Arrowsmith Sinclair Lewis
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COPYRIGHTED by RUTH BELI, GOBER 1957
COPYRIGHTED by RUTH BELI, GOBER 1957 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION BY RUTH BELL GOBER Norman, Oklahoma 1956 THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION APPROVED BY ÎSIS COMMITTEE TABLE OF CONTENTS Chapter Page I. INTRODUCTION..................................... 1 II. F. SCOTT FITZGERALD.............................. 8 III. WILLA CATHER..................................... 46 IV. SINCLAIR LEWIS........................ 68 V, GEORGE SANTAYANA................................. Il8 VI. THOMAS WOLFE..................................... 142 VII. FINDINGS.......................................... 191 BIBLIOGRAPHY.............................................. 204 iv THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION CHAPTER I INTRODUCTION "For a century and a half, the novel has been king of 1 Western literature." It has both mirrored and influenced popular thought as it has found readers throughout the West ern world. "The drama and the poetry, but chiefly the novel, of America have risen to a position of prestige and of influ- 2 ence abroad seldom equaled in history." Consequently, the content of the novel is of concern to educators. The present study is concerned with the interpretation of the student of higher education in the United States as found in the work of certain prominent American novelists of the twentieth century. The procedure used in selecting the five literary writers included an examination of annotated bibliographies of the American novels published during the twentieth century. The formidable number of writers who have used student 1------------------------------------------------------------- Henri Peyre, The Contemporary French Novel (New York: Oxford University Press, 1955]> 3. ^Ibid., 263. -
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Hubert Irey Gibson Collection of Sinclair Lewis (1933-1993)
The Hubert Irey Gibson Collection of Sinclair Lewis (1933-1993) University Archives and Special Collections St. Cloud State University St. Cloud, Minnesota Quantity: .84 linear feet Restrictions: No usage restrictions. St. Cloud State University Archives last modified June 1, 2009 Hubert Irey Gibson Collection of Sinclair Lewis 2 Biography Hubert Irey Gibson (1906 – 1996) Hubert Irey Gibson was born in Mason, Illinois, on December 21, 1906, the eldest of seven children. As a child, Hubert enjoyed writing, dreaming one day to become an author. Not sure that he could make a living solely as an author, he eventually decided to be a lawyer who was a writer. In 1928, Hubert moved to Chicago to attend law school. While in school, he found employment as a law clerk. Unfortunately, as the Great Depression descended upon the country, Hubert found himself with a growing family and no job. While Hubert’s wife, the former Frances Lauk, found steady work as a stenographer and typist, Hubert was unable to land employment. Frances suggested that Hubert gain skills that were in demand, such as typing and shorthand. He listened – Hubert attended night classes at a business college and soon acquired those skills. Those newly learned secretarial skills lead Hubert to his job with Sinclair and Lloyd Lewis in the fall of 1933. Chicago Daily News drama critic Lloyd Lewis, who was reported at the time to be writing a play with a famous author, gave Hubert a job as secretary. Hubert then lived temporarily with Sinclair Lewis at the Sherry Hotel in Chicago, preparing draft after draft of The Jayhawker (which was then called “The Skedaddler” or “The Glory Hole”). -
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GUARDIANS of AMERICAN LETTERS Roster As of February 2021
GUARDIANS OF AMERICAN LETTERS roster as of February 2021 An Anonymous Gift in honor of those who have been inspired by the impassioned writings of James Baldwin James Baldwin: Collected Essays In honor of Daniel Aaron Ralph Waldo Emerson: Collected Poems & Translations Charles Ackerman Richard Wright: Early Novels Arthur F. and Alice E. Adams Foundation Reporting World War II, Part II, in memory of Pfc. Paul Cauley Clark, U.S.M.C. The Civil War: The Third Year Told By Those Who Lived It, in memory of William B. Warren J. Aron Charitable Foundation Richard Henry Dana, Jr.: Two Years Before the Mast & Other Voyages, in memory of Jack Aron Reporting Vietnam: American Journalism 1959–1975, Parts I & II, in honor of the men and women who served in the War in Vietnam Vincent Astor Foundation, in honor of Brooke Astor Henry Adams: Novels: Mont Saint Michel, The Education Matthew Bacho H. P. Lovecraft: Tales Bay Foundation and Paul Foundation, in memory of Daniel A. Demarest Henry James: Novels 1881–1886 Frederick and Candace Beinecke Edgar Allan Poe: Poetry & Tales Edgar Allan Poe: Essays & Reviews Frank A. Bennack Jr. and Mary Lake Polan James Baldwin: Early Novels & Stories The Berkley Family Foundation American Speeches: Political Oratory from the Revolution to the Civil War American Speeches: Political Oratory from Abraham Lincoln to Bill Clinton The Civil War: The First Year Told By Those Who Lived It The Civil War: The Second Year Told By Those Who Lived It The Civil War: The Final Year Told By Those Who Lived It Ralph Waldo Emerson: Selected -
