DOCSLIB.ORG

Listing by Type-Director-Title-Year-Country-Length Type Director Program Name Year Country Length

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Listing by Type-Director-Title-Year-Country-Length Type Director Program Name Year Country Length Listing by Type-Director-Title-Year-Country-Length Type Director Program Name Year Country Length Cukor, George Holiday 1938 USA 95 min Garfein, Jack Something Wild 1961 USA 113 min Action Barba, Norberto Blue Tiger 1994 USA JA 88 min Chan, Gordon Fists of Legend 1994 CH 103 min Rodriguez, Robert Desparado 1995 ME 103 min Rodriguez, Robert El Mariachi 1993 USA 80 min Tsui, Hark Once Upon a Time in China I 1991 CH 134 min Tsui, Hark Once Upon a Time in China II 1992 CH 113 min Tsui, Hark Once Upon a Time in China III 1993 CH 109 min Action/Adventure Hessler, Gordon Golden Voyage of Sinbad, The 1973 USA 105 min Korda, Zoltán Jungle Book 1942 USA 106 min Kurosawa, Akira Sanshiro Sugata 1943 JP 79 min Kurosawa, Akira Sanshiro Sugata, Part Two 1945 JP 83 min Lester, Richard Four Musketeers, The 1974 ES 108 min Lester, Richard Three Musketeers, The 1973 ES 105 min Spielberg, Steven Indiana Jones and the Kingdom of the Crystal Skull 2008 USA 122 min Spielberg, Steven Indiana Jones and the Last Crusade 1989 USA 127 min Spielberg, Steven Indiana Jones and the Temple of Doom 1984 USA 118 min Spielberg, Steven Raiders of the Lost Ark 1984 USA 115 min Wanamaker, Sam Sinbad and the Eye of the Tiger 1977 USA 113 min West, Simon Lara Croft: Tomb Raider 2001 USA UK DE 100 min Action/Adventure/Comedy de Broca, Philippe That Man from Rio 1964 FR 112 min Huston, John; Val Guest; Ken Hughes; et al. Casino Royale 1967 UK USA 131 min Action/Adventure/Comedy/Crime Dearden, Basil Assassination Bureau, The 1969 UK 109 min Action/Adventure/Drama Monday, August 2, 2021 Page 1 of 110 Type Director Program Name Year Country Length Katzin, Lee H. Le Mans 1971 FR 108 min Mackendrick, Alexander; J. Lee Thompson Guns of Navarone 1961 UK | USA 158 min Newman, Paul Sometimes a Great Notion 1970 USA 114 min Action/Adventure/Fantasy/Horror Cooper, Merian C.; Ernest B. Schoedsack King Kong 1933 USA 104 min Donner, Richard Superman II - The Richard Donner Cut 2006 UK USA 115 min Schoedsack, Ernest B. Mighty Joe Young 1949 USA 94 min Schoedsack, Ernest B. Son of Kong 1933 USA 69 min Action/Adventure/Fantasy/Sci-Fi Cameron, James Avatar 2009 USA UK 162 min Donner, Richard Superman - The Movie 1978 UK USA 127 min Furie, Sidney J. Superman IV - The Quest for Peace 1987 UK 134 min Lester, Richard Superman II 1981 UK 127 min Lester, Richard Superman III 1983 UK 125 min Singer, Bryan Superman Returns 2006 AU USA 154 min Action/Adventure/Romance Curtiz, Michael; William Keighley Adventures of Robin Hood, The 1938 USA 102 min Cutiz, Michael Captain Blood 1935 USA 119 min Donen, Stanley Arabesque 1966 USA 106 min Lederman, D. Ross Adventure in Sahara 1938 USA 60 min Action/Adventure/Sci-Fi Daniels, Marc, et al. Star Trek: The Complete Original Series 1966 USA 4120 Kosinski, Joseph Tron: Legacy 2010 USA 125 min Lisberger, Steven Tron: Original Classic 1982 USA 96 min Nolan, Christopher Tenet 2020 USA 150 min Action/Adventure/Thriller Mendes, Sam Spectre 2015 MX MA AT IT UK 150 min Action/Biography/Crime Richet, Jean Francois Mesrine Part 1: Killer Instinct (aka L'instinct de mort) 2008 FR 113 min Richet, Jean Francois Mesrine Part 2: Public Enemy #1 (aka L'ennemi public n°1) 2008 FR 134 min Action/Biography/Drama Mangold, James Ford v. Ferrari 2019 USA 152 min Monday, August 2, 2021 Page 2 of 110 Type Director Program Name Year Country Length Ross, Gary Free State