Generating Two-Dimensional Platformer Game Levels from Storylines
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Apache TOMCAT
LVM Data Migration • XU4 Fan Control • OSX USB-UART interfacing Year Two Issue #22 Oct 2015 ODROIDMagazine Apache TOMCAT Your web server and servlet container running on the world’s most power-efficient computing platform Plex Linux Gaming: Emulate Sega’s last Media console, the Dreamcast Server What we stand for. We strive to symbolize the edge of technology, future, youth, humanity, and engineering. Our philosophy is based on Developers. And our efforts to keep close relationships with developers around the world. For that, you can always count on having the quality and sophistication that is the hallmark of our products. Simple, modern and distinctive. So you can have the best to accomplish everything you can dream of. We are now shipping the ODROID-U3 device to EU countries! Come and visit our online store to shop! Address: Max-Pollin-Straße 1 85104 Pförring Germany Telephone & Fax phone: +49 (0) 8403 / 920-920 email: [email protected] Our ODROID products can be found at http://bit.ly/1tXPXwe EDITORIAL his month, we feature two extremely useful servers that run very well on the ODROID platform: Apache Tom- Tcat and Plex Media Server. Apache Tomcat is an open- source web server and servlet container that provides a “pure Java” HTTP web server environment for Java code to run in. It allows you to write complex web applications in Java without needing to learn a specific server language such as .NET or PHP. Plex Media Server organizes your vid- eo, music, and photo collections and streams them to all of your screens. -
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming by Robert C. Hoile At this moment there’s a Renaissance taking place in games, in the breadth of genres and the range of emotional territory they cover. I’d hate to see this wither on the vine because the cultural conversation never caught up to what was going on. We need to be able to talk about art games and ‘indie’ games the ways we do about art and indie film. (Isbister xvii) The thought of a videogame Renaissance, as suggested by Katherine Isbister, is both appealing and reasonable, yet she uses the term Renaissance rather casually in her introduction to How Games Move Us (2016). She is right to assert that there is diversity in the genres being covered and invented and to point out the effectiveness of games to reach substantive emotional levels in players. As a revival of something in the past, a Renaissance signifies change based on revision, revitalization, and rediscovery. For this term to apply to games then, there would need to be a radical change based not necessarily on rediscovery of, but inspired/incited by something perceived to be from a better time. In this regard the videogame industry shows signs of being in a Renaissance. Videogame developers have been attempting to innovate and push the industry forward for years, yet people still widely regard classics, like Nintendo’s Legend of Zelda: Ocarina of Time (1998), as the best games of all time. As with the infatuation with sequels in contemporary Hollywood cinema, game companies are often perceived as producing content only for the money while neglecting quality. -
Dual-Forward-Focus
Scroll Back The Theory and Practice of Cameras in Side-Scrollers Itay Keren Untame [email protected] @itayke Scrolling Big World, Small Screen Scrolling: Neural Background Fovea centralis High cone density Sharp, hi-res central vision Parafovea Lower cone density Perifovea Lowest density, Compressed patterns. Optimized for quick pattern changes: shape, acceleration, direction Fovea centralis High cone density Sharp, hi-res central vision Parafovea Lower cone density Perifovea Lowest density, Compressed patterns. Optimized for quick pattern changes: shape, acceleration, direction Thalamus Relay sensory signals to the cerebral cortex (e.g. vision, motor) Amygdala Emotional reactions of fear and anxiety, memory regulation and conditioning "fight-or-flight" regulation Familiar visual patterns as well as pattern changes may cause anxiety unless regulated Vestibular System Balance, Spatial Orientation Vestibulo-Ocular Reflex Natural image stabilizer Conflicting sensory signals (Visual vs. Vestibular) may lead to discomfort and nausea* * much worse in 3D (especially VR), but still effective in 2D Scrolling with Attention, Interaction and Comfort Attention: Use the camera to provide sufficient game info and feedback Interaction: Make background changes predictable, tightly bound to controls Comfort: Ease and contextualize background changes Attention The Elements of Scrolling Interaction Comfort Scrolling Nostalgia Rally-X © 1980 Namco Scramble © 1981 Jump Bug © 1981 Defender © 1981 Konami Hoei/Coreland (Alpha Denshi) Williams Electronics Vanguard -
Gaming Systems and Features of Discovery Centre Station 1
