Wanderlust Auction Catalogue Published by the Contemporary Art Society. Wednesday 13 March 2013 Old Vic Tunnels, Leake Street, London SE1 7NN

Preview during Wednesday 6th March to Friday 8th March 2013 at the Contemporary Art Society, 59 Central Street, London EC1 www.contemporaryartsociety.org

The Contemporary Art Society is a national charity that exists to encourage an appreciation and understanding of contemporary art by a wide audience and to donate works by important and new artists to museums and public galleries across the UK.

Sponsored by: index index

Silent Auction (Cont) Committee List 2 Ayan Farah 49 Artist List 3 Alistair Frost 51 Mission Statement 4 Rachel Goodyear 53 Director’s Introduction 5 Noémie Goudal 55 Event Chair’s Welcome 7 Raphael Hefti 57 Sophie von Hellermann 59 Alex Hoda 61 Live Auction Kerstin Kartscher 63 Fiona Banner 11 Peles Empire 65 Simon Periton 13 Oliver Laric 67 Clare Woods 15 Lorna Macintyre 69 Edward Burtynsky 17 Ryan Mosley 71 Conrad Shawcross 19 Sarah Pickstone 73 Saskia Olde Wolbers 21 Laure Prouvost 75 Toby Ziegler 23 Ged Quinn 77 Jennifer Steinkamp 25 Ivan Seal 79 Paris Design Experience 27 Veronica Smirnoff 81 David Brian Smith 83 Dolly Thompsett 85 Silent Auction Mimei Thompson 87 Contemporary Art Trip to Berlin 31 Francis Upritchard 89 Henny Acloque 33 Sinta Werner 91 Annie Attridge 35 Sara Barker 37 GL Brierley 39 Thank You 96 Laura Buckley 41 Partners & Supporters 98 Shezad Dawood 43 Conditions of Business 104 Harm van den Dorpel 45 Auction Information 106 Marcin Dudek 47 Silent Auction & Pledge System 108 The WANDERLUST Committee With Sincere Thanks to the participating artists & their galleries

Nicholas Berwin Valeria Napoleone Henny Acloque Oliver Laric Myriam Blundell Olga Ovenden Annie Attridge Lorna Macintyre Philippa Bradley Veronique Parke Fiona Banner Ryan Mosley Daniela Colaiacovo Françoise Sarre Rapp Sara Barker Saskia Olde Wolbers Laurence Coste Ellen Shapiro GL Brierley Simon Periton Sarah Elson Dasha Shenkman Laura Buckley Sarah Pickstone Antje Géczy, Chair Mark Stephens Edward Burtynsky Laure Prouvost Joanna Gemes Cathy Wills Shezad Dawood Ged Quinn Kira Heuer Dina Wulfsohn Harm van den Dorpel Ivan Seal Paul Hobson Anita Zabludowicz Marcin Dudek Conrad Shawcross Linda Keyte Henry Zarb Ayan Farah Veronica Smirnoff Michael King Jill Zarzycki Alistair Frost David Brian Smith Audrey Klein Rachel Goodyear Jennifer Steinkamp Martina Klemmer Noémie Goudal Dolly Thompsett Zach Leonard Raphael Hefti Mimei Thompson Fatima Maleki Sophie von Hellermann Francis Upritchard Alex Hoda Sinta Werner Kerstin Kartscher Clare Woods Peles Empire Toby Ziegler

2 3 M ission Statement director’s introduction

Encouraging an appreciation and understanding of The Contemporary Art Society is a national charity that fundraises to purchase and place new works of contemporary art in museums and galleries across the UK for audiences contemporary art by a wide audience and donating to enjoy. Founded 100 years ago, we have played a unique and largely solitary role in works by important and new artists to museums and building inspirational collections of modern and contemporary art for audiences – of all ages and background – across the country. In doing so, we ensure the widest possible public galleries across the UK. access to the art of our times – an enduring legacy for future generations, which now exceeds more than 8,000 works gifted through the support of our members and patrons. The Contemporary Art Society is a national Throughout our history, we have always used our independent curatorial eye to spot talent and to secure works for collections when they are still affordable. Damien charity that encourages an appreciation and Hirst had barely graduated from Goldsmith’s when we purchased the first work by him to understanding of contemporary art in the UK. enter Tate’s collection in 1991, several years before he won the Turner Prize. Countless artists who are now household names – Bacon, Freud, Gauguin, Hepworth, Matisse, With the help of our members and supporters Moore, Picasso, Spencer – are in regional collections because of our continuing mission to acquire works during the past century. we raise funds to purchase works by new artists Our Annual Fundraiser provides vital funds for our mission and in doing so which we give to museums and public galleries supports living artists – often early in their career when they need support and recognition most – and has a direct inspirational and educational impact on millions where they are enjoyed by a national audience; of people who visit museums across the UK. It provides an opportunity for you, through your support of this event, to make a lasting contribution to how the story of the history we broker significant and rare works of art by of art is captured in public collections for audiences today and tomorrow. important artists of the twentieth century for This year’s event – Wanderlust – celebrates the way in which artists travel in diverse ways in their imagination to alternative realities, sometimes travelling back in public collections through our networks of patrons time through the history of art, to parallel universes and future worlds. Wanderlust has been devised and led with creativity and vision by one of my Trustees, Antje Géczy, and private collectors; we establish relationships who has built upon the many achievements of the previous Event Chair, Sarah Elson to commission artworks and promote contemporary with the support of a Committee of leading collectors and philanthropists. Words fail to adequately express our gratitude to Antje, with whom it has been such an inspiration – art in public spaces; and we devise programmes of and great fun – to work, and to the Event Committee for their industrious and committed support. Our annual fundraiser would not be possible without the generous and vital displays, artist talks and educational events. Since support of the participating artists and their galleries – the majority of whom have been so generous as to create new works for the auction in return for a commissioning fee 1910 we have donated over 8,000 works to museums from the Contemporary Art Society. We are indebted to them in particular. and public galleries — from Bacon, Freud, Hepworth We hope you have a great evening. We rely on your generosity – so please, if you see a work you love, give it a good home. You can feel confident of making a smart and Moore in their day through to the influential purchase for a great cause! artists of our own times — championing new talent, Paul Hobson supporting curators, and encouraging philanthropy Director, Contemporary Art Society and collecting in the UK.

4 5 Event Chair’s Welcome

One hundred year ago, just at the time the Contemporary Art society was formed, the German term Wanderlust entered the English language and common usage. Originally describing a desire to travel to see the world, in subsequent decades it came to represent a state of mind – a longing or an ache to voyage away from the everyday to experience new and extraordinary worlds, even if as indeed was often the case, only in one’s imagination. It is this idea of Wanderlust – and the way in which artists travel in their imagination to alternative and parallel realities, both in the past and in the future, that we celebrate tonight. After all, it is the time honoured role of artists to open up our vistas to new ideas and experiences, creating art that offers new perspectives on the world we live in and ourselves. The funds raised tonight will be used to further the mission of the Contemporary Art Society to purchase and gift new works of contemporary art to museums and public galleries across the UK where they will be enjoyed by millions for generations to come. All of the artists participating in this evening’s auction have generously created new works for this event in return for a modest commissioning fee. We are extremely grateful to them, and to their galleries, for this vital support of our mission. In creating new works, they extend to us all an invitation to travel with them as our guides to those places only artists can voyage to, and then to take these works home and into our lives as mementos of our journeys. As Chair of the Wanderlust Event Committee, my own journey to this evening was made much more enjoyable, much more interesting and much more inspiring due to my fellow travellers on the Event Committee. I would like to thank each and every one of them for the tremendous support and guidance they have offered over the past year to bring this exciting concept to fruition. It has been a great privilege and pleasure to journey with them. I would also like to thank Paul Hobson, Director of the Contemporary Art Society, as well as Laura Eldret, Ludmilla Ivan-Zadeh and especially Dida Tait, for enabling us to realise this unique and ambitious venture. This event has been supported once again by our auction partner Sotheby’s and we would like to express our sincere thanks to them and to Olly Barker for his support of the live auction – the night simply would not be the same without his charisma and energy! Boucheron has generously sponsored our fundraising gala for the second year and we are indebted to them, as we are also to Goldlake, Oliver Wyman and Vue Entertainment. And now, I invite you to enjoy the evening and allow yourself to be guided through time and space, from the distant past to the barely imagined future, with some of the most exciting new and internationally acclaimed contemporary artists working today.

