VHSL Regular Season 2011-2012 Round #5
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Cultural Imaginations of Piracy in Video Games
FORUM FOR INTER-AMERICAN RESEARCH (FIAR) VOL. 11.2 (SEP. 2018) 30-43 ISSN: 1867-1519 © forum for inter-american research “In a world without gold, we might have been heroes!” Cultural Imaginations of Piracy in Video Games EUGEN PFISTER (HOCHSCHULE DER KÜNSTE BERN) Abstract From its beginning, colonialism had to be legitimized in Western Europe through cultural and political narratives and imagery, for example in early modern travel reports and engravings. Images and tales of the exotic Caribbean, of beautiful but dangerous „natives“, of unbelievable fortunes and adventures inspired numerous generations of young men to leave for the „new worlds“ and those left behind to support the project. An interesting figure in this set of imaginations in North- Western Europe was the “pirate”: poems, plays, novels and illustrations of dashing young rogues, helping their nation to claim their rightful share of the „Seven Seas“ achieved major successes in France, Britain the Netherlands and beyond. These images – regardless of how far they might have been from their historical inspiration – were immensely successful and are still an integral and popular part of our narrative repertoire: from novels to movies to video games. It is important to note that the “story” was – from the 18th century onwards –almost always the same: a young (often aristocratic) man, unfairly convicted for a crime he didn’t commit became an hors-la-loi against his will but still adhered to his own strict code of conduct and honour. By rescuing a city/ colony/princess he redeemed himself and could be reintegrated into society. Here lies the morale of the story: these imaginations functioned also as acts of political communication, teaching “social discipline”. -
Justin Pollard Film & TV Historian / Writer
Justin Pollard Film & TV Historian / Writer Agents Thea Martin [email protected] Credits In Development Production Company Notes OPIUM Tiger Aspect Exec Producer and Historical Consultant UNTITLED PROJECT Mandabach TV Historical Advisor UNTITLED PROJECT STX Historical Advisor 12 CAESARS Green Pavilion Co-Writer Television Production Company Notes VALHALLA MGM Associate Producer and Historical Consultant BROOKLYN HBO Historical Advisor 2018 BORGIA Company of Wolves Research Consultant. BRITANNIA Vertigo Films Historical Consultant United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes WILL Monumental / TNT Historical Consultant THE VIKINGS, Series MGM/ History Channel Associate Producer & Historical 1, 2, 3, 4 and 5 Consultant. 10 part drama series based on Viking Europe in the 9th century. PAGE EIGHT Carnival Films/ BBC Research Consultant. Film noir thriller starring Ralph Fiennes and Rachel Weisz. Directed by David Hare. QI Quite Interesting Ltd/ Talkback Writer/ Associate Producer. (Series 2 Thames/ BBC1 onward). PEAKY BLINDERS Tiger Aspect/ BBC Research Consultant. Drama series set amongst Birmingham gangs in the early 1920s. THE DRAGONS OF National Geographic Television Writer. MIDDLE EARTH Animated special on the symbolism of the dragon in the medieval Christian world. CAMELOT Starz/ GK-TV Script Consultant. 10 part drama series based on the Morte D’Arthur, starring Joseph Fiennes and Eva Green. THE TUDORS: SERIES Reveille/ Working Title/ TM Research Consultant. I-IV Productions/ Peace Arch Drama series starring Jonathan Rhys Entertainment Group, Inc. for Meyers as Henry VIII. Showtime ALEXANDRIA, Lion Television/ Channel 4 Writer/ Producer. -
The Scourge of the Land and Sea. an Awful Outlaw Or a Romantic Hero?
