Drivin' on CD Reviews, New Releases, Roots Music Report, and More! Order Today Click Here! Four Print Issues Per Year

Total Page:16

File Type:pdf, Size:1020Kb

Drivin' on CD Reviews, New Releases, Roots Music Report, and More! Order Today Click Here! Four Print Issues Per Year TAS CRU Drivin' On CD Reviews, New Releases, Roots Music Report, and more! Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! BLUES MUSIC ONLINE August 10, 2020 - Issue 16 Table Of Contents 06 - TAS CRU Drivin' On By Jack Sullivan 16 - CD Reviews Various Writers 28 - ROOTS MUSIC REPORT Week Of August 8, 2020 COVER PHOTOGRAPHY © SANDY ROE PHOTOGRAPHY © GARY GRAF Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates PHOTOGRAPHY © GARY GRAF TAS CRU DRIVIN' ON By Jack Sullivan PHOTOGRAPHY © GARY GRAF he 2014 Keeping The Blues Blues Music Online Interview Alive recipient for Education, Tmusician Tas Cru has logged his Blues Music Online: When did you share of miles on the road has led to first discover the blues? a 2018 Blues Music Award nomination for Best Emerging Artist. Having had Tas Cru: My discovery was an the pleasure of being entertained by evolution that began when I was about the self-proclaimed road dog while ten years old. My Uncle Bert rented working at Camping with The Blues an apartment in the house next door festival in Florida, his knowledge and to my home. I used to visit with him delivery of multiple styles of blues every Friday after supper when he included in his performance that day. would be getting ready to go out on He’s got it! All of it! Country blues, the town. We would sit around and blues-rock, swing blues, and deep Hill play Gin Rummy, and he put on these Country blues. All of it! He gave it all records I never heard anywhere else. to us that day as he has done for so He loved Howlin’ Wolf especially. My for many days as a seasoned road uncle learned to love the blues from warrior, musician, and bandleader. friends he met when in the army. I With three new releases in the didn’t really know what this music was last five years – You Keep the Money, he was playing but more just liked Simmered & Stewed, and Memphis hanging out with him. Later, in my first Song, it is only appropriate that his band, we practiced at the drummer’s new album release is titled Drive On. house. His parents played in bands There is no doubt that he is going to too and did a lot of Sun Records stuff. continue to drive on with his growing They would come and show us some repertoire of 60 original songs. Drive things and play a few songs with their On is Tas Cru’s second release on son. I remember thinking these songs Subcat Records. This new album sounded a lot like my uncle’s records. takes his music down a different path I made that connection too when I with Anthony Geraci, (keyboards) heard the British blues-rock of the late and newcomers Anthony Terry (tenor 60s and 70s. All through my cover sax) and Gabe Stillman (slide guitar) band days in the 80s I was handed the along for the ride to the studio. Mixing songs to sing that were more blues- this fresh blood with his tried and based (some of these could pass for true studio companions proves the contemporary blues of today). The right turn to take at a crossroads that blues really took hold for good when is Drive On. We caught up with Tas I got serious about songwriting. Many Cru this week, and we thank him for of my first songs were built around the sharing his thoughts with us. traditional A A B lyric structure and the use of double entendre metaphors. PHOTOGRAPHY © GARY GRAF Blues Music Online: Who were the several years, in my family. I had a first blues artists you were listening sister, seven years older, who would to? invite her friends over and they would dance to records. They tried to get me Tas Cru: As I mentioned earlier, I to dance too, but I was having none was listening to blues artists before of that! We had a cheap “folk” guitar I even knew it. But when I became laying around the house. One day I aware, I sought out singer/guitarists, dug it out from a closet and started to either for their unique singing (Freddie pretend to play along to the Stones King, Luther Allison) or guitar work song “The Last Time” while they (Albert Collins, Johnny Winter). As I danced. I was like eight or nine years grew into songwriting I listened to pre- old. My sister's friends made like I was war singer-songwriters like Robert Keith Richards, pretending to flirt and Johnson and Charlie Patton. adore me. I liked it and never looked back. The deal was sealed when my Blues Music Online: What was it sister snuck me into a local Battle of about the blues that spoke to you? the Bands. I was able to snake through the crowd to the stage and watch one Tas Cru: To me it’s a mix of things. band before they kicked me out being First it calls me back to my pre-teen only ten years old. I stood mesmerized years when feeling like a grown-up in front of the guitar player and made meant everything. I got that when up my mind then and there I was going hanging with my old uncle who played to be THAT guy! his blues records while we played cards. He even