Antje Géczy Event Chair and Trustee, Contemporary Art Society

7 L ive Auction

9 Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #1 Live Auction Fiona Banner Selected Biography

Much of Fiona Banner’s work explores 1966 Born in Merseyside, England Fiona the problems and possibilities of written Lives and works in London Banner language. Her early work took the form of 2012 Unboxing, The Greatest Film Never Made, a solo ‘wordscapes’ or ‘still films’: blow-by-blow exhibition at 1301PE Gallery, Los Angeles, USA The Complete Text 2010 The Duveen Galleries Commission, a solo exhibition accounts written in her own words of feature at Tate Britain, London — The Naked Ear, a solo of Snoopy’s Novel films, (whose subjects range from war to exhibition at Frith Street Gallery, London porn) or sequences of events. These pieces 2008 That Was Then… This Is Now, a group exhibition – All the Way Down at MoMA, New York

2012 took the form of solid single blocks of text, 2007 The Bastard Word, a solo exhibition at Power Plant, Screen print, graphite and often the same shape and size as a cinema Toronto, CA paint on paper (unique work) 110.5 x 74.5 cm screen. Banner’s current work encompasses sculpture, drawing and installation but text 2002 Short-listed for Turner Prize, UK £5,000–£7,000 1998 Art Now Room, a solo exhibition at Tate Gallery, is still at the heart of her practice. London Estimate This work references the 1966 pop hit Her work is part of many collections including Snoopy Vs The Red Baron. Shortly after Contemporary Art at Penguin, Metropolitan Museum of Art, New York Museum of Modern Art, The Baron first appeared in Schultz’s New York and The Arts Council of England, and cartoon, the Florida based band The Tate Galleries Royal Guardsmen, released their song and Snoopy’s owners promptly sued. Banner references the combative relations between Snoopy and his nemesis, and the heavy- handed copyright issues surrounding creative ownership.

A new work generously donated by the artist 11 Image courtesy the artist. Photography by Dan Weill Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #2 Live Auction simon periton Selected Biography Simon Periton was first known for his 1964 Born in UK simon Lives and works in London intricate, subverted cut-out doilies periton that referenced subjects including 1986 –90 St Martin’s School of Art, London

Wallis Simpson, the Sex Pistols and 2013 The Rose Engine The Modern Institute, Glasgow, UK Automatique Iggy Pop. If you looked closely at these 2012 The Hepworth Wakefield: A Celebration Backbone: 2013 images, you could see anarchy signs Modern British Sculptors, NewArtCentre, Paint on clear glass, Roche Court, Salisbury, UK — Made in the UK: painted wood frame Contemporary Art from the Richard Brown Baker 62 × 82 × 8 cm and punk-like thorns. His more recent Collection, Museum of Art, Rhode Island School works on glass, such as Automatique, of Design, Providence, USA

£6,000–£8,000 retain the negative-space that is 2011 Red, White and Blue, CHELSEA space, London Estimate — Dikeou Collection / Artpace exhibition swap, inherent to his doily works, as well as Artspace, San Antonio, USA — The Asbo Mystery Play and other public works / The Gild The Lily Files, their anarchic, urban sensibility. Sadie Coles HQ, London (with Alan Kane)

2009 Spirits of Salt, Sadie Coles HQ, London (solo) — The Dark Monarch: Magic and Modernity in British Art, Tate St Ives, St Ives, UK — Compass in Hand: Selections from The Judith Rothschild Foundation Collection of Contemporary Drawing, The Museum of Modern Art, New York

2008 A Rabble of Butterflies, Galerist, Istanbul (solo)

His work is part of many collections including the Arts Council Collection, British Council Collection, Deutsche Bank and Victoria & Albert Museum

A new work generously donated by the artist 13 Image courtesy the artist and Sadie Coles HQ, London Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #3 Live Auction clare woods Selected Biography Clare Woods creates paintings from 1972 Born in Southampton clare her photographs of undergrowth and Lives and works in London woods vegetation which are taken at night, 1997–9 MA Fine Art, Goldsmith’s College, London

often in desolate areas of scrub 1991–4 BA Fine Art, Bath College of Art, Bath Humble Complaints or deep woodland. Painstakingly 2012 The Dark Matter, Southampton City Art Gallery, 2012 transcribed using layers of enamel Southampton, UK (solo) — The Bad Neighbour, Oil on aluminium Stuart Shave/Modern Art, London (solo) — 70 × 50 cm The Dark Matter, Buchmann Galerie, Berlin (solo) paint on aluminium, the resulting — Carpenter’s Curve & Brick Field, Permanent Art Commission for London 2012 Olympic Park, landscapes are more imagined than London (solo) £8,000–£10,000 experienced, psychologically charged, Estimate 2011 The Unquiet Head, The Hepworth Wakefield, ambiguous and disturbing. Wakefield, UK (solo) — Evenings Hill, Permanent Art Commission for Hampstead Heath Train Station, London (solo) — Creating The New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, Ohio, USA

2010 Palm Paintings, Buchmann Galerie, Berlin — Exhibitionism: The Art of Display, East Wing Collection, Courtauld Institute of Art, Somerset House, London

2009 Cemetery Bends, Pilar Parra & Romero, Madrid (solo) — Watercolours, André Buchmann Galerie, Berlin (solo)

2008 The Prospect, The New Art Centre, Salisbury (solo) — Monster Field, Stuart Shave/Modern Art, London (solo) — The Dancing Mania, André Buchmann Galerie, Berlin (solo) — Clare Woods, Galerie Akinci, Amsterdam, NL (solo)

A new work generously donated by the artist 15 Image coutesy the artist and Stuart Shave/Modern Art, London Photography by Dan Weill Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #4 Live Auction edward burtynsky Selected Biography Canadian artist Edward Burtynsky 1955 B orn in St. Catharines, Ontario, CA ed ward Lives and works in Toronto, CA has achieved international acclaim burtynsky 2013 Nature Transformed: Edward Burtynsky’s Vermont for his large-format photographs of Quarry Photographs in Context, Middlebury College Museum of Art, Middlebury, Vermont, USA industrial landscapes. Celebrated — Burtynsky: Oil, Canadian Museum of Nature, Pivot Irrigation #16, Ontario, CA — Material Matters, UNB Art Centre, for his sweeping views of landscapes University of New Brunswick, Fredericton, High Plains,Texas altered by industry – mine tailings, New Brunswick, CA quarries, scrap piles – their grand, 2012 Burtynsky: Oil, Taubman Museum, Roanoke, Panhandle, USA Virginia, USA — Watermarks, Sundaram Tagore 2012 awe-inspiring beauty arises from the Galleries, HK — Burtynsky: Oil, c/o Berlin, Berlin — Burtynsky: Oil, The Photographer’s Gallery, Digital chromogenic colour print environmental damage inflicted by London — Burtynsky: Oil, Nevada Museum of on Kodak Ultra Premier paper Art, Reno, Nevada, USA — Edward Burtynsky: 173 × 94 cm Two Homesteads, Maclaren Art Centre, Barrie, CA Edition 8/12 mankind on our planet. — Edward Burtynsky: The Industrial Sublime, Frist Center for the Visual Arts, Nashville, Tennessee, USA — Burtynsky: The Industrial Sublime, University of Wyoming Art Museum, £20,000–£25,000 Laramie, Wyoming, USA — Monegros–Dryland Estimate Farming, Flowers Cork Street, London — Edward Burtynsky: Shipbreaking, South Seaport Museum, New York — Edward Burtynsky: Encounters, Glenbow Museum, Calgary, CA

His works are included in the collections of over fifty major museums around the world, including the National Gallery of Canada, the Bibliothèque Nationale in Paris, the Museum of Modern Art and the Guggenheim Museum in New York

