Keeping Oklahoma Blues Alive
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Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
At the Oklahoma History Center Oklahoma Century Chest Exhibit To
Vol. 44, No. 8 Published monthly by the Oklahoma Historical Society, serving since 1893 August 2013 “History through Music” at the Oklahoma History Center On Thursday, August 29, the Oklahoma History Center will host Dr. Harold Al- dridge and Dorothy Ellis, aka “Miss Blues,” for an educational and entertaining performance on the development of Blues music. This edition of the Oklahoma Historical Society’s “History through Music” program will examine the develop- ment and appreciation of the Blues music genre from its roots in nineteenth century slavery to its popularity in the twentieth century. Doors will open at 6 p.m. and the program will start at 7 p.m. Oklahoma Historical Society members can RSVP and receive free seats. Nonmembers interested in attending must pur- chase an OHS family membership at half price, $25, or any of our other membership levels at regular price, and then will be able to RSVP for up to two seats. Dr. Aldridge and Miss Blues will lecture and perform on the roots of different Blues styles. During the program scholars also will discuss how the unique settlement of the Sooner state mixed different cultures and music, creating its own distinctive sounds and musicians. During the presentation both musicians will explain the roles that secular and gospel music had in these communities. Born and raised in the all-black town of Taft, Oklahoma, Dr. Harold Aldridge learned to play the guitar from the town’s older musi- cians. He will perform and give the history of the differing styles of Blues, including how regional sounds emerged. -
Summer 2020 C.O.P.S. Honors Heroes Through Virtual Memory Board from the National President on the Cover
The Official Publication of Concerns of Police Survivors for Survivors, Agencies and Supporters H PESummer 2020 C.O.P.S. Honors Heroes through Virtual Memory Board From the National President On The Cover Dear Survivors, I would be remiss to ignore the topic that has been on all of our minds the past few months. COVID-19 put quite the damper on event plans for National Police Week and Hands-On Pro- grams. More so, several survivors have been affected by current events and far too many officers have lost their lives. We are in un- precedented times, especially in the history of For the first time in history, events of National C.O.P.S. Police Week were held virtually. C.O.P.S. paid tribute to fallen heroes and recognized their survivors through the Virtual Memory Board. As your National President, I was looking forward to meeting all of you in Washington, D.C. I had my speech ready for the Candlelight Vigil and C.O.P.S. National Office I had been training to cross the finish line with my brothers and sisters of Law Enforcement United. Virtual events that were held were incredible, Executive Director Dianne Bernhard but nothing is better than supporting each other in person. Those times Deputy Director Mike Lederle are coming soon! More information about what to expect at National Police Week 2021 will be announced in the next few months. Until then, Services Director Erin Barnett please plan on attending your Hands-On Program or a special event Development Director Lauren Crisman such as COPS Walk in Harpers Ferry (WV) on October 9-11. -
October 2013 “A Portrait of a President: an Evening with Lincoln”
Vol. 44, No. 10 Published monthly by the Oklahoma Historical Society, serving since 1893 October 2013 “A Portrait of a President: An Evening with Lincoln” Imagine Abraham Lincoln brought to life and reciting his eloquent speeches again. In commemoration of the Civil War, and specifically the 150th anniversary of the Battle of Honey Springs, Fritz Klein will portray Abraham Lincoln relating to the Civil War through President Lincoln’s eyes. The program on Tuesday, October 8, at 7 p.m. will explore how a president perseveres while trying to reassure a nation in the midst of Civil War. Klein has portrayed Abraham Lincoln from coast to coast, presenting educational programs for schools, civic organizations, and major living history programs for more than twenty years. He has performed at prestigious programs for the Abraham Lincoln Presidential Library, Mount Rushmore, the Pentagon, and the Oklahoma History Center. The Oklahoma Historical Society and the Friends of Honey Springs Battlefield will sponsor this performance about Lincoln’s presidency and the Civil War. This event was made possible by a grant from the Oklahoma Humanities Council and will be held at the Checotah Junior High School auditorium at 320 West Jefferson in Checotah. For more Fritz Klein as Lincoln information, contact Christopher Price at 918/473-5572. Home School Day Murrell Home The Oklahoma History Center will host the Fifth Annual Home School Day on Mon- Ghost Stories day, October 14, from 10 a.m. to 2 p.m. Home School Day at the History Center is designed to offer family learners the chance On Friday, October 25, at 6:30 p.m. -
The R&B Pioneers Series