Gaming systems and features of Discovery Centre Station 1: XBox 1 with Remote The Book of Unwritten Tales 2 Wii U and Wii U Remote Braid Playstation 4 with Remote The Bridge Gaming PC with Gaming keyboard and The Cat and the Coup mouse Cave Story+ Downloaded games in station 1 include: Closure 7 Grand Steps, Step 1: What Ancients Begat Cogs 140 Coil AaAaAA!! – A Reckless Disregard for Colosse Gravity Colour Bind ABE VR Crawl Achron Cube & Star: An Arbitrary Love AltscpaceVR Dayz Amnesia: The Dark Descent Deep Under the Sky Analogue: A Hate Story Desktop Dungeons A Story About My Uncle Destinations B.U.T.T.O.N. Dinner Date Bad Hotel Dream Banished The Dream Machine Bastion The Dream Machine: Chapter 3 The Beginner’s Guide The Dream Machine: Chapter 4 Besiege The Dream Machine: Chapter 5 Between IGF Demo Dungeon of the Endless Bientôt l’été Dust: An Elysian Tail Bigscreen Beta Elegy for a Dead World BioShock Infinite Endless Legend The Binding of Isaac: Rebirth Ephemerid: A Musical Adventure BIT.TRIP RUNNER Estranged: Act 1 BlazeRush Carleton University Library and the Discovery Centre September 2019 Euro Truck Simulator 2 Interstellar Marines Evoland Intrusion 2 Evoland 2 Invisible, Inc. Fallout Jamestown Fallout 2 Joe Danger Fallout Tactics Keep Talking and Nobody Explodes Farming Simulator 17 Kentucky Route Zero Flotilla LA Cops FLY’N Legend of Dungeon The FOO show Life is Strange The Forest LIMBO Fotonica Lisa Frozen Synapse Little Inferno FTL: Faster than -
LUDIC VISUALS the Visualizations of Game Mechanics
LUDIC VISUALS The Visualizations of Game Mechanics Laura Laakso Master’s Thesis Master of Arts in New Media New Media: Game Design and Production Department of Media School of Arts, Design and Architecture Aalto University 2019 P.O. BOX 31000, 00076 AALTO www.aalto.fi Master of Arts thesis abstract Author Laura Laakso Title of thesis Ludic Visuals: The Visualizations of Game Mechanics Advisor Laura Valojärvi Supervisor Miikka Junnila Department Department of Media Degree program New Media: Game Design and Production Year 2019 Number of pages 167 Language English BSTRACT A There is a lot of systemic information in games, but its visual expression has been a relatively under-researched phenomenon. Earlier research tends to pair the visual presentation of games together with the game narrative. However, game mechanics can also be expressed visually. In this thesis, game mechanics are the parts that form the game system such as the rules, the events, and the pieces of a game. This thesis studies how game mechanics are visualized. My research hypothesis suggests that there are components that consist of both game- mechanical and visual aspects. I have named them ludic visuals. This research identifies and explores the presence of ludic visuals in games from the perspective of what is available for a player. This thesis is largely based on previous game research and various theories of perception and experiencing. The experience of being inside a gameworld is deemed similar to the experience of being inside the real world, which made it possible to approach ludic visuals as functional parts of gameworlds. -
Integrating Visual Effects Into 2D Platformer Games to Enhance Play Experiences
Integrating Visual Effects into 2D Platformer Games to Enhance Play Experiences Hao Tian Game Science and Design Northeastern University [email protected] Thesis Presented by Hao Tian to the Department of Art + Design In Partial Fulfillment of the Requirements for the Degree of Master of Science in Game Science and Design in the Graduate School of the College of Arts, Media and Design Northeastern University Boston, Massachusetts May, 2020 Abstract This paper offers an experimental result of how to design visual effects in the 2D game to enhance play experience by offering visually appealing graphics and helping players understand the game. Visual effects in the video game industry were used as set decoration because they can attract players from an aesthetic aspect and even help players understand the game better. More than just making the game visually appealing, they can also be used to guide the players on how a game's mechanics should work without using text-based instructions. By integrating appropriate visual effects into a 2D platformer game, the game mechanics become easily understood by the player, and the appropriate visual effects can also help players immerse into the game from both narrative perspective and interactive perspective. In this research project, the development team applied game design concepts and art knowledge to design visual effects based on the principle making them appealing and informative. The visual effects are applied to the game objects or shown with other elements. This paper uses the data collected from the playtest to iterate the design. The result from playtests shows the game designers and graphics designers need to relate visual effects to core game mechanics to help players to understand the game mechanics and the game theme, which can help players to be more engaged in the game. -
Cave Story Ost Gravity
