Fine Prints and Photography

American & European Works of Art

Sale 2635B February 1, 2013 Boston American & European Works of Art

Fine Prints and Photography Specialists

Robin S.R. Starr Kathy Wong Elizabeth C. Haff Annie Claflin Department Director 508.970.3297 508.970.3258 508.970.3264 508.970.3259

Department Inquiries: 508.970.3206

Auction Information

Auction 2635B Preview Absentee Bidding

Friday, February 1 Wednesday, January 30 T: 617.874.4318 12PM 12 to 5PM F: 617.350.5429 followed by Fine Paintings & Sculpture General Inquiries: Thursday, January 31 at 4PM 617.350.5400 12 to 8PM

63 Park Plaza SkinnerLive!: Boston, MA Friday, January 1 skinnerinc.com 9 to 10AM

View all lots online at www.skinnerinc.com

cover: 79; frontispiece: 73; back cover: 248 Coming soon to a browser near you… the new skinnerinc.com

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1 Auction & Specialist Information

2 Web Site & Online Bidding

4 Glossary of Terms

5 Lots 1-261

160 Artist Index

162 Conditions of Sale

163 Absentee Bid Form

164 Company Directors & Specialty Departments

165 Administrative Staff & Client Services

166 Map & Driving Directions

167 Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 162 of this catalog for the full terms and conditions governing your purchase.

MA/Lic. #2304 Glossary of Terms

All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph Enneking In our judgment, the work is by the artist.

Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph Enneking In our judgment, an intended copy of the work of the artist.

American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

4 Fine Prints & Multiples

Lots 1–220 1

1 George Manuel Aarons (American, 1896- 1980)

Ruth + Naomi, unknown edition size. Titled and signed “...George Aarons” on upper edge. Plaster relief, 3 3/4 x 7 1/4 in. (9.4 x 18.4 cm), mounted onto panel. Condition: Minor soiling and rubs. $400-600

6 Additional information and photos at www.skinnerinc.com 2

2 Yaacov Agam (Israeli, b. 1928)

Untitled, edition of 99. Signed “Agam” in felt- tip pen or similar l.r., numbered “33/99” in felt- tip pen or similar l.l. Agamograph, image size 14 7/8 x 10 1/2 in. (37.7 x 26.5 cm), framed. Condition: Not examined out of frame. $250-350

Online bidding at www.skinnerinc.com 7 3

3 Josef Albers (German/American, 1888- 1976)

Four Images: I-S Va 1, I-S Va 2, I-S Va 4, and I-S Va 5 from the I-S/SIX VARIANTS Portfolio, 1969, edition of 150, published by Ives-Sillman, Inc., New Haven (Danilowitz, 192.1, 2, 4 & 5). Each signed and dated “Albers’69” in pencil l.r., and titled and numbered “...141/150” in pencil l.r., two with the publisher’s dry stamp l.r., two identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Color screenprints on paper, image sizes approximately 21 1/4 x 27 in. (53.9 x 70.1 cm), three framed, one shrink-wrapped. Condition: Va 4 with unpressed crease to image, not examined out of frames or wrap. $2,000-3,000

8 Additional information and photos at www.skinnerinc.com 4 Josef Albers (German/American, 1888- 1976)

Plates K and L from GRAY INSTRUMENTATION II, 1975, edition of 36, published by Tyler Graphics, Bedford Village, New York (Danilowitz, 228.11-12). Both signed “Albers’” in pencil l.r., titled and numbered in pencil l.l., and with artist’s and publisher’s dry stamps l.r., the latter identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Screenprints in various grays on paper, image sizes 11 x 11 in. (27.8 x 27.8 cm), framed. Condition: Both with toning to edges, L floated within frame but not examined out of frame. $1,500-2,000

Online bidding at www.skinnerinc.com 9 5

5 6 7 Pierre Alechinsky (Belgian, b. 1927) Vera Andrus (American, 1896-1979) Richard Anuszkiewicz (American, b. 1930)

KRACH/A Portfolio of Five Works, 1973, Les Trois Soeurs, 1936, edition of 25. Plate V from SEQUENTIAL, 1972, edition edition of 99 plus proofs. Each signed Signed and dated “Vera Andrus ‘36” in pencil of 200, published by Sanmore Editions, “Alechinsky” in pencil l.r. and numbered “1/99” l.r., titled and numbered “...6/25” in pencil l.l. New York. Signed, numbered, and dated in pencil l.l., also signed and numbered in Lithograph on paper, image size 10 x 13 5/8 “ANUSZKIEWICZ 179/200 1972” in pencil l.r., red pencil on the inside back cover of the in. (25.4 x 34.5 cm), framed. inscribed “V” in pencil l.l. Color screenprint on portfolio. Color aquatints with collage on Condition: Gentle cockling, not examined out paper, image size 26 x 19 1/8 in. (66.0 x 48.5 Japan paper, sheet sizes 30 1/4 x 22 1/8 in. of frame. cm), framed. (76.8 x 56.0 cm), unmatted, presented in the $400-600 Condition: Not examined out of frame. original portfolio cover. $700-900 Condition: Deckled edges, minor creasing/ wear to deckles. $1,000-1,500

10 Additional information and photos at www.skinnerinc.com 6

Online bidding at www.skinnerinc.com 11 8

8 9 Karel Appel (Dutch, 1921-2006) Karel Appel (Dutch, 1921-2006)

Untitled, 1973. Signed and dated “appel 73” Untitled, 1974. Signed and dated “appel 74” in pencil l.r., inscribed “ea” in pencil l.l. Color in pencil l.r., inscribed “ea” in pencil l.l. Color screenprint on paper, image size 26 1/4 x 21 lithograph on paper, image size 28 1/4 x 21 in. in. (66.5 x 53.3 cm), framed. (71.7 x 53.2 cm), framed. Condition: Margins 1 inch or more, not Condition: Margins 3/4 inches or more, gentle examined out of frame. rippling, not examined out of frame. $400-600 $500-700

12 Additional information and photos at www.skinnerinc.com 9

Online bidding at www.skinnerinc.com 13 10

10 Avigdor Arikha (French/Israeli, 1929-2010)

Mirror with Self-Portrait and Press, 1971, edition of 30. Signed and dated “Arikha ‘71...” in pencil l.r., numbered “29/30” in pencil l.l. Etching on laid J. Whatman paper with watermarks, plate size 11 1/4 x 9 1/4 in. (28.5 x 23.3 cm), unmatted, unframed. Condition: Margins over 2 inches with deckled edges, gentle cockling and soiling, glue residue to right edge on verso.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $1,500-2,000

14 Additional information and photos at www.skinnerinc.com 11 Avigdor Arikha (French/Israeli, 1929-2010)

R.B. Kitaj, 1982, published in 1983, edition of 50. Signed and dated “Arikha ‘83...” in pencil l.r., numbered “38/50” in pencil l.l. Soft ground etching in red and black on wove paper, plate size 10 1/8 x 13 1/4 in. (25.5 x 33.5 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, two registration pinholes just within the plate mark, two thinned spots to upper edge on verso.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $800-1,200

Online bidding at www.skinnerinc.com 15 12

12 13 Mario Avati (French, 1921-2009) John Baeder (American, b. 1938)

Les noix de Riverdale, 1976, final state of Empire Diner, 1976, edition of 100. Signed four, proof edition outside of the edition of 100 and dated “Baeder76” in pencil l.r., numbered (Passeron, 561). Signed “AVATI” in pencil l.c., “70/100” in pencil l.l., identified on a label numbered and titled “EPREUVE D’ARTISTE affixed to the backing. Mezzotint on paper, XVI/XVI...” in pencil l.l., inscribed “t8” in pencil plate size 8 3/4 x 13 3/4 in. (22.1 x 34.8 cm), l.r. Color mezzotint on paper, plate size 11 1/4 framed. x 13 7/8 in. (28.5 x 35.2 cm), framed. Condition: Margins over 4 inches with Condition: Margins over 1/2 inch, cockling, deckled edges, toning to edges, not examined not examined out of frame. out of frame. $300-500 $500-700

16 Additional information and photos at www.skinnerinc.com 14 Ernst Barlach (German, 1870-1938)

Two Images from WALPURGISNACHT, 1923: Die Trödelhexe, plate fourteen (Schult, 217); and Mephistopheles tanzend mit der Alten, plate sixteen (Schult, 219). Both signed “EBarlach” in pencil l.r. Woodcuts on paper, image sizes to 5 1/8 x 5 1/2 in. (12.8 x 13.9 cm), framed. Condition: Pale mat burn, not examined out of frames. $600-800

15 Georg Baselitz (German, b. 1938)

Der Neue Typ, 1966, edition of 30. Signed and dated “Baselitz 66” in pencil l.r., numbered “24/30” in pencil l.l., identified on a label from The Alpha Gallery, Boston, affixed to the backing. Woodcut printed in brown on paper, image size 16 1/2 x 13 1/4 in. (41.8 x 33.5 cm), framed. Condition: Possible areas of bloom or similar, gentle rippling, not examined out of frame.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $1,000-1,500 14

Online bidding at www.skinnerinc.com 17 16 17

16 17 Leonard Baskin (American, 1922-2000) Leonard Baskin (American, 1922-2000)

Anatomist, 1952, proof outside of the Birdman in Profile, c. 1961, edition of edition of 15 (Fern & O’Sullivan, 143). Titled, 50. Numbered and signed “44/50 Baskin” inscribed, and signed “...Artist’s proof Baskin” in pencil l.r., identified on a label from the in pencil along the lower margin, identified on William H. Lane Foundation, Leominster, a label from the William H. Lane Foundation, Massachusetts, affixed to the backing. Leominster, Massachusetts, affixed to the Etching on paper, plate size 17 3/4 x 14 5/8 backing. Woodcut printed in red and black on in. (45.0 x 37.0 cm), framed. paper, image size 18 3/4 x 11 in. (47.5 x 28.1 Condition: Margins over 3 1/2 inches, not cm), framed. examined out of frame. Condition: Cockling, not examined out of $200-300 frame. $300-500

18 Additional information and photos at www.skinnerinc.com 18

18 Leonard Baskin (American, 1922-2000)

Cerberus, 1969, edition of 250. Titled within the composition, numbered, titled, identified, and dated “68/250...” in a stamped inscription on the reverse. Bronze relief plaque with brown patina, diameter 6 3/4 in. (17.1 cm). Condition: Minor wear to surface l.c. $300-500

19 Leonard Baskin (American, 1922-2000)

Rachel, 1976, edition of 100 (Fern & O’Sullivan, 666). Signed “Baskin” in pencil l.r., numbered “79/100” in pencil l.l., signed and dated within the matrix, printer’s or publisher’s dry stamp l.l. Color lithograph on paper, image size 38 x 26 3/8 in. (96.1 x 66.8 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $300-500

Online bidding at www.skinnerinc.com 19 20 Frank Weston Benson (American, 1862- 1951)

Pair of Yellowlegs, 1916, second published state of two, edition of 80 (Paff, 101). Signed “FrankWBenson.” in pencil l.l., numbered “11” in pencil l.r. Drypoint on paper, plate size 3 x 3 7/8 in. (7.5 x 10.0 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

21 Frank Weston Benson (American, 1862- 1951)

Over Sunk Marsh, 1920, published 20 state, edition of 150 (Paff, 188). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (15.0 x 19.8 cm), matted, unframed. Condition: Margins 2 inches or more with all but the left edge deckled, subtly light-struck, minor handling creases. $400-600

22 Frank Weston Benson (American, 1862- 1951)

Cloudy Dawn, 1922, published state, edition of 150 (Paff, 215). Signed and dedicated “FrankW.Benson. To Charles H Taylor 1923.” in pencil l.l. Etching on paper, plate size 9 3/4 x 11 7/8 in. (24.7 x 30.0 cm), framed. Condition: Mat burn, not examined out of frame. $300-500

21 23 Frank Weston Benson (American, 1862- 1951)

Yellowlegs in Sunlight, 1928, published state, edition of 150 (Paff, 285). Signed “FrankW.Benson.” in pencil l.l., initialed and dated within the plate, identified on a label from the Leamon Gallery, Cleveland, affixed to the backing. Drypoint on paper, plate size 9 7/8 x 7 3/4 in. (25.0 x 19.5 cm), framed. Condition: Prevalent toning to upper half of image, not examined out of frame. $500-700

20 Additional information and photos at www.skinnerinc.com 23

Online bidding at www.skinnerinc.com 21 24

24 Thomas Hart Benton (American, 1889- 1975)

I Got a Gal on Sourwood Mountain, 1938, edition of 250, published by Associated American Artists (Fath, 19). Signed “Benton” in pencil l.r., signed within the matrix, identified on a label from E. Weyhe, New York, affixed to the backing. Lithograph on paper, image size 12 1/2 x 9 1/8 in. (31.5 x 23.3 cm), framed. Condition: Mat burn, not examined out of frame. $1,500-2,000

22 Additional information and photos at www.skinnerinc.com 25

25 26 Thomas Hart Benton (American, 1889- Thomas Hart Benton (American, 1889- 1975) 1975)

Rainy Day, 1938, edition of 250, published Wreck of the Ol’ 97, 1944, edition by Associated American Artists, New York of 250, published by Associated (Fath, 23). Signed “Benton” in pencil l.r. and American Artists (Fath, 63). Signed “Benton” within the matrix, identified on a label from in pencil l.r. and within the matrix, identified AAA affixed to the mat. Lithograph on paper, on a label from AAA affixed to the backing. image size 8 3/4 x 13 3/8 in. (22.2 x 33.8 cm), Lithograph on paper, 10 1/4 x 15 in. (25.9 x unmatted, unframed. 38.0 cm), framed. Condition: Margins over 1 inch with deckled Condition: Toning, mat burn, not examined edges, white paper hinges near upper out of frame. corners. $1,000-1,500 $1,000-1,500

Online bidding at www.skinnerinc.com 23 27

27 Thomas Hart Benton (American, 1889- 1975)

Running Horses, 1955, edition of 100, circulated by Associated American Artists, New York (Fath, 78). Signed “Thomas H. Benton” in pencil l.r., signed and dated within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 12 1/2 x 16 1/2 in. (31.6 x 41.8 cm), framed. Condition: Mat burn, not examined out of frame. $1,000-1,500

28 Thomas Hart Benton (American, 1889- 1975) 28 Sorghum Mill, 1969, edition of 250, published by Associated American Artists (Fath, 81). Signed “Benton” in pencil l.r. and within the matrix. Lithograph on paper, 9 5/8 x 13 3/4 in. (24.3 x 35.0 cm), framed. Condition: Rippling, not examined out of frame.

N.B. The work is accompanied by a letter from the artist to a Dr. Barlow, November 10, 1971. $1,200-1,800

24 Additional information and photos at www.skinnerinc.com 29 29 William Blake (British, 1757-1827)

There Were not Found Women Fair as the Daughters of Job…, plate XX from THE BOOK OF JOB, 1825, final state of four (Binyon, 125). Identified within the plate and on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, sight size 8 1/4 x 6 1/8 in. (20.8 x 15.5 cm), framed. Condition: Not examined out of frame.

Provenance: A Massachusetts collecting institution. $1,200-1,800

Online bidding at www.skinnerinc.com 25 30 Pierre Bonnard (French, 1867-1947)

La toilette assise from MAÎTRES ET PETITS MAÎTRES D’AUJORD’HUI, 1925, first state of three, edition of 25 (Bouvet, 96). Signed “PBonnard” in pencil l.r. Lithograph on paper, image size 13 1/8 x 8 5/8 in. (33.3 x 21.8 cm), framed. Condition: Margins 1 1/2 inches or more, several fox marks, not examined out of frame. $1,000-1,500

31 After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963)

Port de pêche, c. 1944, from BONNARD- VILLON LITHOGRAPHIES, edition of 80 (Bouvet, 117). Initialed “PB” in pencil l.r., signed within the matrix, numbered “24/80” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 19 3/4 in. (32.3 x 50.0 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $1,200-1,800

26 Additional information and photos at www.skinnerinc.com 32

32 After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963)

La baignoire, c. 1944, from BONNARD- VILLON LITHOGRAPHIES, edition of 80 (Bouvet, 120). Initialed “PB” in pencil l.r., signed within the matrix, numbered “37/80” in pencil l.l. Color lithograph on paper, image size 20 x 25 1/2 in. (50.7 x 69.8 cm), framed. Condition: Rippling, not examined out of frame.

Provenance: Purchased from the William Weston Gallery, London, February 15, 1984, by the present owner. $800-1,200

33 After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963)

Jardin au Cannet, c. 1944, from BONNARD- VILLON LITHOGRAPHIES, edition of 80 (Bouvet, 126). Initialed “PB” in pencil l.r., signed within the matrix, numbered “12/17” in pencil l.l. Color lithograph on paper, image size 25 1/2 x 17 1/2 in. (64.6 x 44.4 cm), framed. Condition: Not examined out of frame.

