Annual Report 2013

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2013 2013 ANNUAL REPORT January 2014 Prepared by The Casterbridge Music Development Academy Page 1 TABLE OF CONTENTS SYNOPSIS ................................................................................................................................................. 3 2013 REPORT........................................................................................................................................... 5 Donations received.............................................................................................................................. 5 Cash Donations ................................................................................................................................ 5 Other Donations include .................................................................................................................. 5 Facilities ............................................................................................................................................... 6 Major Program Achievements ................................................................................................................ 7 Ilizwi ..................................................................................................................................................... 7 About Ilizwi ...................................................................................................................................... 7 The Lowveld Community Orchestra .................................................................................................... 8 2Enable Software Platform ................................................................................................................. 9 Route 40 Music Festival .................................................................................................................... 13 Membership Breakdown ...................................................................................................................... 15 2013 – Major Performances .............................................................................................................. 16 CMDA Workshops ............................................................................................................................. 18 Financial statements ............................................................................................................................. 20 Office bearers and contact details ........................................................................................................ 20 Management committee .................................................................................................................. 20 Contact details ................................................................................................................................... 21 Postal Address ............................................................................................................................... 21 Physical Address ............................................................................................................................ 21 Telephone and Fax ........................................................................................................................ 21 Social Media .................................................................................................................................. 21 Bank account details ......................................................................................................................... 21 Attachments .......................................................................................................................................... 21 Registration certificate .......................................................................................................................... 22 PBO letter from the South African Revenue Service ........................................................................... 23 Page 2 SYNOPSIS In 2013 our founding donor, the Department of Culture, Sport and Recreation, made a grant of R300,000 to the Casterbridge Music Development Academy (CMDA). This was supported by other substantial grants, the largest of which came from The Dell Development Fund of 27 Computers and R500,000 to assist us with the development of our 2Enable platform. Again, we have been supported on an ongoing basis by Douglasdale Dairy and Seasons in Africa who have made monthly contributions; and the RMB Fund, The MacKenzie Foundation, HCI Foundation, Fintax and several private contributors who have made either once off or recurring donations. This year we had two flagship events; Ilizwi, a musical written and directed by Ingrid Wylde and our inaugural Route 40 Music Festival. Ilizwi, with a cast of over 40, most of whom were from our KaBokweni and Zwelisha hubs, was an exceptional production that ended up touring to Cape Town and performing at the Nedbank Arena World Economic Forum delegates. We are grateful to Vuyo Jack, HCI Foundation and a number of generous private individuals for funding this tour. At the Route 40 we had many well-known South African bands and artists perform alongside our youth bands as well as international guest musicians. We were fortunate to have had Carnegie Hall and The Rock Scholarship Fund in the USA run a song-writing competition across 300 rock schools in America. The top 6 finalists were flown out to participate alongside our youth bands at the Festival. Coca-Cola Fortune and SAB were the main sponsors of the event and many local organisations contributed accommodation, meals and transport. A significant donation in the form of rent relief by the Casterbridge Lifestyle Centre and Louis van der Merwe in particular makes it possible for the program to operate from the current premises at the Performing Arts Centre. Page 3 In 2013, the CMDA continued to deliver its music program through its existing hub structures. 