Cave story ost gravity click here to download Cave Story has a variety of interesting music (in org format) that was developed by Pixel through a program called OrgMaker. Pixel included a program called. Stream Cave Story 3D OST - Gravity by generallee21 from desktop or your mobile device. Cave Story Complete OST (Remastered). Top 10 Cave Story Music: Original, Remastered, New. Cave Gravity - Cave Story 3D Music Extended. Eyes Of. Download Link: www.doorway.ru?yngobyb72nc3r04 www.doorway.ru? c9f2zkq7a0w0f2p The Extended Version of Gravity. I DO NOT OWN THIS SONG, . DeceasedCrab, who did a Let's Play of Cave Story, says "Anyone who doesn't love the challenge in Cave Story+, with this song as the background music. the new version of Egg Corridor · Balrog's Theme · and Gravity with the drum track. Free Cave Story soundtracks, Cave Story MP3 downloads. Browse our great selection of Cave Story music. Unlimitted free downloads of your. Cave Story Tabs. Instrument. - Any -, Banjo, Bass Song Title sort icon · Game/ Anime · Tabber Gravity Guitar, Cave Story · Maximillian. Hero's End Guitar . md5sum: b3f1beed4ef7a7ce9cedccb. www.doorway.ru music/computer/microsoft/windows/www.doorway.ru Cave Story OST (Vinyl, LP, Album, Unofficial Release, Stereo) album Doukutsu Monogatari – Cave Story OST. Label: A3, Gravity, out Cave Story (Piano Selections) by Game Soundtrack Cat on Amazon Music. Cave Story Theme (Piano Version) Gravity (Cave Story) [Piano Version]. This music pack contains four variants of the Cave Story OST: Organya (Original) Gravity (Boss fight theme #1) peepee lol. Cemetery. Cave Story (Theme Song) Alpha Mix Plantation Version Steam Version, Alpha Mix, Plantation Gravity: Boss Battle (GBA) - The Spongebob Squarepants Movie. -
Women As Video Game Consumers
Women as Video Game Consumers Hanna Kiviranta Bachelor’s Thesis Degree Programme for Multilin- gual Management Assistants May 2017 Abstract Date: 31.5.2017 Author Hanna Kiviranta Degree programme Degree Programme for Multilingual Management Assistants Report/thesis title Number of pages Women as Video Game Consumers and appendix pages 41 The purpose of this Thesis is to study women as video game consumers through the games that they play. This was done by case studies on the content of five video games from genres that statistically are popular amongst women. To introduce the topic and to build the theoretical framework, the key terms and the video game industry are introduced. The reader is acquainted with theories on consumer behav- iour, buying processes and factors that influence our consuming habits. These aspects are tied together by discussing women as consumers of technology, and the video game mar- keting specifically targeted for women. Lastly, the theoretical framework is finalised with im- portant statistics and earlier data on video game consumers, as well as the specific genres they prefer. The case study research is conducted with the research problem in mind: what video games do women play, and are there common characteristics amongst these games which could give us more insight why they prefer these games and their genres? All the games are analysed through a defined set of questions and criteria, as well as compared to their respective genres and each other. Finally, the results are analysed in relation to the theo- ries on consumer behaviour and past data on women as video game players. -
Amended Final Draft
Independent or Indie? Creative Autonomy and Cultural Capital in Independent Video Game Production Martin Graham Smith A thesis submitted in fulfilment of the requirements of the Manchester Metropolitan University for the degree of Master of Arts (By Research) Manchester Institute for Research and Innovation in Art and Design (MIRIAD) May 2016 ABSTRACT The use of the word ‘indie’ in relation to video games has shifted from referring to games made independently of a large publisher to being a more nebulous term that is harder to define but that is clearly used at times to refer to games other than those made without the financial assistance of publishers. This thesis seeKs to contribute to the ongoing debate in academic writing on video games as to the meaning of the phrase ‘indie games’. The thesis combines textual and institutional analysis to contextualise the modern indie game by investigating the history of independent video game production in the UK and USA from the 1970s to the modern day, with reference to how changes in technology have shaped independent video game production over time. Alternative models of production that existed before the indie games of the mid-2000s onwards are an under researched area, and this thesis argues that a number of independent counter trends to dominant industry practices set precedents for many of the features of later indie games, in terms of content, style, distribution methods, and models of production. The thesis also contains a case study into the publisher-funded indie games of Jenova Chen and Thatgamecompany which investigates the conflicting definitions of indie in academic writing on video games and other forms of media, arguing that as with indie in cinema, indie in games functions as a form of cultural capital for the audience and developers. -
Force Awakens’ on Track for Record $215M-Plus Weekend Tar Wars” Fever Has Spread Through Movie Theaters Fan-Friendly Return Lion on Thursday
