Jazzvenue #179, Tues , Nov 16, 2020 Playlist

Total Page：16

File Type：pdf, Size：1020Kb

Jazzvenue #179, Tues , Nov 16, 2020 Playlist

Jazzvenue is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Larry Arthur presents jazz new and old from across the globe, focussing occasionally on other idioms that relate to jazz. Episode: #179 Original Air Date: Tuesday, November 16, 2020 TRACKLIST (Track/Artist/Album) *** incomplete track 01 Song For My Father/Horace Silver Quintet/Song For My Father (7:20)(1964) 02 I Fall In Love Too Easily/Chet Baker Quartet/Chet Baker Sings (3:19)(1954) 03 My Funny Valentine/Gerry Mulligan Quartet/Featuring Chet Baker (2:55)(1952) 04 But Not For Me/Chet Baker Quartet/Chet Baker Sings (3:05)(1954) 05 Almost Blue/Chet Baker Quartet/One Night In Tokyo (7:55)(1987) 06 I Remember You/Fay Classen/Two Portraits Of Chet Baker (3:56)(2005) 07 Prelude op. 1 no. 3/RGG Trio/RGG Trio (3:58)(2013) 08 Nervous Breakdown/Peter Van Huffel, Sophie Tassignon/Hufflignon (2:44)((2008) 09 Currents/Rashied Ali Trio/Deals, Ideas + Ideals (5:58)(2000) 10 15,000/Noah Preminger Quartet/Haymaker (7:54)(2013) 11 Be Out S’Cool/Barry Alrschul Trio/Brahma (7:01)(1980)CANCON ……………………….BREAK…………………….. 12 Misratze B,Rachamin/Steven Bernstein Quartet/Diaspora Blues (12:41)(2002) 13 It’s Easy To Remember/Karrin Allyson/Remembering John Coltrane (6:03)(2001)CANCON 14 Russian Love Story/Fabian Almazan Trio/Personalities (6:49)(2010) 15 Lisbon Stomp/Keith Jarrett Trio/Life Between The Exit Signs (6:06)(1967) 16 Walking Slow Behind You/Jimmy Rushing, Count Basie/RCA Victor (2:47)(1949) 17 Oh! Red/Count Basie & His Rhythm/Decca (2:52)(1939) 18 One O’Clock Jump/Count Basie & His Septet/Columbia (2:57)(1950) 19 Everyday I Have The Blues/Joe Williams, Count Basie/At The Americana (3:49)(1959) 20 Oh, Lady Be Good/Count Basie Septet/Count Basie & The Kansas City 7 (44:42)(1962) 21 Inner Urge/Joe HendersonQuartet/Inner Urge (11:59)(1964)***.

Copy Link

Recommended publications

Chet Baker Pretty/Groovy Mp3, Flac, Wma
Chet Baker Pretty/Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty/Groovy Country: US Released: 1958 MP3 version RAR size: 1735 mb FLAC version RAR size: 1189 mb WMA version RAR size: 1592 mb Rating: 4.8 Votes: 397 Other Formats: APE FLAC WMA MP2 AUD AIFF APE Tracklist A1 Look For The Silver Lining A2 Time After Time A3 Travelin' Light A4 My Funny Valentine A5 There Will Never Be Another You A6 The Thrill Is Gone A7 But Not For Me B1 Band Aid B2 The Lamp Is Low B3 Carson City Stage B4 Long Ago And Far Away B5 Easy To Love B6 Winter Wonderland B7 Batter Up Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Saxophone – Bill Perkins Trumpet – Chet Baker Notes Plain labels with writing on both sides. Barcode and Other Identifiers Matrix / Runout: Side A : PJ-ST-774 H Matrix / Runout: Side B : PJ-ST-775 H Other versions Category Artist Title (Format) Label Category Country Year Chet Pretty/Groovy (LP, World Pacific WP-1249 WP-1249 US 1958 Baker Comp) Records Chet Pretty/Groovy (LP, LPM 2082 