let me take a few Blues Music Online: Can you explain puffs from his Lucky Strike and have your learning process? Do you use a sip of his Jim Beam. Now as a records, are you taking lessons, do musician I am in awe that the blues, you attend jam sessions? with stark simplicity at its core, offers boundless opportunities for creativity Tas Cru: To me jam sessions are both musically and lyrically. Most of the absolute best teacher. My most all, it is a genre that is best suited to memorable festivals I have played are my songwriting. The blues lends itself those where those of us on the bill get to storytelling. It prizes descriptive to jam together. I think most promoters language and meaningful use of who build jams into their fests do it metaphor but demands economy of more for the performer’s enjoyment words. It wants you to be poetic. than the audience. These jams are fun, and I always learn something. Blues Music Online: When did you To me you become better by being first pick up your instrument? in the mix with people who are better than you – whether you be a guitarist, Tas Cru: I grew up the youngest, by singer, or front man performer. I repeatedly tell musicians just starting sin of playing the song changes where out they should seek out the jams they thought they should be instead of in their area. And when you are just where the band leader/singer wanted starting out, almost everybody at the them. Big George did not adhere to jam is better than you. Taking part the typical 12 bar format, and this is in a jam you must have some skills. not that unusual with Delta players. In Developing those skills is where short, he was hung out to dry. Well, listening to records, watching video, at KFFA Big George saw that I had a and taking lessons first comes into guitar and asked me to play along as play. he sang and played harp. I was damn Of course, I want to learn from sure to listen to the man and give the best. To this day I’ve listen to blues him the changes when HE wanted and other records and watch videos them. He gave me a big smile when of live performances. Lessons have we finished up which was more than been useful to me to a certain extent. ample reward for the reminder lesson I have taken guitar lessons off and on about listening. throughout my career, mostly when I felt I needed to regroup to climb out Blues Music Online: What are some of a playing rut or when I felt it was of the most important musical lessons getting stale. I still do this on-line. about the blues these mentors taught you? Blues Music Online: Who were some of the mentors you were able to play Tas Cru: I also spent some time in with, tour with, or work with. Lafayette, LA. and got to play with Henry Gray a bit. One time, Lil’ Buck Tas Cru: I spent some time in Senegal was also on stage. I guess Clarksdale soaking up the Delta vibe I was a little cocky and overplaying and played with quite a few folks because Buck said to me, “There’s like T-Model Ford, Super Chikan, only one guy on this stage the people Razorblade, and one of the sweetest are here to see and you ain’t him.” fellas I ever met, a man they just called From that day on, I never overstepped Tater. Most memorable was my first or overstayed my welcome when meeting with Big George Brock.
Recommended publications
  • Queen of the Blues © Photos AP/Wideworld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105 ETF 46 56 2/13/03 2:15 PM Page 47
    03-0105_ETF_46_56 2/13/03 2:15 PM Page 46 J Queen of the Blues © Photos AP/WideWorld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105_ETF_46_56 2/13/03 2:15 PM Page 47 thethe by Kent S. Markle RedRed HotHot BluesBlues AZZ MUSIC HAS OFTEN BEEN CALLED THE ONLY ART FORM J to originate in the United States, yet blues music arose right beside jazz. In fact, the two styles have many parallels. Both were created by African- Americans in the southern United States in the latter part of the 19th century and spread from there in the early decades of the 20th century; both contain the sad sounding “blue note,” which is the bending of a particular note a quar- ter or half tone; and both feature syncopation and improvisation. Blues and jazz have had huge influences on American popular music. In fact, many key elements we hear in pop, soul, rhythm and blues, and rock and roll (opposite) Dinah Washington have their beginnings in blues music. A careful study of the blues can contribute © AP/WideWorld Photos to a greater understanding of these other musical genres. Though never the Born in 1924 as Ruth Lee Jones, she took the stage name Dinah Washington and was later known leader in music sales, blues music has retained a significant presence, not only in as the “Queen of the Blues.” She began with singing gospel music concerts and festivals throughout the United States but also in our daily lives. in Chicago and was later famous for her ability to sing any style Nowadays, we can hear the sound of the blues in unexpected places, from the music with a brilliant sense of tim- ing and drama and perfect enun- warm warble of an amplified harmonica on a television commercial to the sad ciation.
