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YALE ARCHITECTURE FALL 2011 Constructs Yale Architecture
1 CONSTRUCTS YALE ARCHITECTURE FALL 2011 Constructs Yale Architecture Fall 2011 Contents “Permanent Change” symposium review by Brennan Buck 2 David Chipperfield in Conversation Anne Tyng: Inhabiting Geometry 4 Grafton Architecture: Shelley McNamara exhibition review by Alicia Imperiale and Yvonne Farrell in Conversation New Users Group at Yale by David 6 Agents of Change: Geoff Shearcroft and Sadighian and Daniel Bozhkov Daisy Froud in Conversation Machu Picchu Artifacts 7 Kevin Roche: Architecture as 18 Book Reviews: Environment exhibition review by No More Play review by Andrew Lyon Nicholas Adams Architecture in Uniform review by 8 “Thinking Big” symposium review by Jennifer Leung Jacob Reidel Neo-avant-garde and Postmodern 10 “Middle Ground/Middle East: Religious review by Enrique Ramirez Sites in Urban Contexts” symposium Pride in Modesty review by Britt Eversole review by Erene Rafik Morcos 20 Spring 2011 Lectures 11 Commentaries by Karla Britton and 22 Spring 2011 Advanced Studios Michael J. Crosbie 23 Yale School of Architecture Books 12 Yale’s MED Symposium and Fab Lab 24 Faculty News 13 Fall 2011 Exhibitions: Yale Urban Ecology and Design Lab Ceci n’est pas une reverie: In Praise of the Obsolete by Olympia Kazi The Architecture of Stanley Tigerman 26 Alumni News Gwathmey Siegel: Inspiration and New York Dozen review by John Hill Transformation See Yourself Sensing by Madeline 16 In The Field: Schwartzman Jugaad Urbanism exhibition review by Tributes to Douglas Garofalo by Stanley Cynthia Barton Tigerman and Ed Mitchell 2 CONSTRUCTS YALE ARCHITECTURE FALL 2011 David Chipperfield David Chipperfield Architects, Neues Museum, façade, Berlin, Germany 1997–2009. -
Protecting Postmodern Historicism: Identification, Ve Aluation, and Prescriptions for Preeminent Sites
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2013 Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Jonathan Vimr University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Vimr, Jonathan, "Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites" (2013). Theses (Historic Preservation). 211. https://repository.upenn.edu/hp_theses/211 Suggested Citation: Vimr, Jonathan (2013). Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/211 For more information, please contact [email protected]. Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Abstract Just as architectural history traditionally takes the form of a march of styles, so too do preservationists repeatedly campaign to save seminal works of an architectural manner several decades after its period of prominence. This is currently happening with New Brutalism and given its age and current unpopularity will likely soon befall postmodern historicism. In hopes of preventing the loss of any of the manner’s preeminent works, this study provides professionals with a framework for evaluating the significance of postmodern historicist designs in relation to one another. Through this, the limited resources required for large-scale preservation campaigns can be correctly dedicated to the most emblematic sites. Three case studies demonstrate the application of these criteria and an extended look at recent preservation campaigns provides lessons in how to best proactively preserve unpopular sites. -
An Introduction to Architectural Theory Is the First Critical History of a Ma Architectural Thought Over the Last Forty Years
a ND M a LLGR G OOD An Introduction to Architectural Theory is the first critical history of a ma architectural thought over the last forty years. Beginning with the VE cataclysmic social and political events of 1968, the authors survey N the criticisms of high modernism and its abiding evolution, the AN INTRODUCT rise of postmodern and poststructural theory, traditionalism, New Urbanism, critical regionalism, deconstruction, parametric design, minimalism, phenomenology, sustainability, and the implications of AN INTRODUCTiON TO new technologies for design. With a sharp and lively text, Mallgrave and Goodman explore issues in depth but not to the extent that they become inaccessible to beginning students. ARCHITECTURaL THEORY i HaRRY FRaNCiS MaLLGRaVE is a professor of architecture at Illinois Institute of ON TO 1968 TO THE PRESENT Technology, and has enjoyed a distinguished career as an award-winning scholar, translator, and editor. His most recent publications include Modern Architectural HaRRY FRaNCiS MaLLGRaVE aND DaViD GOODmaN Theory: A Historical Survey, 1673–1968 (2005), the two volumes of Architectural ARCHITECTUR Theory: An Anthology from Vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 with co-editor Christina Contandriopoulos), and The Architect’s Brain: Neuroscience, Creativity, and Architecture (Wiley-Blackwell, 2010). DaViD GOODmaN is Studio Associate Professor of Architecture at Illinois Institute of Technology and is co-principal of R+D Studio. He has also taught architecture at Harvard University’s Graduate School of Design and at Boston Architectural College. His work has appeared in the journal Log, in the anthology Chicago Architecture: Histories, Revisions, Alternatives, and in the Northwestern University Press publication Walter Netsch: A Critical Appreciation and Sourcebook. -