The scourge of the land and sea An awful outlaw or a romantic hero? As long as people sailed through the rivers and the high seas there were those who tried to gain wealth by depriving others of their possessions. The existence of the sea rovers or, more precisely, sea robbers, is intricately connected with the developed commerce and conflicts among different communities and countries. In peaceful times in well-organized states piracy is usually viewed as an abomination and pirates are social outcasts living on the verge of normal communities under the strict official rule. They are the violent strangers, dealing with death and destruction, bringing flames, slavery and plunder. Hence the sea robbers are the aliens – cruel, colorful, constantly drunk, and, to some extent, free. They are definitely very different from the ordinary folks. In this article I would like to explain the difference between pirates and corsairs and present, in short, the tradition of Western piracy. The important factor of sea roving was the daily existence of mariners which distinguished typical sailors from land dwellers. I would like to describe the reality of life aboard the ship in the golden age of sail. It might be helpful in developing a better understanding of the romantic allure of piracy which survived to our very days. Johann Wolfgang Goethe in his probably most famous work, Faust, put into the mouth of Mephistopheles memorable words: I know a little of navigation: War, trade, and piracy, allow, As three in one, no separation1. And indeed: he was right. Nowadays – in the 21st century – the dire risk of being robbed while at sea does not want to cease to exist. -
Local Blogger Settles Lawsuit Against Fairhope Council
HEALTH: Paint the town pink, PAGE 23 World War I and II exhibit PAGE 5 High School football The Courier PAGE 14 INSIDE OCTOBER 24, 2018 | GulfCoastNewsToday.com | 75¢ Candidate Meet and Greet Thursday Local blogger settles lawsuit Fairhope in Daphne city The Eastern Shore Cham- against Fairhope council ber of Commerce will host its Candidate Meet and treasurer Greet on Thursday, Oct. 25 By CLIFF MCCOLLUM speak during the public com- for many reasons,” Ripp from 5:30 p.m. to 7:30 p.m. [email protected] ments portion of the Aug. 28, wrote. “One being, I knew the fired at Bayside Academy’s Pilot 2017, city council meeting - a Council and Burrell would Center Theatre at 303 Dryer Local blogger Paul Ripp’s move which Ripp claimed vio- never apologize and that going By CLIFF MCCOLLUM Avenue in Daphne. Meet the lawsuit against Fairhope lated his constitutional rights. to court was going to be very City Council President Jack Ripp filed suit against Burrell expensive for the city.” [email protected] local candidates who will Burrell and the rest of the city and the city in Dec. 2017. Ripp went on to say he be on the general election council has been settled, ac- In a Friday, Oct. 19 post on heard Burrell had been “brag- Fairhope City Trea- ballot on Nov. 6 and learn cording to a recent blog post his blog entitled “Loser,” Ripp ging” about the outcome of surer Mike Hinson was more about their campaign by Ripp and documents filed said he settled the suit with the case. -
Flying the Black Flag: Golden Age of Piracy Deconstructed Joe D
Flying the Black Flag: Golden Age of Piracy Deconstructed Joe D. Beranek History 489: Research Seminar Fall 2018 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. Contents Figures Page iii Abstract iv Introduction: A Pirate’s Life for Me 1 Historiography: The Pirate Code 3 Understanding the Rise of the Golden Age: The Edge of the Map 7 Culture and Politics of Golden Age Pirates: Rise of the Buccaneer 11 European Response to Piracy: On the Hunt 16 Blackbeard as a Case Study: Man, Myth, and Legend 22 Conclusion: Sailing Into the Sunset 24 Bibliography 26 ii Figures Figure 1: A map detailing the trade routes of individual goods sent back to their European powers. 