The Silver Lining: Messages of Hope and Cheer
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Silencing the Sirens: Patronage and the New World in Spenser, Daniel, and Shakespeare A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY John Christian Sievers IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Professor John Watkins, Advisor October 2011 © John Christian Sievers 2011 Acknowledgements This dissertation owes its existence to a steady stream of people in my life who have encouraged me to read and to think carefully about what I read. It started with my parents Dennis and Celeste, and continued through important High School teachers like Mr. Handlen, and life-changing undergraduate professors like Dr. Jesse Swan. It culminated with the insights and invaluable support of my dissertation committee: John Watkins, Shirley Nelson Garner, Gordon Hirsch, and Kelley Harness. Thanks for your guidance in my life and the part you played in helping me complete this project. As I have worked on this dissertation, I have become the proud father of two lovely daughters, Eleanor and Abigail. Even as they have learned their first words, they‘ve helped me think about sirens, or as Eleanor prefers mermaids, in new ways. Thank you Eleanor and Abigail for making the best of the times that I couldn‘t take you to the park, play dress up, or eat your imaginary culinary delights. For her encouragement, her patience, and her unwavering faith in me, I thank my wife, Beth. Though certainly not a siren, you are, after all, the only temptation I shall ever pursue. i Dedication To Beth, Eleanor, and Abigail: the inspirations for my songs. -
Loretta Lynn the Pill / Will You Be There Mp3, Flac, Wma
Loretta Lynn The Pill / Will You Be There mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Pill / Will You Be There Country: UK Released: 1975 Style: Country MP3 version RAR size: 1318 mb FLAC version RAR size: 1326 mb WMA version RAR size: 1349 mb Rating: 4.8 Votes: 230 Other Formats: AHX AAC AUD APE AIFF DMF MMF Tracklist A The Pill 2:35 B Will You Be There 2:19 Other versions Category Artist Title (Format) Label Category Country Year The Pill / Will You Be MCA-40358 Loretta Lynn MCA Records MCA-40358 US 1975 There (7") The Pill (7", Single, MCA 193 Loretta Lynn MCA Records MCA 193 UK 1975 Promo) The Pill / Will You Be MCA1431 Loretta Lynn MCA Records MCA1431 Australia 1975 There (7") The Pill / Will You Be MCA 193 Loretta Lynn MCA Records MCA 193 UK 1975 There (7") MCA-40358 Loretta Lynn The Pill (7", Single) MCA Records MCA-40358 US 1975 Related Music albums to The Pill / Will You Be There by Loretta Lynn Loretta Lynn - I Lie / If I Ain't Got It ( You Don't Need It ) Loretta Lynn - Heart Don't Do This To Me Loretta Lynn - Coal Miner's Daughter Loretta Lynn - Loretta Lynn's Greatest Hits Loretta Lynn - The Darkest Day Loretta Lynn - The Country Music Hall Of Fame Loretta Lynn - One's On The Way Loretta Lynn - Loretta Lynn's Greatest Hits Vol. II Loretta Lynn=Promo - RARE DJ/PROMO COPY- Loretta Lynn-Dear Uncle Sam-DEC-31893-rare color Loretta Lynn - The Coal Miner's Daughter Loretta Lynn - Greatest Hits Live Loretta Lynn Conway Twitty - As Soon As I Hang Up The Phone. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Tax Day Protest at Google Tro Street