The Great R&B Files (# 11 of 12) Updated March 1, 2019 The R&B Pioneers Series Compiled by Claus Röhnisch Special Supplement: Top 30 Favorites - featuring the Super Legends’ Ultimate CD compilations, their very first albums, * and ± .. plus their most classic singles. Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s THE Top Ten Vocal Groups of the Golden ‘50s Ten Sepia Super Stars of Rock ‘n’ Roll Transitions from Rhythm to Soul – Twelve Original Soul Icons The True R&B Pioneers – Twelve Hit-Makers of the Early Years Predecessors of the Soul Explosion in the 1960s Clyde McPhatter – The Original Soul Star The John Lee Hooker Session Discography The Clown Princes of Rock and Roll: The Coasters Those Hoodlum Friends – The Coasters Page 1 (94) THE R&B PIONEERS Series - Volume Eleven of twelve Compiled by Claus Röhnisch The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info (try the links her on the next page for youtube) Vol 1. Top Rhythm & Blues Records The Top R&B Hits from 30 classic years of Rhythm & Blues Vol 2. The John Lee Hooker Session Discography Complete discography, year-by-year recap, CD-Guide, and more John Lee Hooker – The World’s Greatest Blues Singer Vol 3. The Clown Princes of Rock and Roll Todd Baptista’s great Essay on The Coasters, completed with Singles Discography, Chart Hits, Session Discography, and much more Vol 4. -
Juke Joints, Rum Shops, and Honky-Tonks, the Politics Of
Draft of a chapter in a forthcoming anthology, please do not cite “Juke Joints, Rum Shops, and Honky-Tonks: Black Migrant Labor and Leisure in Caribbean Guatemala and Honduras, 1898–1922” Frederick Douglass Opie Babson College In 1922, Eugene Cunningham and his companion, both white travelers from the United States, entered a combination bar and grocery store in Zacapa on the Caribbean coast of Guatemala. The store was operated by a white American expatriate. An African American customer, also an expatriate, invited the travelers to have a drink with him. When they ignored this request, the man ordered the two white men to join him, after which a violent altercation ensued. In the course of his travels, Cunningham also heard of a white bar operator who warned a racist Irish American expatriate that if he continued to call blacks “nigger,” “his end would come suddenly from a knife between the ribs.”1 What do anecdotes like these—anecdotes in which white men of European ancestry are threatened by black Americans in Guatemala—tell us about the relationship between alcohol and culture, class, and race on the Caribbean Coast of Guatemala in the late nineteenth and early twentieth centuries? Black immigrants went to Guatemala in the hope of finding better economic opportunities than were available to them in their home Draft of a chapter in a forthcoming anthology, please do not cite region. The labor market in lowland Guatemala was good because Guatemalan nationals refused jobs in malaria-infested regions where railroad track was laid. Black immigrants were willing to go there and work long hours for higher wages. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM
GuitarPlayer: The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM | Sign-In | GO HOME NEWS ARTISTS LESSONS GEAR VIDEO COMMUNITY SUBSCRIBE The 50 Greatest Rhythm Guitarists Darrin Fox Tweet 1 Share Like 21 print ShareThis rss It’s pretty simple really: Whatever style of music you play— if your rhythm stinks, you stink. And deserving or not, guitarists have a reputation for having less-than-perfect time. But it’s not as if perfect meter makes you a perfect rhythm player. There’s something else. Something elusive. A swing, a feel, or a groove—you know it when you hear it, or feel it. Each player on this list has “it,” regardless of genre, and if there’s one lesson all of these players espouse it’s never take rhythm for granted. Ever. Deciding who made the list was not easy, however. In fact, at times it seemed downright impossible. What was eventually agreed upon was Hey Jazz Guy, October that the players included had to have a visceral impact on the music via 2011 their rhythm chops. Good riffs alone weren’t enough. An artist’s influence The Bluesy Beauty of Bent was also factored in, as many players on this list single-handedly Unisons changed the course of music with their guitar and a groove. As this list David Grissom’s Badass proves, rhythm guitar encompasses a multitude of musical disciplines. Bends There isn’t one “right” way to play rhythm, but there is one truism: If it feels good, it is good. The Fabulous Fretwork of Jon Herington David Grissom’s Awesome Open Strings Chuck Berry I don"t believe it A little trick for guitar chords on mandolin MERRY, MERRY Steve Howe is having a Chuck Berry changed the rhythmic landscape of popular music forever. -
PRESS RELEASE (918) 855-0978 Rentiesville Dusk Til Dawn Blues Festival - 27Th Annual! Oklahoma Blues Hall of Fame F.O
