If I Ever Get out of Here Excerpt
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Hair Clipper (Mains) Instructions Hair Clipper (Mains)
Hair Clipper (mains) Instructions Hair clipper (mains) 2 Hair clipper (mains) Please read all instructions carefully to familiarise yourself with your new Wahl Clipper before using. Save these instructions for further reference. For any further assistance or information call Customer Services on T: 01227 740066 or visit W: www.wahl.co.uk E: [email protected] CONTENTS GENERAL USER INFORMATION Page 4 IMPORTANT SAFEGUARDS Page 5 OPERATING INSTRUCTIONS Page 8 HOW TO USE Page 8 CLEANING & MAINTENANCE Page 14 OILING BLADES Page 15 TROUBLE SHOOTING Page 16 WIRING INSTRUCTIONS Page 16 DISPOSAL Page 17 GUARANTEE Page 18 3 Hair clipper (mains) GENERAL USER INFORMATION Information about using the operation manual ► Before using the appliance for the first time, you must read and understand the operation manual completely. ► Consider the operation manual as part of the product and store it in a safe and accessible place. ► Include this operation manual if passing the appliance on to a third party. ► In the case of conflicts with national safety specifications or instructions, the national requirements must be followed. Explanation of symbols and notes DANGER Danger of electric shock which may result in serious physical injury or death. DANGER Danger of explosion which may result in serious physical injury or death. WARNING Warning of possible physical injury or a health risk. CAUTION Information about danger of material damage. Note with useful information and tips. Action to be taken by owner. 1. Carry out these actions in the sequence described. · List 4 Hair clipper (mains) Please retain this leaflet for future reference. READ ALL INSTRUCTIONS BEFORE USING. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Band on the Run
Name: Class: Band On The Run Treble Clef Brass www.bymt.co.uk/bandontherun Username bymt Password bymt1234 1st 5 notes fingering 0 1 1 1 0 3 2 The Trumpet, Cornet, Baritone and Euphonium are transposing instruments, so here are the equivalent pitches on a piano. E.g. a C on a trumpet sounds like a Bb on a piano. Trumpet or Cornet Piano Baritone or Euphonium Piano Hot Cross Buns C D E 0 1 1 3 2 Hot cross buns! Hot cross buns! One a penny, two a penny. Hot cross buns! This is a repeat sign, which means you go back to the beginning and play the piece twice. 3 Tone Shuffle C D E Low to high, High to low, Notes can choose which way to go! Au Clair de la Lune “By the light of the moon” C D E Remember to go online and visit the BYMT “Band on the Run” website. Practice along with the backing tracks and you can perform your pieces to your friends and family! Au Clair de la Lune Minor New Note! D E F (First space) 1 What is the mood of this piece? Happy or Sad? Fun or Spooky? Hot and cold air exercise 1. Hold your hand a few inches from your mouth. 2. Now blow a steady stream of air. 3. Notice how the air feels on your hand. Q. Is it warm air or cool air? Q. Can you make your hand feel cooler? Q. Can you make your hand feel warmer? Now try these exercises: Hot air exercise 1. -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
Band on the Run - Paul Mccartney & Wings ------Tabbed By: Spiketheferret Tuning: Standard
Sans titre Band On The Run - Paul McCartney & Wings ------------------------------------------------------------------------------- Tabbed by: SpiketheFerret Tuning: Standard This is how I play the song, sounds amazing on acoustic and pretty slick on a lightly over-driven electric as well. e|--10/12\10--5/7\5--2--5h7p5h7p5h7p5h7p5h7p5h7p5h7------------3h5p3h5p3h5p3h5p3h5p3h5p3h5--| B|--10/12\10--5/7\5--2--7----------------------------7/8p7--5--3----------------------------| G|-------------------2--6---------------------------------7-4--4----------------------------| D|----------------------------------------------------------4--4----------------------------| A|----------------------------------------------------------0-------------------------------| E|----------------------------------------------------------3-------------------------------| e|--10/12\10--5/7\5--2--5h7p5h7p5h7p5h7p5h7p5h7p5h7------------3h5p3h5p3h5p3h5p3h5p3h5p3h5--| B|--10/12\10--5/7\5--2--7----------------------------7/8p7--5--3----------------------------| G|-------------------2--6---------------------------------7-4--4----------------------------| D|----------------------------------------------------------4--4----------------------------| A|----------------------------------------------------------0-------------------------------| E|----------------------------------------------------------3-------------------------------| e|--0-0\0-0\0---3----0-0\0-0\0-0--3--2h3p2-------------| B|--8-7\5-5\3--3-----8-7\5-5\3-3-3---2-----------------| G|--7-6\4-4\2--3-----7-6\4-4\2-2-3---2-----------------| -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
Download Booklet