of Jones 2016 USA 280 min Action/Comedy/Crime Black, Shane Kiss Kiss Bang Bang 2001 USA 102 min Action/Comedy/Drama Reisz, Karel Who'll Stop the Rain 1978 USA 126 min Sono, Sion Love Exposure [aka Ai No Mukidashi] 2008 JP 237 min Action/Crime/Drama Clouse, Robert Enter the Dragon 1973 JP 98 min Edel, Uli Baader Meinhof Complex 2008 DE FR CZ 144 min Friedkin, William To Live and Die in L.A. 1985 USA 232 min Fukasaku, Kinji Yakuza Papers 1: Battles Without Honor and Humanity 1973 JP 99 min Fukasaku, Kinji Yakuza Papers 2: Deadly Fight in Hiroshima 1973 JP 100 min Fukasaku, Kinji Yakuza Papers 3: Proxy War 1973 JP 119 min Fukasaku, Kinji Yakuza Papers 4: Police Tactics 1974 JP 118 min Howitt, Peter Antitrust 2001 USA 108 min Jones, Tommy Lee Three Burials of Melquiades Estrada, The 2006 USA FR 121 min Lee, Spike Miracle at St. Anna 2008 USA 160 min Nolan , Christopher Dark Knight, The 2008 USA UK 152 min Nolan, Christopher Batman Begins 2005 USA UK 140 min Nolan, Christopher Dark Knight Rises, The 2012 USA UK 165 min Pollack, Sydney Yakuza, The 1974 JP USA 112 min Ritchie, Michael Prime Cut 1972 CA USA 88 min Smight, Jack Harper 1966 USA 121 min Wellman, William A. Public Enemy, The 1931 USA 83 min Action/Crime/Mystery Rosenberg, Stuart Drowning Pool, The 1975 USA 108 min Action/Crime/Thriller Boorman, John Point Blank 1967 USA 92 min Chaffey, Don; Michael Truman; Peter Yates, et al. Secret Agent [aka Danger Man]: The Complete Collection 1960 UK 3420 min Frankenheimer, John Ronin 1998 UK USA 121 min Parks, Gordon Shaft 1971 USA 100 min Siegel, Don Dirty Harry 1971 USA 102 min Monday, August 2, 2021 Page 3 of 110 Type Director Program Name Year Country Length Tarantino, Quentin Kill Bill: Volume 1 2003 USA 111 min Tarantino, Quentin Kill Bill: Volume 2 2004 USA 136 min To, Johnny; Ka-Fai Wai Mad Detective 2007 HK 86 min Tykwer, Tom International, The 2009 USA DE UK 118 min Woo, John Face/Off 1997 USA 115 min Yuen, Corey Transporter, The 2002 FR US 92 min Action/Drama Besson, Luc La Femme Nikita 1990 FR IT 117 min Gosha, Hideo Three Outlaw Samurai 1964 JP 93 min Kurosawa, Akira Ran 1985 JP 160 min Kurosawa, Akira Seven Samurai 1954 JP 208 min Kurosawa, Akira Yojimbo 1961 JA 110 min Snyder, Zack Watchmen: The Ultimate Cut 2009 USA 215 min Action/Drama/Adventure Kubrick, Stanley; Anthony Mann Spartacus 1960 USA 196 min Weir, Peter Master and Commander 2003 USA 138 min Woo, John Red Cliff International Version - Part I & Part II 2008 CH 288 min Action/Drama/Crime Fleischer, Richard; John Huston Last Run, The 1971 ES 95 min Action/Drama/History Cox, Alex Walker 1987 USA MX ES 94 min Eisenstein, Sergei; Dmitri Vasilyev Alexander Nevsky 1938 RU 108 min Action/Drama/History/War Snyder, Zack 300 2006 USA 117 min Action/Drama/Romance Ford, John Hurricane, The 1937 AS 110 min Action/Drama/Science Fiction Soderbergh, Steven Contagion 2011 USA 106 min Wenders, Wim Until the End of the World 1991 DE FR AU 287 min Action/Drama/Thriller Demange, Yann '71 2014 UK 99 min Fujita, Toshiya Lady Snowblood 1973 JP 97 min Monday, August 2, 2021 Page 4 of 110 Type Director Program Name Year Country Length Fujita, Toshiya Lady Snowblood: Love Song of Vengeance 1974 JP 89 min Action/Drama/War Aldrich, Robert Dirty Dozen, The 1967 UK USA 150 min Fuller, Samuel Big Red One, The [Reconstructed] 1980 USA 158 min Nolan, Christopher Dunkirk 2017 USA NL UK FR 135 min Ray, Nicholas Bitter Victory 1958 FR USA 102 min Action/Fantasy/Science Fiction Kershner, Irvin Empire Strikes Back, The 1980 USA 127 min Lucas, George A New Hope 1977 USA 125 min Marquand, Richard Return of the Jedi 1983 USA 135 min Spielberg, Steven