Provenance: Purchased from the William Weston Gallery, London, February 15, 1984, by the present owner. $800-1,200

Online bidding at www.skinnerinc.com 27 34

34 Georges Braque (French, 1882-1963)

Untitled (Profile), page 37 from LE TIR À L’ARC, 1960, printed by Desjobert, Paris, published by Louis Broder, Paris (Vallier, 153). Signed “G Braque” in pencil l.r., inscribed “H.C.” in pencil l.l. Lithograph in brown/black on paper, image size 8 1/4 x 5 3/4 in. (20.8 x 14.5 cm), framed. Condition: Deckled edges, sheet with gentle rippling, floated in frame, not examined out of frame. $2,500-3,000

28 Additional information and photos at www.skinnerinc.com 35

35 Georges Braque (French, 1882-1963)

L’Essor I, 1961, edition of 100, published and printed by Maeght, Paris (Vallier, 161). Signed “G. Braque” in pencil l.r., numbered “71/100” in pencil l.l., initialed within the matrix. Color lithograph on paper, image size 10 1/8 x 13 1/2 in. (25.6 x 34.2 cm), framed. Condition: Margins over 2 1/2 inches, not examined out of frame. $1,500-2,000

36 After Georges Braque (French, 1882-1963)

La Chaise, edition of 300 (Vallier, p. 296; Maeght, no. 1046). Signed “G. Braque” in pencil on mount l.r., numbered “291/300” in pencil on mount l.l. Color lithograph mounted to a supporting sheet, image size 14 5/8 x 11 1/8 in. (37.0 x 28.2 cm), framed. Condition: Not examined out of frame. $1,000-1,500

Online bidding at www.skinnerinc.com 29 37

37 Norbertine Bresslern-Roth (Austrian, 1891- 1978)

Panther and Antelope. Signed “Bresslern- Roth.” in pencil l.r., inscribed “Handdruck” in pencil l.l. Color linocut on paper, image size 8 5/8 x 8 3/4 in. (21.8 x 22.2 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

38 Gerald Leslie Brockhurst (British, 1890- 1978)

Two Portraits: La Tresse, 1926; and The Black Cloak (Mrs. Paul Mellon), 1943. Both signed “...Brockhurst...” in pencil l.r. and signed within the plate, the former identified on a label from Harlow, McDonald & Co., New York, affixed to the backing. Etchings on paper, plate sizes to 9 7/8 x 8 in. (25.0 x 20.3 cm), framed. Condition: Not examined out of frames. $700-900

30 Additional information and photos at www.skinnerinc.com 40

39 40 41 Gerald Leslie Brockhurst (British, 1890- Gerald Leslie Brockhurst (British, 1890- Gerald Leslie Brockhurst (British, 1890- 1978) 1978) 1978)

Two Portraits: The Basque Boy, 1927; and Dorette, 1932, edition of 111. Signed “GL Jeunesse Dorée (Ophelia), 1942, edition Head of a Girl (Anais, Mélisande), 1944. Brockhurst” in pencil l.r., signed and dated of 100. Signed and dated “G.L. Brockhurst. The former signed “G.L. Brockhurst” in pencil within the plate, identified on a label from 1942” in pencil l.r., signed within the plate, l.r., both signed within the matrix, the former Arthur H. Harlow & Co., Inc., New York, affixed identified on a label from Arthur H. Harlow & identified on a label from Arthur H. Harlow & to the backing. Etching on paper, plate size 9 Co., Inc., New York, affixed to the backing. Co., Inc., New York, affixed to the backing. 1/4 x 7 3/4 in. (23.4 x 19.6 cm), framed. Etching on paper, plate size 10 7/8 x 8 7/8 in. Lithographs on paper, image sizes to 13 1/8 x Condition: Gentle toning and rippling, not (27.5 x 22.4 cm), framed. 10 1/8 in. (33.2 x 25.6 cm), framed. examined out of frame. Condition: Gentle rippling, unobtrusive mat Condition: Boy with gentle rippling and mat $800-1,200 burn, not examined out of frame. burn, not examined out of frames. $800-1,200 $700-900

Online bidding at www.skinnerinc.com 31 42 43

42 43 Bernard Buffet (French, 1928-1999) Bernard Buffet (French, 1928-1999)

Le clown sur fond vert, 1960, edition of New York V, 1965, edition of 150 (Mourlot, 175 (Mourlot, 24). Signed “Bernard Buffet” 57). Signed “Bernard Buffet” in pencil l.r., in pencil l.r., numbered “64/175” in pencil numbered “29/150” in pencil l.l. Color l.l. Color lithograph on paper, image size 26 lithograph on Arches paper with watermark, 1/2 x 20 3/4 in. (67.3 x 52.5 cm), unmatted, image size 24 1/2 x 19 1/4 in. (62.2 x 48.8 unframed. cm), framed. Condition: Deckled right edge, mat burn, Condition: Margins 1 inch or more with tear into image along right edge, several deckled right and lower edges, water and cuts/abrasions to image in left background, other staining (primarily to lower margin), masking tape to upper edge on verso. gentle toning, not examined out of frame. $800-1,200 $800-1,200

32 Additional information and photos at www.skinnerinc.com 44 45

44 45 Bernard Buffet (French, 1928-1999) Bernard Buffet (French, 1928-1999)

Saint-German-des-Prés, 1965, edition of Le Moulin de la Galette, 1965, edition of 150 (Mourlot, 65). Signed “Bernard Buffet” 300 published by Mourlot, Paris (Sorlier, in pencil l.r., inscribed “EA” in pencil l.l. Color 308). Signed “Bernard Buffet” in pencil l.r., lithograph on paper, image size 23 x 17 7/8 in. numbered “206/300” in pencil l.l., signed and (58.3 x 45.3 cm), unmatted, unframed. dated within the matrix. Color lithograph on Condition: Deckled right edge, subtle toning. paper, image size 25 3/4 x 19 5/8 in. (65.3 x $800-1,200 49.8 cm), framed. Condition: Toning, staining to lower margin, not examined out of frame. $800-1,200

Online bidding at www.skinnerinc.com 33 46

46 Félix Hilaire Buhot (French, 1847-1898)

Les Grandes Chaumières, 1881 (Bourcard/ Goodfriend, 150). Artist’s red stamp l.c. Etching and drypoint on paper, plate size 5 1/2 x 10 3/4 in. (13.9 x 27.3 cm), framed. Condition: Toning, subtle rippling, not examined out of frame. $300-500

47 Harrison Cady (American, 1877-1970)

The Bishop’s Dilemma, edition of 100. Signed “Harrison Cady” in pencil l.r., numbered “Imp/100” in pencil l.l. Etching on paper, plate size 10 1/2 x 7 7/8 in. (26.5 x 19.8 cm), matted, unframed. Condition: Margins over 1 1/4 inches, unobtrusive toning. $200-250

34 Additional information and photos at www.skinnerinc.com 48

48 Alexander Calder (American, 1898-1976)

Untitled, edition of 100. Signed “Calder” in pencil l.r., numbered “52/100” in pencil l.l. Color lithograph on paper, sight size 21 1/8 x 27 7/8 in. (53.5 x 70.6 cm), framed. Condition: Not examined out of frame. $1,000-1,500

Online bidding at www.skinnerinc.com 35 49 Alexander Calder (American, 1898-1976)

McGovern, 1972, edition of 200, published by Styria Studio Ltd., New York. Signed “Calder” in pencil l.r., numbered “125/200” in pencil l.l., publisher’s dry stamp l.r. Color lithograph on Rives paper with watermark, image size 28 1/4 x 22 in. (71.1 x 55.8 cm), unmatted, unframed. Condition: Deckled upper and right edges. $800-1,200

50 Alexander Calder (American, 1898-1976)

Untitled, edition of 75. Signed “Calder” in pencil (within the image) l.r., numbered “57/75” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 21 5/8 x 29 1/2 in. (54.8 x 74.8 cm), framed. Condition: Minor creases/rubs to edges of sheet/image, not examined out of frame. $700-900

36 Additional information and photos at www.skinnerinc.com 51

51 Mary Cassatt (American, 1843-1926)

Margot wearing a Bonnet (No. 3), c. 1902, possibly a later impression (Breeskin, 181). Unsigned. Drypoint on laid paper with partial figural watermark, plate size 9 x 6 1/4 in. (22.8 x 15.8 cm), matted, unframed. Condition: Pale foxing, gently light-struck, pencil annotations to verso. $400-600

52 Mary Cassatt (American, 1844-1926)

The Party Dress, c. 1904, the second state of two, probably from the 1923 printing (Breeskin, 191). Unsigned. Drypoint on paper, plate size 8 1/8 x 5 7/8 in. (20.5 x 14.8 cm), framed. Condition: Toning, sheet sandwiched between facing and back mats (though sheet is not totally laid down). $1,000-1,500 52

Online bidding at www.skinnerinc.com 37 53

53 Mary Cassatt (American, 1844-1926)

The Manicure, c. 1908, second state of two, printed by Delâtre c. 1926 (Breeskin, 199). Unsigned. Drypoint on blue paper, plate size 8 x 5 3/4 in. (20.3 x 14.4 cm), framed. Condition: Scattered pinpoint fox marks, not examined out of frame.

Provenance: Purchased from Merrill Chase, Chicago, 1972. $1,200-1,800

38 Additional information and photos at www.skinnerinc.com 54

54 Paul Cézanne (French, 1839-1906)

Portrait du peintre Armand Guillaumin au pendu, 1873, a posthumous impression (Cherpin, 2). Unsigned. Etching on paper, plate size 6 1/8 x 4 3/4 in. (15.5 x 12.0 cm), framed. Condition: Gentle rippling and toning, not examined out of frame. $500-700

Online bidding at www.skinnerinc.com 39 55

55 Marc Chagall (French/Russian, 1887-1985) N.B. The original invoice from Parke-Bernet Galleries, and a note card from Vera Chagall Autoportrait blanc, 1957, edition of 30 accompany the lot. (Mourlot, 181). Signed “Marc Chagall” in $1,500-2,000 pencil l.r., numbered “30/30” l.l. Lithograph on paper, image size 25 1/4 x 19 1/2 in. (64.1 x 49.3 cm), framed. Condition: Ripple or unpressed crease to image l.r., not examined out of frame.

Provenance: Sotheby Parke-Bernet Galleries, Inc., New York, Nineteenth & Twentieth Century Prints, February 3, 1972, Sale 3310, Lot 196.

40 Additional information and photos at www.skinnerinc.com 56

56 Marc Chagall (Russian/French, 1887-1985)

Le couple devant l’arbre, 1960, edition of 40 (Mourlot, 292). Signed “Marc Chagall” in pencil l.r., numbered “23/40” in pencil l.l. Lithograph on paper, image size 12 1/4 x 9 1/2 in. (31.0 x 24.0 cm), framed. Condition: Not examined out of frame. $4,000-6,000

Online bidding at www.skinnerinc.com 41 57

57 Marc Chagall (Russian/French, 1887-1985)

Le bouquet de l’artiste, 1964, edition of 75 (Mourlot, 410). Signed “Marc Chagall” in pencil l.r., numbered “20/75” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 10 3/4 in. (36.7 x 27.2 cm), framed. Condition: Margins over 2 inches, not examined out of frame. $7,000-9,000

42 Additional information and photos at www.skinnerinc.com 58

58 Marc Chagall (Russian/French, 1887-1985)

La féerie, 1969, edition of 50 (Mourlot, 576). Signed “Marc Chagall” in pencil l.r., numbered “45/50” in pencil l.l. Color lithograph on paper, image size 13 1/4 x 16 in. (33.5 x 40.5 cm), framed. Condition: Not examined out of frame. $3,000-5,000

59 Marc Chagall (Russian/French, 1887-1985)

Autoportrait, 1973, edition of 50 (Mourlot, 697). Signed “Marc Chagall” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on cream paper, image size 22 3/4 x 15 5/8 in. (57.5 x 39.5 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $3,000-5,000

Online bidding at www.skinnerinc.com 43 60

60 After Marc Chagall (Russian/French, 1887- 1985)

Die Zauberflöte, printed by Mourlot, Paris, published by Charles Sorlier, Paris. Identified within the matrix. Color lithographic poster, sight size 39 x 25 3/4 in. (99.0 x 65.3 cm), framed. Condition: Not examined out of frame. $500-700

44 Additional information and photos at www.skinnerinc.com 61 62

61 62 Brian Chippendale (American, b. 1973) Corneille (Dutch, 1922-2010)

Untitled, 2006, edition of 20. Signed, Jeux d’été, 1960, edition of 210 (Donkersloot- numbered, and dated “Brian Chippendale Van den Berghe, 87). Signed and dated 8/20 2006” on the reverse. Color screenprint “Corneille ‘60” in pencil l.r., numbered and on paper, image/sheet size 20 x 13 in. (50.6 x titled “200/210...” in pencil l.l. Color lithograph 33.0 cm), framed. on paper, image size 25 x 19 1/2 in. (63.4 x Condition: Deckled upper and right edges, 49.4 cm), framed. sheet floated in frame, soiling near edges, not Condition: Pale mat burn, toning, not examined out of frame. examined out of frame. $300-500 $500-700

Online bidding at www.skinnerinc.com 45 63

63 Enrique Climent (Spanish, d. 1980)

Portfolio 10 GRABADOS EN LINOLEO, 1951, edition of 300. Each signed “Climent” in pencil l.r., identified and numbered “107” on the colophon page, dedicated “Al amigo Stanton Forbes...” in ink on the title page. Color linocuts on paper, image sizes 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), presented in the original portfolio cover. Condition: Subtle toning, creasing to left edge of some sheets.

Provenance: Ex-collection of artist W. Stanton Forbes (1912-1989). From 1950 to 1953 Forbes studied History of Art and Applied Arts at Mexico City College under Justino Fernandez, Lola and German Cueto, and Enrique Climent. $800-1,200

46 Additional information and photos at www.skinnerinc.com 64 Jean-Baptiste-Camille Corot (French, 1796- 1875)

Souvenir d’Italie, 1866, final state of four (Delteil, 5). Unsigned. Etching and drypoint on fine laid paper, plate size 12 5/8 x 9 1/2 in. (34.2 x 26.5 cm), framed. Condition: Margins over 1/2 inch, pale toning, pencil annotations to lower edge. $700-900

65 Jean-Baptiste-Camille Corot (French, 1796- 1875)

Le petit berger (2è planche), 1855, second state of two, probably published in 1921 (Delteil, 50). Signed within the matrix and identified on labels affixed to the backing. Cliché-verre on paper, sight size 13 1/2 x 10 1/2 in. (34.2 x 26.5 cm), framed. Condition: Minor rippling, not examined out of frame. $500-700

65 Online bidding at www.skinnerinc.com 47 66

66 José Luis Cuevas (Mexican/American, b. 1933)

Seven Prints: Title Page and La Mascara from the HOMAGE TO QUEVEDO Portfolio, 1969; El Desfile, 1969, bon à tirer; Poet in the Dining Room from the MEXICAN MASTERS Suite, 1972, edition of 100; Untitled, 1972; La Maga, 1972; and Los Papeles de Salazar, 1983, edition of 100. Each signed and some dated in pencil within the images. Color lithographs on various papers and supports, image/sheet sizes to 24 1/2 x 34 1/4 in. (62.2 x 86.8 cm), unmatted, unframed. Condition: Very minor handling creases.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $3,000-5,000

67 67 Salvador Dalí (Spanish, 1904-1989)

Manhattan, 1964, from the edition of 125 (Michler & Löpsinger, 112). Signed “Dali” in pencil l.r., numbered “116/125” in pencil l.l. Etching in sienna and black on paper, plate size 16 3/4 x 24 1/4 in. (42.4 x 61.5 cm), framed. Condition: Margins 1 1/4 inch or more, gentle rippling, not examined out of frame. $400-600

48 Additional information and photos at www.skinnerinc.com 68 Dorothy Dehner (American, 1901-1994)

The Barn in Bolton, 1953, a proof outside of the edition of 45. Signed and dated “Dorothy Dehner ‘53” in pencil l.r., titled and annotated “...A.P.” in pencil l.l. Etching with aquatint in red and black on paper, plate size 13 3/4 x 9 7/8 in. (34.8 x 25.0 cm), framed. Condition: Margins 1/2 inch or more, gentle rippling, not examined out of frame. $800-1,200

69 James DeWoody (American, b. 1945)

Follow Me, 1987, edition of 20. Monogrammed and dated “...’87” in pencil l.r., titled in pencil l.c., numbered “17/20” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color lithograph on paper, image size 11 3/4 x 19 1/2 in. (29.8 x 49.4 cm), framed. Condition: Not examined out of frame. $250-300

Online bidding at www.skinnerinc.com 49 70

70 Jim Dine (American, b. 1935)

Black and White Cubist Venus, 1985, edition of 30, published by Pace Editions, Inc., New York (D’Oench & Feinberg, 195). Numbered, signed, and dated “30/30 J Dine 1985” in pencil beneath the image. Etching and aquatint on paper, plate size 33 3/4 x 25 7/8 in. (85.5 x 65.5 cm), framed. Condition: Margins 2 1/2 inches or more with deckled upper and lower edges, sheet floated within frame, not examined out of frame.