9 iii Abstract Piracy during the Golden Age has often been fantasized about through many forms of popular culture. The time period has been fictionalized and glorified by contemporary society, oftentimes weaving together factual accounts of the men and women who had a role in the Golden Age with dramatized fiction to provide us the tales of the swashbucklers we know today. What this research paper aims to do is to provide a factual account of what being a pirate in the Golden Age was truly like, while debunking the myths and legends that surround this era of maritime history. iv Introduction: A Pirate’s Life For Me The King and his men stole the Queen from her bed and bound her in her bones the seas be ours and by the powers where we will we'll roam Yo ho, all hands Hoist the colors high Heave ho, thieves and beggars Never shall we die Now some have died and some are alive and others sail on sea with the keys to the cage and the Devil to pay we lay to Fiddler's Green. -
Some Notes on “Japanese Pirates” by Frank L
Maritime Asia RESOURCES TEACHING RESOURCES ESSAYS Some Notes on “Japanese Pirates” By Frank L. Chance Images of Pirates The term “Japanese pirates” is a frequently used hen today’s students think of pirates, the first image that likely pops into their minds is of Johnny Depp as Captain Jack Spar- and rather literal translation of the term 倭冦, row in the Pirates of the Caribbean films from Disney Studios. read woukou in Mandarin, waegu in Korean, WWhile I feel certain that my colleagues specializing in maritime history find many inaccuracies in that image—as I’m sure they would find in the and wakō in Japanese. swashbuckling seafarer played by Douglas Fairbanks in The Black Pirate or the romanticized figures of Black Dog and Billy Bones in Robert Louis were relatively short, and they were also culturally different from the Chi- Stevenson’s Treasure Island—for better or worse, it is these images of oddly nese—and in fact they took ownership of the term, sometimes reading it as dressed seafarers raiding harbors and others’ ships that pervade the imagi- “Yamato,” one of the aboriginal names for their islands. However, a simple nation today. This applies not only to American youth, but also to students translation of 倭 as “Japanese” is not very useful because there was no “Ja- around the globe—a fact made abundantly clear by the worldwide earn- pan”—the archipelago was not unified into what we can call a single nation ings for the latest Pirates of the Caribbean film, Pirates of the Caribbean: until the second half of the sixteenth century. -
PIRATES of the CARIBBEAN: on STRANGER TIDES Screenplay by Ted Elliott & Terry Rossio Based on the Novel
PIRATES OF THE CARIBBEAN: ON STRANGER TIDES Screenplay by Ted Elliott & Terry Rossio based on the novel "On Stranger Tides" by Tim Powers 2nd CHERRY Revision (November 1, 2010) Here is a late production draft of PIRATES OF THE CARIBBEAN: ON STRANGER TIDES. Presented for free for educational purposes, and to allow interested fans to track the progression from script to screen. Terry Rossio February, 2014 ©2014 Terry Rossio & Ted Elliott · WORDPLAY · http://www.wordplayer.com Pirates of the Caribbean ON STRANGER TIDES Screenplay by Ted Elliott & Terry Rossio Based on the novel ON STRANGER TIDES by Tim Powers FINAL WHITE 06/09/10 BLUE 06/16/10 PINK 06/22/10 YELLOW 07/06/10 GREEN 07/27/10 GOLDENROD 08/10/10 BUFF 08/24/10 SALMON 08/25/10 CHERRY 08/27/10 TAN 09/03/10 GRAY 09/15/10 2nd BLUE 09/20/10 2nd PINK 09/21/10 2nd YELLOW 09/23/10 2nd GREEN 10/06/10 2nd GOLDENROD 10/07/10 2nd BUFF 10/18/10 2nd SALMON 10/26/10 2nd CHERRY 11/01/10 Property of: Jerry Bruckheimer Films 1631 10th St. Santa Monica, CA 90404 POTC: On Stranger Tides -WD- 11/3/10 1. FADE IN A1 EXT. OCEAN - EVENING A1 Dark waters barely lit just past sunset. ROPES of a fishing net disappear into the forbidding depths. We hear the CRANK of a winch as it turns. On the bow of his ship, a Spanish FISHERMAN pulls his net up out of the sea. Slowly, deep underwater, the DIM OUTLINE of a SHAPE appears, caught in the net. -
