Integrating Visual Effects Into 2D Platformer Games to Enhance Play Experiences
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rogue-Gym: a New Challenge for Generalization in Reinforcement Learning
Rogue-Gym: A New Challenge for Generalization in Reinforcement Learning Yuji Kanagawa Tomoyuki Kaneko Graduate School of Arts and Sciences Interfaculty Initiative in Information Studies The University of Tokyo The University of Tokyo Tokyo, Japan Tokyo, Japan [email protected] [email protected] Abstract—In this paper, we propose Rogue-Gym, a simple and or designated areas but need to perform safely in real world classic style roguelike game built for evaluating generalization in situations that are similar to but different from their training reinforcement learning (RL). Combined with the recent progress environments. For agents to act appropriately in unknown of deep neural networks, RL has successfully trained human- level agents without human knowledge in many games such as situations, they need to properly generalize their policies that those for Atari 2600. However, it has been pointed out that agents they learned from the training environment. Generalization is trained with RL methods often overfit the training environment, also important in transfer learning, where the goal is to transfer and they work poorly in slightly different environments. To inves- a policy learned in a training environment to another similar tigate this problem, some research environments with procedural environment, called the target environment. We can use this content generation have been proposed. Following these studies, we propose the use of roguelikes as a benchmark for evaluating method to reduce the training time in many applications of the generalization ability of RL agents. In our Rogue-Gym, RL. For example, we can imagine a situation in which we agents need to explore dungeons that are structured differently train an enemy in an action game through experience across each time they start a new game. -
First Person Shooting (FPS) Game
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056 Volume: 05 Issue: 04 | Apr-2018 www.irjet.net p-ISSN: 2395-0072 Thunder Force - First Person Shooting (FPS) Game Swati Nadkarni1, Panjab Mane2, Prathamesh Raikar3, Saurabh Sawant4, Prasad Sawant5, Nitesh Kuwalekar6 1 Head of Department, Department of Information Technology, Shah & Anchor Kutchhi Engineering College 2 Assistant Professor, Department of Information Technology, Shah & Anchor Kutchhi Engineering College 3,4,5,6 B.E. student, Department of Information Technology, Shah & Anchor Kutchhi Engineering College ----------------------------------------------------------------***----------------------------------------------------------------- Abstract— It has been found in researches that there is an have challenged hardware development, and multiplayer association between playing first-person shooter video games gaming has been integral. First-person shooters are a type of and having superior mental flexibility. It was found that three-dimensional shooter game featuring a first-person people playing such games require a significantly shorter point of view with which the player sees the action through reaction time for switching between complex tasks, mainly the eyes of the player character. They are unlike third- because when playing fps games they require to rapidly react person shooters in which the player can see (usually from to fast moving visuals by developing a more responsive mind behind) the character they are controlling. The primary set and to shift back and forth between different sub-duties. design element is combat, mainly involving firearms. First person-shooter games are also of ten categorized as being The successful design of the FPS game with correct distinct from light gun shooters, a similar genre with a first- direction, attractive graphics and models will give the best person perspective which uses light gun peripherals, in experience to play the game. -
Action Video-Game Training and Its Effects on Perception and Attentional Control
Action Video-Game Training and Its Effects on Perception and Attentional Control C. Shawn Green , Thomas Gorman , and Daphne Bavelier Introduction Over the past 40 years, video game play has grown from a niche activity into a pervasive and abundant part of modern life. Over half of the United States popula- tion now plays video games, with over 130 million of these individuals being con- sidered “regular” video game players (i.e., playing more than 3 h of video games per week—ESA 2015 ). And although video games were originally, and for the most part continue to be, an entertainment medium, there has nonetheless been signifi - cant scientifi c interest in the possibility that video gaming may have signifi cant effects on the human brain and human behavior . While much of this research has focused on potential negative outcomes (e.g., effects related to aggression or addic- tion—Anderson et al. 2010 ), there exists a growing body of research outlining posi- tive effects of video game play as well. This chapter will specifi cally focus on the positive impact that playing one particular type of video game, known as “action video games,” has on perceptual and attentional skills. The “ Curse of Specifi city” Before discussing the various effects associated with action video game play, it is worth considering why it is interesting in the fi rst place that something like video game play could alter core perceptual or attentional abilities. Indeed, one’s fi rst C. S. Green (*) • T. Gorman Department of Psychology , University of Wisconsin-Madison , Madison , WI , USA e-mail: [email protected]; [email protected] D. -