Provenance: Pace Gallery, New York. $1,500-2,000

71 Jim Dine (American, b. 1935)

The New Year’s Tree from THE ASTRA SET, 1985, edition of 300. Numbered, signed, and dated “57/300 J Dine 1985” in pencil l.l. Color lithograph and offset on paper, image size 24 1/4 x 20 in. (61.5 x 50.8 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled upper edge. $500-700

50 Additional information and photos at www.skinnerinc.com 72 Jim Dine (American, b. 1935)

The Garrity Necklace, 1986, edition of 30, published by Pace Editions, New York (Carpenter, 5). Numbered, signed, and dated “7/30 Jim Dine 1986” in pencil l.l. Direct gravure, aquatint, and power-tool drypoint in colors on paper, plate size 47 3/4 x 35 5/8 in. (121.3 x 90.4 cm), framed. Condition: Deckled edges, sheet with gentle rippling, floated in frame, not examined out of frame.

Provenance: Purchased from the Pace Gallery, New York, by the present owner. $1,800-2,200

73 Jim Dine (American, b. 1935)

Jumps Out at You, No?, 1993, edition of 75, printed and published by Bill Hall and Julia D’Amario, Spring Street Workshop, New York (Carpenter, 73). Numbered, signed, and dated “67/75 Jim Dine 1993” in pencil l.l. Etching and aquatint with hand-coloring on cream paper, plate size 12 1/2 x 21 1/8 in. (31.7 x 53.5 cm), framed. Condition: Margins over 3 inches with deckled edges, sheet floated in frame, not examined out of frame. $3,500-5,500

Online bidding at www.skinnerinc.com 51 74

74 Albrecht Dürer (German, 1471-1528)

The Virgin Surrounded by Many Angels, 1518 (Boon & Scheller/Hollstein, 211). Monogrammed and dated within the block. Woodcut on laid paper, image size 11 3/4 x 8 7/16 in. (29.8 x 21.3 cm), framed. Condition: Trimmed to border of image, horizontal crease to image, affixed to mat along upper edge with several spots of glue or similar, thin spots to sheet on verso near the lower edge, pencil annotation to verso. $1,500-2,000

75 Hans Erni (Swiss, b. 1909)

Der Techniker und seine Umwelt, edition of 150. Signed “Erni” in pencil l.r., numbered “53/150” in pencil l.l. Color lithograph on paper, image size 21 x 16 3/4 in. (53.3 x 42.4 cm), framed. Condition: Margins over 1 inch with deckled right and lower edges, not examined out of frame. $400-600

52 Additional information and photos at www.skinnerinc.com 76 78 76 Romain de Tirtoff, called Erté (French, 1892-1990)

Automne, 1979, edition of 300 (Lee, 144). Signed “Erté” in pencil l.r., inscribed “EA” in pencil l.l. Color screenprint on paper, image size 24 x 17 1/2 in. (60.8 x 44.4 cm), framed. Condition: Not examined out of frame. $600-800

77 Richard Estes (American, b. 1932)

Pressing Machinery from URBAN LANDSCAPES II, 1979, edition of 100 plus proofs (Arthur, p. 118). Signed “RICHARD ESTES” in pencil l.r., inscribed “A.P.” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 13 in. (49.7 x 32.9 cm), framed. Condition: Not examined out of frame. $1,000-1,500

78 Lyonel Feininger (German/American, 1871- 1956)

Gelmeroda, 1920, from the 1958 edition of 300, published by The Print Club of Cleveland (Prasse, W237). Unsigned, publisher’s stamp on verso, label from The Print Club of Cleveland affixed to the backing. Woodcut on Japan paper, image size 13 1/8 x 9 1/2 in. (33.2 x 24.1 cm), framed. Condition: Not examined out of frame. $400-600 77

Online bidding at www.skinnerinc.com 53 79 Helen Frankenthaler (American, 1928-2011) N.B. The work presented here used one of the blocks from Frankenthaler’s four-block Drawing on Woodblock Proof I, 1977. print Essence Mulberry. Frankenthaler worked Signed and inscribed “Frankenthaler closely with publisher Kenneth Tyler. Outside (Woodcut, mulberry juice, and crayon)” in of his studio stood a mulberry tree, a very pencil l.l., identified on labels from The Morris appropriate symbol for a printmaker, as the Museum, Morristown, New Jersey, and the bark of the mulberry tree has been used in André Emmerich Gallery, New York, on the the making of paper for over 2,000 years. Not backing. Woodcut with mulberry juice and long after viewing an exhibition of 15th century crayon on paper, image size 25 x 19 5/8 in. woodcuts at the Metropolitan Museum of (63.4 x 49.8 cm), framed. Art, Frankenthaler found herself in front of Condition: Gentle cockling, narrow areas Tyler’s tree. It was covered with berries, and of pale staining near the side edges on the their juice put her in mind of the faded reds reverse. ubiquitous in that show, thus inspiring Essence Mulberry, and a large number of related Provenance: Collection of the Stedawill Art works. This is one of the related works, where Foundation, Long Island, New York. she used one of the blocks as a backdrop for her drawing. Literature: Pegram Harrison, Frankenthaler: A Catalogue Raisonné, Prints 1961-1994 Sold to benefit Community Servings, a (New York: Harry N. Abrams, Inc., 1996), nonprofit food and nutrition program feeding p. 242. [See Harrison 57, Related Works, 1300 critically ill neighbors and their families no. 2.]; Helen Frankenthaler: Monotypes & each year in eighteen communities across Drawings on Proofs, catalog for the exhibition Massachusetts. (New York: André Emmerich Gallery, 1981), $50,000-60,000 illustrated.

54 Additional information and photos at www.skinnerinc.com 79 Online bidding at www.skinnerinc.com 55 80

80 Paul Gauguin (French, 1848-1903)

La femme aux figues, 1894, third state of three (Kornfeld, 25iii/iii). Inscribed within the plate. Etching and aquatint on laid Arches paper with watermark, plate size 10 1/2 x 16 3/8 in. (26.6 x 41.5 cm), unmatted, unframed. Condition: Mat burn margins folded under 1 3/4 inches or more outside of the plate mark, small puncture and tape/residue to upper margin. $1,000-1,500

81 Michiel Gloeckner (American, 1915-1989)

Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Quadrilaterals), 1974, edition of 125. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 3/4 x 19 3/4 in. (67.8 x 50.0 cm), unmatted, unframed. Condition: Margins 1/2 inch or more. 81 $400-600

56 Additional information and photos at www.skinnerinc.com 82 Douglas Warner Gorsline (American, 1913- 1985)

Express Stop, 1948, edition of approximately 100, published by the Society of American Etchers, New York. Signed “Douglas W Gorsline” in pencil l.r., identified on a label from The Print Cabinet, Ridgefield, Connecticut, affixed to the backing. Etching on paper, plate size 6 1/2 x 6 in. (16.4 x 15.2 cm), framed. Condition: Not examined out of frame. $600-800

83 Susan Hall (American, b. 1943)

Midnight Swimmer, 1990. Signed and dated “Susan Hall 1990” in pencil l.r., titled in pencil l.l., identified on a label affixed to the backing. Color monotype on paper, image size 12 x 23 in. (30.4 x 58.3 cm), framed. Condition: Not examined out of frame. $500-700

83A 82 Albert William Heckman (American, 1893- 1971)

Cross-Roads, 1939, published by Associated American Artists, edition of 250 (AAA/Czestochowski, 1939.032). Signed “AlbertHeckman” in pencil l.r., titled in pencil l.l. Etching with aquatint on paper, plate size 8 7/8 x 13 3/4 in. (22.5 x 34.8 cm), framed. Condition: Mat burn, not examined out of frame. $200-250

83A Online bidding at www.skinnerinc.com 57 84

84 Al Held (American, 1928-2005)

Kyoto-Wa, 1985, edition of 100, published by Crown Point Press, San Francisco. Signed and dated “Al Held © 85” in pencil on verso, numbered “72/100” in pencil on verso. Color woodcut on paper, image size 24 5/8 x 32 3/8 in. (62.4 x 82.1 cm), framed. Condition: Not examined out of frame. $700-900

85 Damien Hirst (British, b. 1965)

Windmills of My Mind from IN A SPIN/THE ACTION OF THE WORLD ON THINGS II, 2002, printer’s proof outside of the edition of 68. Signed “Damien Hirst” in pencil l.r. and within the plate, inscribed “PP” in pencil l.l., titled and dated within the plate. Color etching and engraving on paper, plate size 39 3/4 x 29 3/4 in. (100.8 x 75.5 cm), unmatted, unframed. Condition: Margins 2 inches or more with deckled edges, minute handling creases. 85 $4,000-6,000

58 Additional information and photos at www.skinnerinc.com 86

86 87 Ryan Humphrey (American, b. 1971) Friedensreich Hundertwasser (Austrian, 1928-2000) AK-47 from the GUNS Series, c. 2006, edition of 100. Unsigned. Silkscreen ink, It Hurts to Wait with Love if Love is gesso, and clear coat on medium-density Somewhere Else, 1966, plate 3 from LOOK fiberboard, 10 1/2 x 34 1/2 in. (26.7 x 87.6 AT IT ON A RAINY DAY, 1971-1972, edition cm). of 3000 (Koschatzky, 46). Signed and dated Condition: Subtle bubble-wrap imprint on within the matrix, stamped number “02045” surface. l.r., identified on a label from Pucker-Safrai, Boston, affixed to the reverse. Color Provenance: RxArt Ball, New York, 2007. screenprint with metal foils on paper, image size 14 1/4 x 23 3/4 in. (36.2 x 60.2 cm), N.B. We wish to thank the artist and RxArt for framed. their assistance cataloging the lot. Condition: Rippling, sheet floated in mat, not $300-500 examined out of frame. $700-900

Online bidding at www.skinnerinc.com 59 88

88 Alfred Heber Hutty (American, 1877-1954)

Gossips, Ile de Noirmoutier, c. 1927. Signed “Alfred Hutty” in pencil l.r. Etching on paper, plate size 10 1/8 x 8 1/4 in. (25.5 x 20.8 cm), framed. Condition: Gentle toning, subtle stain to image u.r., not examined out of frame. $400-600

89 Alfred Heber Hutty (American, 1877-1954)

Old St. Michael’s, Charleston. Signed “Alfred Hutty” in pencil l.r., identified on a label from Doll & Richards, Inc., Boston, affixed to the backing. Drypoint on paper, plate size 10 3/8 x 8 5/8 in. (26.2 x 21.8 cm), framed. Condition: Not examined out of frame. $700-900

60 Additional information and photos at www.skinnerinc.com 91

90 91 92 Helen Hyde (American, 1868-1919) Helen Hyde (American, 1868-1919) Helen Hyde (American, 1868-1919)

Two Images of Children: The Red Curtain, Three Images of Children: The Daruma The Sacred Calf in the Bazaar at Agra, 1907 (Mason, 74); and Miss Apricot-Cloud, Branch, 1910 (Mason, 84); The Go-Cart, 1910 (Mason, 89). Signed “Helen Hyde” in 1908 (Mason, 78). Both signed “Helen Hyde” 1913 (Mason, 107); and A Windy Ride, 1913 pencil within the image l.l., numbered “12” in in pencil within the image, with date and (Mason, 113). The last two signed “Helen pencil within the image l.r., monogram, date, copyright text within the block and with clover Hyde” in pencil within the image, each with and copyright text within the block, clover chop to image. Color woodcuts on paper, date, monogram, clover chop, and copyright chop to image. Color woodcut on paper, image sizes to 7 3/8 x 5 1/8 in. (18.6 x 13.0 text within the block. Color woodcuts on image size 9 x 9 7/8 in. (22.8 x 25.0 cm), cm), framed. paper, image sizes to 4 1/4 x 5 3/8 in. (10.8 x framed. Condition: Subtle mat burn to Apricot, gentle 13.5 cm), framed. Condition: Very minor rippling, not examined rippling to both (more prevalent to Curtain), Condition: Minor rippling, pale staining to out of frame. not examined out of frames. Branch, not examined out of frames. $200-250 $250-300 $300-350

Online bidding at www.skinnerinc.com 61 93 95 Helen Hyde (American, 1868-1919) Louis Icart (French, 1888-1950)

Going to Market (Viga Canal, Mexico), 1912 Il m’aime, 1926 (Holland et al., 263). Signed (Mason, 93). Signed “Helen Hyde” in pencil “Icart” in pencil l.r., numbered “290” in pencil within the image l.l., numbered “43” in pencil l.l., identified within the plate, artist’s dry stamp within the image l.r., monogram, date, and l.l. Color etching with aquatint and stencil copyright text within the block, clover chop to coloring on paper, plate size 17 1/4 x 12 5/8 image. Color woodcut on paper, image size in. (43.7 x 31.9 cm), framed. 11 3/8 x 4 1/4 in. (28.8 x 10.7 cm), framed. Condition: Unobtrusive toning, not examined Condition: Very minor rippling, not examined out of frame. out of frame. $500-700 $200-250

94 Louis Icart (French, 1888-1950)

Coup de vent, 1925 (Holland et al., 235). Signed “Icart” in pencil l.r., inscribed “ep art” in pencil l.l., identified within the plate. Etching with aquatint and stencil coloring on paper, plate size 22 1/8 x 18 3/4 in. (56.2 x 47.4 cm), framed. Condition: Toning, not examined out of frame. $1,000-1,500

94 95

62 Additional information and photos at www.skinnerinc.com 98

96 Louis Icart (French, 1888-1950)

96 La cachette, 1927 (Holland et al., 308). Signed “Icart” in pencil l.r., numbered “341” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 19 x 15 1/2 in. (48.2 x 39.3 cm), framed. Condition: Toning, foxing, not examined out of frame. $500-700

97 Louis Icart (French, 1888-1950)

Don Juan, 1928 (Holland et al., 330). Signed “Icart” in pencil l.r., numbered “489” in pencil l.l., identified within the plate, artist’s dry stamp l.l., titled within a separate plate printed beneath the main image. Color etching with aquatint and stencil coloring on paper, plate size 21 1/8 x 14 1/4 in. (53.3 x 36.2 cm), framed. Condition: Unobtrusive toning, not examined out of frame. $700-900

98 After Wassily Kandinsky (Russian, 1866- 1944)

Tache rouge II, c. 1960, edition of 300. Monogrammed within the matrix, numbered “90/300” in pencil l.l. Color lithograph on paper, image size 15 1/8 x 19 7/8 in. (38.3 x 50.4 cm), framed. Condition: Mat burn, not examined out of frame. $300-500

97 Online bidding at www.skinnerinc.com 63 99

99 Alex Katz (American, b. 1927)

Brisk Day, 1990, edition of 150 plus proofs, published by Gjon, Inc., Kyoto (Blum, 38). Signed and numbered “Alex Katz 20/150” in pencil (within the image) l.l. Color woodcut on paper, image/sheet size 36 x 29 in. (91.4 x 73.5 cm), framed. Condition: Not examined out of frame. $5,000-7,000

64 Additional information and photos at www.skinnerinc.com 100

100 Ellsworth Kelly (American, b. 1923)

Corneilla from the THIRD CURVE SERIES, 1973-1976, edition of 16, published by Gemini G.E.L., Los Angeles (Axsom, 119). Numbered and signed “15/16 Kelly” in pencil l.r., copyright and publisher’s dry stamps l.r. Lithograph with embossing on paper, image size 21 7/8 x 29 in. (55.4 x 73.5 cm), framed. Condition: Minor rippling, sheet floated in frame, not examined out of frame. $4,000-6,000

101 Ellsworth Kelly (American, b. 1923)

Colored Paper Images XVI (Yellow Curve) from COLORED PAPER IMAGES, 1976- 1977, edition of 24, published by Tyler Graphics Ltd., Mount Kisco, New York (Axsom, 154). Signed “Kelly” in pencil l.r., numbered “22/24” in pencil l.l., publisher’s dry stamp l.r., identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Colored pressed paper pulp, image size 30 1/4 x 29 1/4 in. (76.7 x 74.2 cm), framed. Condition: Deckled edges with minor cockling to same, sheet floated in frame, not examined out of frame. $5,000-7,000