Music LPM 2082 Italy Unknown Baker Comp) TOCJ-9443, Chet Pretty / Groovy (CD, World Pacific, TOCJ-9443, Japan 2002 WP-1249 Baker Comp, Ltd, RE, RM) World Pacific WP-1249 World Pacific K18P-9262, Chet Pretty/Groovy (LP, K18P-9262, Records, Japan 1983 WP-1249 Baker Comp, RE) WP-1249 Pacific Jazz World Pacific PJ 1249, Chet Pretty/Groovy (LP, PJ 1249, Records, Japan 1991 PJ-1249 Baker Comp, Mono, RE) PJ-1249 Pacific Jazz Related Music albums to Pretty/Groovy by Chet Baker Chet Baker - The Thrill Is Gone My Ideal Chet Baker - Baker's Holiday: Chet Baker Sings And Plays Billie Holiday Chet Baker - The Best Of Chet Baker Matt Dusk - My Funny Valentine: The Chet Baker Songbook Chet BAKER - Sings and plays with bud shank russ freeman and strings Chet Baker - Deep In A Dream - The Ultimate Chet Baker Collection Chet Baker - Chet Baker Chet Baker - Chet Baker In Tokyo Chet Baker - The Very Best Of Chet Baker Chet Baker Quartet - Chet Baker Quartet.
[Show full text]
COMPLETE CATALOG with All Information
Available Pat Martino transcription books: PM #1 € 9,95/$ 15,95 Pat Martino: Solos 1968-1974 Bebop & Beyond: Sideman Years I (40 pages) PM #2 € 9,95/$ 15,95 Pat Martino: Solos 1963-1964 Swing To Bop: Sideman Years II (42 pages) PM #3 € 9,95/$ 15,95 Pat Martino: Solos 1964/1965 More Swing To Bop: Sideman Years III (38 pages) PM #4 € 9,95/$ 15,95 Pat Martino: Solos 1965 - 1967 Organ Standards: Sideman Years IV (41 pages) PM #5 € 9,95/$ 15,95 Pat Martino: Solos 1973-1977 In The Seventies: Sideman Years V (43 pages) PM #6 € 9,95/$ 15,95 Pat Martino: EL HOMBRE [1967] (34 pages) PM #7 € 9,95/$ 15,95 Pat Martino: STRINGS! [1967] (27 pages) PM #8 € 9,95/$ 15,95 Pat Martino: EAST! [1968] (35 pages) PM #9 € 9,95/$ 15,95 Pat Martino: FOOTPRINTS [1972] (36 pages) PM #10 € 9,95/$ 15,95 Pat Martino: LIVE! [1972] (29 pages) PM #11 € 9,95/$ 15,95 Pat Martino: CONSCIOUSNESS [1974] (38 pages) PM #12 € 9,95/$ 15,95 Pat Martino: WE'LL BE TOGETHER AGAIN [1976] (34 pages) PM #13 € 9,95/$ 15,95 Pat Martino: JOYOUS LAKE [1976] (32 pages) PM #14 € 14,95/$ 22,95 Pat Martino: THE RETURN [1987] (58 pages) PM #15 € 5,95/$ 8,95 P.M.'s solos on Bob Kenmotsu's BRONX TALE [1994] (17 pages) PM #16 € 9,95/$ 15,95 Pat Martino: INTERCHANGE [1994] (44 pages) PM #17 € 9,95/$ 15,95 Pat Martino: NIGHTWINGS [1994] (32 pages) PM #18 € 9,95/$ 15,95 Pat Martino: THE MAKER [1994] (32 pages) PM #19 € 9,95/$ 15,95 Pat Martino: STONE BLUE [1998] (36 pages) PM #20 € 9,95/$ 15,95 Pat Martino: EXIT [1976] (35 pages) PM #21 € 19,95/$30,95 Pat Martino: LIVE AT YOSHI's [2000] (70 pages) PM
[Show full text]
Ira Gershwin