A new work generously donated by the artist and Flowers, London 17 Image by Edward Burtynsky, courtesy Flowers, London & Nicholas Metivier, Toronto Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #5 Live Auction conrad shawcross Selected Biography Conrad Shawcross’ sculptures explore 1977 Born in London conrad subjects that lie on the borders of Lives and works in London shawcross 2012 From That Which It Came, Galerie Gabriel Rolt, geometry and philosophy, physics Amsterdam (solo) — Metamorphosis–Modern Responses to Titian National Gallery, London– and metaphysics. Attracted by Cultural Olympiad (solo) — Set Design for Royal Time Rule Opera House / Wayne McGregor, Royal Opera House, failed quests for knowledge in the London – Cultural Olympiad (solo) — The Nervous Systems (Inverted), MUDAM, Luxembourg (solo) — 224 minutes past, Shawcross often appropriates ARTE Video Night, KW Institute for Contemporary Art, Berlin, Palais de Tokyo, Paris — Lines 2009 redundant theories and methodologies of Thought, Parasol Unit, London — Mondes Wood, metal, paint, coloured woven strings Inventés, Mondes Habités, MUDAM, Luxembourg 8 × 223.7 × 10 cm to create mysterious, poetic machines 2011 Sequential, Victoria Miro Gallery, London (solo) using a wide variety of materials — Protomodel: Five Interventions, Science Museum, London (solo) — Projections of the £6,000 –£8,000 and media. Time Rule is part of a Perfect Third, Turner Contemporary, Margate, Estimate UK (solo) — T.O.E (Synergies en résonance), unique series of works produced Centre d’Art Bastille, Grenoble, FR — LUSTWARANDE ’11 – RAW, Park De Oude Warande, Tilburg, NL from the installation, Chord, 2009, — The Knowledge, Gervasuti Foundation, Venice, IT — TRA–Edge of Becoming, Palazzo Fortuny, a large scale work that wove a thick Venice, IT

hawser from 324 spools of string as 2010 Fraction (9:8), Oxford Science Park, Oxford, UK (solo) — The Limit of Everything, Parra & Romero, they moved apart along the Kingsway Madrid (solo) Tram Subway in London. Exploring the 2009 Chord, Measure Arts Commission, London (solo) perception of time both as linear and — Conrad Shawcross, The Fireplace Project, East Hampton, New York (solo) cyclical, each point on the rope can be traced to a moment in time.

Generously donated by the artist 19 Image courtesy the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #6 Live Auction saskia olde wolbers Selected Biography Dutch artist Saskia Olde Wolbers works in 1971 Born in Breda, NL saskia olde video, combining analogue imagery with first Lives and works in London wolbers personal fictional narration. Her videos have 2012 Maureen Paley, London (solo)

a science-fiction aesthetic combined with 2011 Wiener Secession, Association of Visual Artists, CELLULE Vienna (solo) — Seven Screens Osram, Munich, the surreal quality of dreams. Despite their Germany (solo) — Monanism, Museum of Old 2011 and New Art, Tasmania, AU — John Kaldor Family Collection, AGNSW, Sydney Hanermuhle fine art pigment print futurist, computer generated appearance

51 × 76 cm her films are surprisingly low-fi in their 2010 Goetz Collection, Munich, Germany (solo) — Edition 2/2 In What We Trust, Art Miami, USA — For Real, making: shot under water in handmade video art in public space, Hasselt / Maastricht, NL — Dying in spite of the miraculous, Gertrude model sets that are dipped in paint to create Contemporary, AU — A Bluebird in My Heart, The £6,000–£8,000 National Gallery of Zimbabwe, Harare, Zimbabwe Estimate unstable environments, asserting the verity — Disturbed Silence, Duffel, BE of film over digital illusion. 2008 Mori Art Museum, Tokyo (solo) — Art Gallery of York University, Toronto, CA (solo) — Cellule is an approximation of the Ota Fine Arts, Tokyo (solo) — New Media Series, house described in J K Huysmans’ Against Saint Louis Art Museum, Saint Louis, USA (solo) the Grain. It’s main character, a decadent, 2005 Trailer, South London Gallery, London (solo) ailing aristocrat by the name of Des Esseintes, retreats to an isolated villa which he designs especially to live a life of contemplation. As far removed from reality as he can arrange, Des Esseintes’ villa never fully satisfies, as the space is ultimately in the hermit’s mind.

Generously donated by the artist and Maureen Paley, London 21 Image courtesy the artist and Maureen Paley, London Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #7 Live Auction o t by ziegler Selected Biography Toby Ziegler creates painting, 1972 Born in London to by sculptures and installations based Lives and works in London ziegler on angular, computer-based versions 1991–94 B.A. (hons) Fine Art, Central St. Martin’s, London

of real world scenes and found 2004–6 Delfina Studios, London (residency) Study for Fair Copy images sourced from the Internet 2012 The Cripples, off-site exhibition at a car park 2011 or publications. Ziegler’s process (Q-Park, 3-9 Old Burlington Street), London Acrylic and inkjet (solo) — Toby Ziegler, Simon Lee Gallery, London print on paper (unique) (solo)Gold, Österreichische Galerie Belvedere, brings the idiosyncrasies of the Vienna — Painting in the paramodern continuum, 92 × 104 cm hand-made into confrontation with Stavanger Art Museum, NO

the supposed perfection of digital 2010 The Alienation of Objects, Project 176, Zabludowicz £6,000–£8,000 Collection, London (solo) Estimate technologies, creating hyper-real images and objects which have 2009 Toby Ziegler, Galerie Max Hetzler, Berlin (solo)

undergone a process of technical 2008 The Liberals, Simon Lee Gallery, London — Danish Pastry/Rose of Mohammed, Parkhaus dematerialisation. Objects become im Malkastenpark, Düsseldorf, Germany — The Subtle Power of Spiritual Abuse, Patrick digital, geometric approximations of Painter Inc., Los Angeles, USA their real-life counterparts, floating in mapped spaces that feel like virtual computer environments.

Generously donated by the artist 23 Image courtesy the artist and Simon Lee Gallery, London Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #8 Live Auction jennifer steinkamp Selected Biography Internationally acclaimed American 1958 Born in Denver, USA J ennifer installation artist Jennifer Lives and works Los Angeles, USA steinkamp 2013 Jennifer Steinkamp: Madame Curie, Joslyn Art Steinkamp works with video and Museum, Omaha, Nebraska, USA (solo) new media to explore ideas about — greengrassi, London (solo) — Moth, ACME, Ronnie Reagan 3 Los Angeles, USA (solo) — Soledad Lorenzo, architectural space, motion and Madrid (solo) 2009 perception. Using digital projection 2012 Jennifer Steinkamp, Mike Kelley, USC Brain Site-specific commission & Creativity Institute, Los Angeles, USA (solo) — Jennifer Steinkamp, The Museum of Fine Arts, Edition 2/6 + IAP to transform architectural space, in Houston, USA (solo) — The Death of the Moth, the past decade she has increasingly The Fabric Workshop, Philadelphia, USA (solo) £20,000 incorporated nature-based imagery 2011 Museum of Contemporary Art, San Diego, USA (solo) Estimate — Works of Paper, ACME, Los Angeles, USA — into her work – gnarled trees that Videosphere: A New Generation, Albright-Knox Art Gallery, Buffalo, USA — Blink! Light, Sound and twist, turn and change seasons, the Moving Image, Denver Art Museum, Denver, USA rooms filled with undulating strands 2010 Lehmann Maupin, New York (solo) — Jennifer Steinkamp, Leeahn Gallery, Seoul (solo) — of flowers – creating mesmerizing The Artist’s Museum, MoCA, Los Angeles, USA — Arte Portugal, Lisbon — Making Nature, environments that reference the Rubicon Gallery, Dublin

sublime, evoking the magnitude Her work is featured in public and private collections internationally, including The and power of nature and bringing Chrysler Museum of Art, Virginia; Centro de Arte Contemporaneo de Malaga, Spain; Corcoran digital art into the mainstream of Gallery of Art, Washington D.C.; Istanbul Museum, Turkey; Minneapolis Institute of Arts, Minnesota; contemporary art. Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, North Miami and the Museum of Fine Arts, Houston

The artist and greengrassi will generously donate 50% of the proceeds of this major new commission by Steinkamp to the Contemporary Art Society. Additional cost for computer and projector at the expense of the purchaser. 25 Image courtesy the artist and greengrassi Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #9 Live Auction paris Design Experience Be part of an absolutely unforgettable P aris All Proceeds will support the Contemporary design-focused day trip to Paris in Art Society. Design November, hosted by the Contemporary Price includes: private access, touring, lunch, early evening reception. Guests are asked to experience Art Society and Boucheron. Departing make their own travel arrangements. on Eurostar on the morning of Friday Friday 15 November 2013 Led by the Contemporary Art Society 15 November 2013, an intimate group will have an inspirational bespoke VIP programme. This will include an Bids of exclusive visit to Boucheron’s atelier in the Place Vendome, the first jeweller £1,000 of Place Vendome, founded in 1858 by For a maximum group of 10 Frédéric Boucheron. The group will be met by Creative Director, Claire Choisne.

Boucheron, Place Vendôme, Paris We will then visit one of the leading couture museums in Paris for a behind the scenes, private curator-led tour. Boucheron’s involvement with Contemporary Art Society has allowed the Maison to continue their work with the arts, something Frédéric Boucheron was passionate about.