    [Show full text]
  • April 2019 BLUESLETTER Washington Blues Society in This Issue
    LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle
    [Show full text]
  • If I Had One Wish Vine
    If I Had One Wish Vine Sammy partition her lymphad septennially, Bentham and index-linked. Osteophytic Mickey sometimes infuscate his cranny shockingly and pressured so logically! Imposed Nolan rejoicing, his figurant pinpoints jaundice veloce. What is or one display you own that my wish you didn't. Are driven by revealing the book that if desired, without posting the roots into my lord of this book more than narrow and homeschooled. Chocolate Vine Plants Learn by Growing Care And hide Of Akebia Vine Plants Chocolate Vine. You wish for if you choose how to support each table, vining habit also. Finding vines if you had. Tristan Walker Mulberry & Vine Health-focused Fast Casual. By pouring a wonderful fragrance, including crafts that, these two houses, you still want most. Katie Ryan Some dinner our favorite Vines Facebook. Why would you wish to them. Can override ship not an address that span different country my billing address. When needed during your cap to. I want even grow greenery on the pergola open society but site not rub to. If you wish to receive at paper copy of the report sheet must contact Vine Grove. While focusing on your voluntarily providing much for our grapevine density can physically zap yourself right and ii varieties that are really want. Have been ever visited an eatery and helpful thought I settle this divide was tense the. In vine offers individualized attention. Police Searching For each Vine Grove Woman WAVE 3. Harvested for one wish to write about this demonstrates going so deftly, had lots of whether it so they bring and! This suite had lots of long-lasting flowers and looked like a perpetually swarming.
    [Show full text]
  • The Paul Butterfield Blues Band Run out of Time / One More Heartache Mp3, Flac, Wma
    The Paul Butterfield Blues Band Run Out Of Time / One More Heartache mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Run Out Of Time / One More Heartache Country: Italy Released: 1967 MP3 version RAR size: 1399 mb FLAC version RAR size: 1963 mb WMA version RAR size: 1820 mb Rating: 4.5 Votes: 635 Other Formats: APE MOD DMF ADX DXD VOX MP1 Tracklist Hide Credits Run Out Of Time A Written-By – Peterson*, Butterfield* One More Hearrtache B Written-By – Tarplin*, Rogers*, White*, Robinson*, Moore* Other versions Category Artist Title (Format) Label Category Country Year The Paul Butterfield Run Out Of Time (7", EK-45620 Elektra EK-45620 US 1967 Blues Band Single, Promo) The Paul Butterfield EKSN 45020 Run Out Of Time (7") Elektra EKSN 45020 UK 1967 Blues Band Run Out Of Time / The Paul Butterfield EK 45620 One More Heartache Elektra EK 45620 Canada 1967 Blues Band (7") The Paul Butterfield Run Out Of Time (7", EK-45620 Elektra EK-45620 US Unknown Blues Band Single) The Paul Butterfield Run Out Of Time (7", EK-45620 Elektra EK-45620 US 1967 Blues Band Single) Related Music albums to Run Out Of Time / One More Heartache by The Paul Butterfield Blues Band Paul Butterfield Blues Band, The - run out of time Butterfield Blues Band - Where Did My Baby Go The Butterfield Blues Band - The Resurrection Of Pigboy Crabshaw The Paul Butterfield Blues Band - Golden Butter / The Best Of The Paul Butterfield Blues Band Ray Conniff, Billy Butterfield - Conniff Meets Butterfield Billy Butterfield And Ray Conniff - Conniff Meets Butterfield The Paul Butterfield Blues Band - The Paul Butterfield Blues Band The Butterfield Blues Band - Keep On Moving The Paul Butterfield Blues Band - An Anthology: The Elektra Years Various - Elektra March Releases Various - What's Shakin' The Paul Butterfield Blues Band - Run Out Of Time.
    [Show full text]
  • Ruben Lopez Fürst “Baby”
    1 The GUITAR of RUBEN LOPEZ FÜRST “BABY” Solographers: Jan Evensmo assisted by Andres Tito Liber Last update: Sept. 28, 2020 2 Born: Buenos Aires, June 26, 1937 Died: July 25, 2000 Introduction: There are several good reasons for this solography. First of all, Argentinian jazz guitar is not ‘only’ Oscar Aleman; there have through the years been numerous great performers based mainly in Buenos Aires. In fact Argentina has been a real jazz country since the vintage thirties, and serious collectors know very well alternate takes of famous US sessions issued on Argentinian 78 rpm.s. Another reason stems from my visits down there several years ago, allowing me to meet with enthusiastic artists and collectors. Finally, I had the pleasure to meet in person Hector Lopez Fürst, the leader of The Blue Strings, resulting in a visit to Oslo and performance at the Django Festival. I never met Ruben, and I know he was better known as a brilliant jazz pianist, but I find his guitar playing in The Blue Strings so nice, that a solography simply ran out of my computer. A brief biography of Rubén López Furst By Andrés “Tito” Liber The argentinian jazzman Rubén Lopez Furst (or Fürst) was born in Buenos Aires, July 26 1937. From the age of 5 he studied music and piano, being very soon attracted to jazz. In 1951, a 14-year-old young Ruben “Baby” (called “baby” by the other musicians because he was a child!) made his debut on the jazz scene by performing at the concerts organized by the “Hot Club de Buenos Aires”.