Minority Report 2002 USA 145 min Action/Horror/Sci-Fi/Thriller Nolan, Christopher Inception 2010 USA UK 148 min Rodriguez, Robert Planet Terror 2007 USA 105 min Action/Mystery/Thriller Leith, David Atomic Blonde [4K UHD] 2017 DE HU UK 115 min Action/Sci-Fi/Thriller Besson, Luc Lucy [4K UHD BD] 2014 TW FR DE 90 min Bong, Joon-Ho Snowpiercer 2013 AT CZ 126 min Crichton, Michael Westworld 1973 USA 88 min Action/Spy Apted, Michael World Is Not Enough, The 1999 UK USA 128 min Campbell, Martin Casino Royale 2006 UK CZ USA DE BS 144 min Campbell, Martin GoldenEye 1995 UK USA 130 min Forster, Marc Quantum of Solace 2008 UK USA 106 min Gilbert, Lewis Moonraker 1979 UK FR 121 min Gilbert, Lewis Spy Who Loved Me, The 1977 UK 126 min Gilbert, Lewis You Only Live Twice 1967 UK 117 min Glen, John A View to a Kill 1985 UK USA 131 min Glen, John For Your Eyes Only 1981 UK 127 min Glen, John Licence to Kill 1989 UK USA 133 min Glen, John Living Daylights, The 1987 UK 131 min Monday, August 2, 2021 Page 5 of 110 Type Director Program Name Year Country Length Glen, John Octopussy 1983 UK USA 131 min Greenglass, Paul Bourne Ultimatum 2007 USA 116 min Greengrass, Paul Bourne Supremacy, The 2004 USA DE 108 min Hamilton, Guy Diamonds Are Forever 1971 UK 120 min Hamilton, Guy Goldfinger 1964 UK 117 min Hamilton, Guy Live and Let Die 1973 UK 121 min Hamilton, Guy Man with the Golden Gun, The 1974 UK 125 min Hunt, Peter R. On Her Majesty's Secret Service 1969 UK 144 min Mendes, Sam Skyfall 2012 UK USA 143 min Spottiswoode, Roger Tomorrow Never Dies 1997 UK USA 119 min Tamahori, Lee Die Another Day 2002 UK USA 133 min Young, Terence Dr. No 1962 UK 111 min Young, Terence From Russia With Love 1963 UK 115 min Young, Terence Thunderball 1965 UK 125 min Action/Spy/Romance Liman, Doug Bourne Identity, The 2002 USA 119 min.
Load more

Recommended publications
  • Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
    Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • 9782873404178 01.Pdf
    SOMMAIRE Jean-François Rauger : La douceur Fuller L’ŒUVRE Thanatos Pierre Gabaston. La fureur Fuller Serge Chauvin. Crever l’écran. Une esthétique du surgissement Sarah Ohana. Faire face. À propos du style de Samuel Fuller Laurent Le Forestier. Samuel Fuller, cinéaste responsable Jean-Marie Samocki. Le chaos comme le chant. Samuel Fuller metteur en son Éros Murielle Joudet. La violence en partage Patrice Rollet. L’autre visage de la fureur. Érotique de Fuller Figures humaines Sergio Toffetti. Le jaune, le rouge, le noir et le blanc Chris Fujiwara. Les visages asiatiques de Samuel Fuller Jean-Marie Samocki. Le vieillissement de Lee Marvin. It Tolls for Thee / The Big Red One Simon Laperrière. Une grande mêlée. Les romans de Samuel Fuller LES FILMS Gilles Esposito. L’enfer du développement. Samuel Fuller scénariste Marcos Uzal. La Passion du traître. I Shot Jesse James / J’ai tué Jesse James Laura Laufer. L’Amour, vaste territoire The Baron of Arizona / Le Baron de l’Ari- zona Mathieu Macheret. Le Théâtre des opérations. The Steel Hemlet / J’ai vécu l’en- fer de Corée et Fixed Bayonets !/Baïonnette au canon Bernard Eisenschitz. Park Row / Violence à Park Row Murielle Joudet. Pickpocket. Pickup on South Street / Le Port de la drogue Samuel Bréan. Anatomie d’un mensonge. Le doublage de Pickup on South Street Jean-François Rauger. Le Sous-marin et les Rouges. Hell and High Water / Le Démon des eaux troubles The Steel Helmet. Egdardo Cozarinsky. House of Bamboo / La Maison de Bambou Bernard Benoliel. Fuller, l’attendrisseur. Run of the Arrow / Le Jugement des Jean-François Rauger flèches Jean-François Rauger.