27 silent Auction

28 29 Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #10 Silent Auction overnight In Berlin Join Paul Hobson, Director of Berlin Price for one includes private access, touring, the Contemporary Art Society, lunch, dinner and brunch as well as an overnight stay. Guests are asked to make their own travel experience on an absolutely unforgettable arrangements. Overnight In Berlin contemporary art overnight trip Travelling Days: to Berlin, one of the world’s most Friday 10 & Saturday 11 May 2013 Friday 10 & dynamic centres for contemporary Saturday 11 May 2013 With Paul Hobson, Director, art. Departing on the morning of Contemporary Art Society Friday 10 May, be part of an intimate £2,000 group of fellow travellers for an Fixed price exclusive programme of inspirational visits, including artists’ studios, private collections and gallery highlights, returning to London late

Museum island, Berlin afternoon on Saturday 11 May.

31 Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #11 Silent Auction henny acloque Selected Biography British artist Henny Acloque’s 1979 Born in London henny paintings draw on old masters Lives and works in London acloque 2012 Justice, The China Shop, Oxford, UK (solo) — such as Bosch, Bruegel, Durer and Lugar De Culto, Ceri Hand Gallery, Liverpool, UK (solo) — John Moores Painting Prize exhibition, Ibbetsen, forensically unpicking Walker Art Gallery, Liverpool, UK — Royal Untitled Academy Summer Show, Royal Academy, London — and reassembling the layers Polemically Small, Orleans House Museum, London 2012 of each image she works from. Oil on board 2011 THE FUTURE CAN WAIT presents: Polemically Small, 40 × 30cm Fantastical small-scale and jewel- Charlie Smith Gallery, London — Threadneedle Prize, Mall Galleries, London — Memory of a like landscapes open up ambiguous Hope, Ceri Hand Gallery, Liverpool, UK — THE FUTURE CAN WAIT presents: Polemically £2,000–£3,000 narratives through meticulously Small, Torrance Art Museum, Los Angeles, USA Estimate — Polemically Small, Garboushian Gallery, layered pigment and varnish, Los Angeles, USA — Fade Away, North Gallery, Newcastle, UK creating symbolic collages drawing upon and re-assembling art history. 2010 Circumstances, First Floor Projects, London (solo) 2009 A Dressing, Ceri Hand Gallery, Liverpool, UK (solo)

A new work generously donated by the artist and Ceri Hand Gallery, London 33 Image courtesy the artist and Ceri Hand Gallery Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #12 Silent Auction annie attridge Selected Biography Annie Attridge works mostly 1975 Born in Wigan, UK annie in porcelain, creating bawdy Lives and works in London attridge and sometimes brazen pieces 2012 Wanderlust, Asya Geisbury Gallery, New York (solo)

which explicitly work against the 2011 Hearts of Oak, Asya Geisbury Gallery, New York (solo) Boobie Kiss decorum of traditional porcelains, 2010 Grand National, vestfossen Kunstlaboratorium, 2013 vestfossen, NO Porcelain tin glaze, revealing what hides beneath the wood and hand-printed wallpaper petticoat! Fantastical worlds of 2009 100 non stop hours, Plus, London — The Manchester 16 × 15 × 31 cm Contemporary with Nettie Horn, Manchester, UK — fleshy physicality reference the Clifford Chance, London — Anopseudononymous £2,000–£3,000 rococo curving lines of 18th century at Five Hundred Dollars, London porcelain, through amalgamations 2008 Petradora, Nettie Horn Gallery, London (solo) of arms and legs entwined, playfully twisting around breasts and thighs.

Boucheron Wanderlust selected artist

A new work generously donated by the artist 35 Image courtesy the artist and Asya Geisberg Gallery, New York Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #13 Silent Auction sara Barker Selected Biography Sara Barker’s sculptures are formed 1980 Born in Manchester, England S ara from sparse linear structures, Lives & works in Glasgow Barker 2013 Drawing: Sculpture, The Drawing Room, London — comprising and being comprised of The Geometry of Things – Markus Amm / Sara Barker / Robin Watkins, GAK, Bremen, DE — Mary Mary, varied, crooked rectilinear shapes. Glasgow, UK (solo) Pro Forma The narrow frames of her work are 2012 Tracing the Century: Drawing from Tate Collection, 2012 repeated, fragmented and fitted Tate Liverpool, UK — A House of Leaves. Second Steel and brass rod, aluminium sheet, Movement, David Roberts Art Foundation, London metal filler, primer, gouache together to read as if drawings in — Mary Mary at 45 Alexandra Park Street, Glasgow 88 × 49 × 19 cm (solo) — Woman at a Window, Stuart Shave/ three dimensions: outlining space Modern Art, London (solo)

£4,000–£6,000 and creating a sense of volume and 2010 Images, Mary Mary, Glasgow, UK (solo) Estimate solidity for each work with what seem to be frail and humble propositions. 2009 FOUR, Dublin, UK (solo) 2008 Present Future, Artissima Art Fair, Turin, IT (solo) Barker’s work takes influence too — Hanging A Way Of Dressing, Glasgow Project from notions of the sentimental Rooms, Glasgow (solo) and romantic, often making use of quiet literary references to allude to something otherwise unspoken.

A new work generously donated by the artist and Mary Mary, Glasgow 37 Image courtesy the artist and Mary Mary, Glasgow Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #14 Silent Auction gl brierley Selected Biography GL Brierley creates domestic scale 1962 Born Derbyshire, UK GL and larger works that overtly allude Lives and works in London brierley to the history of painting, especially 2013 Forthcoming Solo show at Feldbuschwiesner, Berlin

the genre of still life and portrait 2012 New Paintings, Carslaw St* Lukes (solo) — Tufftafffatie th th Wonderful – Humboldt, Krokodil & Polke, Me painting in the 17 and 18 centuries. Collectors Room, Berlin — Metamorphisis: 2012 The Transformation of Being, 33 Portland Place, Abstract amalgamations of painterly London — Everywhere and Nowhere, Villa Jauss, Oil on panel Oberstdorf, DE — EU-27 Artists 27 Countries, 40 × 30 cm surface and texture accumulate into Museum Tongerlohuys, NL — Memories of the discreet forms of representation, Future, Olbricht Collection, La Maison Rouge, Paris £3,000–£4,000 poised like formal arrangements 2011 A Piece of Paper, MADDER139, London — Schwarz Estimate Contemparary, Berlin with Peter Linde-Buske and Leonardo Drew — Nature, Newlyn Gallery, in a space left undetermined but Penzance, UK psychologically unsettling. 2010 Matersatz, MADDER139, London (solo)

2008 New Works, Natalia Goldin Gallery, Stockholm, SE (solo)

Her work in included in collections in Europe and USA, including Olbricht Collection, Dusseldorf, Germany, Reydon Weiss collection, Germany

A new work generously donated by the artist and Carslaw St* Lukes 39 Image courtesy the artist and Carslaw St* Lukes Photography courtesy of the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #15 Silent Auction laura buckley Selected Biography Having studied as a painter, Laura 1977 Born in County Galway, Ireland laura Buckley’s exploration of light, gesture Lives and works in London buckley and form soon moved into the 2013 Laura Buckley, Jack Chiles, New York (solo)

practice of sculpture, installation and 2012 Fata Morgana, Cell Project Space, London (solo) Triangular bipyramid — The Exact Weight of Lightness, Galeria Travesia digital reproduction. Working across Cuatro, Madrid — Bismuth Eyes, collaboration with Andy Spence, Cell Project Space, London (wood/leather media and often incorporating light — S1 Salon, S1 Artspace, Sheffield — Bold Tendencies 6, London — Shields, Commission and kinetic elements, her complex for the Zabludowicz Collection, Sarvisalo, FI — /broken mirror) Courtship of the Peoples, Simon Oldfield, London 2013 and disorientating compositions — Slate, Laura Buckley & Dan Coopey, Gallery Vela, London — The Discerning Eye (selected Perspex, steel, printed dibond, motor complicate our relationship to the by Skye Sherwin), The Mall Galleries, London — 85 × 50 × 50 cm Zerrissenheit, Rise, Berlin — Poster Show, Vogue Fabrics, London — Bring Your Own Beamer, Spike processing of sensory information, Island, Bristol, UK £3,000–£4,000 forcing us to consider the subjects of 2011 The Mean Reds, Supplement, London (solo) — Estimate her work as they are perceived, rather S.A.G.S, The Woodmill, London — Invited Artist, R.H.A Annual Exhibition, Dublin — The Dissolution than as they are known. of Time and Space, Kunstverein Ludwigsburg, DE

