Elementary Students Learning Mandarin
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Council Defeats Legal Depart Amid Protests That a Legal a Day While in Court
Clark Free Public Library 1071 R aritan Rd. 'C C a rZ 'P a t r io t Clark, N. J. 07066 ‘A Voice For A ll-A n Echo For None” FREE PUBLIC LIBRARY VOL. 2, No. 29 Clark, N.J., Thursday, March 2, 1967 CLARK, N. J. 10 Cents T h e Q u i l l Council Defeats Legal Depart Amid protests that a Legal a day while in court. Mr. Department would add to the Catalano said that the at New Trees town’s legal costs — and torney had agreed to lower It isn’t often that you see campaign pledges kept with denials that the department his per diem cost while in would entail expenditures as court to $275 a day. No men the action that was witnessed by Monday evening's move Come To Clark high as those under the pre tion was made of a lowering by Councilmen Kaczmarek, Burger and Boyle to establish sent system, the Clark of the research costs per Over 700 trees were council voted 4-3 Monday hour although Councilman a legal department. planted in Clark in 1966, evening to down a move for Boyle did state that he had They weren't able to establish the department — but according to a report sub establishing a legal depart contacted the Union County mitted by the Shade Tree ment. keeping the promise they made to the voters is certainly Bar Association and that $25 Commission this year. Of With freshman Council- per hour was more in line. one measure of success. -
The Best of Jefferson College: Year in Review 2012 Pportunity
1000 Viking Drive Hillsboro, MO 63050 (636) 481-3000 or 797-3000 www.jeffco.edu January 2013 The Best of Jefferson College: Year in Review 2012 pportunity. .anticipation. .service . .achievement. These terms all characterize Jefferson College’s advancement and direction in 2012 as the premier source for higher education in our community. As a Onew year begins, The Windjammer invites you remember some of the many institutional high points of 2012: The college held its 47th commencement ceremonies The Jefferson College Faculty Senate in May as a combined total of over 900 students were selected Andrew Held as the college’s eligible to receive associate degrees or career and technical 2012 Alumnus of the Year. education certificates. Bill Alexander, Senior Production Leader for Under the leadership of Interim Dow Solar Director of Development Tom Burke, Solutions, the Jefferson College Foundation held presented the a number of successful fundraising activities including address to Arts the annual Viking Fund capital campaign, a Campus and Science Fund Drive, an graduates and overwhelmingly Gary Reim Sr., successful Jazz Ambassador for Color-Art Printing and Office Interiors, and Jeans dinner/dance/auction, the Viking Classic spoke to Career and Technical Education grads. Scholarship Golf Tournament, and a variety of generous scholarship and endowment gifts, and other revenue- As part of an upper-level administrative reorganization, generating events. Dr. Mindy Selsor was appointed Vice President of Instruction and Julie Fraser was named Associate Vice A task force led by Dr. Mindy Selsor to streamline the President of Student Services. Also, Dr. Dena McCaffrey institution’s committee structure, as recommended by was appointed Interim Dean of Career and Technical the Higher Learning Commission accreditation team, Education and Dr. -
Locations of Motherhood in Shakespeare on Film
Volume 2 (2), 2009 ISSN 1756-8226 Locations of Motherhood in Shakespeare on Film LAURA GALLAGHER Queens University Belfast Adelman’s Suffocating Mothers (1992) appropriates feminist psychoanalysis to illustrate how the suppression of the female is represented in selected Shakespearean play-texts (chronologically from Hamlet to The Tempest ) in the attempted expulsion of the mother in order to recover the masculine sense of identity. She argues that Hamlet operates as a watershed in Shakespeare’s canon, marking the prominent return of the problematic maternal presence: “selfhood grounded in paternal absence and in the fantasy of overwhelming contamination at the site of origin – becomes the tragic burden of Hamlet and the men who come after him” (1992, p.10). The maternal body is thus constructed as the site of contamination, of simultaneous attraction and disgust, of fantasies that she cannot hold: she is the slippage between boundaries – the abject. Julia Kristeva’s theory of the abject (1982) ostensibly provides a hypothesis for analysis of women in the horror film, yet the theory also provides a critical means of situating the maternal figure, the “monstrous- feminine” in film versions of Shakespeare (Creed, 1993, 1996). Therefore the choice to focus on the selected Hamlet , Macbeth , Titus Andronicus and Richard III film versions reflects the centrality of the mother figure in these play-texts, and the chosen adaptations most powerfully illuminate this article’s thesis. Crucially, in contrast to Adelman’s identification of the attempted suppression of the “suffocating mother” figures 1, in adapting the text to film the absent maternal figure is forced into (an extended) presence on screen. -