Application of Retrograde Analysis on Fighting Games
Application of Retrograde Analysis on Fighting Games Kristen Yu Nathan R. Sturtevant Computer Science Department Computer Science Department University of Denver University of Alberta Denver, USA Edmonton, Canada [email protected] [email protected] Abstract—With the advent of the fighting game AI competition, optimal AI. This work opens the door for deeper study of there has been recent interest in two-player fighting games. both optimal and suboptimal play, as well as options related Monte-Carlo Tree-Search approaches currently dominate the to game design, where the impact of design choices in a game competition, but it is unclear if this is the best approach for all fighting games. In this paper we study the design of two- can be studied. player fighting games and the consequences of the game design on the types of AI that should be used for playing the game, as II.R ELATED WORK well as formally define the state space that fighting games are A variety of approaches have been used for fighting game AI based on. Additionally, we also characterize how AI can solve the in both industry and academia. One approach in industry has game given a simultaneous action game model, to understand the characteristics of the solved AI and the impact it has on game game AI being built using N-grams as a prediction algorithm design. to help the AI become better at playing the game [30]. Another common technique is using decision trees to model I.I NTRODUCTION AI behavior [30]. This creates a rule set with which an agent can react to decisions that a player makes. -
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming
Sparking a Steam Revolution: Examining the Evolution and Impact of Digital Distribution in Gaming by Robert C. Hoile At this moment there’s a Renaissance taking place in games, in the breadth of genres and the range of emotional territory they cover. I’d hate to see this wither on the vine because the cultural conversation never caught up to what was going on. We need to be able to talk about art games and ‘indie’ games the ways we do about art and indie film. (Isbister xvii) The thought of a videogame Renaissance, as suggested by Katherine Isbister, is both appealing and reasonable, yet she uses the term Renaissance rather casually in her introduction to How Games Move Us (2016). She is right to assert that there is diversity in the genres being covered and invented and to point out the effectiveness of games to reach substantive emotional levels in players. As a revival of something in the past, a Renaissance signifies change based on revision, revitalization, and rediscovery. For this term to apply to games then, there would need to be a radical change based not necessarily on rediscovery of, but inspired/incited by something perceived to be from a better time. In this regard the videogame industry shows signs of being in a Renaissance. Videogame developers have been attempting to innovate and push the industry forward for years, yet people still widely regard classics, like Nintendo’s Legend of Zelda: Ocarina of Time (1998), as the best games of all time. As with the infatuation with sequels in contemporary Hollywood cinema, game companies are often perceived as producing content only for the money while neglecting quality. -
View the Manual
I NTROt>U(TION Get ready for the Epic Adventure of a lifetime. You are Hercules, battling through a series of action-packed levels in order to prove yourself a True Hero on Earth and take your rightful place as a god on Mount Olympus! However, before you can face your first monster, you'll have to convince Phil, Herc's temperamental trainer, that you've got what it takes to be a True Hero. Once you've sharpened your skills, rescued a few "Damsels in Distress:• and shown Phil you've got what it takes, you'll be ready to set offfor some REAL adventure! If you're able to make your way through the deadly Centaur Forest, survive the chaotic "Big Olive," and defeat the fearsome Hydra you'll think you've got this hero stuff wired! But that's just the beginning. Hades, dark lord of the Underworld, is carrying out his evil plan. He's enlisted the Titans - elemental creatures of Ice, Wind, Lava and Rock - as well as a monstrous brood of fire-breathing Griffins,razor beaked Harpies, and a whole army of Skeleton Warriors to help him. To foil Hades' plan Hercules is going to have to use every bit of his training, strength and skill. So guzzle some Herculade, sharpen your sword, and see if you have what it takes to go the distance, and become a TRUE HERO! NOTE: The default setting of this game is "Medium Difficulty". Beginning players might want to start on the "Beginner Difficulty" setting to practice, but just be aware that you will not be able to play the last two levels of the game . -