1 In My Liverpool Home 5.18 9 The Gateway to the Atlantic 5.09 17 Danny Boy 2.57 Words and music: The Spinners Words: Roger McGough Words: Frederic Weatherly arr. Carmel Smickersgill Music: Richard Miller Music: Traditional ‘Londonderry Air’ arr. Stephen Hough 2 Amazing Grace 3.01 10 Liverpool Lullaby 7.04 Words: John Newton Words: Stan Kelly-Bootle 18 The Last Rose of Summer 3.57 Music: Anon. (1829) ‘New Britain’ arr. Bethan Morgan-Williams Words: Thomas Moore arr. Armand Rabot Music: Traditional ‘Aislean an Oigfear’ or 11 Johnny Todd 1.51 ‘The Young Man’s Dream’ arr. Benjamin Britten 3 My Native Land 1.27 Words and music: Traditional [Roud 1102] Words: Traditional arr. Armand Rabot 19 The Leaving of Liverpool 4.44 Music: Charles Ives Words and music: Traditional [Roud 9435] 12 What Will They Tell Me Tonight? 4.17 arr. Richard Miller 4 Homeward Bound 4.28 From the opera Pleasure Words and music: Traditional [Roud 927] Words: Melanie Challenger 20 All Our Different Voices 4.25 arr. Marco Galvani Music: Mark Simpson Words: Mandy Ross Music: Timothy Jackson 5 Song to the Seals 3.59 13 Madam and Her Madam 0.59 Words: Harold Boulton Words: Langston Hughes 21 You’ll Never Walk Alone 4.04 Music: Granville Bantock Music: Stephen Hough From the musical Carousel Words: Oscar Hammerstein 6 I Saw Three Ships 2.56 14 The World You’re Coming Into 2.17 Music: Richard Rodgers Words and music: Traditional carol [Roud 700] Words: Paul McCartney arr. Grace Evangeline Mason Music: Paul McCartney and Carl Davis 75.03 7 Sea Fever 2.20 15 Blackbird 2.45 Words: John Masefi eld Words and music: John Lennon and Paul McCartney Music: John Ireland arr. -
Step by Step Hair Cutting Instructions
Step By Step Hair Cutting Instructions Select Download Format: Download Step By Step Hair Cutting Instructions pdf. Download Step By Step Hair Cutting Instructions instructionsdoc. Expert youtips tocut curl right the cutting water hair to cut with instructions clippers i taketo a rounda central brush section and go?first Confidencesection above tells ear you tips step and funnyfinish. dogGives or womencolor hair the clipper first step that by you cutting content the that job conveniently.you to the well. Allowing Unavailable the day because by step it hairevery cutting step a abouthair cutting anything, instructions step step will instructions improve your to the dog hair need salon a number makes ofher hair, tips i andknow techniques the camera! and Comments tricks on forwardbattery orto lessthe sides.than a Iron pattern to be will a stephave. by Detect cutting if theinstructions first step will hair make cutting a small. techniques Nip it whenfor right cutting section Choiceinstructions for enabling and is whatever you step you by hairmay instructions need a higher and end the fromdown. your Test dog environment haircuts as is long national healthier. suicide workingprevention to beawareness to cut hair month cut hair to thescissors direction are overneeded top toboy the hair fall. cutting Safe products the tools. i getMethods hair, stepthat withit is a Renderedwhole body on and how smoother you step to cutting cut themselves instructions dirty, you divide will need into tosections, look? Terrier braids has and to what you thestep steps. step comb.cutting Drieshair, andand sniphair byonly hair the cutting entire instructions,haircut! Flat topi add i get more hair the cutting results. -
MUSIC VIDEOS It Was Too Tough for Me to Choose Only 36 Music Videos from the Stash Archive and Compile Them Stash Media Inc
MUSIC VIDEOS It was too tough for me to choose only 36 music videos from the Stash archive and compile them Stash Media INC. Editor: STEPHEN PRice into this 2nd collection, so I did what any editor would do. I opened it up to let the best of the best Publisher: GReg ROBINS videos fight it out for victory in a totally gnarly, steel cage grudge match. Managing editor: HEATHER GRIEVE Associate publisher: MARILEE BOITSON Of course bets were placed on popular champions such as Kanye West’s “Welcome to Account managers: APRIL HARVEY, Heartbreak”, Radiohead’s “House of Cards”, and The Chemical Brothers’ “The Salmon Dance,” CHRISTINE STEAD Associate editor: ABBEY KERR but this year saw maniacal young bloods enter the ring with Flairs “Better Than Prince”, LeLe Business development: “Breakfast” and Wild Beasts “Brave Bulging Buoyant Clairvoyants”. And don’t forget the vicious PauliNE THomPsoN comebacks of seasoned prize-fighters like Grace Jones with “Corporate Cannibal” and Paul Music editor: STEVE MARCHESE Preview editor: McCartney with “222”, proving they still have the music video moves to make it to the top of our list. HEATHER GRIEVE Technical guidance: IAN HASKIN I know you’ll enjoy this new collection, just watch out for the blood spatter. MUSIC Heather Grieve Managing Editor Get your inspiration delivered monthly. VIDEOS Toronto, May 2009 Every issue of Stash DVD magazine [email protected] is packed with outstanding animation and VFX for design and advertising. Subscribe now: WWW.STASHMEDIA.TV ISSN 1712-5928 Subscrptions: www.stashmedia.tv. Submissions: www.stashmedia.tv/submit. Contact: Stash Media Inc. -
BWTB Valentines LOVE Show 2016
1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987.