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Scottsdale Art Auction Seeking Consignments for April 6 Western Art Sale SCOTTSDALE, ARIZ
THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY ANTIQUES AND THE ARTS WEEKLY ț 5 CHURCH HILL RD ț BOX 5503 ț NEWTOWN, CONNECTICUT, 06470 ț FALL 2018 2 — THE GALLERY October 12, 2018 — Antiques and The Arts Weekly THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY Tel. 203-426-8036 or 203-426-3141 or Fax 203-426-1394 www.AntiquesAndTheArts.com contact: Barb Ruscoe email - [email protected] Published by The Bee Publishing Company, Box 5503, Newtown Connecticut 06470 New Acquisitions & Brimming Fair Schedule Propel Edward T. Pollack Fine Arts BRUNSWICK, MAINE — Edward T. 1,” “Nudo 2” and “Nudo 3”; prints by Ynez Pollack Fine Arts has a busy fall and winter Johnston, Jacques Hnizdovsky; several im- season planned for 2018–19. Following a portant Whistler lithographs; and a brilliant successful show at the Brooklyn Book and example of the now rare exhibition poster Print Fair at the Brooklyn Expo in Green- for the famous 1985 exhibition of paintings point early September, Ed Pollack will by Warhol and Basquiat. exhibit at the New York Satellite Print Fair Recent sales have included books illus- at Mercantile Annex 37. The show is held trated and signed by Thomas Hart Benton October 25–28, the same dates as the In- and Keith Haring, a lithograph by Yasuo ternational Fine Print Dealers Association’s Kuniyoshi, several woodcuts by Carol Fine Art Print Fair, in a venue very close Summers, two watercolor drawings by the to the Javits Center. During January and Monhegan Island painter Lynne Drexler, an February, the firm participates in print fairs early and rare Stow Wengenroth lithograph in Portland, Ore., Los Angeles/Pasadena and of Eastport, Maine, a lithograph by Robert San Francisco/Berkeley, Calif. -
2017 Fernald Caroline Dissert
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CAROLINE JEAN FERNALD Norman, Oklahoma 2017 THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. W. Jackson Rushing, III, Chair ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Kenneth Haltman ______________________________ Dr. David Wrobel © Copyright by CAROLINE JEAN FERNALD 2017 All Rights Reserved. For James Hagerty Acknowledgements I wish to extend my most sincere appreciation to my dissertation committee. Your influence on my work is, perhaps, apparent, but I am truly grateful for the guidance you have provided over the years. Your patience and support while I balanced the weight of a museum career and the completion of my dissertation meant the world! I would certainly be remiss to not thank the staff, trustees, and volunteers at the Millicent Rogers Museum for bearing with me while I finalized my degree. Your kind words, enthusiasm, and encouragement were greatly appreciated. I know I looked dreadfully tired in the weeks prior to the completion of my dissertation and I thank you for not mentioning it. The Couse Foundation, the University of Oklahoma’s Charles M. Russell Center, and the School of Visual Arts, likewise, deserve a heartfelt thank you for introducing me to the wonderful world of Taos and supporting my research. A very special thank you is needed for Ginnie and Ernie Leavitt, Carl Jones, and Byron Price. -
The Broken Wheel and the Taos Society of Artists (Ernest L
The Broken Wheel and the Taos Society of Artists (Ernest L. Blumenschein Home & Museum Brochure 2016) American artist Joseph Henry Sharp briefly visited Taos in 1893. While studying painting in Paris two years later, he met and became friends with two other young American art students, Ernest L. Blumenschein and Bert G.Phillips. Sharp told them about the Indian village of Taos and the spectacular land. Blumenschein later wrote “I remember being impressed as I pigeon-holed that curious name in my memory with hope that some day I might pass that way.” On his return from Paris in 1896, Blumenschein was commissioned by McClures Magazine to do a series of illustrations in Arizona and New Mexico. He was so taken by the Southwest that he convinced his friend Bert Phillips