    [Show full text]
  • January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
    January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949).
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Classic French Film Festival 2013
    FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series Webster University’s Winifred Moore Auditorium, 470 E. Lockwood Avenue June 13-16, 20-23, and 27-30, 2013 www.cinemastlouis.org Less a glass, more a display cabinet. Always Enjoy Responsibly. ©2013 Anheuser-Busch InBev S.A., Stella Artois® Beer, Imported by Import Brands Alliance, St. Louis, MO Brand: Stella Artois Chalice 2.0 Closing Date: 5/15/13 Trim: 7.75" x 10.25" Item #:PSA201310421 QC: CS Bleed: none Job/Order #: 251048 Publication: 2013 Cinema St. Louis Live: 7.25" x 9.75" FIFTH ANNUAL CLASSIC FRENCH FILM FESTIVAL PRESENTED BY Co-presented by Cinema St. Louis and Webster University Film Series The Earrings of Madame de... When: June 13-16, 20-23, and 27-30 Where: Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave. How much: $12 general admission; $10 for students, Cinema St. Louis members, and Alliance Française members; free for Webster U. students with valid and current photo ID; advance tickets for all shows are available through Brown Paper Tickets at www.brownpapertickets.com (search for Classic French) More info: www.cinemastlouis.org, 314-289-4150 The Fifth Annual Classic French Film Festival celebrates St. Four programs feature newly struck 35mm prints: the restora- Louis’ Gallic heritage and France’s cinematic legacy. The fea- tions of “A Man and a Woman” and “Max and the Junkmen,” tured films span the decades from the 1920s through the Jacques Rivette’s “Le Pont du Nord” (available in the U.S.
    [Show full text]
  • The Phenomenological Aesthetics of the French Action Film
    Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
    [Show full text]
  • Films Shown by Series
    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
    [Show full text]
  • IMMORTEL by Franz‐Olivier GIESBERT (75%) Published by Editions FLAMMARION ©2007 (37.5%)
    Europacorp presents JEAN RENO KAD MERAD MARINA FOÏS JEAN‐PIERRE DARROUSSIN 22 BULLETS A FILM BY RICHARD BERRY Based on the novel L’IMMORTEL by Franz‐Olivier GIESBERT (75%) Published by Editions FLAMMARION ©2007 (37.5%) FRENCH NATIONAL RELEASE MARCH 24, 2010 Runtime: 115' DISTRIBUTION: PRESS: Europacorp Distribution AS COMMUNICATION 137, rue du Faubourg St‐Honoré Alexandra Schamis/Sandra 75008 Paris Naomi Kato Tel: +33 (0)1 53 83 03 03 11 bis rue Magellan – 75008 Paris Fax: +33 (0)1 53 83 02 04 Tel: +33 (0)1 47 23 00 02 www.europacorp.com [email protected] SYNOPSIS Charly Matteï has turned his back on his life as an outlaw. For the last three years, he's led a peaceful life devoting himself to his wife and two children. Then, one winter morning, he's left for dead in the parking garage in Marseille's Old Port, with 22 bullets in his body. Against all the odds, he doesn't die... This film is a work of fiction inspired by real‐life events in the world of the Marseille mafia. INTERVIEW WITH RICHARD BERRY What made you want to adapt Franz‐Olivier Giesbert's book? In the same way that comedy is an incredible vehicle for certain ideas, thrillers can also give you pause to reflect on certain issues. In the story of a guy, who was allegedly a mafia godfather in Marseille, who was left for dead in 1977 in a parking lot in Cassis, but who survived the shooting earning himself the nickname "The Immortal", I saw an incredibly strong subject and an amazing adventure.
