by a one night stand that takes its participants through a range of experiences and emotions. The vignettes place the same character in different locations and times that are all linked by the danger and inhumanity enacted during this time and at this place. I think Michael Moorcock is asking the reader to acknowledge the darker side of humanity and then to challenge it. This thinking is encouraged by the thought experiments unde Less a novel and more a series of short stories or vignettes linked by a one night stand that takes its participants through a range of experiences and emotions. This thinking is encouraged by the thought experiments under the title What Would You Do? May 19, Gareth Farrow rated it really liked it. I found this one of the more obscure stories my Micheal Moorcock. Having read most of his works and enjoyed them all, this is a kind of an exception. I felt like I was reading it just to complete a collection. It wasn't that enjoyable. Thankfully the story was short which is typical of this author. Saying all that I did think it was very well written and it did make me think. So decent enough but most certainly not near the best Moorcock can offer. A series of often grizzly and depressing historical vignettes featuring alternate versions of Karl Glogauer the protagonist of Behold the Man across time and place, interspersed with a frame narrative about a s Karl Glogauer having a night of sexual adventure with a Nigerian businessman and undergoing a transformative experience. Bit different. Oct 20, Keith marked it as to-read Shelves: sci-fi. I removed the following rambling, spoiler-laced review from the default description of this work where it did not belong. I retain it here for the record; the words are not mine, and the author is perfectly welcome to repost them as their own review. The chapters are each also followed, except for the 19th, by a short section entitled What would you do? One is eight years old. A girl. One is six years old. One is a few months old. A boy. You are told that you can save any two of them from death, but not all three. You are given five-minutes to choose. Which one would you sacrifice? His imaginings are interrupted by a "deep, slightly hesitant, husky" voice, a "Good afternoon" from a dark-skinned man who's never named. Glogauer wrongly assumes him to be a rich American tourist, annoyed to have been disturbed from his reverie. The man then asks Glogauer if he may photograph him. Flattered, he assents. Doing so, the man explains he's from Nigeria, attempting to convince the UK government to buy copper at a higher price. Glogauer says he's an illustrator. During the meal, Glogauer attempts to introduce himself. The man doesn't respond, merely offering Glogauer a sugar bowl. He then asks Glogauer to "come back with me", to which Glogauer agrees. The 2nd chapter, introducing a format followed by subsequent chapters, excluding the last, begins, in italics, with a short scene in the man's hotel suite. The man touches his head, then his shoulders. The ending of the chapter is also another scene, in italics, set in the present. Oct 02, James rated it really liked it Shelves: fantasy-horror , speculative-fiction. Breakfast in the Ruins: A Novel of Inhumanity is a work of historical and speculative fiction. The novel centres on Karl Glogauer, who is also the protagonist of Moorcock's Nebula Award winning novella, Behold the Man, It concerns his homosexual exploits with an unnamed man from Nigeria, and his fantasies of the past and lives that he could have led. The novel is divided into nineteen chapters, the first of which is set in the 'present' , the next seventeen spaced out at roughly ten year in Breakfast in the Ruins: A Novel of Inhumanity is a work of historical and speculative fiction. The novel is divided into nineteen chapters, the first of which is set in the 'present' , the next seventeen spaced out at roughly ten year intervals from through to , with the last chapter set once again in the present. The chapters begin and end in the present, with a short scene involving Glogauer and the man, which vary from philosophical discussion to sex involving dominance and submission. It is unusual but intriguing and further evidence of the wonderful imagination of Michael Moorcock. In different places and times, we are shown scenes from the life of various incarnations of Karl Glogauer, citizen of the multiverse, growing up in a harsh world. Always at least partially of German Jewish origin, he usually finds himself in the midst of war or revolution. These scenes are linked by the story of an adult Karl in London in and there are also moral dilemmas of the Sophie's Choice variety at the end of each section, which I suppose are meant to make the reader think more car In different places and times, we are shown scenes from the life of various incarnations of Karl Glogauer, citizen of the multiverse, growing up in a harsh world. I found Breakfast in the Ruins was interesting rather than enjoyable. It is not a book to read if you are feeling down; death stalks Karl throughout the multiverse. Aug 29, Stephen Gracia rated it really liked it. A follow up, of sorts, to Behold the Man, Breakfast in the Ruins, focuses on the past lives of protagonist