2Enable, the application we have developed to manage our program and deliver educational content to our users went live at the end of April. We are now able to better track the utilisation of our program and we have managed to deliver over 3000 assessments to users on the platform and have tracked over 2300 contact sessions with our members that include band development, coaching and attendance at our hubs. We continue to rely on a very small management team, our music coaches, hub managers and circuit coordinator, in addition to the many volunteers and community members who help us to function effectively. It is a program that has captured the hearts and minds of many people and again, we wish to thank everyone, especially corporate and private donors, for their ongoing support. Our contribution to the local community was recognised by the Kruger Lowveld Chamber of Business and Tourism at their annual awards event where the CMDA was announced the recipient of the Kruger Lowveld Community Service Award for 2013. This report will detail the progress made in 2013 and our plans and requirements for 2014. Christopher Amos - We cannot thank you enough for being such a great collaborator on this project (Song writing Contest and Route 40 Music Festival). I think the results were even more powerful than we all had expected—for both the students and the staff involved—and it was incredibly exciting to see so many months of planning come to fruition in such a successful festival. I cannot praise the CMDA students enough for how open and welcoming they were to their American counterparts. It is a huge credit to their character and the values that you’ve instilled in all the students studying at CMDA that the musical collaborations were so successful and that all the students spent so much time getting to know one another and enjoying their time together. I know it was an unforgettable and life-changing experience for all the American students. Director, Education Media & Technology The Weill Music Institute at Carnegie Hall Christine Belinda - Beautiful! As a parent of one of the American songwriters, I cannot even begin to put into words my appreciation to all parties involved, especially the host CMDA. The collaborations between the Carnegie Music Exchange students (The Weill Music Institute) and The Rock School Scholarship Foundation and CMDA has empowered many young musicians with knowledge, skill, friendship, and deep appreciation for one of the most joyous experiences of their lives. They were all transformed in ways that will continuously contribute to the arts and to the beauty of life. Even those of us who could not attend or travel to South Africa were given incredible gifts by all you amazing, amazing people! We continue to unravel all that Anna Pearl has experienced. We are forever grateful to all of you for taking such good care of her and offering such an incredible life changing experience. THANK YOU ALL! Page 4 2013 REPORT DONATIONS RECEIVED Below is a summary of the donors for 2013 CASH DONATIONS Dell Development Fund R550,000 DCSR R300,000 Douglasdale Dairy R160,000 Seasons in Africa R120,000 Rand Merchant Bank Fund R100,000 HCI Foundation R60,000 The MacKenzie Foundation R50,000 PolyOak Packaging R20,000 Singular Systems R10,000 Private Donors R257,600 Trio Nova Mundi R4,000 Fintax R9,572 Makro Golf Day R10,000 Coca-Cola Fortune R6,572 KLCBT R20,000 OTHER DONATIONS INCLUDE Private Donors 2 x Drum Kits, Trumpet Dave Matthews Band Full Set of Stage Equipment including drum kit, amplifiers, PA system,
Recommended publications
  • Karaoke Song List 15389 Songs, 41.8 Days, 75.58 GB
    Page 1 of 467 Michael Thomas Entertainment's Karaoke Song List 15389 songs, 41.8 days, 75.58 GB Name Artist The Living Day Lights A-Ha Take On Me A-Ha Jai Ho (You Are My Destiny) A.R. Rahman & The Pussycat Dolls Everyday A$AP Rocky & Rod Stewart & Miguel & Mark Ronson At Your Best (You Are Love) Aaliyah If Your Girl Only Knew Aaliyah Journey To The Past Aaliyah Miss You Aaliyah More Than A Woman Aaliyah The One I Gave My Heart To Aaliyah Rock The Boat Aaliyah Try Again Aaliyah All The Places I Will Kiss You Aaron Hall Country Boy Aaron Lewis Outside Aaron Lewis & Fred Durst Love Changes Everything Aaron Lines You Can't Hide Beautiful Aaron Lines Can't Stop My Heart From Loving You Aaron Neville Don't Fall Apart On Me Tonight Aaron Neville Everybody Plays The Fool Aaron Neville The Grand Tour Aaron Neville Tell It Like It Is Aaron Neville Always Was Aaron Tippin The Call Of The Wild Aaron Tippin A Door Aaron Tippin Everything I Own Aaron Tippin For You I Will Aaron Tippin Her Aaron Tippin How's The Radio Know Aaron Tippin I Got It Honest Aaron Tippin Michael Thomas Entertainment's Karaoke Song List Page 2 of 467 Name Artist I Was Born With A Broken Heart Aaron Tippin I Wouldn't Have It Any Other Way Aaron Tippin I'm Leaving Aaron Tippin If Her Lovin' Don't Kill Me Aaron Tippin Kiss This Aaron Tippin My Blue Angel Aaron Tippin People Like Us Aaron Tippin She Feels Like A Brand New Man Tonight Aaron Tippin That's As Close As I'll Get To Loving You Aaron Tippin That's What Happens When I Hold You Aaron Tippin There Ain't Nothin' Wrong With The Radio Aaron Tippin What This Country Needs Aaron Tippin Where The Stars And Stripes And The Eagle Fly Aaron Tippin Whole Lotta Love On The Line Aaron Tippin Without Your Love Aaron Tippin Working Man's Ph.D.