to join him two years later on a sketching trip from Denver to Mexico. Having spent the summer of 1898 painting and camping in the Rocky Mountains, the two young artists started painting their way south in the early fall. On September 3, while driving the storm- ravaged roads of northern New Mexico, the wheel on their light surrey slipped onto a deep rut and broke. The men tossed a three-dollar gold piece to determine who would carry the wheel to the nearest blacksmith for repair. Blumenschein lost the toss and so made the twenty-mile trek to Taos with the broken wheel. Thus began a great experiment in American Art. Blumenschein (called “Blumy” by his many friends) stayed in Taos only a few months and then returned to New York. -
Points-West 1999.09.Pdf
-.- A NOTE FROM THE DIRECTOR Tn the previous (Summer, 1999) issue of 3 I PLAINS INDIAN MUSEUM : d RE/NTERPR ETATION LPoints West. a paragraph was inadvertently 4 omitted from the article by Gordon A NATTJRAL HISTORY MUSEUM:A RAIiONAIC ANd 7 Status of a Natural History Museumfor the BufJaIo Wickstrom titled, There's Never Been an Actor B|II Historical Center Like Buffalo BiII. Here is the author's closing SEASONS OF DISCOVERY: A HANdS-ON CENtET paragraph stating his thesis in its entirety: 9 for Children and Families 10 HARRY JACRSON CELEBRATED "This season ol 1876-77 epitomizes the t2 ABOT]T CROW INDIAN HORSES career of this unique actor-and the burden of this essay-who for a sustained stage CFM ACQUIRES GATLING GUN MOUNT l4 career played only himsell in dramas exclu- TWO NEW EXHIBITS ADDED TO CFM 15 sively about himself based more or less on t6 IN SI GHTS-P EG COE HON O RED materials of historical and cultural import that THE ROYAL ARMOURIES: Bulfalo BiIl Exhibit he was instrumental in generating on the Travels to Leeds, England. t7 scene of the national westward expansion." 19 TNTRIDUCING'RENDEZVIUS RIYALE" FRzM rHE HoRSE's MourH 22 Readers' Forum We want to know what you think about what we're doing. Please send your Letters to the Editor to: Editor: Points West Readers' POINIS WEST is published quarterly as a benelit of membership in the Buffalo Bill Historical center. For membership information contact: Forum. Bullalo Bill Historical Center, 720 Jane Sanders Director of Membership Sheridan Avenue, Cody, WY 82414. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
Jhe Museum of Modern Art
HHHHHHHHH JHE MUSEUM OF MODERN ART ?1 WEST 53rd STREET KfEW YORK TELEPHONE: CIRCLE 5-8900 CABLES: MODERNART, NEW-YORK ARAH NEWMEYER, PUBLICITY DIRECTOR February 2, 1943. TO Art Editors City Editors Dear Sirs: You are invited to come or send a representative to PRESS PREVIEW &T AMERICANS 1943: Realists and Magic Realists, the second of a series of exhibitions inaugurated by the Museum last year to provide a continuing survey of the arts in the United States. Tuesday, February 9 2 to 6 P.M. at the Museum of Modern Art 11 West 53 Street. The exhibition will open to the public Wednesday, February 10. For further information please telephone me at Circle 5-8900. Sincerely yours, J>OA*JK /l^n^cj/^ Sarah Newmeyer Publicity Director P.S, Unfortunately, there was a shortage of printed invitations. One will be sent you later this week, however. This letter is being sent immediately so that you will receive the information in plenty of time. 43208 * 9 tj THE MUSEUM OF MODERN ART 11 WEST 53RD STREET, NEW YORK 11 FOR IMMEDIATE RELEASE . TELEPHONE: CIRCLE 5-8900 EXHIBITION OF AMERICAN REALISTS AND MAGIC REALISTS OPENS AT MUSEUM OF MODERN ART Americans 1945; Realists and Magic Realists, a large exhibi tion of paintings, drawings and prints by 43 artists, filling all the galleries on the second floor of the Museum of Modern Art, 11 West 53 Street, opens to the public Wednesday, February 10, and will remain on view through Sunday, March 21, after which it will be sent on a tour of other cities throughout the country. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of San Diego Volume 61 Winter 2015 Numbers 1 • The Journal of San Diego History Diego San of Journal 1 • The Numbers 2015 Winter 61 Volume History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego History Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; membership dues; admissions; shop sales; and rights and reproduction fees. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Clockwise: Casa de Balboa—headquarters of the San Diego History Center in Balboa Park. Photo by Richard Benton. Back Cover: San Diego & Its Vicinity, 1915 inside advertisement. Courtesy of SDHC Research Archives. Design and Layout: Allen Wynar Printing: Crest Offset Printing Editorial Assistants: Travis Degheri Cynthia van Stralen Joey Seymour The Journal of San Diego History IRIS H. W. ENGSTRAND MOLLY McCLAIN Editors THEODORE STRATHMAN DAVID MILLER Review Editors Published since 1955 by the SAN DIEGO HISTORICAL SOCIETY 1649 El Prado, Balboa Park, San Diego, California 92101 ISSN 0022-4383 The Journal of San Diego History VOLUME 61 WINTER 2015 NUMBER 1 Editorial Consultants Published quarterly by the San Diego History Center at 1649 El Prado, Balboa MATTHEW BOKOVOY Park, San Diego, California 92101. -
Harvest Dance, 1893–94 Art Museum Purchase, 1894.10 Family Events Such As Holidays, Weddings, Birthdays, Religious Events, and Friendly Gatherings
Why Do We Dance? teacher information unit overview focus art work Dance and movement are a part of every community. It can be an Joseph Henry Sharp (1859–1953) impromptu expression of feelings or part of a more formal celebration. United States (Cincinnati) Dancing occurs in all communities, often prompted by cultural or Harvest Dance, 1893–94 Art Museum Purchase, 1894.10 family events such as holidays, weddings, birthdays, religious events, and friendly gatherings. focus book Students are naturally interested in dance and movement. It can M.C. Helldorfer either be an impromptu expression of emotions or part of a planned Got to Dance. event or celebration. This lesson will facilitate connecting this interest New York: Doubleday Books for to students’ personal experiences. You will provide opportunities Young Readers, 2004 to view and discuss examples of dance events and will provide an opportunity in the classroom for students to interpret what they have experienced in a classroom dance area. grade level: pre-K (ages 3–5) 37 unit objectives about the artist • Students closely examine several works of art from the A traveler at heart, Joseph Henry Sharp’s art and Cincinnati Art Museum’s permanent collection, including teaching have made significant contributions to the Focus Artwork Harvest Dance, by Joseph Henry Sharp. city of Cincinnati. Sharp was born on September 27, • Students experience dance and movement 1859, in Bridgeport, Ohio, and was raised by his father in the classroom and connect it to their own William Henry Sharp, a merchant. Although Sharp and personal and cultural experiences. his brother, Avery, were brought up in Ironton, Ohio, by 1873, Joseph sought art instruction in Cincinnati. -
Legislator Profile Big Contribution
Authorities Identify Remains Found Near Toledo in 2010 / Main 7 $1 Early Week On to State Edition Toledo, Morton-White Pass and Winlock Tuesday, Remain Alive in Postseason Play / Sports Feb. 26, 2013 Reaching 110,000 Readers in Print and Online — www.chronline.com A Strong Foundation Construction Begins for Centerpiece of Centralia Sports Complex / Main 6 Student Success Stories Toledo Alternative School Touts Success Despite Failing Grade / Main 3 Legislator Profile Rep. Ed Orcutt Fights Taxes, Regulations / Main 4 TONIGHT: Low 33 TOMORROW: High 49 Weather Pete Caster / [email protected] Cloudy Kaufman Construction workers, from right: Charlie Gibbs, Edward Gibbs, Gary Boster, and site superintendent Mel Nelson carry No. 10 rebar across the see details on Main 2 future site of the Lewis County Event Center on Monday morning in Centralia. The rebar, which is 60 feet long and weighs 258 pounds, was laid into the ground then drilled into concrete piers on the north and south end of the building to keep its structural integrity when the large 250-foot steel spans are Weather picture by Renate Prazak, put in later this month. Onalaska Elementary, 3rd Grade Deaths Pennypacker, Viola Mae, 94, Chehalis Weaver, Dorothy Lee, 74, Tenino Edwards, John, 83, Chehalis Serving The Greater Lewis County Area Since 1889 Follow Us on Twitter @chronline Find Us on Facebook www.facebook.com/ Big Contribution thecentraliachronicle Donation to Centralia Indoor Pool Renovation Finally Puts Years-Long Effort Over the Top / Main 6 Main 2 The Chronicle, Centralia/Chehalis, Wash., Tuesday, Feb. 26, 2013 COMMUNITY CALENDAR / WEATHER Community Editor’s Best Bet ‘Slam Poet’ to Perform, Speak at Centralia College “Slam poetry” will be the sub- ject of a Lyceum Series presenta- Calendar tion by Shanelle Gabriel at 1 p.m. -