    [Show full text]
  • Luc Besson B.1959 Le Grand Bleu 1988
    Cinéma du Look Spring 2021 Luc Besson b.1959 Le Grand Bleu 1988 The Big Blue: Film From Time Out: https://www.timeout.com/movies/the-big-blue Time Out says The action centres on the rivalry between free-divers Barr and Reno - they dive deep without an aqualung - which begins when they are little boys. The first time you see someone plunging into alien blackness is exciting, but the novelty soon wears off. The first half-hour is the best part of the movie. Going through her usual kooky routine, Arquette plays a New York insurance agent who encounters Barr in Peru, and is captivated by his wide- eyed innocence (which others might describe as bovine stupidity). Her sole purpose seems to be to reassure the audience that there is nothing funny going on between best buddies Barr, who talks to dolphins, and Reno, a macho mother's boy (a performance of much comic credibility). The ending is the worst part of the movie: Barr rejects the pregnant Arquette in favour of going under one last time to become a dolphin-man. Such bathos reeks of cod-Camus. What lies in between is a series of CinemaScopic swathes of blue seas and white cliffs. Besson's film is exactly like his hero: very pretty but very silly. Details Release details Rated: 15 Duration: 119 mins Cast and crew Director: Luc Besson Screenwriter: Luc Besson, Robert Garland, Marilyn Goldin, Jacques Mayol, Marc Perrier Cast: Rosanna Arquette, Jean-Marc Barr, Jean Reno, Paul Shenar, Sergio Castellitto, Jean Bouise, Griffin Dunne Luc Besson Filmography as Director Thirty years ago, Le Grand Bleu (The Big Blue) shook the Croisette Article sourced from Festival de Cannes: https://www.festival-cannes.com/en/72- editions/retrospective/2018/actualites/articles/thirty-years-ago-le-grand-bleu-the-big-blue-shook-the-croisette# In 1988, the Festival de Cannes opened to Le Grand Bleu (The Big Blue) by the young Luc Besson.
    [Show full text]
  • Jacques Rivette
    Lundi 4 avril 2016 www.sacd.fr Cinéma des Cinéastes Soirée en hommage à Jacques Rivette Scénario et réalisation de Jacques Rivette, Christine Laurent, Pascal Bonitzer Réalisation de Jacques Rivette Grand Prix, critique internationale Fipresci et Prix du Jury, mention spéciale à Jacques Rivette au Festival de Berlin, 1989 Soirée présentée par Christine Laurent, cinéaste, administratrice Cinéma de la SACD La Bande des quatre 1987 Scénario de Jacques Rivette, Christine Laurent, Pascal Bonitzer Réalisation de Jacques Rivette Claude, Anna, Joyce et Lucia forment une "bande des quatre" qui vit en communauté dans une grande maison de la banlieue parisienne. L'une après l'autre, les quatre filles rencontrent un inconnu, Thomas, qui emprunte à chaque fois une identité nouvelle afin de les mettre en garde sur le danger que court une de leurs amies, Cécile, également élève du cours... Remerciements Les Films du Losange Liste artistique Constance Dumas Bulle Ogier Thomas Benoît Régent Claude Laurence Côte Anna Fejria Deliba Joyce Bernadette Giraud Lucia Inês de Medeiros Cécile Nathalie Richard Liste technique Scénaristes Jacques Rivette, Christine Laurent, Pascal Bonitzer Réalisateur Jacques Rivette Compositeur de la musique préexistante Claudio Monteverdi Directeur de la photographie Caroline Champetier Ingénieur du son Florian Eidenbenz Production Pierre Grise Productions (Paris), Limbo Film AG (Zürich), La Sept Cinéma Producteur délégué Martine Marignac Distributeur d’origine Les Films du Losange (Paris) Jacques Rivette Né en 1928 à Rouen, Jacques Rivette se passionne très tôt pour le cinéma. Il réalise son premier court métrage, Aux quatre coins, en 1949. Cette année-là, il rejoint Paris. Inscrit à la Sorbonne, il fréquente assidument le Ciné-club du quartier latin.
    [Show full text]
  • Last Tango in Paris (1972) Dramas Bernardo Bertolucci
    S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
    [Show full text]