    [Show full text]
  • 4920 10 Cc D22-01 2Pac D43-01 50 Cent 4877 Abba 4574 Abba
    ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA TRECHO DA MÚSICA 4920 10 CC I´M NOT IN LOVE I´m not in love so don´t forget it 19807 10000 MANIACS MORE THAN THIS I could feel at the time there was no way of D22-01 2PAC DEAR MAMA You are appreciated. When I was young 9033 3 DOORS DOWN HERE WITHOUT YOU A hundred days had made me older 2578 4 NON BLONDES SPACEMAN Starry night bring me down 9072 4 NON BLONDES WHAT´S UP Twenty-five years and my life is still D36-01 5 SECONDS OF SUMMER AMNESIA I drove by all the places we used to hang out D36-02 5 SECONDS OF SUMMER HEARTBREAK GIRL You called me up, it´s like a broken record D36-03 5 SECONDS OF SUMMER JET BLACK HEART Everybody´s got their demons even wide D36-04 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT Simmer down, simmer down, they say we D43-01 50 CENT IN DA CLUB Go, go, go, go, shawty, it´s your birthday D54-01 A FLOCK OF SEAGULLS I RAN I walk along the avenue, I never thought I´d D35-40 A TASTE OF HONEY BOOGIE OOGIE OOGIE If you´re thinkin´ you´re too cool to boogie D22-02 A TASTE OF HONEY SUKIYAKI It´s all because of you, I´m feeling 4970 A TEENS SUPER TROUPER Super trouper beams are gonna blind me 4877 ABBA CHIQUITITA Chiquitita tell me what´s wrong 4574 ABBA DANCING QUEEN Yeah! You can dance you can jive 19333 ABBA FERNANDO Can you hear the drums Fernando D17-01 ABBA GIMME GIMME GIMME Half past twelve and I´m watching the late show D17-02 ABBA HAPPY NEW YEAR No more champagne and the fireworks 9116 ABBA I HAVE A DREAM I have a dream a song to sing…
    [Show full text]
  • Transreferentiality: Mapping the Margins of Postmodern Fiction
    Transreferentiality: Mapping the Margins of Postmodern Fiction H De G Laurie 10079718 Thesis submitted for the degree Doctor Philosophiae in English Literature at the Potchefstroom Campus of the North-West University Supervisor: Prof AM De Lange September 2013 i Acknowledgements I hereby acknowledge with gratitude the financial assistance of the National Research Foundation, the Research Focus Area for Languages and Literature at the North-West University’s Potchefstroom Campus, The Open Window School for Visual Communication, and the North-West University‘s Research and Development Programme. Views expressed and conclusions reached in this study should be ascribed to the author and are not necessarily shared by any of these institutions. I would also like to thank the following people: My supervisor, Prof AM De Lange, for his support through complicated times and his willingness to stick out his neck. The Department of Academic Literacy in the School for Languages at the North-West University’s Vaal Triangle Campus, for granting me the time to finish this version of the thesis. My grandmother. My parents. All the friends and colleagues who, knowingly and unknowingly, provided inspiration and support and suffered during the writing of this thesis. ii Abstract Keywords: Postmodern, fiction, postmodernist fiction, science fiction, sf, possible-worlds theory, worlds, narratology, focalisation, immersion, reader experience, M. John Harrison, William Gibson, Jeff Noon This thesis starts from the observation that, while it is common for commentators to divide postmodern fiction into two general fields – one experimental and anti-mimetic, the other cautiously mimetic, there remains a fairly significant field of postmodern texts that use largely mimetic approaches but represent worlds that are categorically distinct from actuality.