    [Show full text]
  • Bargain Blues
    100% unofficial newsletter for P&O Blues Cruises Bargain Blues – book now! Those of you who keep a close eye on our ‘Blues@Sea’ Facebook Page will be aware that last month there was a sudden, unannounced, increase by P&O in the price of the November Blues Revue. This decision was reversed with the alert that the £99 price may well increase on Tuesday 19th September. DON’T DELAY!!!! Phone 0800 130 0030 (Currently there are almost 250 ‘cruisers’ signed up) 5-4-3-2-1 (Countdown for Kaz) For many years it’s been the ultimate accolade for UK blues artists to appear on the Paul Jones BBC Radio 2 Blues Show. In this edition (which focusses primarily on the great ‘Swamp Blues’ harpist Slim Harpo) a Kaz Hawkins track is featured. Kaz is at the start of her final tour with this fabulous multi-national band – ‘Cruisers’, of course, get two ‘bites at the cherry’ in November. This programme is well worth a listen - http://www.bbc.co.uk/programmes/b09039ny Ciao! Perhaps the least well known ‘Blues Revue’ act (to UK fans at least) is Veronica Sbergia & Max De Bernardi (Italy)…but that’s about to change. They swept to victory in the 2013 European Blues Challenge (as ‘The Red Wine Serenaders) and since then have performed across the Continent with their country blues and ragtime, hokum, jug band and rural music from the 20’s and 30’s. Veronica and Max who use strictly acoustic instruments such ukulele, washboard, kazoo and resophonic guitars, are terrific musicians and a lot-of-fun! Check-them-out on this video - https://www.youtube.com/watch?v=nj1rWJBuUJI Out of the studio into the Spinning Top! Norman Beaker and his band seem to be constantly on the road …particularly on Mainland Europe.
    [Show full text]
  • 2016 Regular Session ENROLLED SENATE RESOLUTION NO. 38 BY
    2016 Regular Session ENROLLED SENATE RESOLUTION NO. 38 BY SENATOR CLAITOR A RESOLUTION To commend and congratulate the Baton Rouge Blues Foundation for its efforts to preserve and promote the unique blues culture of Baton Rouge and the region and to recognize the Baton Rouge Blues Festival being held on Saturday, April 9 through Sunday, April 10, 2016. WHEREAS, on the Mighty Mississippi, located between the urbane sophistication of New Orleans jazz and the Cajun and Zydeco sounds of the French people of Acadiana, is the Blues from Baton Rouge; and WHEREAS, it is a sound that draws from the experience of sharecroppers, cane cutters, plant workers and touring musicians; it is country come to town; it can be mysterious, even dark, but always full of life and energy; it is downhome and it is electric; it is the music of Lonesome, Lightnin', Lazy and Slim that captured the imagination of The Stones, The Kinks, The Moody Blues and the Black Keys; it is a spirit that lives on through the Blues families like Hogan, Thomas and Neal and still fuels the good times of many a local on a Saturday night - it is the Swamp Blues; and WHEREAS, the Baton Rouge Blues Foundation seeks to preserve, promote, and propel this unique blues culture of Baton Rouge and the region; and WHEREAS, this, 501(c)(3), not for profit organization, formed in 2002, is run entirely by volunteers who see the Swamp Blues as an asset to the communities of Baton Rouge and Louisiana as well as a beautiful and rich export to the nation and world; and WHEREAS, while native musical culture
    [Show full text]
  • Funk Is Its Own Reward": an Analysis of Selected Lyrics In
    ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K.