2010 Waterlilies, Mothers Tankstation, Dublin (solo)

A new work generously donated by the artist 41 Image courtesy the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #16 Wanderlust Artist’s Edition shezad Dawood Selected Biography Silent Auction We are delighted to be able to launch a 1964 Born in UK new limited edition by Shezad Dawood. S hezad 1986-90 St Martin’s School of Art, London This pack of tarot cards draws from Dawood 2012 The Hepworth Wakefield: A Celebration Backbone: Dawood’s film A Mystery Play where Modern British Sculptors, NewArtCentre, Roche Court, Salisbury, UK — Made in the UK: filmic sequences were based on the Contemporary Art from the Richard Brown Baker A Mystery Play Collection, Museum of Art, Rhode Island School tradition and pastime of Tarot and the of Design, Providence, USA – Tarot Deck degrees of initiation that are rooted 2011 Almada, London (solo) — Red, White and Blue, 2010 – 13 in the practice of Free Masonry, CHELSEA space, London — Dikeou Collection / Box of 79 cards Artpace exhibition swap, Artspace, San Antonio 11 × 11.5 cm (TX), USA — The Asbo Mystery Play and other Edition 100 + 3AP inextricably linked to legendary public works / The Gild The Lily Files, Sadie Coles British occultist Aleister Crowley. HQ, London (with Alan Kane) A Mystery Play originally commissioned by Plug In ICA, Winnipeg. Incorporating film, painting and 2009 Spirits of Salt, Sadie Coles HQ, London (solo) A Mystery Play Tarot Deck features additional photography by William Eakin light sculpture, Dawood’s practice and Derek Brueckner, and produced by 2008 A Rabble of Butterflies, Galerist, Istanbul (solo) Contemporary Art Society on the creates discursive networks across occasion of Wanderlust 2013 His work is part of many collections including the parallel time frames, locations and Arts Council Collection, British Council Collection, £250 communities. His works often include Deutsche Bank and Victoria & Albert Museum Fixed Price Editions 1 – 50 available restaged and re-imagined moments appropriated from multiple cultures and histories.

A new work generously donated by the artist 43 Image courtesy the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #17 Silent Auction harm van den dorpel Selected Biography Dutch artist Harm van den Dorpel 1981 Born in Zaandam, NL harm van works across a wide range of media Lives and works in Berlin den dorpel 2012 Abrons Art Centre, New York (solo) — The Mews, – collages, installations, websites London (solo) — Watch the Throne, Grouphabit, Berlin (solo) — About, Wilkinson Gallery, London and animation – and draws upon (solo) — MOTION, Seventeen Gallery, London Assemblage the languages of the Internet, 2011 The Greater Cloud, Dutch Institute of Media Art, (second media and interactive design in Amsterdam, NL (solo) — The Four Master Tropes, Klaus von Nichtssagend Gallery, New York (solo) — You’re so Beautiful, and so on... and so on... and finger painted) his work. Harm belongs to a young so on..., Rod Barton Gallery, London (solo) — The New Psychedelica , MU, Eindhoven, NL — Boo!, Arti 2012 generation of artists interested et Amicitiae, Amsterdam, NL — Collect the World, Hand cut and scratched synthetic Link Art Centre, Brescia, IT — Rhododendron ii, PET-G glass, finger painted vitrea in the participatory culture of the curated by Harm van den Dorpel, SPACE project 65 x 60 x 60 cm space, London — Where Language Stops, Internet and in particular, the way in Wilkinson Gallery, London which the Internet has transformed £4,000–£5,000 2010 Prints, etc., Fabio Paris, Brescia, IT (solo) Estimate the way we think about, access and appropriate visual information. 2009 Homebrew Readymades, Senko Gallery, DK (solo)

A new work generously donated by the artist and Wilkinson Gallery 45 Image courtesy the artist and Wilkinson Gallery Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #18 Silent Auction marcin dudek Selected Biography Polish artist Marcin Dudek’s sculptural 1979 Born in Krakow, Poland marcin practice involves employing simple, Lives and works in London and Salzburg dudek 2012 Exico Vol.2, Stade Hall, Old Town, Hastings, UK — everyday materials to create a wide Diagrammatic Form, Banner Repeater, London — Subject to Change, Kursaal Space / Deconstruction variety of methodically researched Project, Southend on Sea, UK — At least the Absorbing “theme” for the moment…, Quase Galeria, Porto, work, from cavernous, sculptural PO — Kopalnia i Fantom (with Kama Sokolnicka), Bunkier Sztuki Contemporary Art Gallery, Krakow, the Other installations to intricate collages. Poland — Things That Have Interested Me, Waterside Contemporary, London — Snapshot, 2011 Existing somewhere between organic Galerie Nadine Feront, Brussels, BE — Winter Collage Pavilion, waterside contemporary, London 58.5 × 78.5 cm patterns and man-made structures, 2011 Exico, 16th Biennial of Cerveira, Portugal — his amalgam’s of adhesive tape, vinyl I Will Eat This Sleepy Town, with Ben Washington, Waterside Project Space, London — Grange £1,500 –£2,500 and cardboard speak to the fragile Gardens Project, Galerie8, London — ViennaFair, Estimate and tense relationship between human presentation of waterside contemporary, London beings and their natural environment. 2010 Kopalnia (Mine Project), T1+2, London

2009 Art in an Ephemeral Age, The Art Festival at Hay, Hay on Wye — Mostra XV Bienal de Arte de Cerveira, LX Factory, Lisbon — Frame, 1st Edition of the Performance and New Technology Festival, Porto, Portugal — XV Bienal de Cerveira Vila Nova de Cerveira, Portugal — Transfer, Galeria Sub- Carturesti, Bucharest

Generously donated by the artist and Waterside Contemporary 47 Image courtesy the artist and Waterside Contemporary, London Photography by Pierre d’Alancaisez Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #19 Silent Auction ayan Farah Selected Biography Ayan Farah’s work is resolutely centred 1978 Born in United Arab Emirates Ayan on painting, but also includes a range Lives and works in London Farah of other media such as photography, 2012 MA Painting, Royal College of Art, London

video and sound. Often consisting of 2006 PG Dip Fine Art Central Saint Martins, London Ray a broad field of colours, her paintings 2003 BA Fashion (Menswear) Middlesex University, London 2013 UV bleached acrylic and engage with the heritage of mid- watercolour on silk twentieth-century abstract painting. 2012 Girlfriend material, The Standard, Los Angeles, 111.8 x 167.6 cm USA, curated by Georgina Jackson — Ululation, Vigo Gallery, London — Summer Show, Patrick She also draws on the immediate Heide Contemporary Art — MA Degree show, Royal College of Art, London — The Constance Fairness £3,000–£4,000 environment, creating works that are Award, The Constance Fairness Foundation, London Estimate — The Alchemist’s day out, Park Central Hotel, bleached by the sun and stained by NYC, curated by Georgina Jackson incidental light. Many of these works 2011 The uprising, Aspuddens Fabriksbod, Stockholm — RCA Interim Show, Royal College of Art, London nod towards the atmospheric light of — Ordspel, Pop-up Exhibition, Stockholm — northern Sweden, where Farah spent RCA Secret, Royal College of Art, London much of her childhood. 2010 I live next door, Springboard, London — Small town limbo, Norrköpings konstprojekt, Norrköping, Sweden — Talk is cheap, Vienna Independent shorts, Vienna

Her work is in the David Roberts art collection

A new work generously donated by the artist and Vigo Gallery 49 Image courtesy the artist and Vigo Gallery Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #20 Silent Auction alistair frost Selected Biography Alistair Frost uses imagery derived 1981 Born in London A listair from making generic searches for Lives & works in London frost 2012 Image coming soon, Mary Mary, Glasgow (solo) ‘ClipArt’ on the Internet, then making — Out of Office Auto Reply, Christian Andersen, Copenhagen (solo) — Bernhardt, Frost, Kitaj, pictures of pictures. The imagery Rivers, Schumann, Williams, Marlborough The items Chelsea, New York — DOVBLE TROVBLE, Center used is essentially a symbol, a stand- for Contemporary Art, Glasgow ‘Siege Hook,’ in for something else or ‘the real 2011 Schhh… Hieroglyphics, HOTEL, London (solo) ‘Battering Ram,’ and thing’ painted in broad strokes and — Alistair Frost / Gerda Scheepers, Mary Mary, Glasgow — Airplane Mode, Zach Feuer Gallery, a lightly washed, subdued palette – New York — 2-3D Abstract, Bodson-Emelinckx ‘Catapult’ have been Gallery, Brussels — There are two sides to every neither abstract nor representational, coin, and two sides to your face, Xippas Galerie, Paris — Flat works, Summer Fayre, Outpost, added to your cart simply a collection of shapes, colours Norwich, UK 2010 and compositions. Frost’s artworks 2009 Laser Eye Correction, Galerie Micky Schubert, Silkscreen on linen Berlin (solo) 45 × 60 cm possess a subtle playfulness and a decidedly optimistic aura that sets 2008 one/word/look, Dicksmith Gallery, London (solo) £2,000–£3,000 viewers at ease even as they grasp at 2006 In Brief, Jerwood Space, London (solo) Estimate the intent behind the images.