    [Show full text]
  • 5.0 Speaking and Singing
    University of Huddersfield Repository Gibson, Ryan Markus The Role of Accent in Popular Music: An Interdisciplinary Approach Original Citation Gibson, Ryan Markus (2015) The Role of Accent in Popular Music: An Interdisciplinary Approach. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/26193/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 1 The Role of Accent in Popular Music: An Interdisciplinary Approach BY Ryan Markus Gibson Student Number: 0408350 Course: MA: Modern English Language Supervised by: Jim O'Driscoll University of Huddersfield April 2015 2 Abstract In the thirty years that have passed since Peter Trudgill first published his study of British pop-song pronunciation, and fifteen years since Paul Simpson published his follow-up study of accents in pop and rock singing (1999), there have been several changes in the way linguists approach the sociolinguistics of singing.
    [Show full text]
  • Karaoke Songs As at 5 August 2013
    Updated | 5th August 2013 Please Note | Please select songs from the weekly updated SongBook on our Maori Television Website TKS No. SONG TITLE IN THE STYLE OF 16726 3:00 AM Busted 24126 6:00 AM Rahsaan Patterson 25171 12:51 Strokes 26262 22 Taylor Swift 14082 1234 Fiest 13575 1973 James Blunt 24700 1 Thing Amerie 24896 1.2 Step Ciara/ Missy Elliott 23647 10 Seconds Jazmine Sullivan 26149 1000 Miles Away Hoodoo Gurus 26149 1000 Miles Away Hoodoo Gurus 14082 1234.. Fiest 25720 15 Minutes Rodney Atkins 15784 15 Minutes Of Shame Kristy Lee Cook 15689 16 @ War Karina 18260 18 Til I Die Bryan Adams 23540 19 And Crazy Bomshell 18846 1901.. Phoenix 1 1979.. Smashing Pumpkins 23643 1983.. Neon Trees 24878 1985.. Bowling For Soup 25193 1985.. Bowling For Soup 2165 19th Nervous Breakdown Rolling Stones 25519 2 Become 1 Jewel 13117 2 Become 1 Spice Girls 18506 2 Hearts Kylie Minogue 16068 2 Step Dj Unk 17028 2000 Miles Pretenders 17999 20th Century Boy T Rex 18730 21 Guns Green Day 24005 21 Today Piano Singalong 18670 22.. Lily Allen 3285 24 Hours From Tulsa Gene Pitney 16318 24 Hours From Tulsa Gene Pitney 17057 2-4-6-8 Motorway Tom Robinson Band 25660 24's Richgirl/ Bun B 24638 24's T. I. 18841 3.. Britney Spears 10951 32 Flavors Alana Davis 15938 37 Stitches Drowning Pool 1 Updated | 5th August 2013 Please Note | Please select songs from the weekly updated SongBook on our Maori Television Website 15044 4 In The Morning Gwen Stefani 21410 4 The Lovers Arika Kane 25150 45.
    [Show full text]
  • Parlotones Are Potentially
    Put simply, The Parlotones are potentially South Africa’s biggest selling pop/rock act ever with 700,000+ albums sales worldwide. All the more impressive when you consider this has been achieved via independent record labels in just a few key markets. Double Platinum, Platinum and Gold Records saturate the band’s discography. Their live story is even more humbling having played live to over The single ‘Beautiful’ was used in a 2 million people in their career to date. FujiFilmTV ad in Ireland, which exposed Add to that the 1 Billion people that ‘RadioControlledRobot’ was released the band to their first International watched the band on TV as they opened under the Sovereign Entertainment label audience and secured them a worldwide the 2010 FIFA soccer World Cup, and in 2005 and spawned the hits ‘Here licensing deal with the International you get a sense of this band’s success Comes The Man’, ‘Colourful,’ division of Universal Music, covering the so far. ‘Dragonflies & Astronauts’, ‘Beautiful’ territories of Ireland, the UK, France, and ‘Overexposed’. The music video for Japan, Germany and Holland. A 12-track When The Parlotones first met in 1998 in ‘Overexposed’ won 2 Awards for Best version of the album was released Johannesburg, little did they know that Video and Best Animation at the 2009 internationally in 2007, making it the first they would go on to write one of the MK (TV) Awards. international album released by the band. greatest Rock ‘n Roll stories South Africa ‘RadioControlledRobot’ is now an had ever seen. Their hard working, ‘RadioControlledRobot’ showcased The humble attitude, dedication and Parlotones as top songwriters in their incredible 2 x Platinum.
