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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Firehouse Jig
Kjos String Orchestra Grade 4 Full Conductor Score SO405F $7.00 Kirt Mosier Firehouse Jig SAMPLE Neil A. Kjos Music Company • Publisher 2 The Composer Internationally known composer and conductor, Kirt Mosier was director of orchestras at Lee’s Summit West High School in Lee’s Summit, Missouri. He has also taught orchestration and arranging as an adjunct professor at University of Missouri-Kansas City Conservatory of Music in Kansas City, Missouri. Mr. Mosier has many published orchestral works and has twice won national composition awards. His first occurred in 1993 with his original work, Baltic Dance, which won the National School Orchestra Association Composition Contest. In 2004, American Reel, won the 2004 Merle J. Isaac National Composition Contest. In the professional performance arena, the Portland Ballet Company of Portland, Maine, commissioned Mr. Mosier to write an original score to their production of The Legend of Sleepy Hollow (2010). The Kansas City Symphony premiered one of Mosier’s holiday arrangements in December of 2017. From 1990 to present, Kirt Mosier has conducted numerous orchestras and served as keynote speaker throughout the United States and abroad. He conducted the National High School Honors Orchestra as well as the National Junior High School Honors Orchestra at Carnegie Hall in 2016. In 2017, he traveled throughout the United States, including two trips to Carnegie Hall, and had two world premiere performances at the Midwest International Clinic in Chicago. Internationally, Mr. Mosier conducted the 2015 International Strings Festival in Bangkok, Thailand and the 2017 International Strings Festival in Jakarta, Indonesia. He has also conducted in Reykjavik, Iceland and continues to have conducting appearances throughout the United States, Singapore, the Netherlands, and Sydney, Australia. -
Blues Notes June 2016
VOLUME TWENTY-ONE, NUMBER SIX • JUNE 2016 Sunday, June 5th @ 5 pm - Zoo Bar CURTIS SALGADO Tuesday, June 7th @ 6 pm • 21st Saloon, Omaha, NE $10 for BSO members, $20 for non-members Join the BSO or renew at the door Advance tix @ www.eventbrite.com GOLDEN STATE - LONE STAR REVUE Also Appearing Thursday, June 30th @ 5 pm $15 Wednesday, June 8th @ 6 pm • Zoo Bar, Lincoln, NE 21st Saloon, Omaha WEEKLY BLUES SERIES 4727 S 96th Plaza SOARING WINGS BLUES FESTIVAL Thurs. shows @ 6pm • Sat. shows @ 8 pm with John Primer & Watermelon Slim Bands subject to change Saturday, June 4th June 2nd .............................................................Davy Knowles ($10) June 4th (8 pm) ... Swamp Productions Presents Swampboy Blues Band, SUMMER ARTS FESTIVAL Sweet Tea, Bad Judgement & 40 Sinners ($5) June 10, 11, & 12 June 7th (Tues)........................................................... Curtis Salgado Featuring ($10 BSO Members, $20 Non Members, Bernard Allison Friday, June10th advance tickets at www.eventbrite.com) June 9th (5 pm) ......................................... Tale of 3 Cities Tour ($10) BLUES AT BEL AIR Hector Anchondo, Amanda Fish, and Delta Sol - Sunday June 12th Front and Center opens at 5pm! featuring June 10th (9 pm) ........Achilles Last Stand - Led Zepplin Tribute ($5) The Mighty Jailbreakers June 11th (8 pm) .... Luther James Band ($5) Summer Arts Fest After Party and The Bel Airs June 16th (5 pm) .......... Markey Blue ($10) - Dilemma opens at 5pm June 18th (8 pm) ........ Blue House and the Rent to Own Horns ($5) BRIDGE BEATS June 23rd (5 pm) ....Bruce Katz Band ($10) - Far & Wide opens at 5pm Saturday June 10th & 24th June 25th (8 pm) ............................................Rhythm Collective ($5) June 30th (5 pm) ................... -
Golden Gate Grooves, January 2014