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Case 2:18-cv-08074-CBM-AS Document 93 Filed 05/13/19 Page 1 of 19 Page ID #:732 1 2 3 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 11 ARTHUR LEE ALFRED II et al., Case No.: CV 18-8074-CBM-ASx 12 Plaintiff, ORDER RE: DEFENDANTS’ MOTION TO DISMISS 13 v. PLAINTIFFS’ COMPLAINT [JS-6] 14 THE WALT DISNEY COMPANY, et al., 15 Defendants. 16 17 The matter before the Court is Defendants’ Motion To Dismiss Plaintiffs’ 18 Complaint pursuant to Federal Rule of Civil Procedure 12(b)(6). (Dkt. No. 78.) 19 I. BACKGROUND 20 This is a copyright infringement action wherein Plaintiffs assert five 21 “claims” for copyright infringement under the federal Copyright Law Act: (1) 22 “Infringement of Copyright (Reproduction of Copyrighted Work)”; (2) 23 “Infringement of Copyright (Preparation of Derivative Works)”; (3) “Infringement 24 of Copyright (Distribution of Copyrighted Work)”; (4) “Infringement of 25 Copyright (Public Performance of Copyrighted Work”); and (5) “Infringement of 26 Copyright (Public Display of Copyrighted Work).” Plaintiffs allege Defendants’ 27 five feature films (i.e., (1) Pirates of the Caribbean: The Curse of the Black Pearl; 28 (2) Pirates of the Caribbean: Dead Man’s Chest; (3) Pirates of the Caribbean: At 1 Case 2:18-cv-08074-CBM-AS Document 93 Filed 05/13/19 Page 2 of 19 Page ID #:733 1 World’s End; (4) Pirates of the Caribbean: On Stranger Tides; and (5) Pirates of 2 the Caribbean: Dead Men Tell No Tales) infringe Plaintiffs’ screenplay entitled 3 Pirates of the Caribbean (the “Screenplay”). -
Treasure Island Digital Components
Unit 8 Treasure Island Digital Components GRADE 4 Core Knowledge Language Arts® Contents Treasure Island Digital Components Lesson 1 Partial World Map . 3 . Lesson 6 Purpose for Reading. 18 Lesson 1 Core Connections Timeline . 4 . Lesson 7 Purpose for Reading. 19 Lesson 1 Core Connections Schooner Diagram . 5. Lesson 7 Shape of a Story Chart. 20 Lesson 1 Purpose for Reading. 6 Lesson 8 Purpose for Reading. 21 Lesson 1 Character Chart. 7 Lesson 8 Treasure Island Excerpt . .22 . Lesson 2 Purpose for Reading. 8 Lesson 8 Adventure Story Rubric . .23 . Lesson 2 Subject-to be Verb Agreement Poster . 9. Lesson 9 Purpose for Reading. 24 Lesson 2 Modal Auxiliary Verbs Poster . 10 Lesson 10 Purpose for Reading. 25 Lesson 2 Features of an Adventure Story Chart . 11 . Lesson 11 Purpose for Reading. 26 Lesson 2 Writing Prompt . 12 . Lesson 11 Coordinating Conjunctions Poster . 27. Lesson 3 Purpose for Reading. 13 Lesson 12 Purpose for Reading. 28 Lesson 3 Character Sketch Poster . 14 Lesson 13 Purpose for Reading. 29 Lesson 4 Purpose for Reading. 15 Lesson 14 Purpose for Reading. 30 Lesson 4 Relative Pronouns Poster . 16. Lesson 17 Adventure Story Editing Checklist . 31. Lesson 5 Purpose for Reading. 17 Recommended Resources for Treasure Island. 32 PARTIAL WORLD MAP Spanish Main England Scotland Lesson 1 | Unit 8 | 3 CORE CONNecTIONS TImeLINE 790–1100 1400s–1600s Vikings rule the seas The Age of Exploration 800 900 1000 1100 1200 1300 1400 1500 1600 1700 1800 1900 1492 Christopher Columbus arrives in New World 1607 1775-1776 Jamestown settled Revolutionary War begins 1620 1754 Pilgrims land at Plymouth French and Indian War begins Lesson 1 | Unit 8 | 4 CORE CONNecTIONS ScHOONER DIAGRAM Lesson 1 | Unit 8 | 5 PURPOSE FOR READING Read to learn how this adventure story begins and to gather information about the narrator, setting, and characters. -
The War Against Piracy: 1717 and 2009 | New York & Piracy in The
Dec 2009 /Jan/Feb 2010 | $6.00 New York’s History Magazine THE WAR AGAINST PIRACY: 1717 aND 2009 | NeW YORK & PIRACY IN THE AGE OF THE LAFITTE BROTHERS | THE SILVER OAR AND PIRATEs – THE PAST COMES FULL CIRCLE | PIRACY AND SEAFARERES 2 DEc 2009/Jan/Feb 2010 VOLUME XLV NUMBer 1 3 4 BECOME A CORPORATE MEMBER From the Director 5 by Mary Ellen Pelzer 6 Ip er si eum iniam zzrilisl dit accum quis dolestrud et, core ver Corporate Membership includes many of the following benefits 7 sum quisi. and many more depending on membership level: 8 Acknowledgement in the Annual Report, Seaport, the quarterly Museum magazine/calendar of events, Museum Web 5 9 X site and Visitor Center XCourtesy passes to the Museum X Discounts for all employees at Bowne & Co., Stationers 10 XElectronic announcements about exhibitions, public and family programs and other events that can be placed on your New York & Piracy 11 organization’s intranet for employees XInvitations to exhibition opening receptions XSubscriptions to Seaport in the Age of the Lafitte Brothers 12 By John Otrompke 13 Jean and Pierre Lafitte were pirates who were mostly active 14 Benefit packages are available at many corporate membership levels. For membership information around New Orleans, but their activities extended as far away 15 L EMAIL [email protected] iCALL Carol Rauscher at 212-748-8776. as New York City. 6 16 17 The War Against Piracy: 1717 and 2009 18 By Virginia Lunsford 19 An analysis of how deep sea pirates disrupted trade and the 20 actions which governments took against them hundreds of 21 years ago, and the similar actions taken against pirates today. -