101

Online bidding at www.skinnerinc.com 65 102 Rockwell Kent (American, 1882-1971)

Starry Night, 1933, edition of 1,750 (Jones, 103). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.5 x 12.4 cm), framed. Condition: Foxing, not examined out of frame. $600-800

103 Rockwell Kent (American, 1882-1971)

Communing with Nature, 1934, edition of 125 (Jones, 106). Signed “Rockwell Kent” in pencil l.r., titled in pencil l.l., identified on a label from Associated American Artists affixed to the reverse. Lithograph on paper, image size 8 1/2 x 13 1/2 in. (21.5 x 34.3 cm), framed. Condition: Subtle rippling, not examined out of frame. $500-700

102

103

66 Additional information and photos at www.skinnerinc.com 104

105

104 105 Marguerite Kirmse (American, 1885-1954) Gene (Alice Geneva Glasier) Kloss (American, 1903-1996) Three of a Kind. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on Desert Drama, 1977, edition of 35 (Kloss, paper, plate size 6 x 9 1/2 in. (15.2 x 24.0 cm), 575). Signed “Gene Kloss -- NA.” in pencil framed. l.r., numbered and titled “8/35...” in pencil l.l. Condition: Several pale fox marks, not Drypoint and aquatint on paper, plate size 11 x examined out of frame. 17 3/4 in. (27.8 x 45.0 cm), framed. $300-500 Condition: Not examined out of frame. $1,000-1,500

Online bidding at www.skinnerinc.com 67 106

106 Käthe Kollwitz (German, 1867-1945)

Die Witwe II from KRIEG, 1921-1922, final (published) state of seven, B edition of 100 (Klipstein, 181viib). Signed “Käthe Kollwitz” in pencil l.r., numbered “B 13/100” in pencil l.l. Woodcut on paper, image size 11 7/8 x 20 5/8 in. (30.0 x 52.2 cm), framed. Condition: Gently light-struck, not examined out of frame. $1,500-2,000

107 107 Lawrence Kupferman (American, 1909- 1982)

Two Impressions of Fantasia Americana-1880: first proof of the first state, 1942, with additional elements drawn in pencil; and the published state, 1943. Both signed “Lawrence Kupferman” in pencil l.r., titled in pencil l.l., and annotated with edition in pencil l.c. Etchings with drypoint on paper, plate sizes 11 7/8 x 14 7/8 in. (30.0 x 37.8 cm), the published state framed. Condition: Unobtrusive toning, latter not examined out of frame. $400-600

68 Additional information and photos at www.skinnerinc.com 108 109

109 Lois Lane (American, b. 1948)

Untitled (Girl with Stars), 1990, edition of 15. Signed and dated “Lois Lane ‘90” in pencil l.r., numbered “9/15” in pencil l.l., identified on labels from Pace Prints, New York, and Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color woodcut and screenprint on paper, image size 35 x 27 in. (88.8 x 68.5 cm), framed. Condition: Deckled edges, sheet floated in frame, not examined out of frame. $800-1,200

110 110 William Lee-Hankey (British, 1869-1952)

108 Two Scenes: Secrets, 1905-1906, from Armin Landeck (American, 1905-1984) the monochrome edition (Hardie, x); and A Spanish Boy, 1909, proof impression (Hardie, Shaker Stove, 1938, edition of 100 (Kraeft, 62). Both signed “W Lee Hankey inv. del. 72). Signed “Landeck imp” in pencil l.r., et imp.” in pencil and with artist’s dry stamp monogrammed within the plate. Drypoint on beneath the image, both monogrammed paper, plate size 8 x 6 in. (20.3 x 15.0 cm), within the plate. Etchings with aquatint on framed. paper, plate sizes to 8 3/8 x 6 1/2 in. (21.0 x Condition: Gentle rippling, not examined out 16.4 cm), unmatted, unframed. of frame. Condition: Margins over 3/4 inches with $350-450 unobtrusive soiling. $600-800

Online bidding at www.skinnerinc.com 69 111

112

70 Additional information and photos at www.skinnerinc.com 113 114

111 112 113 Sol LeWitt (American, 1928-2007) Roy Lichtenstein (American, 1923-1997) Tod Lindenmuth (American, 1885-1976)

A Circle Divided into Eight Equal Parts, As I Opened Fire.../A Triptych, 1966, large Along Side. Signed “Tod Lindenmuth” in with Colours Superimposed in Each Part, open edition (Corlett, App. 5). Unsigned, pencil l.r., titled in pencil l.l. Color linocut on 1989, edition of 40, published by Achenbach identified in text on the reverse of each sheet. paper, image size 9 x 7 1/8 in. (22.7 x 18.0 Art Edition, Düsseldorf, and Edition Offset color lithographs on paper, sheet cm), framed. Schellmann, Munich. Signed and numbered sizes 25 1/4 x 20 3/4 in. (64.5 x 52.7 cm), Condition: Several pinpoint fox marks, not “LeWitt 18/40” in pencil (within the image) l.r. unmatted, unframed. examined out of frame. Color screenprint on paper, image/sheet size Condition: Very minor handling marks and $250-300 29 3/4 x 29 3/4 in. (75.4 x 75.4 cm), framed. creases. Condition: Not examined out of frame. $500-700 114 Provenance: Purchased from Editions Jacques Lipchitz (French, 1891-1973) Schellmann, Inc., New York, May 1990. $1,000-1,500 Zion, edition of 200. Signed “Lipchitz” in pencil l.r., numbered “141/200” in pencil l.l. Color lithograph on paper, image size 23 7/8 x 18 1/2 in. (60.5 x 47.0 cm), framed. Condition: Not examined out of frame. $500-700

Online bidding at www.skinnerinc.com 71 115

116

117

115 116 117 Sydney Mackenzie Litten (British, 1887- Louis Lozowick (Russian/American, 1892- Louis Lozowick (Russian/American, 1892- 1949) 1973) 1973)

Salute Steps, Venice, edition of 80. Signed Hanover Square, 1929, edition of 25 (Flint, City on a Rock - Cohoes, 1931, edition of “SMLitten” in pencil l.r., numbered “72/80” in 28). Signed and dated “LOUIS LOZOWICK 242 plus proofs, published by The Print Club pencil l.l., identified on a label from Harlow, ‘29” in pencil l.r., monogrammed within the of Cleveland (Flint, 79). Signed and dated McDonald & Co., New York, affixed to the matrix, identified on a label from E. Weyhe, “LOUIS LOZOWICK ‘31” in pencil l.r., label backing. Etching on paper, plate size 9 7/8 x New York, affixed to the backing. Lithograph from The Print Club of Cleveland affixed to the 13 7/8 in. (25.0 x 35.0 cm), framed. on paper, image size 14 5/8 x 8 7/8 in. (37.0 x backing. Lithograph on paper, image size 8 Condition: Margins 1/2 inch or more, not 22.5 cm), framed. 1/8 x 12 7/8 in. (20.4 x 32.5 cm), framed. examined out of frame. Condition: Pinpoint foxing, mat burn, toning, Condition: Not examined out of frame. $300-500 not examined out of frame. $300-500 $2,500-3,000

72 Additional information and photos at www.skinnerinc.com 118

118 Haku Maki (Japanese, 1924-2000)

Poem 72-39, edition of 153. Signed “HAKU MAKI” in pencil l.r., chop to image l.l., titled (in both English and Japanese) in pencil l.c., numbered “47/153” in pencil l.l. Woodcut in ochre and black with embossing on paper, image size 14 1/8 x 10 1/8 in. (35.8 x 25.6 cm), framed. Condition: Margins approximately 3/4 inches, not examined out of frame. $250-300

119 Marino Marini (Italian, 1901-1980)

Il sogno del cavaliere, 1960, edition of 50 (Guastalla & Schulz-Hoffman, A61). Signed “MARINO” in pencil l.r., numbered “40/50” in pencil l.l. Etching on paper, plate size 13 7/8 x 11 3/4 in. (35.2 x 30.0 cm), framed. Condition: Margins 3/4 inches or more, not examined out of frame. $500-700

119

Online bidding at www.skinnerinc.com 73 120

120 Marino Marini (Italian, 1901-1980)

Untitled (Plate 1) from FROM COLOR TO FORM, 1969, edition of 50 (Guastalla & Schulz-Hoffman, L92). Signed “MARINO” in pencil l.r., numbered “21/50” in pencil l.l. Color lithograph on paper, image size 15 1/2 x 20 1/2 in. (39.4 x 52.0 cm), framed. Condition: Margins 1 inch or more, not examined out of frame.

Provenance: Purchased from La Bibliofila (Carla C. Marzoli), Milan, in 1968 by the Lawrence Gallery, Kansas City, Missouri; purchased there by the present owner in 1981. $500-700

121 Marino Marini (Italian, 1901-1980)

Le sacre du printemps, 1973, edition of 50 (Guastalla & Schulz-Hoffman, LR). Signed “MARINO” in pencil l.r., numbered “47/50” in pencil l.l. Color lithograph on paper, image size 12 5/8 x 9 7/8 in. (32.0 x 25.0 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $500-700

121

74 Additional information and photos at www.skinnerinc.com 122

122 Reginald Marsh (American, 1898-1954)

Wrestlers, 1931, edition of 13 (Sasowsky, 113). Signed “Reginald Marsh” in pencil l.r., inscribed “#8” in pencil l.l., titled (faintly) l.l. Etching on laid paper with partial watermark, plate size 7 x 5 in. (17.7 x 12.5 cm), framed. Condition: Toning and some mat burn near edges, title probably erased, brown paper tape to edges on the reverse. $1,200-1,500

Online bidding at www.skinnerinc.com 75 123

123 Alessandro Mastro-Valerio (American, 1887-1953)

Four Nudes: Longing; End of Day; Arising, 1942; and Bathing Nudes. Each inscribed “A. Mastro-Valerio” in pencil by members of the artist’s family l.r. Mezzotints on paper, plate sizes approximately 9 x 7 in. (22.8 x 17.5 cm), three matted, all unframed. Condition: Margins approximately 1 inch, unobtrusive toning. $500-700

124 Henri Matisse (French, 1869-1954)

Circé from ULYSSES, 1935, published by the Limited Editions Club, New York (Duthuit, 237). Signed “Henri Matisse” in pencil l.r., numbered “75/150” and inscribed “The Circe Episode” in pencil l.l. Medium soft ground etching on wove paper, plate size 11 x 8 3/4 in. (27.8 x 22.2 cm), framed. Condition: Not examined out of frame. $500-700

124

76 Additional information and photos at www.skinnerinc.com 125 126

125 Jean François Millet (French, 1814-1875)

Le paysan rentrant du fumier, 1855, final state of four (Delteil, 11). Signed within the plate, identified on a label from Frederick Keppel & Co., New York, affixed to the backing. Etching on paper, plate size 6 1/2 x 5 1/4 in. (16.4 x 13.3 cm), framed. Condition: Not examined out of frame. $400-600

126 Jean François Millet (French, 1814-1875)

Le départ pour le travail, 1863, fourth state or later of seven (Delteil, 19). Signed within the plate. Etching on chine collé, plate size 15 1/4 x 12 1/4 in. (38.6 x 31.0 cm), framed. Condition: Unobtrusive foxing, staining and toning, not examined out of frame. $700-900

127 Jean-François Millet (French, 1814-1875)

La fileuse auvergnate, 1886, final state of five (Delteil, 20). Signed within the plate. Etching on paper, plate size 7 3/4 x 5 1/8 in. (19.6 x 13.0 cm), framed. Condition: Rippling, not examined out of frame. $350-550 127

Online bidding at www.skinnerinc.com 77 128 Jean-François Millet (French, 1814-1875)

La précaution maternelle, 1862, probably from the 1921 printing, edition of 150 (Delteil, 27). Signed within the matrix. Cliché-verre on paper, sight size 11 1/2 x 9 1/4 in. (29.2 x 23.4 cm), framed. Condition: Rippling, not examined out of frame. $500-700

129 Jean-François Millet (French, 1814-1875)

Femme vidant un seau, 1862, probably a proof from the 1921 printing (Delteil, 28). Signed within the matrix. Cliché-verre on paper, sight size 11 3/8 x 8 7/8 in. (28.8 x 22.5 cm), framed. Condition: Rippling, fading, not examined out of frame. $300-500

128

129

78 Additional information and photos at www.skinnerinc.com 130

131

130 131 Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)

Plate from FLUX DE L’AIMANT, 1964, Plate from UBU ROI, 1966, edition of 75, edition of 75 (Dupin, 383). Initialed “M” in printed by Mourlot, Paris, published by Tériade pencil l.r., numbered “55/75” in pencil l.l. (Mourlot, 416). Initialed “M.” in pencil l.r., Drypoint and aquatint in colors on paper, numbered “46/75” in pencil l.l. Lithograph on sheet size 19 x 23 in. (48.3 x 58.3 cm), paper, image size 16 1/4 x 24 1/2 in. (41.2 x framed. 62.2 cm), framed. Condition: Deckling to all but upper edge, Condition: Not examined out of frame. sheet floated within mat, gentle rippling, not $1,500-2,000 examined out of frame. $700-900

Online bidding at www.skinnerinc.com 79 132

133

132 133 Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)

Plate from UBU ROI, 1966, edition of 75, Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade printed by Mourlot, Paris, published by (Mourlot, 417). Unsigned, numbered “46/75” Tériade (Mourlot, 418). Signed “Miró” in pencil in pencil l.l. Color lithograph (without the black l.r., numbered “46/75” in pencil l.l. Color stone) on paper, image size 16 1/4 x 24 1/2 in. lithograph on paper, image size 16 1/4 x 24 (41.2 x 62.2 cm), framed. 1/2 in. (41.2 x 62.2 cm), framed. Condition: Not examined out of frame. Condition: Not examined out of frame. $2,500-3,500 $5,000-7,000

80 Additional information and photos at www.skinnerinc.com 134

134 Henry Moore (British, 1898-1986)

Two Women Bathing a Child II, 1973, edition of 175 (Cramer, 310). Signed “Moore” in pencil l.r., numbered “65/175” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 16 5/8 in. (36.8 x 42.2 cm), framed. Condition: Not examined out of frame. $2,000-3,000

Online bidding at www.skinnerinc.com 81 135 Henry Moore (British, 1898-1986)

Girl Seated at Desk III, 1974, edition of 50 plus proofs (Cramer 339). Signed “Moore” in pencil l.r., dedicated “For/Mary” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 6 7/8 in. (22.5 x 17.4 cm), framed. Condition: Margins 2 inches or more, not examined out of frame. $700-900

136 Henry Moore (British, 1898-1986)

Sculptural Ideas 3, 1980, edition of 50 (Cramer, 582). Signed “Moore” in pencil l.r., numbered “48/50” in pencil l.l., identified on a label from the Peter Bartlow Gallery, Chicago, affixed to the backing. Color etching with aquatint on paper, plate size 8 5/8 x 9 1/2 in. (21.8 x 24.0 cm), framed. Condition: Margins over 1 3/4 inches, not examined out of frame. $1,000-1,500

135

136

82 Additional information and photos at www.skinnerinc.com 137

137 Henry Moore (British, 1898-1986)

The Three Marys, 1981, edition of 50 (Cramer, 627). Signed “Moore” in pencil l.r., numbered “22/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 9 7/8 in. (22.5 x 25.0 cm), framed. Condition: Margins over 1 inch, not examined out of frame. $600-800

138 Henry Moore (British, 1898-1986)

Kneeling Woman, 1982, edition of 50 plus proofs (Cramer, 650). Signed “Moore” in pencil l.r., numbered “44/50” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 9 7/8 in. (32.4 x 25.0 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. $1,000-1,500

138

Online bidding at www.skinnerinc.com 83 139

139 Henry Moore (British, 1898-1986)

Mother and Child III from MOTHER AND CHILD, 1983, edition of 65 plus proofs (Cramer, 673). Signed “Moore” in pencil l.r., inscribed and numbered “PL III 53/65” in pencil l.l., signed within the plate. Color etching and aquatint on paper, plate size 8 7/8 x 7 in. (22.4 x 17.6 cm), framed. Condition: Margins over 1 1/2 inches, not examined out of frame. $1,000-1,500

84 Additional information and photos at www.skinnerinc.com 140

140 141 Robert Motherwell (American, 1915-1991) No lot.