A new work generously donated by the artist and Mary Mary, Glasgow 51 Image courtesy the artist and Mary Mary, Glasgow Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #21 Silent Auction rachel goodyear Selected Biography Rachel Goodyear’s intricate and 1978 Born in Lancashire, UK rachel unsettling drawings represent Lives and works in Manchester goodyear interior conditions – psychological or 2013 Solo Exhibition, The International 3, Manchester

emotional states – through ambiguous 2012 Access all Areas Manchester Metropolitan Walking Tall University — Drawing Stories: Narration in narratives. Protagonists, often female Contemporary Graphic Art, Museum Folkwang, 2012 Essen, Germany — A Tethered Swarm, in the Pippy Houldsworth Gallery, London (solo) Drawing figures, in self-abusive situations,

50 × 35 cm or captive in moments of physical 2011 Modifications of the Host, in The Bothy Gallery, Yorkshire Sculpture Park (solo) New to the Collection, entrapment, enclosure or flight, in the Peter Scott Gallery, Lancaster, UK — Artist £2,000–£3,000 Profile Display, Manchester Art Gallery, UK — incorporating symbolic, sometimes House of Beasts at Meadow Arts, Attingham Park, Estimate Shropshire, UK — Personal Tempest at Neue ritualised relationships with animals Galerie für Moderne Kunst, Innsbruck, AT like deer, wolves and octopuses make up her extraordinary fantastical world.

A new work generously donated by the artist and International 3 53 Image courtesy the artist and International 3 Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #22 Silent Auction noemie goudal Selected Biography Noémie Goudal’s tableau-like 1984 Born in Paris noemie photographs reveal the beauty of Lives and works in London goudal 2014 In summer 2014 she will be presenting a solo abandoned worlds. In her exhibition exhibition at New Art Gallery Walsall Haven Her Body Was, 2012, she has Creus 2012 Haven Her Body Was, Project B, Milan, IT (solo) photographed a variety of real and InnsbruckHaven Her Body Was, Edel Assanti, 2012 London (solo) — Arrivals and Departures: The man-made ‘islands’: World War II Mediterranea, Mole Vanvitelliana, Ancona, IT — Lightjet Print Out of Focus: Photography, Saatchi Gallery, London 111 × 135 cm bunkers at sea, emerging like crystal — Ristrittura, Project B, Milan, IT Edition 5/7 from the briny water; rocky outcrops 2011 Catlin Art Prize, Tramshed, London — Symbiosis, looking out like sentries; the inner Hoxton Art Gallery, London — Unatural Nature, £4,000–£6,000 Cob Gallery, London Estimate hull of a half-submerged steel ship. Her photography is both beautifully realised and intelligently self-aware.

A new work generously donated by the artist and Edel Assanti, London 55 Image courtesy the artist and Edel Assanti Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #23 Silent Auction raphael hefti Selected Biography Raphael Hefti often deliberately 1978 Born in Biel-Bienne, CH raphael misapplies scientific processes to Lives and works in Zurich and London hefti 2009 –11 Studied at Slade School of Fine Art, create arresting works across a University College London range of media, from photography to Lycopodium sculpture. Lycopodium is a colourful 1993 – 7 Ecole Cantonale d‘art de Lausanne, CH 2012 2012 Inside the White Cube, White Cube Gallery, Photogram on photographic paper photogram made by burning the London (solo) — Launching Rockets Never Gets using the burning spores of Old, Camden Arts Centre, London (solo) — the mossplant Lycopodium spores of the eponymous moss against Minimal Myth, Museum Boijmans Van Beuningen, 55 × 75 cm Rotterdam, NL — Straight up, Family Business, photographic paper. The spores of the New York — Swiss Art Award, Basel, CH — Mocha non truth, Cul de Sac, London — Du Monde Clos Lycopdium moss are highly flammable, A L‘Univers Infini, Centre Le Quartier, Quimper, FR £4,000–£6,000 and it is known as ‘witches’ powder’ Estimate 2011 Liste, Ancient & Modern Gallery, Basel, CH (solo) where it is grows naturally in Sweden. — 327 Different Sounds, Coalmine Galerie, Winterthur, CH (solo) — Beginning with the first The work thus connects photography, thing that comes to mind, Fluxia, Milan, IT (solo)

science and magic in an explosive, 2009 Things in the Air, Museum Bell Park, Kriensin, CH, alchemical image. in collaboration with Alex Rich and Jürg Lehni (solo) 2008 Prix Anderfuhren, Centre Pasquart, Biel-Bienne, Langblitzpulver, Kunsthaus Glarus, CH (solo)

A new work generously donated by the artist and Ancient & Modern 57 Image courtesy Raphael Hefti and Ancient & Modern, London Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #24 Silent Auction sophie von Hellermann Sophie von Hellermann’s canvasses Selected Biography S ophie von 1975 Born in Munich take on the grandest tradition of Lives and works in London Hellermann Studied at Kunstakademie, Dusseldorf them all: Western figurative painting. and Royal College of Art, London She does so with wit and not a little Wanderlust 2013 Out of the House, Cranford Collection, subversion. Her work is a sustained Fundacion Banco de Santander, Madrid 2012 2012 In the disappearing mist, the gift whispers, Acrylic on canvas dismantling of the ponderous Focal Point Gallery, Southend, UK 60 × 70 cm masculine mode of painting that has 2011 Crying For The Sunset, Vilma Gold, London (solo) dominated its history – until very — The Lucky Hand, Greene Naftali, New York (solo) £5,000–£7,000 recently. Her stratagem is to paint — Watercolour, Tate Britain, London (cat.) Estimate quickly to catch quick-changing 2010 Who Shall Survive? Almine Rech, Brussels, BE (solo) — Sophie von Hellermannn & Josh Smith, MDD visions of a range of themes from (Museum Dhondt-Dhaenens), Deurle, BE — Library of Babel / In and Out of Place, 176 / the domestic to the epic. Zabludowicz Collection, London

2009 Sophie von Hellemann & Josh Smith, — Le Consortium, Dijon, FR — Maximus, Marc Foxx, Los Angeles, USA (solo)

2008 Accidental Portraits, Vilma Gold, London (solo)

2006 Judgment Day, Chisenhale Gallery, London (solo)

A new work generously donated by the artist 59 Image courtesy the artist. Photography by Dan Weill Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #25 Silent Auction alex hoda Selected Biography Alex Hoda’s latex and rubber 1980 Born in Canterbury, UK alex Lives and works in London sculptures are of post-apocalyptic Studied at Goldsmiths College, Royal Academy hoda figures – both human, animal Schools and Wimbledon College of Art 2011 Type 1 Errors’, 20 Hoxton Square Projects, and something in between. His Berlin (solo) Wonderlust work draws upon a wide range of 2010 Newspeak: British Art Now, Saatchi Gallery, London 2012 references from the convoluted — Artist Launch, 20 Hoxton Square Projects, Z-core, silver, paint, woodSize London approx 60 × 30 × 30 cm poses of 16th century Mannerist 2009 Pipedreams, Dickinson Gallery, New York (solo) — sculpture to the dark horrors of Pileup, curated by Ken McGregor, Metro 5 Gallery, £4,000–£6,000 Melbourne, AU (solo) — Alexander Hoda, Allsopp post-war European figuration. Contemporary, London (solo) Estimate

2008 Alexander Hoda, curated by Nick Aikens, University of the Arts, London (solo)

A new work generously donated by the artist 61 Image courtesy the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #26 Silent Auction kerstin Kartscher Selected Biography Kerstin Kartscher creates drawings 1966 Born in Nuremburg, Germany Kerstin and installations of imaginary worlds Lives and works in London Kartscher 2008 Kunstraum Deutsche Bank, curated by Heike populated by nameless heroines Munder, Salzburg, AU — Suzie Q Projects, Zurich, CH (solo) — Art Sheffield 08, Yes No Other who celebrate their femininity, Options*, Sheffield, UK Glow Worm liberated from social, emotional and 2007 Every eye sees differently as the eye, The 2013 psychological constraints, within Drawing Room, London — Auszeit. Kunst und Ink marker, hybrid pen, pencil on paper Nachhaltigkeit, Kunstmuseum Liechtenstein, Vaduz 50 × 78 cm — Cult Fiction, Hayward Gallery, London — fantastical, elegant and immense Shelter/Unterschlupf, Galerie S.A.L.E.S, Rome (solo) landscapes. Using a limited set of tools Kerstin is represented by Karin Guenther, Hamburg £3,000–£4,000 that include magic markers Kartscher and s.a.l.e.s. Rome Estimate demonstrates that a complex utopian vision can emerge from even the most common office supplies.