A World-Systems Analysis of Pirates and Privateers in the Atlantic
The College of Wooster Libraries Open Works Senior Independent Study Theses 2012 Sailing on the Edge: a World-Systems Analysis of Pirates and Privateers in the Atlantic and Caribbean in the Seventeenth and Eighteenth Centuries Emily Butcher The College of Wooster, [email protected] Follow this and additional works at: https://openworks.wooster.edu/independentstudy Part of the Archaeological Anthropology Commons Recommended Citation Butcher, Emily, "Sailing on the Edge: a World-Systems Analysis of Pirates and Privateers in the Atlantic and Caribbean in the Seventeenth and Eighteenth Centuries" (2012). Senior Independent Study Theses. Paper 15. https://openworks.wooster.edu/independentstudy/15 This Senior Independent Study Thesis Exemplar is brought to you by Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in Senior Independent Study Theses by an authorized administrator of Open Works. For more information, please contact [email protected]. © Copyright 2012 Emily Butcher Sailing on the Edge: A World-Systems Analysis of Pirates and Privateers in the Atlantic and Caribbean in the Seventeenth and Eighteenth Centuries by Emily Butcher A Thesis Submitted in Fulfillment of the Requirements of Independent Study in Archaeology at The College of Wooster Archaeology 451-452 Dr. P. Nick Kardulias March 5, 2012 Abstract Despite modern conceptions, pirates were not typically cruel, greedy, and dishonest men of the lowest social ranks, but often began as privateers for local navies. It was only when they attacked an unassigned target that their status changed to that of piracy in the eyes of their patrons. However, if the illegal attack was against an enemy, the Crown often allowed the action to continue. -
Piracy and Occasional State Power AAM VERSION
Piracy and occasional state power AAM VERSION Piracy and Occasional State Power: Forum Introduction John Coakley, C. Nathan Kwan, and David Wilson Merrimack College, University of Hong Kong / King’s College London, and University of Strathclyde [email protected]; [email protected]; [email protected] Abstract States exert their power over maritime predation only occasionally depending on prevalent circumstances. Historically, when states have perceived and attempted to address a problem of piracy, they have encountered severe limits on their abilities to manage private maritime enterprise in waters under their purported control. Despite the popular conception that piracy falls into the legal category of ‘universal jurisdiction’, such jurisdiction has only been employed sporadically. In reality, despite high-profile ‘terror’ campaigns against pirates, states regularly employed alternative means of suppression, including negotiation, legal posturing, and co-optation. The four articles in this forum provide detailed case studies of the occasional use of state power to regulate maritime predation in diverse waters and contexts. In these examples, states: negotiated with maritime communities in medieval England, sought a monopoly on violence in the South China Sea; collaborated with other states to police colonial Hong Kong; and dealt diplomatically with a local pirate hero to defend New Orleans. Across each paper, the ‘state’ faced a particular problem of piracy, but could only occasionally exert power to manage it. Keywords: piracy, privateering, law, state power, England, Americas, China 1 Piracy and occasional state power AAM VERSION States have always had uneasy relations with maritime predators. Although piracy and other forms of private maritime predation have persisted from the ancient to the modern period, states have only occasionally exerted control over it; and when they have, that control has historically taken many different forms.