Untitled (Cultural Foundation of New York City) from the NEW YORK PORTFOLIO, 1982, edition of 250 plus proofs, printed by Tyler Graphics, Ltd., Bedford Village, New York, published by the New York Graphics Society, Greenwich, Connecticut (Engberg & Banach, 293). Signed and numbered “RMotherwell 201/250” in pencil l.r., printer’s dry stamp l.r. Color lithograph on paper, image size 29 1/4 x 22 5/8 in. (74.2 x 57.4 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases. $300-500

Online bidding at www.skinnerinc.com 85 142 143

142 143 Shiko Munakata (Japanese, 1903-1975) Alice Neel (American, 1900-1984)

Bitan no Saku (April) from MUNAKATA NO Victoria and Cat, 1981. Signed and dated SAKU, 1956, printed in 1985. Signed with “Neel ‘81” in pencil l.r., numbered “HC 1/3” chop and with facsimile signature. Woodcut in pencil l.l., two dry stamps l.l., identified on paper, image size 13 1/4 x 11 in. (33.5 x on labels from Graham Modern, New York, 27.8 cm), framed. and Kristina Wasserman Gallery, Providence, Condition: Margins 1/2 inch or more, not Rhode Island, on the backing. Color examined out of frame. lithograph on paper, image size 40 1/8 x 26 in. $500-700 (101.7 x 66.0 cm), framed. Condition: Margins over 2 inches, with deckled left and lower edges, sheet floated in frame, gentle rippling, not examined out of frame. $800-1,200

86 Additional information and photos at www.skinnerinc.com 144

144 Bruce Onobrakpeya (Nigerian, b. 1932)

Urholo (Red Base), 1973, edition of 20. Signed and dated “Bruce Onobrakpeya, Lagos Aug 1973” in pencil l.r., numbered, titled, and inscribed “5/20...-Deep Etching” in pencil l.l. Color etching and aquatint on paper, plate size 23 5/8 x 18 in. (59.8 x 45.6 cm), framed. Condition: Not examined out of frame. $400-600

145 Jules Pascin (French, 1885-1930)

Cendrillon accroupie from CENDRILLON, 1929. Initialed within the plate, identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Soft ground etching with aquatint on paper, plate size 14 1/8 x 10 1/8 in. (35.8 x 25.6 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700

145

Online bidding at www.skinnerinc.com 87 146

147

88 Additional information and photos at www.skinnerinc.com 148

146 147 148 Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973)

Salomé from LA SUITE DES Nu assis entouré d’equisses de bêtes Couple et Enfant from LYSISTRATA, 1934, SALTIMBANQUES, 1905, from the 1913 et d’hommes from LE CHEF D’OEUVRE edition of 150 (Bloch, 268). Signed “Picasso” edition of 250, published by Ambrose Vollard, INCONNU, 1927, edition of 99 (Bloch, 91). in pencil l.l., numbered “150/141” in pencil l.r. Paris (Bloch, 14). Signed and dated within Signed “Picasso” in brown ink l.r., numbered Etching on wove paper, plate size 8 1/8 x 5 the plate. Etching and drypoint on paper, “11/99” in brown ink l.l. Etching on paper, 3/8 in. (20.5 x 13.5 cm), unmatted, unframed. plate size 15 3/4 x 13 5/8 in. (40.0 x 34.5 cm), plate size 7 5/8 x 10 7/8 in. (19.3 x 27.5 cm), Condition: Margins 2 3/4 inches or more, framed. framed. several pinpoint fox marks, subtle handling Condition: Toning, staining, foxing, not Condition: Toning, not examined out of frame. marks and creases. examined out of frame. $3,000-5,000 $2,500-3,500 $1,500-2,000

Online bidding at www.skinnerinc.com 89 149 149 Pablo Picasso (Spanish, 1881-1973)

Portrait of Max Jacob from CHRONIQUE DES TEMPS HÉROÏQUES, 1956, edition of 60 (Bloch, 804). Signed “Picasso” in red pencil l.c., numbered “26/60” in pencil l.l., dated within the plate. Drypoint on paper, plate size 7 3/4 x 5 3/4 in. (19.5 x 14.5 cm), framed. Condition: Mat burn, not examined out of frame.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $4,000-6,000

90 Additional information and photos at www.skinnerinc.com 150 Pablo Picasso (Spanish, 1881-1973)

La vieux roi, 1959, edition of 1,000 (Bloch, 869). Signed in the stone (in red) l.r. Lithograph on paper, image size 25 3/4 x 19 3/4 in. (65.3 x 50.2 cm), unmatted, unframed. Condition: Small tear to left edge, subtle toning. $800-1,200

150A Pablo Picasso (Spanish, 1881-1973)

Dans l’Atelier: Modèle et Deux Amateurs, 1966, printed in 1981, published by Galerie Louise Leiris, Paris (Bloch, 1438). Stamped signature l.r., numbered “E.A. V/XV” in pencil l.l. Etching and aquatint on paper, plate size 8 3/4 x 12 1/2 in. (22.2 x 31.6 cm), framed. Condition: Margins 2 1/2 inches or more with deckled edges, sheet floated within mat, not examined out of frame. $3,000-5,000

150

150A

Online bidding at www.skinnerinc.com 91 151

151 After Pablo Picasso (Spanish, 1881-1973)

Tête de Faune, c. 1958, edition of 300, published by Crommelynck, Paris. Signed “Picasso” in pencil l.r., numbered “163/300” in pencil l.l. Color soft ground etching with aquatint on paper, plate size 11 7/8 x 10 in. (30.0 x 25.5 cm), framed. Condition: Laid down, pale mat burn, margins 1 inch or more, rub to lower margin near right corner. $4,000-6,000

92 Additional information and photos at www.skinnerinc.com 152

152 After Pablo Picasso (Spanish, 1881-1973)

Picasso Arts, Inc., New York, 1965, edition without banners, published by Les Editions Cercle d’Art, Paris (Czwiklitzer, 218). Signed, dated, and dedicated within the matrix, publication text to lower corners. Color lithograph on paper, image size 14 1/2 x 21 in. (36.8 x 53.3 cm), framed. Condition: Margins 3 inches or more, not examined out of frame. $800-1,200

Online bidding at www.skinnerinc.com 93 154 153

153 154 Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973)

Bird with Worm, 1952, edition of 500 Bird on a Branch, 1952, edition of 500 (Ramie, 172). Inscribed “EDITION PICASSO” (Ramie, 175). Inscribed “EDITION PICASSO” on the underside, stamped “MADOURA” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. and “EDITION PICASSO” on the underside. Turned white earthenware clay with white Turned white earthenware clay with white enamel and black glaze, diameter 5 3/4 in. enamel and black glaze, diameter 5 3/4 in. (14.5 cm). (14.5 cm). Condition: Minor soiling. Condition: Minor soiling. $1,500-2,000 $1,200-1,800

94 Additional information and photos at www.skinnerinc.com 155

155 Lucien Pissarro (French, 1863-1944), After Camille Pissarro (French, 1831-1903)

Les guardeuses des vaches, c. 1893. Signed and identified within the block. Woodcut on paper, image size 4 3/4 x 6 3/4 in. (12.2 x 17.0 cm), framed. Condition: Not examined out of frame. $300-500

156 Serge Poliakoff (Russian, 1906-1969)

Composition Rouge, Jaune et Bleue, 1957, edition of 200 (Poliakoff/Schneider, 13). Signed “Serge Poliakoff” in pencil l.r., numbered “14/200” in pencil l.l. Color lithograph on paper, image size 22 5/8 x 17 3/8 in. (57.3 x 44.0 cm), framed. Condition: Pale mat burn, toning, not examined out of frame. $4,000-5,000

156

Online bidding at www.skinnerinc.com 95 157

157 Fairfield Porter (American, 1907-1975)

Street Scene, 1969, edition of 100, printed by Mourlot, New York, published by Brooke Alexander, Inc., New York (Ludman, 18). Signed “Fairfield Porter” in pencil l.r., numbered “35/100” in pencil l.l. Color lithograph on paper, image/sheet size 22 1/4 x 30 in. (56.4 x 76.0 cm), framed. Condition: Deckled right and lower edges, gentle toning, sheet floated in frame, not examined out of frame. $1,000-1,500

158 Jean François Raffaëlli (French, 1850-1924)

Le bon homme venant de peindre sa barrière, 1904 (Delteil, 55). Numbered and signed “no 48 J.F. Raffaëlli” in pencil l.r. Color etching and drypoint on paper, plate size 10 3/4 x 7 5/8 in. (27.2 x 19.3 cm), framed. Condition: Minute abrasions to right edge of image, pale mat burn, not examined out of frame. $500-700

158

96 Additional information and photos at www.skinnerinc.com 159

159 Robert Rauschenberg (American, 1925- 2008)

Sink, 1964, artist’s proof outside of the edition of 43, published by Universal Limited Art Editions, Bay Shore, New York. Titled, signed, dated, and inscribed “...RAUSCHENBERG 1964 A.P. 1/2” in pencil l.r., publisher’s dry stamp u.r. (inverted). Offset lithograph on paper, image size 14 1/4 x 16 1/2 in. (36.2 x 42.0 cm), framed. Condition: Margins over 3 1/2 inches with deckled edges, not examined out of frame. $4,000-6,000

Online bidding at www.skinnerinc.com 97 160 Man Ray (American, 1890-1976)

Sheila from LA BALLADE DES DAMES HORS DU TEMPS, 1970, edition of 75 (Anselmino, 60). Signed “Man Ray” in pencil l.r., numbered “30/75” in pencil l.l. Etching and color aquatint on Arches paper with watermark, plate size 19 5/8 x 14 1/4 in. (49.7 x 36.1 cm), unmatted, unframed. Condition: Margins over 2 1/2 inches with deckled edges. $700-900

161 Odilon Redon (French, 1840-1916)

Il tombe à l’abîme, la tête en bas, plate 17 from TENTATION DE SAINT-ANTOINE (troisième série), 1896 (Mellerio, 150). Unsigned. Lithograph on chine collé, image size 10 7/8 x 8 1/4 in. (27.5 x 20.8 cm), framed. Condition: Sheet disadhering from support, pencil annotations beneath image, not examined out of frame. $500-700

160

161

98 Additional information and photos at www.skinnerinc.com 162

162 Rembrandt van Rijn (Dutch, 1606-1669)

The White Negress, c. 1630, a lifetime Provenance: Kupferstichkabinett der impression (Bartsch/Hollstein, 357ii/ii). Staatlichen Museen, Berlin, collector’s stamp Unsigned, various collectors’ stamps (see (Lugt, 1606 and duplicate stamp Lugt, 234); below) on the reverse. Etching on laid paper, Karl Ferdinand Friedrich von Nagler (1770- plate size 3 7/8 x 3 in. (9.7 x 7.5 cm), framed. 1846) stamped twice (Lugt, 2529). Condition: Margins 1/8 inch or more with $1,000-1,500 nicks and loss to left margin (all outside of the plate mark) and repairs to upper margin (going just into the plate mark), dry impression, gentle toning, hinge and glue residue to upper and right edges on verso.

Online bidding at www.skinnerinc.com 99 163 Pierre-Auguste Renoir (French, 1841-1919)

Etude pour une baigneuse, c. 1906, second state (Stella, 16). Stamped signature l.r. Etching on paper, plate size 8 3/4 x 6 5/8 in. (22.2 x 16.8 cm), framed. Condition: Toning, not examined out of frame. $1,800-2,200

164 Pierre-Auguste Renoir (French, 1841-1919)

Baigneuse debout, à mi-jambes, c. 1910 (Stella, 23). Unsigned. Etching on laid paper, 6 9/16 x 4 7/16 in. (16.6 x 11.3 cm), matted, unframed. Condition: Margins over 2 3/4 inches with deckling to all but the upper edge, pale staining to right margin, light-struck within mat opening. $400-600 163

164

100 Additional information and photos at www.skinnerinc.com 165 167

166

165 166 167 Robert Riggs (American, 1896-1970) Larry Rivers (American, 1923-2002) Cristoforo di Michele Robetta (Italian, 1462-c. 1535) Casualty Award, 1942-1945 (Bassham, Bronx Zoo, 1983, edition of 250, published 83). Signed within the matrix. Lithograph on by the New York Graphic Society, Greenwich, Allegory of the Power of Love, a modern paper, image size 15 1/2 x 12 3/8 in. (39.3 x Connecticut, printed by Styria Studio, New impression (Bartsch, 18; Print Collector’s 31.5 cm), unmatted, unframed. York. Numbered, signed, and dated “93/250 Quarterly, 36; Hind, D.II.29). Signed within Condition: Margins over 1 1/2 inches with Larry Rivers ‘83” in pencil l.r., printer’s dry the plate, identified on a label from E. Weyhe, deckled edges to two sides, gently light- stamp l.l. Color lithograph on paper, image/ New York, affixed to the backing. Engraving struck, old hinges to verso along upper edge. sheet size 26 x 34 in. (66.0 x 86.3 cm), on paper, sight size 11 3/4 x 10 5/8 in. (29.8 x $250-300 unmatted, unframed. 26.8 cm), framed. Condition: Minor handling creases. Condition: Gentle toning, not examined out $500-700 of frame. $500-700

Online bidding at www.skinnerinc.com 101 168 Georges Rouault (French, 1871-1958)

La Parade from CIRQUE, c. 1930, edition of 270 (Wofsy, 211). Unsigned. Color etching with aquatint on paper, plate size 12 x 10 1/2 in. (30.4 x 26.5 cm), framed. Condition: Not examined out of frame. $3,500-5,500

169 Georges Rouault (French, 1871-1958)

Les disciples, 1936, from PASSION, 1939, total edition of 270, published by Ambrose Vollard, Paris (Wofsy, 352). Initialed and dated within the plate. Color etching and aquatint on paper, plate size 12 x 8 5/8 in. (30.6 x 21.6 cm), framed. Condition: Margins 2 inches or more with deckled edges, several fox marks, brown paper tape to upper edge on the reverse, white cloth tape to lower edge on the reverse, corrugation staining (more prevalent to verso). $1,000-1,500

168

169

102 Additional information and photos at www.skinnerinc.com 170

170 Ed Ruscha (American, b. 1937)

Every Building on the Sunset Strip/A Book, 1966, edition of 1,000. Identified on the title page. Offset lithographs on attached and accordioned sheets, book size 7 1/8 x 5 5/8 in. (17.9 x 14.3 cm), presented in the original Mylar-covered slipcase. Condition: Minor wear (primarily to case). $2,500-3,500

171 Kiyoshi Saito (Japanese, 1907-1997)

Maiko. Signed “Kiyoshi Saito” in pencil (within the image) l.l. Color woodcut on paper, image size 15 1/2 x 10 1/8 in. (39.3 x 25.5 cm), framed. Condition: Faint annotations to lower margin, not examined out of frame. $250-300

171

Online bidding at www.skinnerinc.com 103 172 Mike Schacht (American, 1936-2001)

Joe DiMaggio, 1992, edition of 50. Signed and dated “M. Schacht 92” in pencil l.r., numbered “14/50” in pencil l.l. Aquatint on paper, plate size 14 3/4 x 9 7/8 in. (37.4 x 25.0 cm), framed. Condition: Not examined out of frame. $200-300

173 Mike Schacht (American, 1936-2001)

Ted William’s Last Home Run, 1993, proof edition of 9. Signed and dated “M. Schacht 93” in pencil l.r., signed within the matrix, numbered “AP 2/9” in pencil l.l. Screenprint in black and grays on paper, image size 17 3/4 x 24 in. (45.0 x 60.8 cm), framed. Condition: Not examined out of frame. $300-500

172

173

104 Additional information and photos at www.skinnerinc.com 174

174 Louis Schanker (American, 1903-1981)

Circle Image No. 25, 1954-1955, edition of 10. Signed “Schanker” in pencil l.r., numbered “4/10” in pencil l.l. Color woodcut on paper, image size 14 x 17 7/8 in. (35.5 x 45.3 cm), framed. Condition: Subtle toning, not examined out of frame. $300-500

175 Sean Scully (Irish/American, b. 1945)

Standing I, 1986, edition of 35. Signed and dated “Sean Scully 86” in pencil l.l., titled in pencil l.c., numbered “34/35” in pencil l.r. Color woodcut on Japan paper, image size 39 7/8 x 30 in. (101.1 x 76.2 cm), unmatted, unframed. Condition: Deckled edges, minor handling creases near edges. $3,500-4,500

175 Online bidding at www.skinnerinc.com 105 176 177

176 177 Ben Shahn (American, 1898-1969), Stefan William Sharp (American, 1900-1961) Martin, engraver (American, b. 1936) Lincoln Park Marabous, c. 1940. Signed Martin Luther King, 1966, edition of 300, “Wm Sharp” in pencil l.r. Etching and aquatint published by International Graphic Arts on paper, plate size 11 x 8 3/4 in. (27.6 x 22.3 Society, Inc., New York (Prescott, 72). Signed cm), matted, unframed. “Ben Shahn” in brown ink and with chop Condition: Margins over 3/4 inches. l.r., signed “Stefan Martin Sc.” in pencil l.l., $300-500 numbered “77/300” in pencil l.l. Wood engraving on Japan paper, image size 18 3/4 x 15 1/4 in. (47.5 x 38.6 cm), framed. Condition: Gentle toning, water or similar staining to lower edge. $700-900

106 Additional information and photos at www.skinnerinc.com 178

179

178 179 Harry Shokler (American, 1896-1978) Alexis Smith (American, b. 1949)

Coney Island, 1942, edition of 100. Signed Boy’s Life, 1989, edition of 50. Numbered, within the matrix. Color screenprint on paper, titled, signed, and dated “39/50...Alexis Smith image size 12 5/8 x 16 in. (32.0 x 40.5 cm), 1989” in pencil l.r., dry stamp l.l., identified on framed. a label from the Kristina Wasserman Gallery, Condition: Not examined out of frame. Providence, Rhode Island, affixed to the $300-500 backing. Color lithograph with collage on paper, image size 24 3/4 x 35 in. (62.8 x 88.8 cm), framed. Condition: Not examined out of frame. $600-800

Online bidding at www.skinnerinc.com 107 180

180 Raphael Soyer (American, 1899-1987)

Casting Office, 1945, edition of 250, published by Associated American Artists (Cole, 65; AAA/Czestochowski, 1945.078). Signed “Raphael Soyer” in pencil l.r., signed within the matrix, titled in pencil l.l. Lithograph on paper, image size 9 3/4 x 12 7/8 in. (24.6 x 32.5 cm), framed. Condition: Not examined out of frame. $400-600

108 Additional information and photos at www.skinnerinc.com 181

181 Andrew Spence (American, b. 1947)

Untitled (Window), 1990, edition of 50. Signed and dated “ASpence90” in pencil l.r., numbered “26/50” in pencil l.l., identified on a label (see below) affixed to the backing. Color linocut on paper, image size 20 x 9 in. (50.7 x 22.7 cm), framed. Condition: Margins 3 inches or more, sheet floated in frame, not examined out of frame.