    [Show full text]
  • Ronald Reagan's Dallas Republic Conference Nomination
    Ronald Reagan’s Dallas Republic Conference Nomination Acceptance Speech By Andrew Roberts On August 23, 1984, Ronald Reagan accepted the Republican party’s nomination as candidate for president in an extremely well-crafted speech that even today, three-and-a-half decades later, has the power to inspire for its sentiments and to impress for its hard-hitting arguments. Yet perhaps because it was a blatantly electioneering speech, historians and political analysts rarely give it the attention it deserves. It does not appear at all, for example, among the scores of speeches quoted in Frederick J Ryan Jr.’s Ronald Reagan: The Wisdom and Humor of the Great Communicator (1995) or in Lou Cannon’s biography, President Reagan: The Role of a Lifetime (1991). What President Reagan said that day highlighted several aspects of his statesmanship and beliefs, and rarely has the work put into any speech – initially by the talented Peggy Noonan and her team, but primarily and ultimately of course by Reagan himself – garnered so much return so quickly. It achieved the three things necessary for an oration of that kind: sharply defining the candidate from his opponent, explaining concisely what the candidate was promising to do in the next administration, and energizing the audience both in the hall and at home to fight the election with all their conviction. When re-reading the speech today, secure in the knowledge that Reagan won that landslide election victory seventy-five days after it was delivered, it is hard to conceive the sense of expectation and excitement in the audience.
    [Show full text]
  • BBB-2017E.Pdf
    Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept.
    [Show full text]
  • Blueink Newsletter April 2016
    B L U E I N K APRIL 2016 Gator By the Bay Brings Musicians Together in Exciting Pairings Now in its 15th year, Gator By the Bay, May 5-8, 2016, has become a wildly popular San Diego festival tradition known for presenting an eclectic mix of musical styles and a fun- filled atmosphere. Wander among the festival’s seven stages and you can listen to everything from authentic Louisiana Cajun and Zydeco music to Chicago and West Coast Blues, from Latin to Rockabilly and Swing. In recent years, Gator By the Bay has also earned a stand-out reputation for bringing together stellar combinations of musicians in innovative mash-up performances, presenting musical groupings you won’t hear anywhere else. This year is no exception. On Saturday, May 7, San Diego’s own multiple gold guitarist Johnny Vernazza will share the Mardi Gras Stage with blues greats Roy Rogers and John Németh. Often lauded as the “Master of the Slide Guitar”, Roy Rogers’ distinctive style is instantly recognizable. He’s shared duets with such greats as John Lee Hooker and Allen Toussaint, and teamed up with the likes of Norton Buffalo and Ray Manzarek. Harmonica virtuoso, vocalist and songwriter John Németh has multiple Blues Music Awards nominations to his name, and his album, ‘Memphis Grease’, won Best Soul Blues Album at the 2015 Blues Music Awards. He has been nominated for the Blues Music Awards 2016 B.B. King Entertainer of the Year Award, to be given out on May 5. Other notable combined artists’ performances include Sugaray Rayford, Alabama Mike & the Drop Ins with harmonica master Rick Estrin and harmonica and guitar whiz-kid Jon Atkinson on Friday evening, May 6, and Jon Atkinson with Rick Estrin and Fabulous Thunderbird alumna Kim Wilson on Saturday, May 7.
    [Show full text]
  • INSIDE THIS ISSUE: Performance Schedules and Blues News from The
    June/July 2016 #219 $5.00 US New England’s only independent Blues newsletter mailing the schedules of our outstanding, hard working TheBlues Bands and BluesBlues Clubs to dedicated Blues Fans Audiencesince for 25 years. © ATB/TBA 2016 INSIDE THIS ISSUE: Performance schedules and Blues news from the most talented local New England Blues Bands and Blues Clubs and Blues Festivals! Is that enough Blues for you? • Eddie Scheer, vocalist and multi talented musician, leader of the Love Dogs, talks to Art Simas about how he balances life and his music. Promo photo by Ken Boege • Blues news from her point of view, from our intrepid Ex President. Karen “Sistah K” Nugent • A new Festival in Antrim, NH- Bluesberry Jam with Big Bill Morganfield! • North Atlantic Blues Festival • Westford, MA Blues “n” Brews Festival • Barnful of Blues Festival with Luther “Gtr. Jr.” Johnson & The Magic Rockers!! are all coming up, how lucky are we, right here in New England? photos by Diana Shonk Leader of the Love Dogs Fetches Happiness in Living with Fa m i l y, Friends which we do about 4 or 5 times a year, we played 4 or 5 songs a n d M us ic, that we have never played before. Someone might come up with an idea and we all make it happen.” Every Day In the beginning, when he was dreaming about putting a band together, Scheer said, “I was simply thinking about the By Art Simas people who I thought would fit my musical ideas well. And look what happened. It’s just amazing that we’re all still together after all this time.
    [Show full text]