State of the River 2006-07
State of the River 2006–07 iver Renaissance is the City of Portland’s initiative to reclaim the Willamette River as a community centerpiece, and sustain our connection with the Columbia River. The Willamette is the heart of Portland’s landscape, history, and culture. The Columbia is our economic and ecologic lifeline to the Pacific. River Renaissance Rpromotes and celebrates these waters as living emblems of Portland’s identity. Portland lives its river values every day in ways big and small. Together these actions are reconnecting citizens and businesses with a healthier river. The State of the River Report profiles yearly accomplishments and identifi es future actions needed to assure a clean and healthy river, a prosperous harbor, and vibrant riverfronts. Just a few of the actions detailed in this report are illustrated on this page to give some idea of how deeply Portland believes in caring for—and being cared for by—our rivers. 2006–07 State of the River Report Contents River Renaissance is a Leadership . 2 community-wide initiative to Message from the River Renaissance Directors . 3 reclaim the Willamette River Introduction . 4 as Portland’s centerpiece, and sustain our connection with the How the City that Works Works on the River . 5 Columbia River. The initiative Accomplishments and Key Actions . 7 promotes and celebrates Portland’s Progress Measures . 23 waters as our chief environmental, 2007–2008 Action Agenda . 35 economic and urban asset. Up and Down the Willamette . 55 Partners . 61 Recommended Readings . 63 The 2006–07 State of the River Report summarizes the achievements made by the City of Portland and a network of community partners to revitalize our rivers and identifies next steps needed to continue progress. -
Major Events in Portland Planning History: Pioneer Courthouse Square
Portland State University PDXScholar Ernie Bonner Collection Oregon Sustainable Community Digital Library 4-11-2004 Major Events in Portland Planning History: Pioneer Courthouse Square Ernest Bonner Follow this and additional works at: https://pdxscholar.library.pdx.edu/oscdl_bonner Part of the Urban Studies Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Recommended Citation Bonner, Ernest, "Major Events in Portland Planning History: Pioneer Courthouse Square" (2004). Ernie Bonner Collection. 302. https://pdxscholar.library.pdx.edu/oscdl_bonner/302 This Report is brought to you for free and open access. It has been accepted for inclusion in Ernie Bonner Collection by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Major Events in Portland Planning History: Pioneer Courthouse Square personal files] 1980-08-22 PDC Organizational Meeting. Items discussed include: - It will take $100-200,000 for fund raising and events; - Architect will do sketch on painting the square; - Architect to provide outline of items to be donated. PDC has budgeted $50,000 for interim use related items, i.e., painting the square; - Mike Cook wants proposal from Architect on fee and product on the various phases of work, street right of way not in main contract. Will Martin notes to file [in Mark Bevins personal files] 1980-08-25 Meeting with Bob Packard (Zimmer Gunsul Frasca) on Light Rail Transit station planning. First fee breakdown by M. Bevins and J. Matteson. 1980-08-27 Meeting on street improvements. Architect asked to break down improvements into phasing for grant proposal, also must determine street profile at interface with Square. -
Research Article the Hidden Geometry of the Douglas House
Research Journal of Applied Sciences, Engineering and Technology 7(12): 2483-2490, 2014 DOI:10.19026/rjaset.7.556 ISSN: 2040-7459; e-ISSN: 2040-7467 © 2014 Maxwell Scientific Publication Corp. Submitted: July 22, 2013 Accepted: August 16, 2013 Published: March 29, 2014 Research Article The Hidden Geometry of the Douglas House Saleem M. Dahabreh Department of Architecture, University of Jordan, Jordan Abstract: This study aims to uncover the hidden geometry that regulates and orders the design of the Douglas House by Richard Meier. Richard Meier, over a five decade career, has been associated with a recognizable design language that has a clear set of formal characteristics and design themes, including among others: geometrical order exemplified in