Provenance: Ex-collection of the Maccabees Mutual Life Insurance Company, Southfield, Michigan, according to label. $500-700

Online bidding at www.skinnerinc.com 109 181A 181A Donald Sultan (American, b. 1951)

Five Lemons, a Pear, and an Egg, 1994, from the proof edition of 25. Titled, dated, and initialed “...March 1994 DS” in pencil in the left margin, numbered “AP 18/25” in pencil l.r. Color screenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm), framed. Condition: Not examined out of frame. $1,000-1,500

181B Antoni Tàpies (Spanish, 1923-2012)

Empreintes de pas, 1972, edition of 75 (Galfetti, 341). Signed “tàpies” in chalk or similar l.r., numbered “63/75” in chalk or similar l.l. Color offset lithograph with applied gravel on paper, image/sheet size 36 x 24 3/4 in. (91.4 x 62.8 cm), framed. Condition: Hinged at edges to backing mat, crease to corner l.l.

Exhibitions: Tàpies, Nielsen Gallery, Boston, September 1976. $1,500-2,000

182 Prentiss Taylor (American, 1907-1991)

Experience Meeting, Massydony, 1934, edition of 25 (Rose, 39). Signed and dated “Prentiss Taylor May 1934” in pencil l.r., titled and annotated “...25 prints” in pencil l.l., initialed and dated within the matrix. Lithograph on paper, image size 9 1/4 x 13 3/8 in. (23.4 x 33.9 cm), framed. Condition: Not examined out of frame. $200-250

181B

110 Additional information and photos at www.skinnerinc.com 182

183 Mark Tobey (American, 1890-1976)

Pensées germinales, 1972, published in 1973 by The Print Club of Cleveland 183 (Heidenheim, 35). Signed “Tobey” in pencil l.r., identified in text affixed to the backing. Drypoint in blue and brown on paper, plate size 9 3/8 x 5 3/4 in. (23.7 x 14.5 cm), framed. Condition: Rippling, not examined out of frame. $400-600

184 Mark Tobey (American, 1890-1976)

Companionship from SALUTE TO TOBEY, 1974, edition of 100, published by Edition de Beauclair, Frankfurt am Main (Heidenheim, 46). Signed “Tobey” in pencil l.r., numbered “3/100” in pencil l.l., signed within the plate, publisher’s dry stamp l.l. Color soft ground etching with aquatint on buff paper, plate size 13 5/8 x 9 3/4 in. (34.5 x 24.6 cm), unmatted, unframed. Condition: Margins over 4 1/2 inches with deckled edges.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $800-1,200

184

Online bidding at www.skinnerinc.com 111 185

185 Henri de Toulouse-Lautrec (French, 1864- 1901)

Yvette Guilbert dans Colombine à Pierrot, 1894, probably from the 1950 edition (Adriani, 90). Monogrammed within the matrix. Lithograph printed in olive on paper, image size 8 5/8 x 4 3/8 in. (21.8 x 11.0 cm), framed. Condition: Not examined out of frame. $500-700

112 Additional information and photos at www.skinnerinc.com 186

186 Victor Vasarely (Hungarian/French, 1908- 1997)

Pamir, 1950-1951, edition of 100. Signed “Vasarely-” in pencil l.r., numbered “54/100” in pencil l.l. Color screenprint on paper, image size 16 1/2 x 13 1/2 in. (41.8 x 34.2 cm), unmatted, unframed. Condition: Margins over 3 inches, subtle toning, annotations to lower margin. $300-500

187 Victor Vasarely (French/Hungarian, 1906- 1997)

Untitled (Black and White). Signed “Vasarely-” in pencil l.r. Screenprint with embossing on paper, image size 10 1/4 x 9 3/4 in. (25.9 x 24.6 cm), framed. Condition: Not examined out of frame. $300-350

187

Online bidding at www.skinnerinc.com 113 188

188 Victor Vasarely (Hungarian/French, 1908- 1997)

Four Plates from CTA 102/A Portfolio of Eight Works, 1966, edition of 150, published by Edition Denise René, Paris. Each signed “Vasarely-” in pencil (within the image) l.c., numbered “114” and identified on the colophon. Color screenprints on paperboard, sheet/image sizes 27 3/4 x 27 3/4 in. (70.4 x 70.4 cm), unmatted, presented in the original clamshell box. Condition: Extremely subtle rubs to surfaces. $1,200-1,800

114 Additional information and photos at www.skinnerinc.com 189

189 Victor Vasarely (French/Hungarian, 1906- 1997)

Cosca II, edition of 325. Signed “Vasarely-” in pencil l.r., numbered “217/325” in pencil l.l., identified in information encapsulated on the backing. Color screenprint on paper, image size 18 3/4 x 18 3/4 in. (47.5 x 47.5 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $300-500

190 Victor Vasarely (Hungarian/French, 1906- 1997)

Torony II, 1988, edition of 175, published by Circle Gallery, New York. Signed “Vasarely-” in ink l.l. and numbered “17/175” in ink l.r. Hand-painted acrylic on wood, 24 3/8 x 18 x 2 7/8 in. (61.9 x 45.7 x 7.3 cm). Condition: Minor abrasions to edges, fading to signature, small repair to one corner of base.

Provenance: Acquired from Circle Gallery, New York, c. May 11, 1987; private collection. $5,000-7,000

190

Online bidding at www.skinnerinc.com 115 191

191 Victor Vasarely (French/Hungarian, 1906- 1997)

Torony III, 1989, edition of 200. Signed “Vasarely-” in pencil l.r., numbered “132/200” in pencil l.l. Color screenprint on paper, image size 23 3/4 x 23 3/4 in. (60.2 x 60.2 cm), framed. Condition: Not examined out of frame.

Provenance: Purchased from the Circle Gallery - Soho, New York, 1989. $300-500

192 Victor Vasarely (French/Hungarian, 1906- 1997)

Untitled (Red and Blue), edition of 80. Signed “Vasarely-” in pencil l.r., numbered “37/80” in pencil l.l. Color screenprint on paper, image size 14 1/8 x 13 3/8 in. (35.8 x 33.9 cm), framed. Condition: Gentle rippling, not examined out of frame. $500-700

192

116 Additional information and photos at www.skinnerinc.com 193 193 Jacques Villon (French, 1875-1963)

Le petit manège rue Caulaincourt, 1905, edition of 50 (Ginestet & Pouillon, E135). Signed “Jacques Villon” in pencil l.r., signed and dated within the plate. Color etching with aquatint on paper, plate size 15 3/4 x 19 1/2 in. (40.0 x 49.5 cm), framed. Condition: Margins over 3/4 inches, images gently light-struck, soiling and annotations to margins.

Provenance: Ex-collection of Louis Carré, Paris. $1,800-2,200

194 Jacques Villon (French, 1875-1963)

René a bicyclette, alternatively titled Un début, 1906, edition of 50 (Ginestet & Pouillon, E152). Signed “Jacques Villon” in pencil l.r., numbered “9/50” in pencil l.l., signed and dated within the plate. Drypoint and aquatint on paper, plate size 15 3/4 x 11 7/8 in. (40.0 x 30.0 cm), framed. Condition: Not examined out of frame.

Provenance: Ex-collection of Louis Carré, Paris.

Literature: Daniel Robbins, Jacques Villon (Cambridge, Massachusetts: Fogg Art Museum, Harvard University, 1976), illustration no. 16. $800-1,200 194

Online bidding at www.skinnerinc.com 117 195

196

195 196 197 Jacques Villon (French, 1875-1963) Jacques Villon (French, 1875-1963), After Jacques Villon (French, 1875-1963) Marcel Duchamp (French, 1887-1968) Jeune serveuse from IMPRESSIONS, c. Maternité, c. 1952, final state of four, edition 1906, edition of 50, published by Sagot La Mariée, 1934, edition of 200 plus proofs, of 75 (Ginestet & Pouillon, E534). Signed (Ginestet & Pouillon, E216). Signed “Jacques published by Galerie-Bernheim Jeune, Paris “Jacques Villon” in pencil l.r., numbered Villon” in pencil l.l. Color lithograph on fine (Ginestet & Pouillon, E672). Signed Jacques “15/75” in pencil l.l., signed within the plate. China paper, image size 5 3/4 x 2 3/4 in. (14.5 Villon” in pencil l.l. and “Marcel Duchamp” in Etching on paper, plate size 11 x 7 3/8 in. x 6.8 cm), framed. pencil l.r., numbered “39/200” in pencil l.c. (27.8 x 18.6 cm), framed. Condition: Several pale fox marks, subtly Color aquatint on cream Arches paper with Condition: Gentle rippling, not examined out light-struck. watermark, plate size 19 5/8 x 12 3/8 in. (49.7 of frame. $500-700 x 31.3 cm), matted, unframed. $400-600 Condition: Margins 2 3/4 inches or more with deckled upper edge, even toning, indentation to margin surface u.r., two registration pinholes within image.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art. $1,500-2,000

118 Additional information and photos at www.skinnerinc.com 198 197

198 Jacques Villon (French, 1875-1963)

Portrait de P. de Massot, 1959, edition of 8 (Ginestet & Pouillon, E588). Signed “Jacques Villon” in pencil l.r., numbered “6/8” in pencil l.l., signed, inscribed, and dated within the plate. Etching printed in green on paper, plate size 6 x 4 5/8 in. (15.2 x 11.5 cm), framed. Condition: Not examined out of frame. $400-600

199 Jacques Villon (French, 1875-1963)

Hommage à Rimbaud, 1962, edition of 92. Signed “Jacques Villon” in pencil l.r. and within the plate, numbered “26/92” in pencil l.l., identified on a label from Kennedy Galleries, Inc., New York, affixed to the backing. Etching on paper, plate size 9 1/4 x 6 7/8 in. (23.4 x 17.4 cm), framed. Condition: Subtle toning, not examined out of frame. $500-700 199

Online bidding at www.skinnerinc.com 119 200

200 Maurice de Vlaminck (French, 1876-1958)

Le toit rouge from EN NOIR ET EN COULEUR, 1962, from the edition of 100. Signed “Vlaminck” in pencil l.r., titled in pencil l.c., numbered “82/100” in pencil l.l., signed within the matrix. Color lithograph on paper, image size 13 3/8 x 18 1/2 in. (34.0 x 46.9 cm), framed. Condition: Not examined out of frame. $600-800

120 Additional information and photos at www.skinnerinc.com 201

201 Andy Warhol (American, 1928-1987) Provenance: From the artist to Mr. and Mrs. James Henry Simpson and Nancy Liz, 1964, edition c. 300, published by Simpson, Circular Cellar Shop, Provincetown, Leo Castelli Gallery, New York (Feldman & Massachusetts, then by descent to the Schellmann, II.7). Signed and dated “Andy present owner. Warhol 65” in blue ballpoint pen l.r. Color $7,000-9,000 offset lithograph on paper, image size 22 x 21 15/16 in. (55.7 x 55.5 cm), framed. Condition: Laid down to cardboard, very subtle fading, staining to image l.l. and to all edges of sheet.

Online bidding at www.skinnerinc.com 121 202

202 Andy Warhol (American, 1928-1987)

Campbell’s Soup Can on Shopping Bag (Tomato soup), 1966, printed by the Institute of Contemporary Art, Boston, October 1966 (Feldman & Schellmann, II.4A). Unsigned, identified within the matrix l.c. Color silkscreen on a shopping bag, 19 1/2 x 16 15/16 in. (49.5 x 42.9 cm), unframed, shrink-wrapped. Condition: Minor handling creases, folded as issued. $3,000-4,000

203 Andy Warhol (American, 1928-1987)

Untitled from FLOWERS (HAND- COLORED), 1974, edition of 250 plus proofs (Feldman & Schellmann, II.116). Initialed “AW” in pencil l.r. Screenprint with hand-coloring on paper, image size 24 1/2 x 26 5/8 in. (62.0 x 67.5 cm), framed. Condition: Deckled edges, not examined out of frame. $1,500-2,000 203

122 Additional information and photos at www.skinnerinc.com 204

204 Andy Warhol (American, 1928-1987)

Northwest Coast Mask from COWBOYS AND INDIANS, 1986, edition of 250, published by Gaultney, Klineman Art, Inc., New York (Feldman & Schellmann, II.380). Numbered and signed “147/250 Andy Warhol” in pencil l.r., dry stamp l.l. Color screenprint on Lenox Museum Board paper, sheet size 36 x 36 in. (91.4 x 91.4 cm), framed. Condition: Sheet floated in Plexiglas frame, minute wear to corners, not examined out of frame. $10,000-15,000

Online bidding at www.skinnerinc.com 123 205 Carrie Mae Weems (American, b. 1953) 205 Not Manet’s Type, 2001, edition of 40, published by Segura Publishing Company, Tempe, Arizona. Signed and dated “Carrie M. Weems. 2001” in pencil l.r., numbered “13/40” in pencil l.l., publisher’s dry stamp l.r. Photo- lithograph on paper, image size 27 1/8 x 17 in. (69.0 x 43.1 cm), framed. Condition: Minor handling creases near corners, not examined out of frame. $2,000-2,500

124 Additional information and photos at www.skinnerinc.com 206

206 Neil Welliver (American, 1929-2005)

Night Scene, 1981-1982, edition of 90 (Welliver, pp. 62-63). Stamped signature “Welliver” l.r. Color relief print on paper, image size 10 1/2 x 14 in. (26.5 x 35.5 cm), framed. Condition: Margins 1 inch or more, not examined out of frame. $1,200-1,500

207 Neil Welliver (American, 1929-2005)

Birches, 1982-1983, edition of 100 plus proofs (Welliver, p. 64). Signed “Welliver” in ink l.r. Color aquatint on paper, plate size 18 x 17 3/4 in. (45.7 x 45.0 cm), framed. Condition: Margins 2 inches or more, gentle rippling to sheet, not examined out of frame. $700-900

207

Online bidding at www.skinnerinc.com 125 208

208 Neil Welliver (American, 1929-2005)

Synthetic Blue - St. John, 2000, edition of 80. Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color aquatint on paper, plate size 17 7/8 x 17 5/8 in. (45.3 x 44.6 cm), framed. Condition: Margins over 2 inches, gentle rippling to sheet, not examined out of frame. $800-1,200

126 Additional information and photos at www.skinnerinc.com 209

209 Stow Wengenroth (American, 1906-1978)

Two Allegorical Scenes: Composition (New York, New York), 1933, edition of 20 (Stuckey, 39); and Exodus (New York, New York), 1933, edition of approximately 20 (Stuckey, 40). Both signed “Stow Wengenroth” in pencil l.r. Lithographs on paper, image sizes to 10 x 17 5/8 in. (25.4 x 44.7 cm), framed. Condition: Not examined out of frames. $400-600