Late Night Jazz – Ira Gershwin Samstag, 15. September 2018 22.05 – 24.00 SRF 2 Kultur Der ältere Bruder des Jahrhundertkomponisten George Gershwin (1898 – 1937) verschwindet hinter dem Genie des jüngeren Gershwin zuweilen etwas. Dabei lieferte er kongeniale Texte zu George Gershwin’s Melodien, zum Beispiel für die Oper «Porgy and Bess». Und nach dem frühen Tod des Bruders arbeitete Ira noch fast fünfzig Jahre weiter. Er schrieb Songtexte zu Melodien von Harold Arlen, Jerome Kern und Kurt Weill, die von Stars wie Barbra Streisand oder Frank Sinatra gesungen wurden. Redaktion: Beat Blaser Moderation: Annina Salis Sonny Stitt - Verve Jazz Masters 50 (1959) Label: Verve Track 01: I Got Rhythm Judy Garland - A Star Is Born (1954) Label: Columbia Track 03: Gotta Have Me Go with You Benny Goodman Sextet - Slipped Disc 1945 – 1946 (1945) Label: CBS Track 12: Liza Cab Calloway and His Orchestra - 1942-1947 (1945) Label: Classics Records Track 07: All at Once Ira Gershwin & Kurt Weill - Tryout. A series of private rehearsal recordings (1945) Label: DRG Track 07: Manhattan (Indian Song) Oscar Peterson Trio - The Gershwin Songbooks (1952) Label: Verve Track 06: Oh, Lady Be Good Ella Fitzgerald - Get happy! (1959) Label: Verve Track 02: Cheerful Little Earful Artie Shaw - In the Beginning (1936) Label: HEP Records Track 03: I Used to Be Above Love Stan Getz - West Coast Jazz (1955) Label: Verve Track 08: Of Thee I Sing Judy Garland - A star is born (1954) Label: Columbia Track 16: Here's What I'm Here For The Four Freshmen - The Complete Capitol Four
[Show full text]
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
Jeff Rupert Saxophone Master Class
Jeff Rupert Saxophone Master Class I Saxophone Assembly and maintenance Holding the instrument. The neck and mouthpiece assembly. Checking key mechanisms. Checking for leaks, and clogged vents. Maintaining the lacquer. Setting the instrument down. II Posture The Back and neck. Legs and knees. III Breathing and Breath flow Inhaling. Exhaling. Breath solfège IV The Oral Cavity and the Larynx. V Embouchures for playing the saxophone. Variance in embouchure technique. The embouchure and breathing. VI Daily Routines for practicing the saxophone. Daily routines and rituals. Playing the mouthpiece. Playing the mouthpiece with the neck. Overtone exercises. VII Articulation Single tonguing. Doodle tonguing. Alternate articulations specific to jazz. Double tonguing. VIII Practice patterns for scales. Scales and Arpeggios Major, minor (dorian, natural minor, ascending jazz melodic minor, harmonic minor) and diminished. Resources for jazz scales. IX Equipment Different horns. Mouthpieces. Reeds. Ligatures. Neckstraps. X Resources for saxophonists Recordings. Web resources. Books and educational CD's and DVD's. Saxophonists in jazz and pop music. XI Conclusion. ©2009 Rupe Music Publishing 001 saxophone master class, Jeff Rupert pg2 I Saxophone Assembly and maintenance Neck and mouthpiece assembly: Putting the saxophone together is something we've all been doing since day one. It may seem trite to even address assembly of the instrument, but its been a common flaw not to develop good habits. I've seen broken mouthpieces, bent rods and necks several times from seasoned professionals who should have known better! This is precisely why its important to develop good habits when putting your instrument together. Prior to putting the mouthpiece on the neck, make certain that the cork is lubricated.