Application of Retrograde Analysis to Fighting Games
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2019 Application of Retrograde Analysis to Fighting Games Kristen Yu University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Artificial Intelligence and Robotics Commons, and the Game Design Commons Recommended Citation Yu, Kristen, "Application of Retrograde Analysis to Fighting Games" (2019). Electronic Theses and Dissertations. 1633. https://digitalcommons.du.edu/etd/1633 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Application of Retrograde Analysis to Fighting Games A Thesis Presented to the Faculty of the Daniel Felix Ritchie School of Engineering and Computer Science University of Denver In Partial Fulfillment of the Requirements for the Degree Master of Science by Kristen Yu June 2019 Advisor: Nathan Sturtevant ©Copyright by Kristen Yu 2019 All Rights Reserved Author: Kristen Yu Title: Application of Retrograde Analysis to Fighting Games Advisor: Nathan Sturtevant Degree Date: June 2019 Abstract With the advent of the fighting game AI competition [34], there has been re- cent interest in two-player fighting games. Monte-Carlo Tree-Search approaches currently dominate the competition, but it is unclear if this is the best approach for all fighting games. In this thesis we study the design of two-player fighting games and the consequences of the game design on the types of AI that should be used for playing the game, as well as formally define the state space that fighting games are based on. -
Distinctive Difference Game Titles Between Japanese Context And
What is “Japanese video game” • Kohler, Chris. "Power-up: how Japanese video games gave the world an extra life." (2004). • Picard, Martin. "The foundation of geemu: A brief history of early Japanese video games." Game Studies 13.2 (2013). • Pelletier-Gagnon, Jérémie. Video Games and Japaneseness: An analysis of localization and circulation of Japanese video games in North America. Diss. McGill University, 2011. What is “Japanese video game” • Some famous “Made in Japan” games is not famous in Japan. Ex : “Zaxxon”(1982), “Jet Grind Radio” (2000), “Cooking Mama”(2006) (C)SEGA 1982 (C)SEGA 2000 (C)TAITO 2006 Some famous Japanese game is not famous in English context. Ex : “moon”(1997) (C) ASCII 1997 (C) ASCII 1997 Japanese gamer don’t know famous game titles. • For example, most of Japanese video game players don’t know “Tempest”(1981), “Canabalt”(2009) (C)ATARI 1981 (C)Semi-Secret Software 2009 Do you know the game ? https://goo.gl/forms/ZJr4iQqam95p9kcC2 1.Purpose of the study A) Today Japanese video game context and English video game context, each context have much local bias. We want to know local game history. B) Developing method to know characteristic history in each area. 2.Significance of the study A) Making basic resource for local game history research, and area studies. B) Extended use case trial of Media Art DB. # Now, This DB don’t include work – version relation.(at 2016/8) Media ART DB / Game Domain(Published by Agency for Cultural Affairs Japan) 3.Method 1. Picking up video game titles from a. video game books, awards, exhibitions about video games, and sales data. -
LUDIC VISUALS the Visualizations of Game Mechanics
LUDIC VISUALS The Visualizations of Game Mechanics Laura Laakso Master’s Thesis Master of Arts in New Media New Media: Game Design and Production Department of Media School of Arts, Design and Architecture Aalto University 2019 P.O. BOX 31000, 00076 AALTO www.aalto.fi Master of Arts thesis abstract Author Laura Laakso Title of thesis Ludic Visuals: The Visualizations of Game Mechanics Advisor Laura Valojärvi Supervisor Miikka Junnila Department Department of Media Degree program New Media: Game Design and Production Year 2019 Number of pages 167 Language English BSTRACT A There is a lot of systemic information in games, but its visual expression has been a relatively under-researched phenomenon. Earlier research tends to pair the visual presentation of games together with the game narrative. However, game mechanics can also be expressed visually. In this thesis, game mechanics are the parts that form the game system such as the rules, the events, and the pieces of a game. This thesis studies how game mechanics are visualized. My research hypothesis suggests that there are components that consist of both game- mechanical and visual aspects. I have named them ludic visuals. This research identifies and explores the presence of ludic visuals in games from the perspective of what is available for a player. This thesis is largely based on previous game research and various theories of perception and experiencing. The experience of being inside a gameworld is deemed similar to the experience of being inside the real world, which made it possible to approach ludic visuals as functional parts of gameworlds. -
Platf Orm Game First Person Shooter Strategy Game Alternatereality Game