PRESS RELEASE (918) 855-0978 Rentiesville Dusk til Dawn Blues Festival - 27th Annual! Oklahoma Blues Hall of Fame F.O. R. Blues Inc. www.dcminnerblues.co/about [email protected] September 1, 2, 3 Fri Sat Sun of Labor Day Weekend; 5 pm til 5 am, tickets $15 at the gate under 12 free Saturday night last year broke right out into a party! Great attendance, good vibes! Down Home Blues Oklahoma Style 200 musicians; 30 bands on 3 stages; a showcase of regional OK blues and 4 international headliners; kids free Mark your calendar for Labor Day Weekend and come to the longest running big blues fest in Oklahoma. RENTIESVILLE is…: 15 miles S of Muskogee, 125 miles E of OKC, 4 Hours N of Dallas or less & 1 hour SE of Tulsa www.dcminnerblues.com [email protected] Info (918)855-0978 HEADLINERS INCLUDE: INDIGENOUS – Mato back in Rentiesville after some 20 years...he has grown into one of the most respected singer guitarists on the road, touring regularly with Buddy Guy and the Jimi Hendrix Experience – thanks to the Checotah and the Eufaula Creek Nation Casinos LIL' ED and the Blues Imperials – band of the year Award from Memphis Blues Foundation – same players for 20 years – a powerhouse of FUN! NORMAN JACKSON BAND– placed third in the I B Challenge, over close to 2000 bands! JOHNNY RAWLS keeping the Mississippi Blues alive and on the road non stop for years. AKEEM KEMP from Arkansas – placed I the IBC Youth Challenge in Memphis SELBY Minner and Blues on the Move – OK Slim, Homer Johnson, Cecil Gray, Electric Steve BONNIE McCoy niece of the -
Discover Black Rock CT
Discover Black Rock, CT Waterfront Living In Fairfield County Community With Spirit Restaurants & Nightlife The Black Rock REALTY GROUP +1.203.258.8733 1583 Post Road, Fairfield, CT www.thebrrg.comthebrrg.com A Waterfront Lifestyle With its nautical heritage and serene waterfront location, Black Rock offers many opportunities to relax in Fairfield County. Sailors can set off for a day on Long Island Sound from one of the yacht clubs and marinas. Those preferring to stay on dry land can take a leisurely stroll around St. Mary’s, or enjoy the sun at Seabright Beach. Captain’s Cove Seaport attracts visitors from all over Connecticut and Long Island with its restaurant, bar, and the shops along the boardwalk. PARKS YACHT CLUBS & MARINAS St. Mary’s-by-the-sea Black Rock Yacht Club Captain’s Cove Seaport Eames Boulevard 80 Grovers Ave 1 Bostwick Ave Bridgeport, CT 06605 Bridgeport, CT 06605 Bridgeport, CT 06605 203.335.0587 203.335.1433 Seabright Beach blackrockyc.com captainscoveseaport.com Seabright Avenue Bridgeport, CT 06605 Fayerweather Yacht Club Cedar Marina 51 Brewster St 86 Bostwick Avenue Ellsworth Field Bridgeport, CT 06605 Bridgeport, CT 06605 Ellsworth Street 203.576.6796 203.335.6262 Bridgeport, CT 06605 fycct.org cedarmarina.com thebrrg.com A Vibrant Nightlife Whether you are looking for live music or just a casual bar for a drink, Black Rock has it all. The vibrant nightlife along Fairfield Avenue attracts visitors from throughout Fairfield County and Southwestern Connecticut. Grab a pint in the inviting ambiance of Brennan’s Shebeen, or enjoy a cocktail by the water at Captain’s Cove. -
An Ethnographic Study of a Contemporary Louisiana
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2009 A sense of community and community change: an ethnographic study of a contemporary Louisiana juke joint as it compares to historical literature on the subject Kristopher Ian Debnam Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Debnam, Kristopher Ian, "A sense of community and community change: an ethnographic study of a contemporary Louisiana juke joint as it compares to historical literature on the subject" (2009). LSU Master's Theses. 1299. https://digitalcommons.lsu.edu/gradschool_theses/1299 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A SENSE OF COMMUNITY AND COMMUNITY CHANGE: AN ETHNOGRAPHIC STUDY OF A CONTEMPORARY LOUISIANA JUKE JOINT AS IT COMPARES TO HISTORICAL LITERATURE ON THE SUBJECT A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Geography and Anthropology by Kristopher Ian Debnam B.A., Louisiana Tech University, 2007 May, 2009 ACKNOWLEDGEMENTS I would first of all like to acknowledge the people of Waterproof, Louisiana, especially Henry and Annie Mae McKeal, who were overly helpful and accommodating to me during my time spent there. -
GET 54072 MACEO PARKER Us LP
MACEO PARKER US SIDE A 1. Soul Power ‘74 2. Parrty 3. Show And Tell 4. Drowning In The Sea Of Love SIDE B 1. I Can Play For (Just You & Me) 2. Doing It To Death 3. The Soul Of A Black Man BUNDLED WITH A 22”x 22” POSTER OF THE COVER ART Maceo Parker was one of the most revered and loved members of James Brown’s famed J.B.’s band from the late ‘60s to the mid-1970s. Alongside his instantly-recognizable alto saxophone solos, he occasionally performed as comedian before James Brown shows, in addition to playing MC. He was a true renaissance man. And while other members of The Godfather of Soul’s inner circle – most notably trombonist Fred Wesley – had solo albums at the advent of Brown’s People Records, Maceo had to wait his turn for a couple years. By the time 1974 rolled around, this talented musician and personality could not be denied, and he burst onto the scene as a group leader with one of the most impressive albums in the People catalog: the simply titled, but deeply felt, Us. Maceo’s group (occasionally called The Macks) and Fred Wesley’s J.B.’s were essentially the same unit – including guitarists Jimmy Nolen and Hearlon “Cheese” Martin, drummer John “Jabo” Starks, saxophonist St. Clair Pinckney and of course Fred Wesley on trombone. Unsurprisingly, the material here is never-endingly funky. But as shown in the song selection (presumably by Parker, with heavy-handy assistance from the Godfather himself), there are as many ballads and soul groovers as there are straight-up funk workouts.