Golden Gate Grooves, January 2014 CD REVIEWS Billy Boy Arnold, Charlie Musselwhite, The singers/harmonica players under whose names Remembering Little Walter was issued are an enviable Mark Hummel, Sugar Ray Norcia, James all-star assemblage: Hummel, Harman, Charlie Harman, Remembering Little Walter Musselwhite, Billy Boy Arnold, and Sugar Ray Norcia. Together they make up something like 50% of any by Tom Hyslop reasonable person’s list of the pre-eminent living Latter-day harp men talk harmonica players, and the environment, as one might about Big Walter’s tone, expect, makes for committed and spirited emulate the conversational performances. Sugar Ray’s intense “Mean Old World” is styles of both Sonny Boys, dynamite, as is Musselwhite’s take on the up-tempo admire the power and “One Of These Mornings,” a relative rarity, which also playfulness of Cotton, and features a daredevil guitar break. Tone and dynamics dig Junior Wells’s attitude. are at an impossibly high level throughout—Hummel Some may work on Jimmy and the band dial in a perfect late-night mood on “Blue Reed’s high-end approach, Light,” and the way Harman drives “Crazy Mixed Up or give lip service to Snooky World” hard before breaking it down to a whisper at Pryor or even Louis Myers. But Marion Walter Jacobs the end is masterly. Billy Boy’s “Can’t Hold Out Much was The Man, the player whose stylistic innovations Longer” is splendid on every level. revolutionized the way the instrument was played, and whose technique, taste, and tones continue to baffle That recaps only about half of the program, but the rest and inspire musicians more than 60 years after his of the songs (each performer sings two) are excellent as debut, and nearly 45 years after his untimely death. -
When I Look Into Your Eyes Firehouse Free Download
When i look into your eyes firehouse free download LINK TO DOWNLOAD Check out When I Look Into Your Eyes by Firehouse on Amazon Music. Stream ad-free or purchase CD's and MP3s now on renuzap.podarokideal.ru(17). Free guitar backing track for When I Look Into Your Eyes by FireHouse in MP3 format. Download it for free. Firehouse When I Look Into Your Eyes sheet music arranged for Piano, Vocal & Guitar (Right-Hand Melody) and includes 7 page(s). The style of the score is Love. Catalog SKU number of the notation is The arrangement code for the composition is PVGRHM. Minimum required Reviews: 1. Print and download When I Look Into Your Eyes sheet music by Firehouse. Sheet music arranged for Piano/Vocal/Guitar in F Major (transposable). SKU: MNInstruments: Voice, range: C4-C#6, Piano, Guitar. Lyrics. Firehouse I see forever when I look in your eyes You're all I ever wanted I always want you to be mine Let's make a promise till the end of time We'll always be together And our love will never die So here we are face to face And heart to heart I want you to know we will Never be apart Now I believe that wishes can come true 'Cause I see my whole world I see only you When I look into. When I look into your eyes I can see how much I love you And it makes me realize When I look into your eyes I see all my dreams come true When I look into your eyes I've looked for you all of my life Now that I've found you We will never say good-bye Can't stop this feelin' And there's nothing I can do 'Cause I see everything When I look at you. -
INSIDE THIS ISSUE: Performance Schedules and Blues News from The
June/July 2016 #219 $5.00 US New England’s only independent Blues newsletter mailing the schedules of our outstanding, hard working TheBlues Bands and BluesBlues Clubs to dedicated Blues Fans Audiencesince for 25 years. © ATB/TBA 2016 INSIDE THIS ISSUE: Performance schedules and Blues news from the most talented local New England Blues Bands and Blues Clubs and Blues Festivals! Is that enough Blues for you? • Eddie Scheer, vocalist and multi talented musician, leader of the Love Dogs, talks to Art Simas about how he balances life and his music. Promo photo by Ken Boege • Blues news from her point of view, from our intrepid Ex President. Karen “Sistah K” Nugent • A new Festival in Antrim, NH- Bluesberry Jam with Big Bill Morganfield! • North Atlantic Blues Festival • Westford, MA Blues “n” Brews Festival • Barnful of Blues Festival with Luther “Gtr. Jr.” Johnson & The Magic Rockers!! are all coming up, how lucky are we, right here in New England? photos by Diana Shonk Leader of the Love Dogs Fetches Happiness in Living with Fa m i l y, Friends which we do about 4 or 5 times a year, we played 4 or 5 songs a n d M us ic, that we have never played before. Someone might come up with an idea and we all make it happen.” Every Day In the beginning, when he was dreaming about putting a band together, Scheer said, “I was simply thinking about the By Art Simas people who I thought would fit my musical ideas well. And look what happened. It’s just amazing that we’re all still together after all this time. -