SINCLAIR LEWIS' Fiction
MR, FLANAGAN, who is professoT of American literature in. the University of Illinois, here brings to a total of fifteen his mafor contributions to this magazine. The article's appearance appropriately coincides with the seventy-fifth anniversary of Lewis' birth and the fortieth of the publication of Main Street. The MINNESOTA Backgrounds of SINCLAIR LEWIS' Fiction JOHN T. FLANAGAN SINCLAIR. LEWIS 'was once questioned his picture of Gopher Prairie and Minne about the autobiographical elements in sota and the entire Middle W^est became Main Street by a friend 'whose apartment both durable and to a large extent accurate. he 'was temporarily sharing. The novelist A satirist is of course prone to exaggeration. remarked to Charles Breasted that Dr. 'Will Over-emphasis and distortion are his stock Kennicott, the appealing country physician in trade. But despite this tilting of the in his first best seller, 'was a portrait of his balance, his understanding of places and father; and he admitted that Carol, the doc events and people must be reliable, other tor's 'wife, 'was in many respects indistin wise he risks losing touch with reality com guishable from himself. Both "Red" Lewis pletely, Lewis was born in Minnesota, he and Carol Kennicott were always groping spent the first seventeen years of his life in for something beyond attainment, always the state, and he returned on frequent visits, dissatisfied, always restless, and although which sometimes involved extensive stays both were frequently scornful of their im in Minneapolis, St, Paul, or Duluth, A num mediate surroundings they nevertheless ber of his early short stories and six of his lacked any clear vision of what could or twenty-two novels are localized wholly or should be done. -
The Representation of Women in Romantic Comedies Jordan A
Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-24-2017 Female Moments / Male Structures: The Representation of Women in Romantic Comedies Jordan A. Scharaga Ursinus College, [email protected] Adviser: Jennifer Fleeger Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Scharaga, Jordan A., "Female Moments / Male Structures: The Representation of Women in Romantic Comedies" (2017). Media and Communication Studies Honors Papers. 6. https://digitalcommons.ursinus.edu/media_com_hon/6 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Female Moments/Male Structures: The Representation of Women in Romantic Comedies Jordan Scharaga April 24, 2017 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Distinguished Honors in the Media and Communication Studies Department. Abstract: Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. -
Clemente C. Morales Family Salinas, California
The Filipino American Experience Research Project Copyright © October 3, 1998 The Filipino American Experience Research Project Clemente C. Morales Family Salinas, California Edited by Alex S. Fabros, Jr., The Filipino American Experience Research Project is an independent research project of The Filipino American National Historical Society Page 1 The Filipino American Experience Research Project Copyright © October 3, 1998 The Filipino American Experience Research Project Copyright (c) October 3, 1998 by Alex S. Fabros, Jr. All rights reserved. Printed in the U.S.A. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system now known or to be invented, without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast. Published in the United States by: The Filipino American Experience Research Project, Fresno, California. Library of Congress Cataloging-in-Publication Data Library of Congress Catalog Card Number: 95-Pending First Draft Printing: 08/05/98 For additional information: The Filipino American Experience Research Project is an independent project within The Filipino American National Historical Society - FRESNO ALEX S. FABROS, JR. 4199 W. Alhambra Street Fresno, CA 93722 209-275-8849 The Filipino American Experience Research Project-SFSU is an independent project sponsored by Filipino American Studies Department of Asian American Studies College of Ethnic Studies San Francisco State University 1600 Holloway Avenue San Francisco, CA 94132 415-338-6161 (Office) 415-338-1739 (FAX) Page 2 The Filipino American Experience Research Project Copyright © October 3, 1998 TABLE OF CONTENTS TABLE OF CONTENTS ................................................................................. -