[Show full text]
A Performance E a Vida De Chet Baker
Universidade Federal da Bahia | 2013 A performance e a vida de Chet Baker André Cerqueira ANDRÉ CERQUEIRA A PERFORMANCE E A VIDA DE CHET BAKER Trabalho apresentado ao colegiado do curso de Comunicação com habilitação em Jornalismo pela Faculdade de Comunicação da Universidade Federal da Bahia como requisito para a conclusão do último semestre e obtenção do diploma da graduação. Orientação: Prof. Drª Itania Gomes Salvador 2013 ANDRÉ CERQUEIRA A PERFORMANCE E A VIDA DE CHET BAKER Trabalho apresentado ao colegiado do curso de Comunicação – Jornalismo da Faculdade de Comunicação, na Universidade Federal da Bahia como requisito para a conclusão do curso e obtenção do diploma da graduação. Orientação: Prof. Drª Itania Gomes Aprovado por Componentes da banca examinadora: _______________________________________________ _______________________________________________ _______________________________________________ ___ de __________ de 2013 A Álvaro Andrade, pelo caminho infinito. AGRADECIMENTOS Sou profundamente grato aos meus pais, principalmente a minha mãe, por terem investido em meus estudos e terem feito dos meus sonhos parte dos seus, aos meus irmãos pelo apoio e companheirismo na vida, e a todos os tios e primos e sobretudo meus avós, que me ensinaram a importância de mergulhar na música de olhos fechados. A realização deste trabalho seria impossível sem a generosidade e o apoio de Jorge Cardoso Filho e dos integrantes do grupo Mídia e Música Popular Massiva, que me auxiliaram nas reflexões da melhor maneira possível, tornando-se peça essencial
[Show full text]
Pete Kelly's Blues See Pages 8, 35 HALLMARK Will Pay
DOWN RECORDS HIGH-FIDELITY INSTRUMENTS FILMLAND UP BEAT RADIO Pete Kelly's Blues See Pages 8, 35 HALLMARK will pay to LES BAXTER'S Song Moró&a * AN ALL-EXPENSE TRIP TO HOLLYWOOD and * CO-COMPOSER'S FUTURE ROYALTIES! CAN YOU tell the story of “Monika"—a bad girl — in |ust so many words, to fit LES BAXTER'S music? The music is already on a CAPITOL disc! It's already published by STARLIGHT SONGS! But — without words! HALLMARK wants lyrics — good lyrics, for “Monika". HALLMARK will pay an all-time record price for them! TEN THOU SAND in cash, plus co-composer'$ royalties which could reach $40,000 or $50,000 more, plus an all-expense trip to Hollywood and appearance on a national TV network show. Open to profession als and amateurs alike Lyrics must be postmarked by midnight, Nov. 1, 1956. Winner announced during December, 1956. Get busy, get rich! The PHONE YOUR LOCAL THEATRE MANAGERS TODAY! GET FULL particulars from your local theatre which shows “MON IKA". Telephone your leading theatres right now. Ask for THE MANAGER! Learn if and when he expects to show HALLMARK'S sensational Swedish story of a bad girl, “MONIKA". Keep calling them for the play-date. See the HALLMARK movie, “MONIKA". Hear Les Baxter's brilliant musical score and title song. Get a copy of the sheet music, to guide you. Get a CAPITOL record to aid you. Fit lyrics that describe this bad girl to Baxter's music. JUDGES — Let Baxter, Hollywood; Dr. Cleo Dawson, U. of Kentucky, Lexington; Steve Allen, New York City MAIL 4 YOUR LYRICS toi MONIKA Song Contest Dept., care — HALLMARK PRODUCTIONS, Inc.