210 210 Stow Wengenroth (American, 1906-1978) Abandoned Light (Dark Harbor, Maine), 1940, edition of 132 (Stuckey, 102). Signed “Stow Wengenroth” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 8 3/8 x 12 3/4 in. (21.3 x 32.3 cm), framed. Condition: Not examined out of frame. $300-500

211 Stow Wengenroth (American, 1906-1978)

The Captain’s House (Monhegan, Maine), 1945, edition of 60 (Stuckey, 151). Signed “Stow Wengenroth” in pencil l.r., inscribed “Proof” in pencil l.l. Lithograph on paper, image size 7 5/8 x 13 1/2 in. (19.3 x 34.2 cm), matted, unframed. Condition: Margins over 1 inch with deckled left and lower edges, subtle toning. $300-500

211

Online bidding at www.skinnerinc.com 127 212

212 Tom Wesselmann (American, 1931-2004)

Helen Nude, 1981, edition of 150. Signed, dated, and numbered “Wesselmann 81 119/150” in pencil l.r. Color screenprint on paper, image size 31 x 32 in. (78.7 x 81.0 cm), framed. Condition: Not examined out of frame. $5,000-7,000

128 Additional information and photos at www.skinnerinc.com 213

213 Tom Wesselmann (American, 1931-2004)

Seascape Dropout, 1982, from the proof edition of 9. Signed, dated, and numbered “Wesselmann 82 AP3/9” in pencil (within the image) l.c. Color woodcut on paper, image/ sheet size 21 3/4 x 25 in. (55.2 x 63.4 cm), framed. Condition: Deckled upper and right edges, not examined out of frame. $4,000-6,000

Online bidding at www.skinnerinc.com 129 214

214 James Abbott McNeill Whistler (American, 1834-1903)

Billingsgate, 1859, sixth or later state of eight (Kennedy, 47). Signed and dated within the plate. Etching on laid paper, plate size 5 7/8 x 8 7/8 in. (15.0 x 22.5 cm), matted, unframed. Condition: Margins over 1 inch, mat burn (some into image), gentle toning. $1,000-1,500

130 Additional information and photos at www.skinnerinc.com 215 James Abbott McNeill Whistler (American, 1834-1903)

Becquet, final state of four (Kennedy, 52iv). Unsigned, identified on labels from H. Wunderlich & Co., New York, affixed to the backing. Etching with drypoint on paper, plate size 10 x 7 1/2 in. (25.4 x 19.0 cm), framed. Condition: Not examined out of frame. $800-1,200

216 James Abbott McNeill Whistler (American, 1834-1903)

The Forge, 1861, final state of four (Kennedy, 68). Signed and dated in the plate. Etching and drypoint on paper, plate size 7 1/2 x 12 3/8 in. (19.1 x 31.3 cm), framed. Condition: Pale mat burn, not examined out of frame. $1,000-1,500

215

216

Online bidding at www.skinnerinc.com 131 217

217 Charles Banks Wilson (American, b. 1918)

The Race, 1976. Signed and dated “Charles Banks Wilson 76” in pencil l.r., titled and inscribed “...200” in pencil l.l. Lithograph on paper, image size 10 3/4 x 14 1/2 in. (27.2 x 36.7 cm), framed. Condition: Not examined out of frame. $300-500

218 Jack Youngerman (American, b. 1926)

Rouge et Noir, 1966, edition of 90. Initialed and dated “JY/66” in pencil (within the image) l.r., numbered “50/90” in pencil (within the image) l.l. Color lithograph on paper, image/ sheet size 32 x 24 1/4 in. (81.2 x 61.5 cm), shrink-wrapped. Condition: Deckled edges, minor crease at very corner l.l., not examined out of wrap.

Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York. $250-300

218

132 Additional information and photos at www.skinnerinc.com 219

219 Zao Wou-Ki (Chinese, b. 1921)

Les cerfs, 1952, from the proof edition of 25 (Ågerup, 76). Signed (in Chinese characters) in pencil l.l., inscribed and numbered “Epreuve d’artiste vii/xxv.” in pencil l.r. Color lithograph on paper, image size 13 x 19 1/8 in. (33.0 x 48.5 cm), framed. Condition: Toning, gentle rippling, not examined out of frame.

Provenance: From a private New England collection, sold to benefit a philanthropic organization. $2,000-3,000

Online bidding at www.skinnerinc.com 133 220 220 Zao Wou-Ki (Chinese, b. 1921)

Untitled, 1968, edition of 99 (Ågerup, 190). Signed and dated “...68” in pencil (in Chinese characters) l.r., numbered “11/95” in pencil l.l., identified on a label from The Bonfoey Company, Cleveland, affixed to the backing. Color etching with aquatint on paper, plate size 21 1/2 x 17 1/4 in. (54.5 x 43.7 cm), framed. Condition: Gentle rippling, not examined out of frame. $2,000-2,500

134 Additional information and photos at www.skinnerinc.com Fine Photography Lots 221–261 221

221 Berenice Abbott (American, 1898-1991)

James Joyce, 1929. Artist’s stamp and reproduction rights stamp on the reverse. Gelatin silver print, image/sheet size 9 1/2 x 7 3/4 in. (24.0 x 19.5 cm), matted, unframed. Condition: Unmounted, silvering-out along edges, areas of touch-up or similar to background, minute wear to corners, brown paper tape to upper edge on the reverse. $1,000-1,500

136 Additional information and photos at www.skinnerinc.com 222

222 Ansel Adams (American, 1902-1984)

Moon over Half Dome, Yosemite National Park, 1960, a later printing. Signed “Ansel Adams” in ink on the mount l.r.; stamped “Special Edition of Fine Prints/Photographs of Yosemite/by Ansel Adams,” numbered “1017 of S.E.Y. no 12,” and titled on verso. Gelatin silver print on paper, image/sheet size 9 3/4 x 7 3/8 in. (24.8 x 18.6 cm), framed. Condition: Not examined out of frame. $4,000-6,000

Online bidding at www.skinnerinc.com 137 223

223 Ansel Adams (American, 1902-1984)

Rocks and Swirling Water. Stamped “Polaroid Land/Photograph/by/Ansel Adams” and “PROOF/not to be used for/reproduction or display” on verso, inscribed with various Zone System and development markings on the mat at left and lower edges. Gelatin silver print mounted to paperboard, board size 11 x 14 in. (27.9 x 35.6 cm), unmatted, unframed. Condition: Unmounted, pen mark u.r., scattered slight surface abrasions. 224 $700-900

224 Andrew Bush (American, b. 1956)

1 Dollar Bill, 1996 from the SHORT SNORTER Series, 1993-1998. Signed, numbered, and dated “Bush 4/20 1996” in felt-tip pen on the reverse. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), matted, framed. Condition: Taped to backing mat at u.l. and u.r. corners. $400-600

138 Additional information and photos at www.skinnerinc.com 225

225 Todd Eberle (American, b. 1963)

Rek-O-Kut “Rondine” Turntable (circa 1958), San Francisco, California. Signed “Todd Eberle” on an artist’s label affixed to the reverse. Archival pigment print, image size 10 x 12 in. (25.4 x 30.5 cm), unmatted, framed. Condition: Mounted, not examined out of frame. $400-600

Online bidding at www.skinnerinc.com 139 226

226 Harold Eugene Edgerton (American, 1903- 1990)

Milk Drop Coronet, 1936, probably a later printing. Signed and inscribed “H. Edgerton/ M.I.T/4-405/cambridge/mass/02139” on verso. Gelatin silver print, image size 9 1/2 x 7 1/2 in., unmounted, unframed. Condition: Handling creases u.l. and u.r., minor scattered surface abrasions, minor accretions left edge, printing flaws. $1,000-1,500

227 Harold Eugene Edgerton (American, 1903- 1990)

Fighting Finches, 1936, probably a later printing. Signed and numbered “3601.2031 HAROLD EDGERTON” in pencil on verso. Gelatin silver print, image size 18 x 14 1/2 in. (45.7 x 36.8 cm), unmatted, unframed. Condition: Unmounted.

Provenance: From the darkroom printer of Palm Press. $800-1,200

227

140 Additional information and photos at www.skinnerinc.com 228

228 Harold Eugene Edgerton (American, 1903- 1990)

Two Acrobatic Photographs: Shot from a Cannon, 1940; and Dive, artist’s proof. Cannon signed and numbered “HAROLD EDGERTON/86.0068” on verso; Dive signed, numbered, and inscribed “HAROLD EDGERTON/88.0319 5402.AP” on verso. Dye-transfer prints, image sizes to 11 3/8 x 8 3/8 in. (28.8 x 21.3 cm), unmounted, unframed. Condition: Minor handling creases (Cannon l.l. quadrant, Dive u.r. quadrant), Dive with printing flaw on right edge of paper. $1,000-1,500

229 Harold Eugene Edgerton (American, 1903- 1990)

Tumblers, 1942, artist’s proof. Signed “HAROLD EDGERTON” and numbered “81.0140 4201 A/P” in pencil on verso. Gelatin silver print, 17 1/2 x 13 7/8 in. (44.5 x 35.2 cm), unmatted, unframed. Condition: Minor printing flaws. $800-1,200 229

Online bidding at www.skinnerinc.com 141 230 231

231 230 Harold Eugene Edgerton (American, 1903- Harold Eugene Edgerton (American, 1903- 1990) 1990) Two M.I.T. Night Views: M.I.T. WINTER, c. Diver, 1955. Signed “HAROLD EDGERTON” 1970, and Building 10 from Boston. M.I.T. and numbered “85.0432” in pencil on verso. signed and titled “HAROLD EDGERTON/M.I.T. Dye-transfer print, 18 3/8 x 13 5/8 in. (46.7 x WINTER” in pencil on the reverse; Building 34.6 cm), unmatted, unframed. 10 unsigned. Gelatin silver prints, image/ Condition: Negligible surface abrasions. paper sizes to 9 9/16 x 17 5/8 in., unmatted, unframed. N.B. The diver is Charles Batterman, a diving Condition: Unmounted, M.I.T. with scattered coach at M.I.T. slight handling creases, minor surface $1,500-2,000 abrasions; Building 10 with slight handling creases l.r. quadrant, slight rippling to right and left edges, minor printing flaws, minor emulsion loss at upper edge of paper. $800-1,200

142 Additional information and photos at www.skinnerinc.com 232

232 Chris Enos (American, b. 1944) N.B. In 1976, Chris Enos founded the Photographic Resource Center (PRC) in Jack in The Pulpit, c. 1980. Unsigned. Boston to provide a venue for fine art and Polaroid 20 x 24 print, sight size 23 3/4 x 19 documentary photographers to meet, 3/4 in. (60.3 x 50.2 cm), matted, framed. promote, and display their work, filling a critical Condition: Unmounted, fading, slight rippling, gap in the Boston arts scene. She served as not examined out of frame. director of the PRC from 1976 to 1981. $250-300

Online bidding at www.skinnerinc.com 143 233

233 Walker Evans (American, 1903-1975) Condition: All but Church mounted to matboard, Birmingham with scattered slight Four Photographs of Buildings: indentations to surface, Kentucky with slight Birmingham, Ala. Boarding House, 1936, rippling, Church with printing flaws u.r. Kentucky, 1961, Two Outhouses, and Old Church. Birmingham identified with an Provenance: Through the estate of Matthew artist’s stamp, Lyme, Connecticut, and titled, Wysocki (1920-1991), artist, photographer, dated, and inscribed “J.D.” in pencil on verso; professor and chairman of Dartmouth Kentucky identified with an artist’s stamp, College’s visual studies department (1966- titled and dated in pencil on verso; Old Church 1989), to the present owner by family descent, and Two Outhouses unsigned. Gelatin silver Connecticut. prints, image sizes to 11 1/2 x 10 1/4 in. (29.2 $4,000-6,000 x 26 cm), unmatted, unframed.

144 Additional information and photos at www.skinnerinc.com 234 235

235 David L. De Harport (American, 1920-2001)

Four Southwestern Views: Timberline Wood - Colorado, 1951, Ranch - Colorado, 1945, Corrizo Mts - Arizona, 1949, and Dunes - Arizona. Titled, signed, and dated “David L. De Harport” in pencil on the left edge of the mat, Dunes inscribed in pencil with artist’s address and printing notes. Gelatin silver prints on matboard, image/sheet sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unmatted, unframed. Condition: Slight losses to edges of images.

N.B. De Harport was an anthropologist from the Peabody Museum at Harvard University. His was among many surveys that systematically inventoried the archeological resources of a large portion of the Canyon de Chelly monument between 1946 and 1951. He received his PhD in anthropology from Harvard in 1960. $300-500

236 236 Lewis Wickes Hine (American, 1874-1940) 234 John Gruen (American, b. 1926) Little Orphan Annie in a Pittsburgh Institution, 1909, a later printing. Inscribed Untitled, 1980, edition of 75. Signed “John “Lewis Hines” [sic] on paper backing and Gruen” in ink in the margin l.l., numbered back of mat backing, inscribed “property of...” “28/75” in ink in the margin l.r. Gelatin silver on front of mat backing. Gelatin silver print print, image size 15 1/4 x 11 3/4 in. (38.7 x mounted to matboard, image/sheet size 6 1/4 29.8 cm), matted, unframed. x 4 1/4 in. (15.9 x 10.8 cm), matted, framed. Condition: Unmounted. Condition: Good. $300-500 $1,500-2,500

Online bidding at www.skinnerinc.com 145 237

237 Paul Ickovic (Czech, b. 1944)

Prague Czechoslovakia, 1981. Signed and inscribed “IC...A/P” in felt-tip pen in the margin l.r. Gelatin silver print, 14 x 22 in. (35.6 x 55.9 cm), unmatted, unframed. Condition: Unmounted, slight printing flaws. $800-1,200 238

238 William Henry Jackson (American, 1843- 1942)

Cathedral Spires...Garden of The Gods, 1873. Numbered, titled, and inscribed “19.../W.H.JACKSON & Co. PHOT. DENVER.” in the image l.l., identified in graphite on verso. Albumen print with hand-coloring mounted to paperboard, image size 11 x 13 3/4 in. (27.9 x 34.9 cm), matted, framed. Condition: Slight emulsion cracking, scattered minor foxing, crease u.r. quadrant, not examined out of frame. $300-500

146 Additional information and photos at www.skinnerinc.com 239 Rodger Paul Kingston (American, b. 1941)

Portfolio of Ten Color Photographs: AMERICAN ICONS, 1986, edition of 25. Unsigned, identified on a Palm Press, Littleton, Massachusetts, label affixed to portfolio box, inscribed “3” on the colophon page. Cibachrome prints, image sizes 20 x 16 in. (50.8 x 40.6 cm), matted, unframed. Condition: Unmounted.

N.B. This portfolio is housed in a blue and red clamshell box. Identifying text accompanies the lot. $3,000-5,000

240 Heather Lin (American, 20th Century)

Two Black and White Photographs: Self Portrait #58, 2005, and Self Portrait #32, 2005. Unsigned. Pigment prints on watercolor paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed. Condition: Not examined out of frames. $300-500

239

240

Online bidding at www.skinnerinc.com 147 241

242

241 242 Peter Miller (American, b. 1945) Tod Papageorge (American, b. 1940)

Bamboo Story, 1996, edition of 40. Hollywood Hills, 1975. Titled and signed “... Numbered, titled, signed, dated, and inscribed Tod Papageorge” in pencil on verso. Gelatin “6/40...Peter Miller.../For my teacher and silver print, image size 10 7/8 x 15 7/8 in. friend Dan Bell” in the margin. Photogravure, (27.5 x 40.3 cm), matted, unframed. image size 10 1/2 x 13 1/2 in. (26.7 x 34.2 Condition: Wear to lower edge, subtle surface cm), unmatted, framed. abrasion to image l.r., printing flaw l.c. Condition: Slight rippling, minor creases u.c., $1,000-1,500 deckled edges, creases to lower edge, not examined out of frame. $300-500

148 Additional information and photos at www.skinnerinc.com 243

243 Eliot Porter (American, 1901-1990)

Foxtail Grass, Lake City, Colorado, August, 1957. Signed “Eliot Porter” in pencil on the matboard l.r. Dye-transfer print mounted to matboard, image/sheet size 36 3/4 x 29 1/2 in. (93.3 x 74.9 cm), unmatted, unframed. Condition: Scattered slight printing flaws.

Provenance: From the artist’s family. $1,200-1,800

244 Eliot Porter (American, 1901-1990)

Redbud Tree in Bottom Land, Red River Gorge, Kentucky, April 17, 1968. Signed “Eliot Porter” in pencil on the matboard l.r. Dye-transfer print mounted to matboard, image/sheet size 36 1/2 x 29 3/4 in. (92.7 x 75.5 cm), unmatted, unframed. Condition: Good.