A new work generously donated by the artist 63 Image courtesy the artist. Photography by Dan Weill Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #27 Silent Auction peles empire Selected Biography peles Peles Empire is a collaborative work 1982 Katherina Stoever born in Germany by Katharina Stoever and Barbara 1980 Barbara Wolff born in Germany empire Wolff. The project is named after Live and work in London

the Peles castle in Romania (built 2012 Capacitor I, Oliver Laric, Martin Westwood, London Untitled — Capacitor II, Oliver Laric, Martin Westwood, between 1893 and 1913), whose Cluj, RO 2012 Glazed ceramic rooms mimic many architectural 2011 Frieze Projects, Frieze Art Fair, London — 66 × 38 × 12 cm Il Bagno, Nicholas Hatfull, London — styles from Art Deco to Orientalism, Dissociations Shannon Bool, London — The Private Life of Plants, Joseph Long, David Renaissance to Rococo. Noonan, Karl Orton, Marco Palmieri, London — £2,000–£3,000 The Call(FCO-CLJ-LTN), Nicholas Hatfull, Marco Estimate Palmieri, Oliver Osborne, Cluj, RO — Das Glitter, Shannon Bool, Cluj, RO — Those Wild Days Were Dogs, Karl Orton, Cluj, RO

2010 Salonul Turcesc, London — Flirtations and Partners, Kerstin Cmelka, London — CAN I SAY, Andrew Mealor, London — Men, Oliver Osborne, Katharina Stoever, Barbara Wolff, ORTON.nl, Rotterdam, NL

A new work generously donated by the artist and Waterside Contemporary 65 Image courtesy the artist. Photography by Dan Weill Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #28 Silent Auction oliver Laric Selected Biography Oliver Laric’s work explores how the copy, 1981 Born in Vienna O liver the bootleg, and the remix have played a Lives and works in Berlin Laric 2012 Aleksandra Domanovic & Oliver Laric, Villa du part in both historic and contemporary Parc, Annemasse, FR — Art Statements, Art | 43 | Basel, Basel, CH (solo) — Be Water My Friend, image cultures. His research, which is Tanya Leighton Gallery, Berlin (solo) — Is this Versions (OLV21) thing on?, Contemporary Art Center, Cincinnati, USA intuitive and idiosyncratic, involves — Motion, Seventeen, London — The Imaginary 2009 Museum, Kunstverein Munchen, DE Polyurethane appropriating objects, videos, and 39 × 14 × 7 cm sculptures. Laric’s work blurs boundaries 2011 Diamond Grill, Seventeen, London (solo) — 山寨 Shanzhai Turbo, Western Front, Vancouver, CA between the authentic and the inauthentic, (solo) — Versions, Skulpturhalle Basel, Basel, CH — My War, Agnes Etherington Art Centre, Kingston, £2,000–£3,000 the original and its subsequent reflections CA — Momentum, The Nordic Biennial, Moss, Estimate NO — Based in Berlin, Monbijou Park, Berlin — You Don’t Love Me Anymore, Westfälischer and reconfigurations. Kunstverein, Münster, DE — Memery, MASS MOCA, Massachusetts, USA — Microstoria, Talbot Rice Gallery, Edinburgh, UK

2010 Versions, Seventeen, London (solo) — Versions, 5 minute Museum, Eindhoven, NL (solo)

2009 Combination of works, Pavillion 2009, Oslo (solo)

In 2012, Oliver Laric won the Contemporary Art Society’s Annual Award with The Collection and Usher Gallery, Lincoln. The Annual Award offers £60,000 to a museum in the UK to commission an artist to create a new work for their permanent collection

Generously donated by the artist and Seventeen Gallery, London 67 Image courtesy the artist and Seventeen Gallery, London Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #29 Silent Auction lorna macintyre Selected Biography Lorna Macintyre usually presents 1977 Born in Glasgow, Scotland lorna her individual photographic works Lives & works in Glasgow macintyre 2012 A constellation of forms & processes, Galerie and sculptural-assemblages in Catherine Bastide, Brussels, BE — Pied a Terre, San Francisco, USA (solo) — St Peter’s Church, installations, but they can also Kettle’s Yard, Cambridge, UK (solo) — Midnight La vie intérieure Scenes & Other Works, Mary Mary, Glasgow (solo) operate on their own. When shown — Associate Artists, Kettle’s Yard, Cambridge, 2012 UK — Studio 58: Women Artists in Glasgow Since Cyanotype together, they are joined not by any WWII, Mackintosh Museum, Glasgow School of Art, Glasgow — One Person’s Materialism is Another 56 × 76 cm overbearing theme, but rather by Person’s Romanticism, The Briggait, Glasgow

Macintyre’s own associative logic 2011 A tree of night, Galerie Kamm, Berlin (solo) — £3,000–£4,000 (her references frequently come from You, Me, Something Else, Gallery of Modern Art, Estimate Glasgow — Wallpaperism, Motel Campo, Geneva, literary sources), and certain formal CH — Fruits Flowers and Clouds, MAK, Vienna associations: angular shapes and 2010 Granite and Rainbow, Wiels, Brussels, BE (solo) — Form and Freedom, Kunsthaus Baselland, Basel, CH hard-edged geometries. (solo)

A new work generously donated by the artist and Mary Mary, Glasgow 69 Image courtesy the artist and Mary Mary, Glasgow Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #30 Silent Auction ryan Mosley Selected Biography Ryan Mosley’s paintings explore 1980 Born in Chesterfield, UK R yan figurative and folk imagery. But he Lives and works in London and Sheffield Mosley does so through a contemporary 2005–7 MA Painting, Royal College of Art, London

sensibility that takes images as 2000-3 BA Drawing and Painting, Huddersfield University, Jeremiah’s Head with fragmented and identity as mutable. Huddersfield Jeremiah’s Boot 2012 Reversed Limbo, Eigen + Art, Berlin (solo) — Bearded figures wearing top hats or Nightfall, Modem Museum, Hungary — London 2012 Twelve: Contemporary British Art, City Gallery, smoking old-fashioned pipes find Prague, Czech Republic — Summer Exhibition, Oil on board Royal Academy of Arts, London — Merging 48 x 42 cm themselves lost in a painterly realm in Bridges, Museum of Modern Art, Baku, Azerbaijan which almost anything might happen. 2011 Alison Jacques Gallery, London (solo) — FIFTEEN: £4,000–£6,000 Jeremiah’s Head with Jeremiah’s Boot, 15 Years of S1 Artspace, S1 Artspace, Sheffield, UK Estimate — Visions, Monica de Cardenas Gallery, Milan — for example, may depict a decapitated Labor, Galerie Eigen + Art, Berlin — Stories Being Told, BolteLang, Zurich — Make Believe, Galleri prophet – or else a figure improbably Magnus Karlsson, Stockholm

wearing his own boot on his shoulder. 2010 Alison Jacques Gallery, London (solo) — Painting Séance, Grand Arts, Kansas City, Missouri, USA The puzzle is part of the delight of (solo) — Newspeak: British Art Now, Saatchi such works. Gallery, London 2009 A Gathering, Regina Gallery, Moscow (solo)

A new work generously donated by Alison Jacques Gallery, London 71 Image courtesy the artist and Alison Jacques Gallery, London Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #31 Silent Auction sarah pickstone Selected Biography sarah Sarah Pickstone’s works fuse figurative 1965 Born in Manchester, UK and (often watery) landscape elements. Lives and works on London pickstone The title of her work, Love is Everything. 2013 New Works At the Walker, Walker Art Gallery, Liverpool, UK — NewArtCentre, Roche Court, One Looks for It, is taken from poet Wiltshire, UK (solo) Love is Everything. Stevie Smith’s novel The Holiday (1941). 2012 Let the World Slip Away, The Lion and Lamb, London — John Moores Painting Prize, Walker Gallery, One Looks for It It also nods to Pickstone’s earlier Liverpool, UK