[Show full text]
Chet Baker's Role in the "Piano-Less Quartet" of Gerry Mulligan. Charles Lester Quinn Jr Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 Chet Baker's Role in the "Piano-Less Quartet" of Gerry Mulligan. Charles Lester Quinn Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Quinn, Charles Lester Jr, "Chet Baker's Role in the "Piano-Less Quartet" of Gerry Mulligan." (1996). LSU Historical Dissertations and Theses. 6276. https://digitalcommons.lsu.edu/gradschool_disstheses/6276 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
[Show full text]
Chet Baker Pretty / Groovy Mp3, Flac, Wma
Chet Baker Pretty / Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty / Groovy Country: Japan Released: 2007 MP3 version RAR size: 1467 mb FLAC version RAR size: 1793 mb WMA version RAR size: 1953 mb Rating: 4.8 Votes: 609 Other Formats: MP2 ASF MP2 AHX FLAC MIDI WAV Tracklist Hide Credits Look For The Silver Lining 1 Written-By – DeSylva*, Kern* Time After Time 2 Written-By – Styne-Cahn* Travelin' Light 3 Written-By – Mundy*, Mercer* My Funny Valentine 4 Written-By – Rogers-Hart* There Will Never Be Another You 5 Written-By – Warren*, Gordon* The Thrill Is Gone 6 Written-By – Brown*, Henderson* But Not For Me 7 Written-By – G. & I. Gershwin* Band Aid 8 Written-By – Russ Freeman Pavane 9 Written-By – M. Ravel* Carson City Stage 10 Written-By – Carson Smith Long Ago And Far Away 11 Written-By – Gershwin*, Kern* Easy To Love 12 Written-By – Cole Porter Winter Wonderland 13 Written-By – Smith*, Bernard* Batter Up 14 Written-By – Russ Freeman Companies, etc. Manufactured By – Toshiba EMI Ltd Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Remastered By – Ron McMaster Saxophone – Bill Perkins Trumpet – Chet Baker Notes Recorded in Los Angeles on July 27, 29 & 30, 1953 (tracks 9-12 & 14), at Radio Recorders in Hollywood on October 3, 1953 (tracks 6 & 8) and October 27, 1953 (track 13), at Capitol Studios in Hollywood on February 15, 1954 (tracks 1, 2, 4, 5 & 7) and in New York City on December 9, 1957 (track 3).
[Show full text]
Catalogo Xpress
Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley
[Show full text]
Top 200 Recordings
200 Essential Small Group Jazz Recordings 1925-1975 This list comprises two hundred of the most historically important small group jazz recordings. Represented is the work of every major innovator, as well as many of the great stylists. Thousands of recordings are currently available and it is often difficult for the young player to know where start building a collection. This list is by no means an absolute, but combines what I consider to be a complete overview of the masters and their music. Notes on Charlie Parker Recordings: There are hundreds of studio and live recordings of Parker available. The Dial, Savoy and Verve recordings are the primary ones to seek out. Due to the limitations of pre-1950 recording technology (78 r.p.m. discs), sound recordings were no greater than 3 minutes in length. The many "live" recordings of Parker offer the listener an opportunity to hear Bird unhindered by these constraints. 1) Louis Armstrong--Complete Hot Five and Hot Seven Recordings (Columbia) 2) Louis Armstrong--Complete RCA/Victor Recordings (RCA) 3) Louis Armstrong--Ella and Louis (Verve) 4) Louis Armstrong--Plays W.C. Handy (Columbia) 5) Bix Beiderbecke--Volume 1 Singin’ the Blues (Columbia) 6) Art Tatum--Piano Starts Here (Columbia) 7) Art Tatum--Classic Early Solos 1934 and 1937 (Decca) 8) Jelly Roll Morton--Birth of the Hot (RCA/Bluebird) 9) Coleman Hawkins--Body and Soul (RCA) 10) Coleman Hawkins--Rainbow Mist (Delmark) 11) Coleman Hawkins--1943-1944 (Classics) 12) Lester Young--“Count Basie” 1936-1938 (Classics) 13) Lester Young--Complete
[Show full text]