    [Show full text]
  • South African Festivals in the United States: an Expression of Policies
    South African Festivals in the United States: An Expression of Policies, Power and Networks DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Akhona Ndzuta, MA Graduate Program in Arts Administration, Education and Policy The Ohio State University 2019 Dissertation Committee: Karen E. Hutzel, Ph.D. Wayne P. Lawson, Ph.D. Margaret J. Wyszomirski, Ph.D., Advisor Copyright by Akhona Ndzuta 2019 Abstract This research is a qualitative case study of two festivals that showcased South African music in the USA: the South African Arts Festival which took place in downtown Los Angeles in 2013, and the Ubuntu Festival which was staged at Carnegie Hall in New York in 2014. At both festivals, South African government entities such as the Department of Arts and Culture (DAC), as well as the Department of International Relations and Cooperation (DIRCO) were involved. Due to the cultural, economic and other mandates of these departments, broader South African government policy interests were inadvertently represented on foreign soil. The other implication is that since South African culture was central to these events, it was also key to promoting these acultural policy interests. What this research sets out to do is to explore how these festivals promote the interests of South African musicians while furthering South African government interests, and how policy was an enabler of such an execution. ii Acknowledgements I would like to thank the Oppenheimer Memorial Trust and the National Arts Council of South Africa for their generous funding in the first two years of my studies.
    [Show full text]
  • Karaoke Songs We Can Use As at 22 April 2013
    Uploaded 3rd May 2013 Before selecting your song - please ensure you have the latest SongBook from the Maori Television Website. TKS No. SONG TITLE IN THE STYLE OF 21273 Don't Tread On Me 311 25202 First Straw 311 15937 Hey You 311 1325 Where My Girls At? 702 25858 Til The Casket Drops 16523 Bye Bye Baby Bay City Rollers 10657 Amish Paradise "Weird" Al Yankovic 10188 Eat It "Weird" Al Yankovic 10196 Like A Surgeon "Weird" Al Yankovic 18539 Donna 10 C C 1841 Dreadlock Holiday 10 C C 16611 I'm Not In Love 10 C C 17997 Rubber Bullets 10 C C 18536 The Things We Do For Love 10 C C 1811 Because The Night 10,000 Maniacs 24657 Hot And Wet 112/ Ludacris 21399 We Are One 12 Stones 19015 Simon Says 1910 Fruitgum Company 26221 Countdown 2 Chainz/ Chris Brown 15755 You Know Me 2 Pistols & R Jay 25644 She Got It 2 Pistols/ T Pain/ Tay Dizm 15462 Citizen Soldier 3 Doors Down 23044 Everytime You Go 3 Doors Down 24923 Here By Me 3 Doors Down 24796 Here Without You 3 Doors Down 15921 It's Not My Time 3 Doors Down 15820 Let Me Be Myself 3 Doors Down 25232 Let Me Go 3 Doors Down 22933 When You're Young 3 Doors Down 15455 Don't Trust Me 3 Oh!3 21497 Double Vision 3 Oh!3 15940 StarStrukk 3 Oh!3 21392 My First Kiss 3 Oh!3 / Ke$ha 23265 Follow Me Down 3 Oh!3/ Neon Hitch 20734 Starstrukk 3 Oh3!/ Katy Perry 10816 If I'd Been The One 38 Special 10112 What's Up 4 Non Blondes 9628 Sukiyaki 4.pm 15061 Amusement Park 50 Cent 24699 Candy Shop 50 Cent 12623 Candy Shop 50 Cent 1 Uploaded 3rd May 2013 Before selecting your song - please ensure you have the latest SongBook from the Maori Television Website.