Karl Glogauer. It certainly doesn't equal Behold the Man, but it is excellent speculative fiction in its own right. Jul 13, Stuart Young rated it it was ok Shelves: fantasy. Although I didn't enjoy this as much as a lot Moorcock's other books I still have a certain fondness for it in that it showed me that a writer from a commercial background could still produce challenging work. The individual vignettes in this book are powerful early on, though they get to be a bit rudimentary as the book progresses. The conflict between innocence and victimhood is what makes the book particularly intriguing. Sep 19, The P rated it it was amazing. Shocking to tears, to say the least. I thought to detect some mashup technique; a mixture of historical horrors, distress triggers and taboo breakers, dexterously weaved. Definitely would like to read much more of him. Jun 23, Christopher rated it it was ok Shelves: fiction. Bought used from a local bookstore due to interesting premise and cover. Turns out only the framing story of the one night stand was actually interesting. The vignettes would have been good, but they neither increased in intensity or relevance as they went on, making them more and more of a chore. Oct 04, Rick rated it really liked it. The entire text is available for free at RevolutionSF. Mar 22, Joe Stamber rated it it was ok Shelves: reads. Features the same character as "Behold the Man", but not as good. Mark rated it really liked it Jun 06, Christopher Warburton rated it it was amazing Aug 18, Hans rated it it was amazing Jan 25, Matthew rated it liked it May 20, Left Sr rated it really liked it May 05, Greg Steele rated it it was ok Jul 13, Christopher Lovejoy rated it really liked it Apr 18, Brett Buckley rated it liked it Jun 08, Andy Ravenscroft rated it really liked it Mar 28, There are no discussion topics on this book yet. This man introduces Karl to the technique that allows him to experience the lives of his earlier incarnations. As Karl masters the skill, his incarnations gain progressively more agency over the events in their lives- and as they act out in increasibgly selfish ways, so does the "real world" Karl assume a progressively more vampiric role in the strange relationship with his benefactor. However, in terms of individual vignette pieces, Moorcock's writing is top notch as always. While I didn't particularly care for the meta-plot or the philosophical "What would you do? Of the rest of the works in the collection, "London Flesh" I read before in "The Metatemporal Detective" collection, and "Behold the Man" is, as mentioned, a shorter version of the standalone work I reviewed earlier. I didn't really get much out of "The Dead Singer"- a story featuring a ghost? Overall, an interesting compilation to round off the Best of Short Fiction collection, but nothing truly standout, unlike the earlier volumes. Tvermar rated it really liked it Jan 03, Martin rated it it was ok May 29, Papi Elric rated it really liked it Nov 01, Robert rated it liked it Oct 13, Jacob Guy rated it really liked it Oct 16, John Kenny rated it really liked it Mar 05, Fred Kiesche rated it it was amazing Aug 18, David Alexander rated it really liked it Mar 20, Sean rated it really liked it Jul 26, Graeme Talboys added it May 17, Sarah marked it as to-read Jun 14, Taneli Kolppanen marked it as to-read Aug 26, Kurt Rocourt marked it as to-read Jan 02, Matt marked it as to-read Aug 19, Naomi Scott marked it as to-read Nov 26, Chris Jackson marked it as to-read Feb 01, Abhiram Padmanabhan is currently reading it Apr 14, John marked it as to-read Jul 19, Emily Noel marked it as to-read Nov 18, Gordon Wilson marked it as to-read Feb 03, Sebastian Jones marked it as to-read Feb 19, Hayden Brown added it Apr 18, Jeff Hodson marked it as to-read May 27, David Raz added it May 31, Manatees marked it as to-read Aug 31, Kostas added it Sep 04, Yenni marked it as to-read Jan 02, Michael marked it as to-read Feb 23, Seven Negen marked it as to-read Sep 02, There are no discussion topics on this book yet. About Michael Moorcock. Michael Moorcock. Michael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels. Nicholas by Edward Lester Arnold as the first three books which captured his imagination. He became editor of Tarzan Adventures in , Michael John Moorcock is an English writer primarily of science fiction and fantasy who has also published a number of literary novels. He became editor of Tarzan Adventures in , at the age of sixteen, and later moved on to edit Sexton Blake Library. As editor of the controversial British science fiction magazine New Worlds, from May until March and then again from to , Moorcock fostered the development of the science fiction "New Wave" in the UK and indirectly in the United States. During this time, he occasionally wrote under the pseudonym of "James Colvin," a "house pseudonym" used by other critics on New Worlds. Moorcock, indeed, makes much use of the initials "JC", and not entirely coincidentally these are also the initials of Jesus Christ, the subject of his Nebula award-winning novella Behold the Man, which tells the story of Karl Glogauer, a time-traveller who takes on the role of Christ. In more recent years, Moorcock has taken to using "Warwick Colvin, Jr.