Mark Hummel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8r216s6 No online items Guide to the Mark Hummel Papers Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Mark Hummel MS 223 1 Papers Guide to the Mark Hummel Papers Collection number: MS 223 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 2018-04-27 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Mark Hummel papers Dates: 1978-2012 Collection number: MS 223 Creator: Hummel, Mark Collection Size: .25 linear feet(1 box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Mark Hummel Papers consist of photographs, blues show flyers, blues music publications, audio recordings, and newspaper clippings documenting the career of blues musician Mark Hummel and the San Francisco Bay Area blues scene in the 1970s-1990s. Languages: Languages represented in the collection: English Access No access restrictions. Collection is open to the public. Access Restrictions Materials are for use in-library only, non-circulating. Publication Rights Permission to publish from the Mark Hummel Papers must be obtained from the African American Museum & Library at Oakland. Preferred Citation Mark Hummel papers, MS 223, African American Museum & Library at Oakland, Oakland Public Library. Oakland, California. Acquisition Information Donated by blues musician Mark Hummel to the African American Museum & Library at Oakland on March 30, 2018. -
Recognizing and Combating Firefighter Stress by P.J
Continuing Education Course Recognizing and Combating Firefighter Stress BY P.J. NORWOOD AND JAMES RASCATI TRAINING THE FIRE SERVICE FOR 136 YEARS To earn continuing education credits, you must successfully complete the course examination. The cost for this CE exam is $25.00. For group rates, call (973) 251-5055. Recognizing and Combating Firefighter Stress Educational Objectives On completion of this course, students will 1) Learn why Firefighter Stress and Post Traumatic Stress Disor- 3) Understand the key part of stress’s multiple definition. der (PTSD) has been a taboo topic in the fire service. 4) Learn the warning signs of stress. 2) Discover how stressful the firefighting profession is on fire- fighters. BY P.J. NORWOOD percent for PTSD in the fire service is well above the national AND JAMES RASCATI average for adults, which is 6.8 percent. It is well established that firefighters are impacted by critical incident stress.A lso, VER THE PAST FEW YEARS, THERE HAS BEEN a suicides within the fire service community continue to escalate positive trend in firefighter training; firefighter aware- at an alarming rate. O ness; and instructors’ writing, teaching, and preach- Alcohol abuse has been and continues to be an issue for ing toward firefighter fitness. It is a topic that had been taboo both career and volunteer firefighters. It is estimated that the for many years in the fire service. Many firefighters across the alcohol abuse disorder rate is seven to nine percent for adult country are focusing on their level of fitness, and many depart- Americans and anywhere from 25 to 30 percent for firefight- ments have put mechanisms and programs in place that encour- ers.1 Alcohol abuse has been a culturally accepted way to deal age weight loss and increased physical fitness. -
To Read/Download
1 President’s Column groups to attend our shows (with their membership cards) at SBS By Brandon Bentz, President member prices. My view is that we are one big community of Blues As we approach the New Year, it is time to lovers, and we need to be open-armed to each other. I also targeted sponsored shows at higher visibility venues, such as the Harmonica reflect on the past year. It is a useful exercise to undertake each year to critically evaluate Slapdown at the Harris Center. The Harris Center sends out their where you have been and where you want to seasonal mailers to 100,000+ members, and the advertising power go.I think this has been a great year, and could not be denied. In addition, their membership is a very affluent, I'd like to share with you how I became your educated, and involved group. We signed up 35 new individual and President. family memberships at that show. Our next show to be held there will be the Summer Soulstice 2019 with Wee Willie Walker, Terri I took over the Presidency a little less than a year ago, when Renee Odabi, and the Anthony Paule Soul Orchestra. Hope to see you Erickson was suddenly faced with a serious health problem. I had there. taken the Vice Presidency over just a few months earlier when the former VP stepped down. The Board voted me into the VP spot, to Next was the Board membership crisis. If we fell below a critical fill the vacancy and introduce new blood and new ideas. -