    [Show full text]
  • Collins Chabane
    TRIBUTE EDITION May 2010 New Copyright Laws Owen Dean & others explain Kippie Moeketsi Remembered Nkosi sikelel’ iAfrika Unleashing the Power of Song Collins Chabane His Musical Journey Message from the CEO to ensure that the juristic form of simply: we propose a separate law companies limited by guarantee, an that is designed, from start to finish, to old but important form of a not-for- protect traditional knowledge. profit public company, is appropriately Furthermore, it is our contention that translated and/or accommodated in copyright legislation is fast becoming the new Companies Act. The effect of a “suitcase” of things that are loosely not having that done would have been related but are not necessarily a complete paralysis of entities such as coherent. Needless to say, that this kind eadership as a concept is SAMRO in that they would not have a of approach is dangerous in that the one of the most debated and legal mechanism to distribute income law, by its nature, has to be interpreted probably one of the most by way of royalties and other forms to as a whole and not as a conglomeration written-about subjects. Since their members. That would have gone Ltimewis for that reason that we have of stand-alone concepts and principles. to the heart of collective administration Forcing the protection of traditional dedicated this issue of SAMRO Notes as we know it. to celebrate the leadership success of knowledge into the existing copyright one of our own, the Minister in the Other examples of such active legislation, disjointed as it already is, is Presidency, Collins Chabane.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Crush Garbage 1990 (French) Leloup (Can't Stop) Giving You Up Kylie Minogue 1994 Jason Aldean (Ghost) Riders In The Sky The Outlaws 1999 Prince (I Called Her) Tennessee Tim Dugger 1999 Prince And Revolution (I Just Want It) To Be Over Keyshia Cole 1999 Wilkinsons (If You're Not In It For Shania Twain 2 Become 1 The Spice Girls Love) I'm Outta Here 2 Faced Louise (It's Been You) Right Down Gerry Rafferty 2 Hearts Kylie Minogue The Line 2 On (Explicit) Tinashe And Schoolboy Q (Sitting On The) Dock Of Otis Redding 20 Good Reasons Thirsty Merc The Bay 20 Years And Two Lee Ann Womack (You're Love Has Lifted Rita Coolidge Husbands Ago Me) Higher 2000 Man Kiss 07 Nov Beyonce 21 Guns Green Day 1 2 3 4 Plain White T's 21 Questions 50 Cent And Nate Dogg 1 2 3 O Leary Des O' Connor 21st Century Breakdown Green Day 1 2 Step Ciara And Missy Elliott 21st Century Girl Willow Smith 1 2 Step Remix Force Md's 21st Century Girls 21st Century Girls 1 Thing Amerie 22 Lily Allen 1, 2 Step Ciara 22 Taylor Swift 1, 2, 3, 4 Feist 22 (Twenty Two) Taylor Swift 10 Days Late Third Eye Blind 22 Steps Damien Leith 10 Million People Example 23 Mike Will Made-It, Miley 10 Seconds Jazmine Sullivan Cyrus, Wiz Khalifa And 100 Years Five For Fighting Juicy J 100 Years From Now Huey Lewis And The News 24 Jem 100% Cowboy Jason Meadows 24 Hour Party People Happy Mondays 1000 Stars Natalie Bassingthwaighte 24 Hours At A Time The Marshall Tucker Band 10000 Nights Alphabeat 24 Hours From Tulsa Gene Pitney 1-2-3 Gloria Estefan 24 Hours From You Next Of Kin 1-2-3 Len Berry 2-4-6-8 Motorway Tom Robinson Band 1234 Sumptin' New Coolio 24-7 Kevon Edmonds 15 Minutes Rodney Atkins 25 Miles Edwin Starr 15 Minutes Of Shame Kristy Lee Cook 25 Minutes To Go Johnny Cash 16th Avenue Lacy J Dalton 25 Or 6 To 4 Chicago 18 And Life Skid Row 29 Nights Danni Leigh 18 Days Saving Abel 3 Britney Spears 18 Til I Die Bryan Adams 3 A.M.