Ephesus Turkish cuisine WEEKEND | P.15 APRIL 22, 2011 VOLUME 19, NO. 15 INSIDE: MOVIES | PAGE 19 650.964.6300 MountainViewOnline.com Council considers major new goals, projects By Daniel DeBolt Street,” said council member Ronit Bryant. he City Council looked at Bryant suggested that the city a slew of new goals and city might have to close off Castro Street Tprojects in a study session and direct cross-town traffic onto Tuesday, April 19, including a re- Shoreline Boulevard. examination of the train crossing at Council member Mike Kasper- Castro Street in light of recent news. zak could not attend the meeting, On Monday U.S. Rep. Anna but said in an email, “I don’t think Eshoo (D-Palo Alto), state Sen. you can realistically grade separate Joe Simitian (D-Palo Alto) and Caltrain and Castro Street” because state Assemblyman Rich Gordon of engineering and financial issues. (D-Menlo Park) proposed that the “We need to realistically look at state’s high-speed rail line share closing Castro Street” and build a Caltrain’s rail line instead of build- grade-separated pedestrian cross- ing an additional two tracks. (See ing across Central Expressway. story, this page.) “You would have to go down to The city has spent considerable Shoreline Boulevard and come time and money studying what the around, which businesses prob- four-track plan would do to Castro ably wouldn’t like,” Kasperzak Street and the city’s downtown, but NICK GONZALES said. “But I think people will get A crowd armed with signs and slogans marched at the Google campus to protest corporate tax breaks. -
Loretta Lynn: Writin' Life Article 1
Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse. -
Speleo Spiel – Issue 352, January – February 2006
Speleo Spiel – Issue 352, January – February 2006. Newsletter of the Southern Tasmanian Caverneers Inc, PO Box 416, Sandy Bay, Tasmania 7006, AUSTRALIA ISSN 1832-6307 Speleo Spiel – Issue 352, January – February 2006. Speleo Spiel – Issue 352, January – February 2006. STC Officer Bearers President: Gavin Brett Ph: (03) 6223 1717 (h) [email protected] Speleo Spiel Vice President: Newsletter of the Amy Ware Southern Tasmanian Caverneers Incorporated Ph: (03) 6297 9999 (h) [email protected] PO Box 416, Sandy Bay, Tasmania 7006 http://www.lmrs.com.au/stc ABN: 73-381-060-862 Secretary: ISSN 1832-6307 Matt Cracknell The views expressed in the Speleo Spiel are not Ph: 0409 438 924 (m) necessarily the views of [email protected] the Editor, or of the Southern Tasmanian Caverneers Incorporated. Treasurer: Claire Brett Ph: (03) 6223 1717 (h). Issue No. 352, Jan. - Feb. 2006 [email protected] Equipment Officer: Gavin Brett CONTENTS Ph: (03) 6223 1717 (h) [email protected] Regular Bits Librarian: Editorial 2 Greg Middleton Stuff ‘n Stuff 2 Forward Program 3 Ph: (03) 6223 1400 (h) [email protected] Irregular Bits Money Matters – Motions for the AGM 3 Editor and Search & Rescue Officer: Trip Reports Alan Jackson Buchan Locals, 12-13 Nov. 05 Amy Ware 4 Ph: (03) 6229 8365(h) Mystery Creek Cave, 20 Nov. 05 Ruth Whiteley 4 [email protected] Dwarrowdelf, 17 Dec. 05 Serena Benjamin 5 Dwarrowdelf – Sump Dive, 28 Dec. 05 Rolan & Stefan Eberhard 5 Slaughterhouse Pot/Growling, 31 Dec. 05 Amy Ware 8 Webmaster: Khazad-Dum, 1 Jan. -
Field Dissertation 4
OUTLANDISH AUTHORS: INNOCENZO FEDE AND MUSICAL PATRONAGE AT THE STUART COURT IN LONDON AND IN EXILE by Nicholas Ezra Field A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2013 Doctoral Committee: Associate Professor Stefano Mengozzi, Co-Chair Associate Professor Mark Clague, Co-Chair Professor Linda K. Gregerson Associate Professor George Hoffmann ACKNOWLEDGEMENTS In writing this dissertation I have benefited from the assistance, encouragement, and guidance of many people. I am deeply grateful to my thesis advisors and committee co-chairs, Professor Stefano Mengozzi and Professor Mark Clague for their unwavering support as this project unfolded. I would also like to extend my heartfelt gratitude to my dissertation committee members, Professor Linda Gregerson and Professor George Hoffmann—thank you both for your interest, insights, and support. Additional and special thanks are due to my family: my parents Larry and Tamara, my wife Yunju and her parents, my brother Sean, and especially my beloved children Lydian and Evan. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS................................................................................................ ii LIST OF FIGURES ............................................................................................................ v ABSTRACT....................................................................................................................... vi CHAPTER ONE: Introduction -
PURCELL CHACONNE DIOCLESIAN Complete Masque from Timon of Athens
dio single booklet.qxd 19/3/08 10:52 am Page 1 Chan 0569/70 PURCELL CHACONNE DIOCLESIAN complete Masque from Timon of Athens Catherine Pierard James Bowman John Mark Ainsley Michael George Collegium Musicum 90 Richard Hickox CHAN 0569 - BOOK.qxd 19/3/08 10:43 am Page 2 Henry Purcell (1659–1695) Dioclesian Catherine Pierard soprano James Bowman alto Mark Padmore tenor* John Mark Ainsley tenor Michael George bass COMPACT DISC ONE 1 First Musick 2:12 2 Second Musick 1:25 3 Overture 3:45 ACT I 4 First Act Tune (Hornpipe) 0:43 ACT II 20:15 5 Song (Bass) ‘Great Diocles the Boar has kill’d’ – 2:20 Chorus ‘Sing Iô’s!’ 6 Song (Soprano) ‘Charon the peaceful Shade invites’ 1:29 Henry Purcell 7 Symphony for Trumpets and Violins 1:27 Mary Evans Picture Library 8 Duet (Soprano, Bass), Chorus ‘Let all mankind the 1:17 pleasure share’ 9 Martial Song (Tenor) ‘Let the soldiers rejoice’ 4:35 Trio (TT*B) ‘Rejoice with a general voice’ Retornello (for trumpets and hautboys) Trio (TT*B) ‘To Mars let ’em raise – Rejoice with a general voice’ Retornello (for trumpets and hautboys) 3 CHAN 0569 - BOOK.qxd 19/3/08 10:43 am Page 4 10 A Symphony of Flutes – Michael George a Bacchanalian, shepherd Nathan Berg a Silvan, a Bacchanalian Song (Alto) ‘Since the toils and the hazards’ Quartet (SATB) ‘Let the priests…’ – Chorus ‘All sing…’ 5:16 2 Cupid, Chorus ‘Call the nymphs’ 2:30 11 Dance of Furies 3:01 3 Duet (a Bacchanalian & a Silvan) ‘Come, come away’ 1:07 12 Second Act Tune 0:49 4 Chorus ‘Behold, O mighty’st of Gods’ 3:13 ACT III 9:41 5 Paspe (The first entry of heroes on the stage) 0:44 13 Two in one upon a Ground. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon. -
Special Issue: Jerry Lederer: Mr. Aviation Safety
FLIGHT SAFETY FOUNDATION AUGUST–SEPTEMBER 2002 FLIGHT SAFETY DIGEST SPECIAL ISSUE Jerry Lederer: Mr. Aviation Safety Jerry’s 100th Birthday SINCE 1947 FLIGHT SAFETY FOUNDATION For Everyone Concerned With the Safety of Flight Flight Safety Digest Officers and Staff Vol. 21 No. 8–9 August–September 2002 Hon. Carl W. Vogt Chairman, Board of Governors In This Issue Stuart Matthews President and CEO Robert H. Vandel Jerry Lederer: Mr. Aviation Safety Executive Vice President James S. Waugh Jr. Jerry Lederer Continues to Inspire Treasurer Generations of Aviation Safety 1 ADMINISTRATIVE Professionals Ellen Plaugher Special Events and Products Manager As his 100th birthday nears, the president emeritus of Flight Linda Crowley Horger Safety Foundation not only stays tuned to current issues, but Manager, Support Services frequently reminds FSF staff of lessons that must not be FINANCIAL forgotten. Crystal N. Phillips Director of Finance and Administration Safety Innovations, Solutions 9 TECHNICAL Show Contemporary Relevance James Burin Excerpts from some of his best-known writing provide insight Director of Technical Programs into the concerns and perspectives of Jerome F. “Jerry” Joanne Anderson Lederer. Technical Programs Specialist Louis A. Sorrentino III Jerry Lederer: His Own Words Managing Director of Internal Evaluation Programs 19 Robert Feeler In 1994, at the Lederer home in Laguna Beach, California, Q-Star Program Administrator FSF staff recorded on audio tape more than 17 hours of Robert Dodd, Ph.D. Jerry’s recollections. Some of Jerry’s favorite memories in Manager, Data Systems and Analysis this oral history provide us with a more complete picture of Darol V. Holsman this extraordinary man. -