the use of modules and proportions and visual layering that organizes space in his buildings through the arrangement of successive planes across the visual field. Taking the Douglas house as a case study, the aim of the study is to show how these themes and motifs are employed in a particular building with a particular emphasis upon the geometrical ordering of building plans and elevations and the modular and proportional systems entailed in this ordering. This choice of emphasis is not coincidental: while other aspects of Meier’s language may be equally important from the point of view of the perceptual qualities or the aesthetic judgment of his buildings, geometrical ordering most closely regulates and interacts with the overall arrangement of formal elements of the building. The study concludes that the final form of the house depends on the interaction between a design program and a formal language but is not determined solely by any. -
Park-Above-Parking Downtown: a Spatial-Based Impact Investigation
PARK-ABOVE-PARKING DOWNTOWN: A SPATIAL-BASED IMPACT INVESTIGATION by LANBIN REN A DISSERTATION Presented to the Department of Landscape Architecture and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2012 DISSERTATION APPROVAL PAGE Student: Lanbin Ren Title: Park-above-Parking Downtown: A Spatial-Based Impact Investigation This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy in the Department of Landscape Architecture by: Mark Gillem Chairperson Deni Ruggeri Member Robert Ribe Member Yizhao Yang Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2012 ii © 2012 Lanbin Ren iii DISSERTATION ABSTRACT Lanbin Ren Doctor of Philosophy Department of Landscape Architecture December 2012 Title: Park-above-Parking Downtown: A Spatial-Based Impact Investigation Parking and parks are both crucial to downtown economic development. Many studies have shown that downtown parks significantly contribute to increasing surrounding property values and attract residents, businesses and investment. Meanwhile, sufficient available parking promotes accessibility to downtown that also contributes to increasing tax revenue for local government. However, both downtown parks and parking raise problems. Many downtown parks have become places for drug dealing, shooting and vandalism since the decline of downtowns in the 1960s. At the same time, residents and visitors alike oftentimes complain about the lack of parking while in fact parking spaces occupy a large amount of land in downtown. -
Postmodernism
Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 1 Black Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 Edited by Glenn Adamson and Jane Pavitt V&A Publishing TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 2 3 Black Black Exhibition supporters Published to accompany the exhibition Postmodernism: Style and Subversion, 1970 –1990 Founded in 1976, the Friends of the V&A encourage, foster, at the Victoria and Albert Museum, London assist and promote the charitable work and activities of 24 September 2011 – 15 January 2012 the Victoria and Albert Museum. Our constantly growing membership now numbers 27,000, and we are delighted that the success of the Friends has enabled us to support First published by V&A Publishing, 2011 Postmodernism: Style and Subversion, 1970–1990. Victoria and Albert Museum South Kensington Lady Vaizey of Greenwich CBE London SW7 2RL Chairman of the Friends of the V&A www.vandabooks.com Distributed in North America by Harry N. Abrams Inc., New York The exhibition is also supported by © The Board of Trustees of the Victoria and Albert Museum, 2011 The moral right of the authors has been asserted. -
Ludwig Mies Van Der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center
Graduate Theses, Dissertations, and Problem Reports 2011 Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center Elizabeth Stoloff Vehse West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Vehse, Elizabeth Stoloff, "Classicism as Foundation in Architecture: Ludwig Mies van der Rohe's Richard King Mellon Hall of Science and Michael Graves's Erickson Alumni Center" (2011). Graduate Theses, Dissertations, and Problem Reports. 848. https://researchrepository.wvu.edu/etd/848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Classicism as Foundation in Architecture: Ludwig Mies van der Rohe’s Richard King Mellon Hall of Science and Michael Graves’s Erickson Alumni Center Elizabeth Stoloff Vehse Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Kristina Olson, M.A., Chair Janet Snyder, Ph.D. -
Peircean Interpretation of Postmodern Architecture