The Love of a Lifetime Pdf, Epub, Ebook
THE LOVE OF A LIFETIME PDF, EPUB, EBOOK Melissa Hill | 384 pages | 06 Oct 2016 | Simon & Schuster Ltd | 9781471127656 | English | London, United Kingdom The Love of a Lifetime PDF Book I guess the time was right for us to say, We'd take our time and live our lives together day by day. Yes No. It was the band's third single and its highest charting single in the United States, peaking at No. FireHouse Lyrics provided by SongLyrics. Oughta Be A Law. The song was written by vocalist C. Overnight Sensation live. All She Wrote. It is also the band's first and most popular power ballad. David Prater Bruce Dickinsom. Forever in my heart, I finally found a love of a lifetime. Hidden categories: Pages using infobox song with unknown parameters Articles with hAudio microformats. Sign In Register. Metaphysical Services. George Fearon. Cancel Report. Overnight Sensation. In a interview, Snare commented "now I have the benefit of time to look back over this and there isn't a show that goes by where people don't come up to us and are like "'Love of a Lifetime' - we got married to that song! We follow the teachings from A Course in Miracles and metaphysical concepts to create a life true to your purpose. A love to last my whole life through. We also offer Transformational Life and Relationship Coaching to individuals and couples. Love of a Lifetime Extremely Acoustic version. We know our dreams can all come true if loving we can share. All She Wrote 2. Don't Treat Me Bad. -
Read Ebook {PDF EPUB} Ambrosia by Sarah Daltry
Read Ebook {PDF EPUB} Ambrosia by Sarah Daltry Ambrosia (A Flowering Novella) No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without the written permission of the author, except where permitted by law. The only exception is by a reviewer, who may quote short excerpts in a review. This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Table of Contents. “Love seeketh not itself to please, nor for itself hath any care, But for another gives its ease, and builds a Heaven in Hell’s despair.” This book is dedicated to Jack and Lily – and to everyone who is a part of them. To my husband, Karen, and Lisa – I love you. The end. “I look like a cake,” I mumble. I feel like shopping for a wedding dress is supposed to be memorable, but I’m not sure this is the right kind of memorable. “Do you know who designed that?” my mother asks and she follows up with a name I’ve never heard. I guess it’s impressive, though, because Kristen gasps. Abby just looks at me and shrugs, because she knows how things are. And Alana stares at everyone in the dressing room as if she took a wrong turn. Meanwhile, I look like a cake. -
David Pack Facts at a Glance 2021
David Pack Facts at a Glance 2021 David Pack has won international acclaim both for his solo work and his stellar turn as co-founder & former frontman for the progressive rock group Ambrosia. He is a Grammy-winning Producer and Music Director/Producer of global special events including both of President Clinton’s Inaugurals, charitable events for Barbra Streisand, Elton John, Billy Joel, Madonna, Fergie, and an incredible host of others. His collected works as a performer and producer have sold over 50-million units worldwide. His music mentors are friends the late Leonard Bernstein and Quincy Jones. He is a two-time Grammy winner – for Tribute: Songs of Andrae Crouch and Handel’s Messiah – a Soulful Celebration. He has been nominated for seven additional Grammys – six for Ambrosia, one for Kenny Loggins’ Return to Pooh Corner. David’s all-star group “David Pack’s Legends Live” perform across America. Artists Produced Aretha Franklin, Faith Hill, Phil Collins, Garth Brooks, Kenny Loggins, Michael McDonald, Leann Rimes, Natalie Cole, Patti LaBelle, Trisha Yearwood, Selena, Amy Grant, Wynonna Judd, Brian Setzer, TLC, Brian McKnight, Little Richard, Patti Austin, Linda Ronstadt, James Ingram, Cece Winans, Pointer Sisters, Mavis Staples, Andrae Crouch, David Benoit, Take 6, Bruce Hornsby, Branford Marsalis, Chick Corea, Steve Vai, Tevin Campbell, Jerky Boys, Paul Rodriquez, Chet Atkins, Olivia Newton John, DC Talk, Jennifer Holliday Current Projects • Solo Album in progress (2020) • The Bubble Musical Soundtrack Album of David’s first musical