Laurence Olivier in Hamlet (1949)
1 Laurence Olivier in Hamlet (1949) In the late 1930s and early 1940s, when Samuel Goldwyn, MGM, and David Selznick were wooing him, Laurence Olivier chose not to become a movie star “like dear Cary.” After playing Heathcliff in Wuthering Heights (1939), Darcy in Pride and Prejudice (1940), and Maxim Dewinter in Rebecca (1940), he appeared in Hollywood pictures sparingly and tried to avoid a fixed persona. He nevertheless became the symbol of what midcentury America thought of as a distinguished actor, and was the most successful English theatrical type in the movies. He wasn’t romantically flamboyant (Orson Welles was closer to that), he wasn’t a naturalist like the students of the Method, he wasn’t a Brechtian, and he wasn’t the sort of movie actor who plays variations on a single character. He belonged instead to a school of disciplined, tastefully romantic verisimilitude, and within that school was a master. He was also the best-known Shakespearian in films. Olivier often said that his favorite movie role was the working-class comedian Archie Rice in The Entertainer (1960), but his performances in the Shakespeare films that he directed are more representative of his skills and more significant in film history. Based on canonical texts with a long performance history, they foreground his stylistic choices 2 and make his influences relatively easy to identify. His version of Hamlet (1949), for example, seems to derive pretty equally from the English romantics, Sigmund Freud, and William Wyler. These sources are not so eclectic as they might appear. Romantic-realist ideas of narrative shaped nearly all feature films of the period; Wyler had been the director of Wuthering Heights and at one point was scheduled to direct Olivier’s production of Henry V; and Olivier’s conceptions of character and performance are similar to the ones that shaped Hollywood in the 1940s, when Freud was in vogue. -
Hamlet on the Screen Prof
Scholars International Journal of Linguistics and Literature Abbreviated Key Title: Sch Int J Linguist Lit ISSN 2616-8677 (Print) |ISSN 2617-3468 (Online) Scholars Middle East Publishers, Dubai, United Arab Emirates Journal homepage: https://saudijournals.com/sijll Review Article Hamlet on the Screen Prof. Essam Fattouh* English Department, Faculty of Arts, University of Alexandria (Egypt) DOI: 10.36348/sijll.2020.v03i04.001 | Received: 20.03.2020 | Accepted: 27.03.2020 | Published: 07.04.2020 *Corresponding author: Prof. Essam Fattouh Abstract The challenge of adapting William Shakespeare‟s Hamlet for the screen has preoccupied cinema from its earliest days. After a survey of the silent Hamlet productions, the paper critically examines Asta Nielsen‟s Hamlet: The Drama of Vengeance by noting how her main character is really a woman. My discussion of the modern productions of Shakespeare begins with a critical discussion of Lawrence Olivier‟s seminal production of 1948. The Russian Hamlet of 1964, directed by Grigori Kozintsev, is shown to combine a psychological interpretation of the hero without disregarding its socio-political context. The action-film genre deployed by Franco Zeffirelli in his 1990 adaptation of the play, through a moving performance by Mel Gibson, is analysed. Kenneth Branagh‟s ambitious and well-financed production of 1996 is shown to be somewhat marred by its excesses. Michael Almereyda‟s attempt to present Shakespeare‟s hero in a contemporary setting is shown to have powerful moments despite its flaws. The paper concludes that Shakespeare‟s masterpiece will continue to fascinate future generations of directors, actors and audiences. Keywords: Shakespeare – Hamlet – silent film – film adaptations – modern productions – Russian – Olivier – Branagh – contemporary setting. -
Shak Shakespeare Shakespeare