lifestyle SUNDAY, DECEMBER 20, 2015 Features ‘Force Awakens’ on track for record $215M-plus weekend tar Wars” fever has spread through movie theaters Fan-friendly return lion on Thursday. Imax and 3-D screenings are helping to propel the record around the globe, even reaching the White House, The international rollout for the film, made for about $200 While “Star Wars” helped create the summer blockbuster, gross. Disney said that 47 percent of the Thursday box office “Sas the franchise yet again began toppling box-office million, has already brought in an estimated total of $72.7 mil- “The Force Awakens” is debuting in the holiday season of came from 3-D showings and $5.7 million from Imax screens. records with waves of lightsaber-wielding fans. lion since opening in a handful of countries Wednesday. “The December, where the previous top opening was the $84.6 mil- A lot is riding on the film for Disney, which paid $4.06 billion Following a record $57 million from Thursday night show- Force Awakens” is simultaneously opening around the world lion debut of 2012’s “The Hobbit: An Unexpected Journey.” By for Lucasfilm in 2012. Sequels and spinoffs are already in ings in North America, and packed matinees on Friday, the just about everywhere but China, where it debuts in January. Disney’s estimates, “The Force Awakens” - the widest development for years to come, not to mention an entire cor- Walt Disney Co. projected that “Star Wars: The Force Awakens” It’s setting records overseas, too, including the biggest single December opening ever with 4,134 theaters - blew past that ner of Disneyland devoted to the franchise. -
Creating Immersive 2D World Visuals for Platform Games – Post-Mortem: Skytails
Creating Immersive 2D World Visuals for Platform Games – Post-Mortem: Skytails Eveliina Aalto Master’s Thesis Master’s Programme in New Media Game Design and Production Aalto University 2020 1 “Although an image is clearly visible to the eye, it takes the mind to develop it into a rich, tangible brilliance, into an outstanding painting.” — Jeanne Dobie, Making color sing 1 Author Eveliina Aalto Title of thesis Creating immersive 2D world visuals for platform games – Skytails Post-Mortem Department School of Arts, Design and Architecture Degree programme New Media: Game Design & Production Supervisor Miikka Junnila Advisor Heikka Valja Year 2020 Number of pages 64 Language English Abstract Game visuals are a crucial part of the game aesthetics – art evokes emotions, gives information, and creates immersion. Creating visual assets for a game is a complex subject that can be approached in multiple ways. However, the visual choices made in games have many common qualities that can be observed and analyzed. This thesis aims to identify the benefits of applying art theory principles in two-dimensional platform games’ visuals and its impacts on the player’s aesthetic experience. The first chapter of the study introduces a brief history of platform games, screen spaces, and the method of parallax scrolling. Platform games, commonly known as platformers, refer to action games where the player advances by climbing and jumping between platforms. In 1981, the first platform arcade game, Donkey Kong, was introduced. Since then, the genre has expanded to various sub-genres and more complex graphics with the advances in the hardware. The second chapter demonstrates the core principles of art theory regarding color, composition, and shape language. -
Playing to Death • Ken S
Playing to Death • Ken S. McAllister and Judd Ethan Ruggill The authors discuss the relationship of death and play as illuminated by computer games. Although these games, they argue, do illustrate the value of being—and staying—alive, they are not so much about life per se as they are about providing gamers with a playground at the edge of mortality. Using a range of visual, auditory, and rule-based distractions, computer games both push thoughts of death away from consciousness and cultivate a percep- tion that death—real death—is predictable, controllable, reasonable, and ultimately benign. Thus, computer games provide opportunities for death play that is both mundane and remarkable, humbling and empowering. The authors label this fundamental characteristic of game play thanatoludism. Key words: computer games; death and play; thanatoludism Mors aurem vellens: Vivite ait venio. —Appendix Vergiliana, “Copa” Consider here a meditation on death. Or, more specifically, a meditation on play and death, which are mutual and at times even complementary pres- ences in the human condition. To be clear, by meditation we mean just that: a pause for contemplation, reflection, and introspection. We do not promise an empirical, textual, or theoretical analysis, though there are echos of each in what follows. Rather, we intend an interlude in which to ponder the interconnected phenomena of play and death and to introduce a critical tool—terror manage- ment theory—that we find helpful for thinking about how play and death interact in computer games. Johan Huizinga (1955) famously asserted that “the great archetypal activi- ties of human society are all permeated with play from the start” (4).