Provenance: From the artist’s family. $1,200-1,800

244

Online bidding at www.skinnerinc.com 149 245

245 Paul Strand (American, 1890-1976)

Near Saltillo, 1932, probably a later printing. Unsigned, numbered “89.0294” in pencil on verso. Photogravure on BFK Rives paper, image size 4 7/8 x 6 1/4 in. (12.4 x 15.9 cm), unmatted, unframed. Condition: Unmounted, slight foxing to u.l. quadrant, minor crease to u.r. corner. $400-600

246 Aaron Siskind (American, 1903-1991)

Four Interior Views from HARLEM DOCUMENT, c. 1939/1940, including: Bedroom through Doorway, c. 1939; Man in Chair, 1940, Man in Mirror and Man with Crutch from the (Most Crowded Block in the World) Series, c. 1940. Three inscribed, dated, and signed “Harlem...Aaron Siskind” in pencil on verso, Mirror signed “Aaron Siskind” in felt-tip pen in the margin l.r. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted. $2,000-2,500

246

150 Additional information and photos at www.skinnerinc.com 247 247 Aaron Siskind (American, 1903-1991)

New York, 1950. Titled, dated, and signed “...Aaron Siskind” in pencil on verso. Gelatin silver print, image size 18 1/4 x 14 1/4 in. (46.3 x 36.2 cm), unmatted, unframed. Condition: Unmounted, slight printing flaws.

Provenance: From the artist to the darkroom printer of Palm Press. $2,000-3,000

248 Aaron Siskind (American, 1903-1991)

Suite of 10 Photographs from the Series PLEASURES AND TERRORS OF LEVITATION: #37, 1953, #474, 1954, #477, 1954, #482, 1954, #484, 1954, #491, 1954, #58, 1956, #63, 1956, #99, 1961, #121, 1961, and P. and T. of L., 1961. Nine titled, dated, and signed “...Aaron Siskind” in pencil on verso; P. and T. of L. titled in pencil on verso. Gelatin silver prints, 17 3/4 x 17 1/2 in. (45.1 x 44.5 cm), matted, unframed. Condition: Unmounted. $10,000-15,000

248 Online bidding at www.skinnerinc.com 151 249

249 Aaron Siskind (American, 1903-1991)

Portfolio of Six Photogravures: HOMAGE TO FRANZ KLINE, #APII, 1982. Each titled, dated, inscribed and signed “A/P II...Aaron Siskind” in pencil in the margin, identified on colophon and within accompanying text. Photogravures, sheet sizes 26 x 22 in. (66.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, slight soiling to edges of title page.

N.B. Original text accompanies lot. $2,500-3,500

152 Additional information and photos at www.skinnerinc.com 250

250 Aaron Siskind (American, 1903-1991)

Olive Tree, Corfu 514, 1970. Titled, dated, and signed “...Aaron Siskind” in felt-tip pen in the margin, inscribed “OTC 514 /70/ B5/84.0009” in pencil on verso, annotations and possible printing diagrams in pencil on verso. Gelatin silver print, image size 12 1/2 x 9 1/4 in. (31.8 x 23.5 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500

251 Aaron Siskind (American, 1903-1991)

Utah 84, 1976. Titled, dated, and signed “... Aaron Siskind” in pen in the margin, inscribed “U84 3/76/5 4/85.0020” in pencil on verso. Gelatin silver print, image size 9 1/2 x 9 1/2 in. (24.1 x 24.1 cm), unmatted, unframed. Condition: Unmounted. $1,000-1,500

251

Online bidding at www.skinnerinc.com 153 252

252 Alfred Stieglitz (American, 1864-1946)

The Aeroplane, 1910. Unsigned. Photogravure on Japan tissue, 5 5/8 x 7 in. (14.3 x 17.8 cm), matted, framed. Condition: Mat burn u.r., l.r., and l.l. corners.

Provenance: Gift from Gerald Sykes to the current owner.

N.B. Alfred Stieglitz mentored American writer 253 and critic Gerald Sykes. $1,500-2,000

253 George A. Tice (American, b. 1938)

Shaker Interior, Sabbath Day Lake, 1971. Signed “GEO A. TICE” in ink on the mat l.r. Gelatin silver print mounted to card stock, 13 x 19 in. (33.0 x 48.3 cm), matted, framed. Condition: Good. $800-1,200

154 Additional information and photos at www.skinnerinc.com 254

254 Jerry Uelsmann (American, b. 1934)

Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 5/8 x 12 1/4 in. (24.5 x 31.1 cm), unframed. Condition: Loss to l.c. and u.c. edges, slight crease in l.r. and u.r. corners. $1,000-1,500

255 Jerry Uelsmann (American, b. 1934)

Rock-Tree, 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., titled in pencil on the mount l.l., titled, dated, and signed “Jerry N. Uelsmann” on the reverse, identified on an artist’s label affixed to the reverse. Gelatin silver print on paper, image/ sheet size 12 7/8 x 8 3/4 in. (32.5 x 22.0 cm), framed. Condition: Very minor accretions on upper half, minor edge abrasions u.c. $1,000-1,500

255

Online bidding at www.skinnerinc.com 155 256

256 Bradford Washburn (American, 1910-2007)

Two Alaskan Landscapes: Mineral Spring NE of Copper Center, Alaska, 1938; and Mt McKinley Looking up Ruth Glacier, 1937. Both signed “Bradford Washburn” in pencil on verso; the latter dated “1937” on verso; the former numbered “1785.2009” on verso. Gelatin silver prints, image sizes to 14 1/2 x 18 1/2 in. (36.8 x 47.0 cm), unmatted, unframed. Condition: Unmounted, printing flaws. $1,000-1,500

257 Bradford Washburn (American, 1910-2007)

Mount McKinley at 35000 ft Altitude, 1978. Signed “Bradford Washburn” and numbered 257 “79753045” in pencil on verso. Gelatin silver print, image size 17 3/8 x 22 3/8 in. (44.1 x 56.8 cm), unmatted, unframed. Condition: Unmounted, two embossed marks and slight tearing at l.c. edge.

Provenance: From the darkroom printer of Palm Press. $3,000-5,000

156 Additional information and photos at www.skinnerinc.com 258

258 Bradford Washburn (American, 1910-2007)

Snout of Chitina Glacier (St Elias Range), 1938. Signed “Bradford Washburn” and numbered “1410.3005” on verso. Gelatin silver print, 17 x 21 3/4 in. (43.2 x 55.2 cm), unmatted, unframed. Condition: Unmounted, slight edge damage in l.r. quadrant.

Provenance: From the darkroom printer of Palm Press. $3,000-5,000

259 Bradford Washburn (American, 1910-2007)

Two Mount McKinley Views: Tremendous Southerly Windstorm Sweeps Mt. McKinley’s Twin Peaks, June 6, 1942, and Mount McKinley at Twilight. Both 259 signed “Bradford Washburn” and numbered “2471.207” and “5099 2007,” respectively, in pencil on verso. Gelatin silver prints, image sizes to 14 3/4 x 18 3/4 in., unmatted, unframed. Condition: Unmounted, printing flaws, Twin Peaks with slight crease u.c. $1,000-1,500

Online bidding at www.skinnerinc.com 157 260 Edward Weston (American, 1886-1958)

Two Portraits of Lt. Roswell Drake Ison, 1944. Both initialed and dated “E W 1944” in pencil on the mount, and identified on a label affixed to the reverse. Gelatin silver prints, image/sheet sizes 4 5/8 x 3 5/8 in. (11.5 x 9.0 cm), framed. Condition: Subtle toning, minor staining to mounts, not examined out of frames.

N.B. The lot is accompanied by an undated letter from Weston to Frances (Forbes) Ison, in an envelope postmarked 1949. $1,200-1,500

260

158 Additional information and photos at www.skinnerinc.com 261

261 Garry Winogrand (American, 1928-1984)

Six Photographic Works: Central Park Zoo, New York, 1967, Coney Island, New York, 1952, American Legion Convention, Dallas, 1964, Texas State Fair, Dallas, 1964, Metropolitan Museum of Art Centennial Ball, New York, 1969, and Staten Island Ferry, New York, 1971. Five unsigned, Ferry signed “Garry Winogrand” in ink in the margin. Gelatin silver prints, sheet sizes 11 x 14 in. (27.9 x 35.6 cm), two matted, all unframed. Condition: Unmounted. $3,000-5,000

End of Fine Prints and Photography

Online bidding at www.skinnerinc.com 159 Artist Index

Aarons, George Manuel...... 1 Hall, Susan...... 83 Redon, Odilon...... 161 Abbott, Berenice...... 221 Heckman, Albert William...... 83A Rembrandt van Rijn...... 162 Adams, Ansel...... 222, 223 Held, Al...... 84 Renoir, Pierre-Auguste...... 163, 164 Agam, Yaacov...... 2 Hine, Lewis Wickes...... 236 Riggs, Robert...... 165 Albers, Josef...... 3, 4 Hirst, Damien...... 85 Rivers, Larry...... 166 Alechinsky, Pierre...... 5 Humphrey, Ryan...... 86 Robetta, Cristoforo di Michele...... 167 Andrus, Vera...... 6 Hundertwasser, Friedensreich...... 87 Rouault, Georges...... 168, 169 Anuszkiewicz, Richard...... 7 Hutty, Alfred Heber...... 88, 89 Ruscha, Ed...... 170 Appel, Karel...... 8, 9 Hyde, Helen...... 90-93 Arikha, Avigdor...... 10, 11 Saito, Kiyoshi...... 171 Avati, Mario...... 12 Icart, Louis...... 94-97 Schacht, Mike...... 172, 173 Ickovic, Paul...... 237 Schanker, Louis...... 174 Baeder, John...... 13 Scully, Sean...... 175 Barlach, Ernst...... 14 Jackson, William Henry...... 238 Shahn, Ben...... 176 Baselitz, Georg...... 15 Sharp, William...... 177 Baskin, Leonard...... 16-19 Kandinsky, Wassily (After)...... 98 Shokler, Harry...... 178 Benson, Frank Weston...... 20-23 Katz, Alex...... 99 Siskind, Aaron...... 246-251 Benton, Thomas Hart...... 24-28 Kelly, Ellsworth...... 100, 101 Smith, Alexis...... 179 Blake, William...... 29 Kent, Rockwell...... 102, 103 Soyer, Raphael...... 180 Bonnard, Pierre...... 30 Kingston, Rodger Paul...... 239 Spence, Andrew...... 181 Bonnard, Pierre (After)...... 31-33 Kirmse, Marguerite...... 104 Stieglitz, Alfred...... 252 Braque, Georges...... 34, 35 Kloss, Gene (Alice Geneva Glasier)...... 105 Strand, Paul...... 245 Braque, Georges (After)...... 36 Kollwitz, Käthe...... 106 Sultan, Donald...... 181A Bresslern-Roth, Norbertine...... 37 Kupferman, Lawrence...... 107 Brockhurst, Gerald Leslie...... 38-41 Tàpies, Antoni...... 181B Buffet, Bernard...... 42-45 Landeck, Armin...... 108 Taylor, Prentiss...... 182 Buhot, Félix Hilaire...... 46 Lane, Lois...... 109 Tice, George A...... 253 Bush, Andrew...... 224 Lee-Hankey, William...... 110 Tobey, Mark...... 183, 184 LeWitt, Sol...... 111 de Toulouse-Lautrec, Henri...... 185 Cady, Harrison...... 47 Lichtenstein, Roy...... 112 Calder, Alexander...... 48-50 Lin, Heather...... 240 Uelsmann, Jerry...... 254, 255 Cassatt, Mary...... 51-53 Lindenmuth, Tod...... 113 Cézanne, Paul...... 54 Lipchitz, Jacques...... 114 Vasarely, Victor...... 186-192 Chagall, Marc...... 55-59 Litten, Sydney Mackenzie...... 115 Villon, Jacques...... 31-33, 193-199 Chagall, Marc (After)...... 60 Lozowick, Louis...... 116, 117 de Vlaminck, Maurice...... 200 Chippendale, Brian...... 61 Climent, Enrique...... 63 Maki, Haku...... 118 Warhol, Andy...... 201-204 Corneille...... 62 Man Ray...... 160 Washburn, Bradford...... 256-259 Corot, Jean-Baptiste-Camille...... 64, 65 Marini, Marino...... 119-121 Weems, Carrie Mae...... 205 Cuevas, José Luis...... 66 Marsh, Reginald...... 122 Welliver, Neil...... 206-208 Mastro-Valerio, Alessandro...... 123 Wengenroth, Stow...... 209-211 Dalí, Salvador...... 67 Matisse, Henri...... 124 Wesselmann, Tom...... 212, 213 De Harport, David L...... 235 Miller, Peter...... 241 Weston, Edward...... 260 de Tirtoff, Romain (called Erté)...... 76 Millet, Jean Franìois...... 125-129 Whistler, James Abbott McNeill...... 214-216 Dehner, Dorothy...... 68 Miró, Joan...... 130-133 Wilson, Charles Banks...... 217 DeWoody, James...... 69 Moore, Henry...... 134-139 Winogrand, Garry...... 261 Dine, Jim...... 70-73 Motherwell, Robert...... 140 Duchamp, Marcel (After)...... 196 Munakata, Shiko...... 142 Youngerman, Jack...... 218 Dürer, Albrecht...... 74 Neel, Alice...... 143 Zao Wou-Ki ...... 219, 220 Eberle, Todd...... 225 Edgerton, Harold Eugene...... 226-231 Onobrakpeya, Bruce...... 144 Enos, Chris...... 232 Erni, Hans...... 75 Papageorge, Tod...... 242 Erté...... 76 Pascin, Jules...... 145 Estes, Richard...... 77 Picasso, Pablo...... 146-150A, 153, 154 Evans, Walker...... 233 Picasso, Pablo (After)...... 151, 152 Pissarro, Camille (After)...... 155 Feininger, Lyonel...... 78 Pissarro, Lucien...... 155 Frankenthaler, Helen...... 79 Poliakoff, Serge...... 156 Porter, Eliot...... 243, 244 Gauguin, Paul...... 80 Porter, Fairfield...... 157 Gloeckner, Michiel...... 81 Gorsline, Douglas Warner...... 82 Raffaëlli, Jean François...... 158 Gruen, John...... 234 Rauschenberg, Robert...... 159

160 Additional information and photos at www.skinnerinc.com Online bidding at www.skinnerinc.com 161 Conditions of Sale

1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised December 17, 2012 162 Absentee Bid Form

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I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.

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63 Park Plaza 274 Cedar Hill Street Boston, MA Marlborough, MA 02116 01752 617.350.5400 508.970.3000 Fax 617.350.5429 Fax 508.970.3100 www.skinnerinc.com Board of Directors Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne

Administration President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

Expert 20th Century Design - Jane D. Prentiss Assistant: Shannon M. Ames Departments American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Annie Claflin American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Karen Mak, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historical Militaria - Joel Bohy Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey 63 Park Plaza Deputy Director: Jill Arbetter Boston, MA 02116 Oriental Rugs & Carpets - Gary Richards 617.350.5400 Science, Technology & Clocks - Robert C. Cheney Fax 617.350.5429 Assistant: Jonathan Dowling Silver - Stuart G. Slavid 274 Cedar Hill Street Marlborough, MA 01752 Toys & Dolls - Kerry Shrives 508.970.3000 Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, Fax 508.970.3100 John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, www.skinnerinc.com Robin S.R. Starr, Laura V. Sweeney

164 Exhibitions Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261 & Property

Distribution Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329

Finance Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Department Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283

Subscriptions Marlborough: Heather Retzke, 508.970.3240

Service Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Departments Hadley Bridgman, Rachel Kingsley Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalog Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Kealyn Garner Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

165 Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116 617-350-5400

From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

166 SKINNER c a t a l o g subscription f o r m Prices effective JULy 1, 2010. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

p l e a s e c h e c k t h e appropriate b o x e s : U.S./Canada Foreign (payable in U.S. dollars only)

Quarterly Brochure No charge No charge Included with catalog subscription

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Paintings & Prints $120 $143

Fine Jewelry $120 $143

20th Century Furniture & Decorative Arts $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science, Technology & Clocks $60 $73

Fine Wines $60 $73

All Above Departments $750 $915

s u b t o t a l

m a r e s i d e n t s 6.25% s a l e s t a x

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Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

Upcoming Auction American & European Works of Art

Howard Hodgkins (British, b. 1932) Red Palm, 1986-1987

May 17, 2013, Boston, MA Consignment Deadline: March 1st, 2013

For more information, please contact the American & European Works of Art department at 508.970.3206, or email [email protected] or [email protected]