Friday 14, 6:00pm ROMEO Y JULIETA ’64 / Ramón F. Suárez (30’) Cuba, 1964 / Documentary. Black-and- White. Filming of fragments of Shakespeare’s Romeo and Juliet staged by the renowned Czechoslovak theatre director Otomar Kreycha. HAMLET / Laurence Olivier (135’) U.K., 1948 / Spanish subtitles / Laurence Olivier, Eileen Herlie, Basil Sydney, Felix Aylmer, Jean Simmons. Black-and-White. Magnificent adaptation of Shakespeare’s tragedy, directed by and starring Olivier. Saturday 15, 6:00pm OTHELLO / The Tragedy of Othello: The Moor of Venice / Orson Welles (92’) Italy-Morocco, 1951 / Spanish subtitles / Orson Welles, Michéal MacLiammóir, Suzanne Cloutier, Robert Coote, Michael Laurence, Joseph Cotten, Joan Fontaine. Black- and-White. Filmed in Morocco between the years 1949 and 1952. Sunday 16, 6:00pm ROMEO AND JULIET / Franco Zeffirelli (135’) Italy-U.K., 1968 / Spanish subtitles / Leonard Whiting, Olivia Hussey, Michael York, John McEnery, Pat Heywood, Robert Stephens. Thursday 20, 6:00pm MACBETH / The Tragedy of Macbeth / Roman Polanski (140’) U.K.-U.S., 1971 / Spanish subtitles / Jon Finch, Francesca Annis, Martin Shaw, Nicholas Selby, John Stride, Stephan Chase. Colour. This version of Shakespeare’s key play is co-scripted by Kenneth Tynan and director Polanski. Friday 21, 6:00pm KING LEAR / Korol Lir / Grigori Kozintsev (130’) USSR, 1970 / Spanish subtitles / Yuri Yarvet, Elsa Radzin, GalinaVolchek, Valentina Shendrikova. Black-and-White. Saturday 22, 6:00pm CHIMES AT MIDNIGHT / Orson Welles (115’) Spain-Switzerland, 1965 / in Spanish / Orson Welles, Keith Baxter, John Gielgud, Jeanne Moreau, Margaret 400 YEARS ON, Rutherford, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Fernando Rey. Black-and-White. Sunday 23, 6:00pm PROSPERO’S BOOKS / Peter Greenaway (129’) U.K.-Netherlands-France, 1991 / Spanish subtitles / John Gielgud, Michael Clark, Michel Blanc, Erland Josephson, Isabelle SHAKESPEARE Pasco. -
The NBA and the Single Entity Defense: a Better Case?
HARVARD JSEL VOLUME 1, NUMBER 1 – SPRING 2010 The NBA and the Single Entity Defense: A Better Case? Michael A. McCann* TABLE OF CONTENTS I. INTRODUCTION..........................................................................................................40 II. AN OVERVIEW OF THE NBA AND ITS OPERATIONS........................................41 A. The NBA and Its Associated Leagues........................................................................41 B. The NBA and Its Relationship with the NBPA.........................................................44 C. The Collaboration and Competition of the NBA .........................................................47 III. THE NBA AND ITS RELATIONSHIP TO FEDERAL ANTITRUST LAW...........52 A. The NBA as a Joint Venture.....................................................................................52 B. The NBA’s Aspirations for Single Entity Recognition: The Role of American Needle v. NFL...........................................................................................54 C. Does the NBA Have a Stronger Argument for Single Entity Recognition than the NFL? .............................................................................................................................57 IV. CONCLUSION ..............................................................................................................61 * Associate Professor of Law, Vermont Law School; Legal Analyst and SI.com Columnist, Sports Illustrated; Co-Founder, Project on Law and Mind Sciences at Harvard Law School; -
“Mighty” Mike Simmel Founder BOUNCE Camp Director, Speaker, Performer, Advocate
“Mighty” Mike Simmel Founder BOUNCE Camp Director, Speaker, Performer, Advocate As Featured On the 2019 Stigma Program of the Year “Considered by Many, The Most Successful ® Special Needs Basketball Program In the Country” Basketball Programs Camps, Events, and Programs in Over 24 States “ Limits Will Not Dene Me, My Will Denes My Limits ”. Mike Simmel Bounce Out the Stigma® is a 501(c)(3) New Jersey corporation founded in 2005 by former professional basketball player Mike Simmel and his father, Bill. A “grassroots” organization, it has become a nationally recognized and acclaimed youth basketball program with a central mission to inspire, educate and empower young people with special needs. The community it looks to serve is children and young adults who suer from neurological and functional disorders, such as Autism, Epilepsy, ADD, ADHD, Aspergers, and Downs Syndrome. Our Programs Work with Special Needs and Challenged Youth to Enjoy Basketball & Self-Empower The Bounce Out the Stigma Project, through its numerous basketball and speaking events, creates opportunities for those dealing with these disorders. At the same time, tolerance and awareness becomes a unique message for all others. The Program promotes healthy living and empowers its participants to shed labels that far too often are attached to them via the perception of others. “Your Will Denes Your Limits” is stressed at all events. At Bounce Out the Stigma, no child is ever made to feel dierent. With its specialized and unique basketball curriculum, every event is constructed to give those with developmental issues a chance to “simply be a kid without a label”. -