WESTERN ART GALLERY the Brinton Museum Is Located on the Historic Quarter Circle a Ranch in the Foothills of the Bighorn Mountains
WESTERN ART GALLERY The Brinton Museum is located on the historic Quarter Circle A Ranch in the foothills of the Bighorn Mountains. Bradford Brinton purchased the ranch headquarters in 1923 from the Scotsman William Moncreiffe and used the Ranch House at the Quarter Circle A as a vacation home, spending several months each year in Big Horn. An avid collector of fine art, American Indian artifacts, firearms, and books, Bradford Brinton filled his home with fine and beautiful items. He was personal friends with many artists, such as Ed Borein, Hans Kleiber and Bill Gol- lings, whose art decorated the house. He also collected works by Frederic Re- mington, Charles M. Russell and Winold Reiss. Several of these important works of art are now on exhibit in The Brinton’s Forrest E. Mars, Jr. Building in the Ted and Katie Meredith Western Gallery of Art. Bradford and his sister, Helen Brinton, left an enduring legacy of the golden era of an early 20th Century gentleman’s working ranch. The Wild West had been tamed, the vast rangelands fenced, and motorized vehicles were replacing horses. Americans were clinging to the images of hardy cowboys, noble Indians, and untamed land filled with birds and wild beasts. Bradford and Helen Brinton have helped preserve the feel- ing of the West at that time for all of us to enjoy today. Above: Bradford Brinton and friends riding the Buffalo Bill stage coach, The Brinton Museum Archives Right: Bradford Brinton on his Palomino horse, Pal; the Quarter Circle A Ranch Post; and thoroughbreds on the Brinton Barn grounds, 2015 John Mix Stanley was an artist-explorer known for his landscapes, American In- dian portraits and scenes of tribal life in the American West. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
BOOTS, BRUSHES and the BIGHORN MOUNTAINS Artwork from the 1860S to the 1930S
BOOTS, BRUSHES AND THE BIGHORN MOUNTAINS Artwork from the 1860s to the 1930s EXHIBITION DATES JUNE 15 - SEPTEMBER 7, 2015 INAUGURAL EXHIBITION IN THE S.K. JOHNSTON, JR. FAMILY GALLERY AT DIRECTOR’S STATEMENT and subject matter, the earliest being two watercolors by Walter Sies. They fittingly depict scenes of Fort Reno and Boots, Brushes and The Bighorn Mountains is the our country’s early military inroads into what was previously culmination of a long-imagined exhibit of works dating ceded to the Crow and Lakota people through the Laramie from the 1860s into the late 1930s. Until recently the idea Treaty of 1851. The military theme boils into conflict as set for it was confined to the back of my mind due to several forth in Frederic Remington’s Fight on the Little Bighorn mitigating factors, not the least of which was lack of a which depicts the famous battle of 1876 as well as in Miles proper environment in which to house the impressive and his Escort, in which the artist places himself riding to collection of artwork I envisioned for the show. Our new the left of Major General Nelson A. Miles. As you view the Forrest E. Mars, Jr. Building now provides The Brinton show be careful to read labels because the chronology of Museum with the perfect setting in which to display the art the subject matter does not always correspond to the time of and about this majestic, historic and enticing mountain of the canvases’ execution. For example, Fight on the Little range and the surrounding lands which it shades and Bighorn was painted by Remington in 1900, some 24 years waters.