    [Show full text]
  • THE PARLOTONES 28. September 2016 Stuttgart Theaterhaus Gast
    THE PARLOTONES 28. September 2016 Stuttgart Theaterhaus Gast: Kyles Tolone THE PARLOTONES – das sind Kahn Morbee, Neil Pauw und die Brüder Glen und Paul Hodgson. Seit ihrem Gründungsjahr 1999 hat die Band massive Erfolge in ihrem Heimatland Südafrika verbuchen, und einige Beachtung auf verschiedenen Märkten in Europa und den USA erlangen können. Das erste Album Episoda erschien in 2003. Seitdem hat die Band sechs weitere Studioalben veröffentlicht: „Radiocontrolledrobot“ (2005), „A World Next Door to Yours“ (2007), „Stardust Galaxies“ (2009), „Journey through the Shadows“ (2012), „Stand Like Giants“ (2013) und das vor kurzem in Südafrika erschienene „Antiques and Artefacts“ (2015). Sie veröffentlichten außerdem zwei Live-Alben, „Unplugged“ (2008) und „Live Design“ (2010). „Radiocontrolledrobot“ und „Stardust Galaxies“ haben beide den South African Music Award (SAMA) für das beste Rock-Album gewonnen. Darüber hinaus gewann die Band zahlreiche lokale Preise sowie eine Handvoll internationaler Songwriter-Auszeichnungen. Zu Zeiten ihrer Gründung wurden THE PARLOTONES als Alternative-Band bezeichnet und waren stark von britischen Bands wie The Cure, The Smiths und neueren Gruppen wie Radiohead & Coldplay beinflusst. Später nannte man sie Indie, Rock und Pop. Als erster südafrikanischer Band gelang es den THE PARLOTONES den Coca- Cola Dome (Kapazität: 20.000) auszuverkaufen, und bei jedem bedeutenden südafrikanischen Festival als Hauptact aufzutreten. Seit 2007 tourt die Band intensiv zuhause in Südafrika und international und verbrachte ganze Monate unterwegs in Großbritannien, Deutschland, Österreich, der Schweiz und den USA. Außerdem gab es Touren in Südamerika, Kanada, Australien, Japan und Russland. Coldplay, Starsailor, Ash, The Wombats, Snow Patrol und Blue October sind nur einige Bands, mit denen THE PARLOTONES bereits auf Tour waren.
    [Show full text]
  • AXS TV Schedule for Mon. March 18, 2013 to Sun. March 24, 2013
    AXS TV Schedule for Mon. March 18, 2013 to Sun. March 24, 2013 Monday March 18, 2013 4:10 PM ET / 1:10 PM PT 6:00 AM ET / 3:00 AM PT David Gilmour - Remember That Night - Live at the Royal Albert Hall Dr. Perricone’s Sub D David Gilmour, the voice and guitar of Pink Floyd, performs live at the Royal Albert Hall. Cold Plasma Sub-D for a visibly firmer looking chin. Guaranteed by Guthy/Renker or your Along with songs from On An Island being performed to rapturous applause, David Gilmour’s money back. distinctive vocals and guitar solos bring the older Pink Floyd classics alive as if they are being performed for the first time. 6:30 AM ET / 3:30 AM PT Supersmile For A Whiter Smile 5:55 PM ET / 2:55 PM PT Supersmile can deliver brighter, whiter, healthier teeth in just 6 minutes! By trusted Guthy/ Nothing But Videos Renker. Nothing But Videos is a collection of some of the biggest artists today. Catch some of the best music videos during this special presentation. 7:00 AM ET / 4:00 AM PT Dan Rather Reports Premiere Best of Dan Rather Reports 2011 - From the Middle East to Main Street USA - a look back at 6:15 PM ET / 3:15 PM PT some of our favorite stories from 2011. Look Who’s Talking Too This time, talking baby Mikey gets a partner in crime with the birth of his new sister, Julie. 8:00 AM ET / 5:00 AM PT Dan Rather Reports 7:45 PM ET / 4:45 PM PT The Cutting Edge - Synthetic biology is at the forefront of modern science, as researchers The Cable Guy reinvent cells by manipulating DNA to solve some of the most important problems facing the The consequences are severe for a single man when he rejects the friendship of a slightly world.
    [Show full text]