PEIRCEAN INTERPRETATION OF POSTMODERN ARCHITECTURE A Dissertation by IWAO TAKAHASHI Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Robert Warden Committee Members, Frances E. Downing Robert W. Burch Gregory F. Pappas Head of Department, Ward V. Wells December 2013 Major Subject: Architecture Copyright 2013 Iwao Takahashi ABSTRACT The influence of philosophy on architectural theory contributes to the formulation of architectural theory in the history of architecture. This relationship created the oscillation of architectural theory between rationalism and romanticism reflecting the woven tendency of philosophy such as enlightenment and counter-enlightenment movement. This dissertation research focuses on architectural language theory which maintains a tight relationship with the philosophy of language. Postmodern architecture during the period of the 1970s through 1980s is examined to determine meanings of architecture, and the language theory of architecture. It followed the philosophy of language originated from Ferdinand de Saussure who influenced theorists, and explicitly sign theorists influenced by Charles Sanders Peirce. This theoretical underpinning of language theory is questionable because of an inappropriate application of the sign theory of Charles Sanders Peirce in terms of principal interpretation of language structure, dyadic and triadic type of language. This research re-interprets the meaning of architecture during postmodern period along with Peirce’s semeiotic theory, and American Pragmatism that Peirce originally invented. The collection of evidence from architectural history and the influence from philosophy provides a conceptual sketch that the oscillation of theoretical tendency is the source of architectural creation. -
Architecture Or Techno-Utopia
Friedrich St. Florian. Imaginary Space, 1968. 112 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/152638101300138611 by guest on 25 September 2021 Architecture or Techno-Utopia FELICITY D. SCOTT In August 1976, l’Architecture d’aujourd’hui published a dossier prepared by Brian Brace Taylor, entitled “New York in White and Gray.” Tracing various lines of demarcation emerg- ing around the battle of the “Grays” and the “Whites” (also known as “inclusivism” versus “exclusivism,” or “neorealism” versus “neorationalism”),1 this issue marked the first appear- ance of Manfredo Tafuri’s article, “The Ashes of Jefferson,” which appeared alongside Robert Stern’s “Gray Architecture as Post-Modernism, or, Up and Down from Orthodoxy.”2 In “The American Night Time,” chief editor Bernard Huet’s introduc- tion to this “not-the-bicentennial issue,” the conjunction of New York’s “urban crisis” and its concentration of the “most highly-refined architectural ‘avant-garde’” was used to reflect on American cultural imperialism and to posit it as a “warn- ing.” Pointing to the “perfect (and illusory) correlation between a mode of modern architectural expression, functional and effi- cient, and the economic and technical development of the most advanced form of capitalism,” Huet noted the long-standing fascination this correlation held for both French architects and their clients. As its counterpart in the 1970s, he posited the nos- talgic contemplation by American architects of both the Parisian Beaux-Arts and the modernist avant-garde. For Huet, American architecture was characterized by a “generalized architectural consumption” that collapsed dis- tinctions between commercial modernism and the polemics of both the Grays and the Whites. -
Pioneer Courthouse Square Market Research Results
Portland State University PDXScholar Portland City Archives Oregon Sustainable Community Digital Library 1-1-1984 Pioneer Courthouse Square Market Research Results Keith L. Crawford Follow this and additional works at: https://pdxscholar.library.pdx.edu/oscdl_cityarchives Part of the Urban Studies Commons, and the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Recommended Citation Crawford, Keith L., "Pioneer Courthouse Square Market Research Results" (1984). Portland City Archives. 97. https://pdxscholar.library.pdx.edu/oscdl_cityarchives/97 This Report is brought to you for free and open access. It has been accepted for inclusion in Portland City Archives by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. PIONEER COURTHOUSE SQUARE MARKET RESEARCH SURVEY RESULTS Conducted in cooperation with Portland State University Under the auspices of Pioneer Courthouse Square of Portland, Inc By Keith L. Crawford Copyright 1984, all rights reserved. PIONEER COURTHOUSE SQUARE MARKET RESEARCH SURVEY TABLE OF CONTENTS PAGE Acknowledgements i Introduction ii The reason and the method • iii SURVEY RESULTS: All about the Brickowners Where they live 1 Their relatives before 1900 2 Their ancestors who attended Central School 3 The Portland Hotel Their stories about the Portland Hotel 4 The Meier & Frank parking lot - 5 When they visit downtown When they got involved with the Square How they heard about the fundraising 6 Most effective