Michael Moorcock bibliography - Wikipedia

The chapters begin and end in the present, with a short scene involving Glogauer and the man, which vary from philosophical discussion to sex involving dominance and submission. The chapters are each also followed, except for chapter nineteen, by a short section entitled What would you do? You are told that you can save any two of them from death, but not all three. You are given five-minutes to choose. Which one would you sacrifice? There, on a bench in the Spanish Gardens, he fantasises about the past, trying to put "his mother, his childhood as it actually was, [and] the failure of his ambitions" out of his head with an imagined life in Regency -era London, filled with politics, gambling, women and duelling. His imaginations are interrupted by a "deep, slightly hesitant, husky" voice, a greeting of "Good afternoon", a dark-skinned man who spends the entirety of the novel unnamed. He first asks if he may join Glogauer on the bench, and then goes on to explain that he's merely visiting London, and that he hadn't expected to find such a place in the middle of the city. Glogauer wrongly assumes him to be a rich American tourist, annoyed to have been disturbed from his reverie. The man then asks Glogauer if he may photograph him; Glogauer, now flattered, assents. While he's being photographed, the man explains that he's from Nigeria, attempting to convince the government of England to buy copper at a higher price. Glogauer says that he's an illustrator. The man then invites Glogauer to have tea with him, and Glogauer, feeling guilty, and, despite recalling his mother's words to not have anything to do with people who make you feel guilty, agrees. After journeying through the Tudor and Woodland gardens, they dine at the restaurant. During the meal, Glogauer attempts to introduce himself. The man, however, does not respond, merely offering Glogauer the sugar bowl. Glogauer realized that the man is using on him some of the same seduction techniques which Glogauer himself used when seducing girls in the past. When the Nigerian asks Glogauer to "come back with me", Glogauer says "Yes". The second chapter, introducing a format that is followed by most subsequent chapters, excluding the last, begins, in italics , with a short scene in the man's hotel suite. Glogauer has taken his clothes off, and lies naked on the bed. The man touches first his head, and then his shoulders. Glogauer closes his eyes, blocking reality out, and begins a fantasy, similar to that which was interrupted by the man in the first chapter. The ending of the chapter is also another scene, in italics, that is set in the present. The bulk of the book takes place during a single night at the hotel suite, during which the two have little sleep. The Nigerian introduces Glogauer to various aspects of Homosexual sex. Though completely new to it, Glogauer quickly sheds all inhibitions and starts acting in an unspecified provocative manner, startling the Nigerian: "You know how to be offensive, don't you? A short time ago you were just an ordinary London lad. Now you are behaving like the bitchiest little pansy I ever saw" Ch. During the night the two of them quarrel, reconcile, and have some more sex and a little nap. The Nigerian also makes Glogauer paint his skin black. Gradually, it starts looking like the Nigerian is not what he seems. His English is suddenly changing; suddenly it looks like his eyes are blue; and at a certain moment Glogauer suddenly feels that he might be a woman, of an animal with teeth - and then he looks again like he was. The Nigerian says that "We are many people, there are a lot of different sides to one's personality". Later on, he expresses his objection to abortion because "I'm against the destruction of possibilities. Everything should be allowed to proliferate. The interest lies in seeing which becomes dominant. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Breakfast in the Ruins and other stories. Oct 12, Pavlo Tverdokhlib rated it liked it Shelves: fantasy , sci-fi , post-apocalyptic. I reviewed "Behold the Man" previously, but it's important to note that this is the much shorter, original novella and not the expanded, standalone work- 60 pages, as opposed to about of the expanded work. So the focus here is on "Breakfast in Ruins". It's essentially a collection of period vignettes, covering each decade fr The last of the 3 volumes of Moorcock's Best Short Fiction is focused on Karl Glogauer- the main character of both "Behold the Man" and the titular "Breakfast in Ruins". It's essentially a collection of period vignettes, covering each decade from the s to the s. This man introduces Karl to the technique that allows him to experience the lives of his earlier incarnations. As Karl masters the skill, his incarnations gain progressively more agency over the events in their lives- and as they act out in increasibgly selfish ways, so does the "real world" Karl assume a progressively more vampiric role in the strange relationship with his benefactor. However, in terms of individual vignette pieces, Moorcock's writing is top notch as always. While I didn't particularly care for the meta-plot or the philosophical "What would you do? Of the rest of the works in the collection, "London Flesh" I read before in "The Metatemporal Detective" collection, and "Behold the Man" is, as mentioned, a shorter version of the standalone work I reviewed earlier. I didn't really get much out of "The Dead Singer"- a story featuring a ghost? Overall, an interesting compilation to round off the Best of Short Fiction collection, but nothing truly standout, unlike the earlier volumes. 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