Advertising "In These Imes:"T How Historical Context Influenced Advertisements for Willa Cather's Fiction Erika K
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: English, Department of Department of English Spring 5-2014 Advertising "In These imes:"T How Historical Context Influenced Advertisements for Willa Cather's Fiction Erika K. Hamilton University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/englishdiss Part of the American Literature Commons Hamilton, Erika K., "Advertising "In These Times:" How Historical Context Influenced Advertisements for Willa Cather's Fiction" (2014). Dissertations, Theses, and Student Research: Department of English. 87. http://digitalcommons.unl.edu/englishdiss/87 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ADVERTISING “IN THESE TIMES:” HOW HISTORICAL CONTEXT INFLUENCED ADVERTISEMENTS FOR WILLA CATHER’S FICTION by Erika K. Hamilton A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Guy Reynolds Lincoln, Nebraska May, 2014 ADVERTISING “IN THESE TIMES:” HOW HISTORICAL CONTEXT INFLUENCED ADVERTISEMENTS FOR WILLA CATHER’S FICTION Erika K. Hamilton, Ph.D. University of Nebraska, 2014 Adviser: Guy Reynolds Willa Cather’s novels were published during a time of upheaval. In the three decades between Alexander’s Bridge and Sapphira and the Slave Girl, America’s optimism, social mores, culture, literature and advertising trends were shaken and changed by World War One, the “Roaring Twenties,” and the Great Depression. -
Mutual Aesthetics Joseph D
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 Mutual Aesthetics Joseph D. Sherry Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Film and Media Studies Commons, and the Visual Studies Commons Recommended Citation Sherry, Joseph D., "Mutual Aesthetics" (2016). Honors Projects Overview. 117. https://digitalcommons.ric.edu/honors_projects/117 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MUTUAL AESTHETICS VISUAL STYLE IN THE FILMS OF F.W. MURNAU AND JOHN FORD, 1928-1941 By Joseph D. Sherry An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Film Studies Program The School of Arts and Sciences Rhode Island College 2016 Sherry 1 Introduction F.W. Murnau wrote, “All great arts have had great artists born to understand them as no other men can, and the motion picture is the single art expression of our age.”1 Murnau made this remark shortly after his masterpiece, Sunrise: A Song of Two Humans (1927), was released by Fox Film Corporation. Sunrise’s production riveted the entire studio lot due to its scope and Murnau’s international reputation; its subsequent critical success solidified Murnau’s place in Fox’s top-tier of directors. But John Ford, also one of Fox’s top-tier directors, once brusquely remarked, “It’s no use talking to me about art . -
Sinclair Lewis: Social Satirist
Fort Hays State University FHSU Scholars Repository Master's Theses Graduate School Spring 1951 Sinclair Lewis: Social Satirist Milldred L. Bryant-Parsons Fort Hays Kansas State College Follow this and additional works at: https://scholars.fhsu.edu/theses Part of the English Language and Literature Commons Recommended Citation Bryant-Parsons, Milldred L., "Sinclair Lewis: Social Satirist" (1951). Master's Theses. 468. https://scholars.fhsu.edu/theses/468 This Thesis is brought to you for free and open access by the Graduate School at FHSU Scholars Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of FHSU Scholars Repository. SINCLAIR LEWIS: SOCIAL SAT I RI ST being A thesis presented to the Graduate Faculty of the Fort Hays Kansas State College in partial fulfillment of the r equirements f or the De gree of Master of Scien ce by ' \, Mrs . Mildred L. Bryant_!arsons , A. B. Kansas We sleyan University Date ~ /ff/f'J{ ACKNOWLEDGMENTS The writer wishes to express her sincere appreciation to Dr. Ralph V. Coder, under whose direction this thesis was prepared, for his eneour- agement and constructive criticism. Dr. F. B. Streeter has been very helpful in showing the mechanics of thesis writing. Miss Roberta Stout has ' offered many excellent suggestions. The writer also wishes to thank the library staff: Mrs. Pauline Lindner, Miss Helen Mcilrath, and Mrs. Nina McIntosh who have helped in gathering materials. c-1> TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION I • SATIRE ON PSEUDO-CULTURE Mains treet. • • 6 Dodsworth •• . 12 The Prodigal Parents .• 13 II. SATIRE ON RACE PREJUDICE Mantrap • • • • • 15 Kingsblood Royal .