Jazz Collection: Tadd Dameron Dienstag, 21
Schweizer Radio und Fernsehen, Postfach, CH-4002 Basel Jazz Collection: Tadd Dameron Dienstag, 21. Februar 2012, 20.00 - 21.00 Uhr Samstag, 25. Februar 2012, 23.00 - 24.00 Uhr (Zweitsendung) Sein erstes grosses Arrangement schreibt Tadd Dameron mit 21, und er kommentiert es später trocken mit: "Alles war falsch darin - aber es gab gute Ideen." Nun, sich das Handwerk anzueignen, das war für den jungen Arrangeur aus Cleveland kein Problem, und die guten Ideen wurden immer besser. Nach einigen Jahren als Arrangeur für Swing-Bands beginnt Tadd Dameron die komplexe und schnelle Musik der Bebop-Pioniere ins Grossformat zu übertragen, und er gilt bald als wichtigster Bebop-Arrangeur. Tadd Dameron selber hat über seine Arrangements allerdings gesagt, er achte stets darauf, dass sich die Stücke langsam und kohärent entwickeln, so wie wenn man ein Buch lese. Der Pianist und Komponist Adrian Frey ist Gast von Jodok Hess Harlan Leonard & His Rockets: Harlan Leonard & His Rockets 1940 CD Classics Records Track 12: 400 Swing Dizzy Gillespie & His Orchestra: Dizzy Gillespie. 1946-1947. CD Classics Records Track 5: Our Delight Sarah Vaughan: Ken Burns Jazz. CD Verve Track 2: If You Could See Me Now The Complete Blue Note and Capitol Recordings of Fats Navarro und Tadd Dameron. CD Blue Note Track 7: Dameronia Tadd Dameron&Miles Davis: The Tadd Dameron/Miles Davis Quintet in Paris CD Columbia Track 2: Good Bait Tadd Dameron Orchestra: Fontainebleau CD OJC Track 1: Fontainebleau Miles Davis: Round About Midnight CD CBS Track 5: Tadd’s Delight John Coltrane -
Drew Gress, Artistic Integrity, and Some Kind of Accep- Portunity to Engage Visiting Artists and Craig Taborn, Tim Berne Tance, Even Within Its Own Mainstream
Welcome to the 2006 Earshot Jazz Festival This year, “Seattle’s most important in three-day residency with the Seattle Roosevelt High School Band shares a bill annual jazz event” includes more than Repertory Jazz Orchestra that includes with the Ted Nash Quintet. 60 events over 18 days between October open rehearsals and workshops as well Th e Earshot Jazz Festival is by far the 19 and November 5. With more than as two concerts. biggest undertaking of the Earshot Jazz 200 artists participating, from around Once again, we’ll feature Seattle’s award- organization, but it is far from our only the world and around our city, this year’s winningest high-school jazz ensembles in activity. We present our own concerts event off ers as much as any of its prede- mainstage concerts with special guest throughout the year, collaborate on con- cessors to music lovers of the Seattle area. artist. Guest artists who have rehearsed cert presenting initiatives like SAM’s Art Th e festival includes main stage concerts, and performed with Garfi eld and Roos- of Jazz, the Anacortes Jazz Festival, and, club dates, meet-the-artist receptions, evelt High School Bands in the past have coming up, EMP’s Jazz in January. We jazz fi lms, and plenty of opportunities included saxophonists Ravi Coltrane publish the monthly Earshot Jazz news- for all fans of all ages to learn a bit more and Joshua Redman and New Orleans letter, and work to provide educational about the music and the musicians. trumpeter Nicholas Payton. Th is year, opportunities and advancements to the We’re excited about this festival.