Captain Wozniak to Become New Police Chief in Cranford WF BOE
Ad Populos, Non Aditus, Pervenimus Published Every Thursday Since September 3, 1890 (908) 232-4407 USPS 680020 Thursday, February 13, 2014 OUR 124th YEAR – ISSUE NO. 07-2014 Periodical – Postage Paid at Rahway, N.J. www.goleader.com [email protected] SEVENTY FIVE CENTS WF BOE Hears Reports on Wrap-Around, Genesis System By DELL SIMEONE showed candid photos of the chil- Roosevelt Intermediate School As- Specially Written for The Westfield Leader dren enjoying activities designed sistant Principal Scott Lipson, an WESTFIELD – The Board of for learning and fun. She said the assistant principal at the Lincoln Education, on Tuesday evening, program will be able to take an School. David Duelks, the Edison heard an update on the pre-school additional 80 more children due to Intermediate School assistant prin- wrap around program, had a power classroom availability and that 30 cipal, lead the presentation. point presentation by the some of are on the waiting list. The Genesis Student Information the district’s assistant principals and Margaret Dolan, district superin- System allows parents to view their honored the Westfield High School tendent, said, “I think it’s wonder- child’s daily activity and assign- Girl’s Gymnastic Team, ful.” ments online, making it easy to as- That presentation was followed A power point presentation on sess the child’s progress. It also by Lincoln School Principal Arlene Genesis, a student information sys- gives the teachers an opportunity to Zavetz, who told the board that the tem, which includes a parental por- post grades, see the child’s sched- wrap around program for tal, was given by Mary Asfendis, ules and demands so they can better preschoolers that takes place at Lin- Westfield High School (WHS) As- assess the student’s strengths. -
Shakespeare, Madness, and Music
45 09_294_01_Front.qxd 6/18/09 10:03 AM Page i Shakespeare, Madness, and Music Scoring Insanity in Cinematic Adaptations Kendra Preston Leonard THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2009 46 09_294_01_Front.qxd 6/18/09 10:03 AM Page ii Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2009 by Kendra Preston Leonard All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Leonard, Kendra Preston. Shakespeare, madness, and music : scoring insanity in cinematic adaptations, 2009. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-6946-2 (pbk. : alk. paper) — ISBN 978-0-8108-6958-5 (ebook) 1. Shakespeare, William, 1564–1616—Film and video adaptations. 2. Mental illness in motion pictures. 3. Mental illness in literature. I. Title. ML80.S5.L43 2009 781.5'42—dc22 2009014208 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Ell 1E5 570 ' CS 20 5 4,96;
. MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P . -
LP Inventory
Allen Red Ride, Red, Ride RCA $ 5 Allen Red With Coleman Hawkins Smithsonian $ 5 Allen Red Live at the Roundtable Forum Records $ 5 Allen Steve With Gus Bivona - Music For Swingers Mercury $ 5 Allison Mose Ever Since The World Ended Blue Note $ 5 Alpert Herb Going Places A&M Records $ 5 Alpert Herb South of the Border A&M Records $ 5 Armstrong Louis Ambassador Satch Columbia Hi Fidelity $ 5 Armstrong Louis With the Dukes of Dixieland Audio Fidelity $ 5 Armstrong Louis Greatest Of Columbia Records $ 5 Armstrong Louis Hot Fives and Hot Sevens Columbia Masterpieces $ 5 Armstrong Louis Live Recording Polskie Records $ 5 Armstrong Louis Plays W.C. Handy Columbia $ 5 Armstrong Louis The Greatest of L. Armstrong Columbia $ 5 Armstrong Louis The Hot 5’s and Hot 7’s Columbia Masterpieces $ 5 Armstrong Louis Giants of Jazz Series Time-Life $ 10 Armstrong Louis Town Hall Concert RCA $ 5 Artin Tom Condon’s Hot Lunch Slide Records $ 5 Astaire Fred Starring Fred Astaire Columbia $ 5 Auld George Manhattan Coral Records $ 5 Ballou Monte Moving Willie’s Grave $ 5 Barefield Eddie Indestructible Eddie Barefield Famous Records $ 5 Barnet Charlie Best Of MCA $ 5 Basie Count Basie's Basement feat. Jimmy Rushing $ 5 Basie Count Basie's Best Columbia $ 5 Basie Count Best Of Decca $ 5 Basie Count Blues By Basie Columbia (set of four ’78 discs $ 10 Basie Count Good Morning Blues $ 5 Basie Count In Kansas City 1930-32 RCA $ 5 Basie Count The Count RCA Camden $ 5 Basie Count The Count’s Men $ 5 Basie Count & Duke Ellington Great Jazz 1940 Jazz Anthology $ 5 Basie