First person shooter Platform game Alternate reality game Strategy game Platform game Strategy game The platform game (or platformer) is a video game genre Strategy video games is a video game genre that emphasizes characterized by requiring the player to jump to and from sus- skillful thinking and planning to achieve victory. They empha- pended platforms or over obstacles (jumping puzzles). It must size strategic, tactical, and sometimes logistical challenges. be possible to control these jumps and to fall from platforms Many games also offer economic challenges and exploration. or miss jumps. The most common unifying element to these These games sometimes incorporate physical challenges, but games is a jump button; other jump mechanics include swing- such challenges can annoy strategically minded players. They ing from extendable arms, as in Ristar or Bionic Commando, are generally categorized into four sub-types, depending on or bouncing from springboards or trampolines, as in Alpha whether the game is turn-based or real-time, and whether Waves. These mechanics, even in the context of other genres, the game focuses on strategy or tactics. are commonly called platforming, a verbification of platform. Games where jumping is automated completely, such as The Legend of Zelda: Ocarina of Time, fall outside of the genre. The platform game (or platformer) is a video game genre characterized by requiring the player to jump to and from sus- pended platforms or over obstacles (jumping puzzles). It must be possible to control these jumps and to fall from platforms or miss jumps. The most common unifying element to these games is a jump button; other jump mechanics include swing- ing from extendable arms, as in Ristar or Bionic Commando, or bouncing from springboards or trampolines, as in Alpha Waves. -
Women As Video Game Consumers
Women as Video Game Consumers Hanna Kiviranta Bachelor’s Thesis Degree Programme for Multilin- gual Management Assistants May 2017 Abstract Date: 31.5.2017 Author Hanna Kiviranta Degree programme Degree Programme for Multilingual Management Assistants Report/thesis title Number of pages Women as Video Game Consumers and appendix pages 41 The purpose of this Thesis is to study women as video game consumers through the games that they play. This was done by case studies on the content of five video games from genres that statistically are popular amongst women. To introduce the topic and to build the theoretical framework, the key terms and the video game industry are introduced. The reader is acquainted with theories on consumer behav- iour, buying processes and factors that influence our consuming habits. These aspects are tied together by discussing women as consumers of technology, and the video game mar- keting specifically targeted for women. Lastly, the theoretical framework is finalised with im- portant statistics and earlier data on video game consumers, as well as the specific genres they prefer. The case study research is conducted with the research problem in mind: what video games do women play, and are there common characteristics amongst these games which could give us more insight why they prefer these games and their genres? All the games are analysed through a defined set of questions and criteria, as well as compared to their respective genres and each other. Finally, the results are analysed in relation to the theo- ries on consumer behaviour and past data on women as video game players. -
The Challenge of Automatic Level Generation for Platform Videogames Based on Stories and Quests
The challenge of Automatic Level Generation for platform videogames based on Stories and Quests Fausto Mourato1, 2, Fernando Birra2 and Manuel Próspero dos Santos2 1 Escola Superior de Tecnologia – Instituto Politécnico de Setúbal, Portugal 2 CITI – Faculdade de Ciências e Tecnologia – Universidade Nova de Lisboa, Portugal [email protected], {fpb, ps}@fct.unl.pt Abstract. In this article we bring the concepts of narrativism and ludology to automatic level generation for platform videogames. The initial motivation is to understand how this genre has been used as a storytelling medium. Based on a narrative theory of games, the differences among several titles have been identi- fied. In addition, we propose a set of abstraction layers to describe the content of a quest-based story in the particular context of videogames. Regarding automatic level generation for platform videogames, we observed that the existing ap- proaches are directed to lower abstraction concepts such as avatar movements without a particular context or meaning. This leads us to the challenge of auto- matically creating more contextualized levels rather than only a set of consistent and playable entertaining tasks. With that in mind, a set of higher level design patterns are presented and their potential usages are envisioned and discussed. 1 Introduction The way how narratives and videogames are connected is still a topic that is open to debate. Nevertheless, it is undeniable that over the years several videogames have been used to tell stories. In fact, this topic started to catch attention in later years with the appearance of textual adventure videogames, some kind of Interactive Fiction [1].