2012 painting Stevie Smith and the Willow 2010 Double Interview, Group show, I-MYU projects and Oil and acrylic on panel (2011), which won the John Moores Seoul art space, Seoul, KO — Layers, John Moores 123 × 142.5 cm prizewinner’s painting show, Seongnam Art Centre, Painting Prize in 2012. South Korea £5,000–£7,000 2008 Irony and Gesture, Kukje Gallery, Seoul, South Korea Estimate 2006 Sarah and Simon, Platform, London

2005 Park Life, Clifford Chance, London

Pickstone is the current first prize-winner of the 2012 John Moores Painting Prize. She has work in the Saatchi Collection, The Walker Art Gallery and The BSR

A new work generously donated by the artist 73 Image courtesy the artist. Photography by Laura Braun Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #32 Silent Auction laure prouvost Selected Biography Laure Prouvost makes madcap single- 1978 Born in Lille, FR laure channel video works that are often Lives and works in London prouvost surreal. They engage and subvert a 2002 Central St. Martins, London

history of video art from the 1970s 2010 Goldsmiths University, London This Sign Wishes to onwards, in which artists have 2013 M ax Mara Art Prize for Women, Whitechapel Gallery, Have Been Read seemingly confided personal secrets to London and Collezione Maramotti, Reggio Emilia, IT (solo) Just By You the viewer. Many of Prouvost’s painted 2012 Why Does Gregor Never Ring? Shut Your Lips, 2013 ‘sign’ works draw on this anarchic Somewhere Under That Bridge Lies the Hole Truth Oil, collage and varnish on wood board (The Wanderer Sequence 5), MOTINTERNATIONAL sensibility, deliberately including London (solo) — Laure Prouvost Treasurer’s 59 × 42cm House, York; The Hepworth, Wakefield (solo) misspellings and self-referential The Wanderer (Betty Drunk), Art Exchange, Colchester, UK (solo) — Reflexion und Einfühlung, £3,000–£4,500 declamations. KAI 10 Arthena Foundation, Dusseldorf, DE Estimate 2011 A gain, A Time Machine, Bookworks, Spike Island, Bristol, UK (solo) — Laure Prouvost, IPS, Birmingham, UK (solo) — A Darkness More Than Night, QUAD, Derby, UK — Time Again, Sculpture Center, New York — Museum of Speech, Extra City-Kunsthal Antwerpen, BE

A new work generously donated by the artist and MOT International 75 Image courtesy the artist and MOT International Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #33 Silent Auction ged quinn Selected Biography Ged Quinn makes trompe l’oeil 1963 Born in Liverpool, UK ged Lives and works in Cornwall, UK paintings in a variety of historic Studied at Rijksakademie Amsterdam, Kunstakademie Dusseldorf, Slade School quinn styles, from the pastoral to the of Fine Art, and Ruskin School of Drawing

still life. These deliberately 2013 Looking at the View, Tate Britain, London, England Father Don’t You See — The Future’s Not What It Used To Be, Newlyn anachronistic images are undercut Art Gallery, Penzance, UK That I Am Burning by a contemporary collage aesthetic, 2012 Ged Quinn: Solo Presentation, Frieze Art Fair, 2012 Regents Park, London (solo) — Utopia Dystopia, in which improbable elements take Paul Petro Gallery, Toronto, CA (solo) — Ged Polymer photogravue Quinn, Modern Art Museum of Fort Worth, Texas 36.5 x 41.5 cm or 47 x 51.5 x 4 cm (framed) centre stage. The title of the work (solo) — Beyond Reality: British Painting Today, Galerie Rudolfinum, Prague, Czech Republic — Edition 33/ 35 refers to a case study from Sigmund Everywhere and nowhere, Reydan Weiss Collection, Freud of a man who dreamed his son Oberstdorf, DE £3,000–£4,500 was on fire as a way of understanding 2011 Stephen Friedman Gallery, London (solo) Estimate

how dreams relate to wish fulfilment. 2010 Somebody’s Coming That Hates Us, Wilkinson In this print, a kitten is associated Gallery, London (solo) with the martyrdom of Christ in a 2007 My Great Unhappiness Gives me a Right to your surreal and unsettling image. Benevolence, Wilkinson Gallery, London (solo) 2005 The Heavenly Machine, Spike Island, Bristol, UK (solo)

2004 Utopia Dystopia, Tate St.Ives, UK (solo)

His work is part of many collections including Olbricht Collection, Saatchi Collection, Tate Collection, Tel Aviv Art Museum and Victoria & Albert Museum

A new work generously donated by Stephen Friedman Gallery 77 Image courtesy the artist and Stephen Friedman Gallery Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #34 Silent Auction ged quinn Selected Biography Ged Quinn makes trompe l’oeil 1963 Born in Liverpool, UK ged Lives and works in Cornwall, UK paintings in a variety of historic Studied at Rijksakademie Amsterdam, Kunstakademie Dusseldorf, Slade School quinn styles, from the pastoral to the of Fine Art, and Ruskin School of Drawing

still life. These deliberately 2013 Looking at the View, Tate Britain, London, England I Like America And — The Future’s Not What It Used To Be, Newlyn anachronistic images are undercut Art Gallery, Penzance, UK America Likes Me by a contemporary collage aesthetic, 2012 Ged Quinn: Solo Presentation, Frieze Art Fair, 2012 Regents Park, London (solo) — Utopia Dystopia, in which improbable elements take Paul Petro Gallery, Toronto, CA (solo) — Ged Polymer photogravue Quinn, Modern Art Museum of Fort Worth, Texas 62.6 x 68 cm centre stage. The title of I Like (solo) — Beyond Reality: British Painting Today, Galerie Rudolfinum, Prague, Czech Republic — Edition 16/30 America and America Likes Me draws Everywhere and nowhere, Reydan Weiss Collection, on a 1974 work by Joseph Beuys, in Oberstdorf, DE £3,000–£4,500 which the German artist temporarily 2011 Stephen Friedman Gallery, London (solo) Estimate

lived in a cage with a coyote at the 2010 Somebody’s Coming That Hates Us, Wilkinson René Block Gallery in New York. Quinn’s Gallery, London (solo) work humorously recasts Beuys’s 2007 My Great Unhappiness Gives me a Right to your coyote as a domestic dog on whose Benevolence, Wilkinson Gallery, London (solo) 2005 The Heavenly Machine, Spike Island, Bristol, UK side appears a map of America. (solo)

2004 Utopia Dystopia, Tate St.Ives, UK (solo)

His work is part of many collections including Olbricht Collection, Saatchi Collection, Tate Collection, Tel Aviv Art Museum and Victoria & Albert Museum

A new work generously donated by Stephen Friedman Gallery 79 Image courtesy the artist and Stephen Friedman Gallery Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #35 Silent Auction ivan seal Selected Biography Ivan Seal is known for his 1973 Born in Stockport, England I van ambiguous and slightly odd still Lives and works in Berlin seal 2011 The Object Hurts The Space, RaebervonStenglin, life paintings. His practice rejects Zurich (solo) — Ivan Seal, Carl Freedman Gallery, London (solo) — True As Applied To You, False As the traditional approach to still- Applied To You, Krome Gallery, Berlin (solo) — Smodmitlyter Splendid Isolation, Ivan Seal, Susanne Kohler, Lars life as a faithful depiction of a monrad Vaage, nationalmuseum gallery, Berlin 2012 moment in time, opting instead for Oil on canvas 2010 I Learn By Osmosis, CEAAC, Strasbourg (solo) — 30 x 24 cm an approximation of a memory. Postface, Essays and Observations, Berlin

2009 Two Rooms For A Fall, West Germany, Berlin (solo) £3,500–£4,500 — You Talk Too Much, Visite Ma Tente, Berlin (solo) Estimate — Proximity, Atelierhof Kreuzberg, Berlin (solo)

2008 Crack In Space, Julius Werner Galerie, Berlin (solo)

A new work generously donated by the artist 81 Image courtesy artist, Carl Freedman Gallery and RaebervonStenglin Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #36 Silent Auction veronica smirnoff Selected Biography Veronica Smirnoff is a British artist 1979 Born in Moscow veronica of Russian origin. Her paintings Lives and works in London smirnoff 2004–7 Postgraduate Diploma in Fine Art, reference Russian and Greek icon Royal Academy of Arts paintings as well as works of the Cadence of Finality Italian Renaissance by Andrea 1999–2004 BA in Fine Art, UCL, Slade School of Fine Art 2012 2012 Madding Spring, Gallery Vela, London (solo) — Egg tempura on wood Mantegna and Piero della Francesca. Dreaming Beauties, Riccardo Crespi Gallery, Milan 70 × 90 cm She uses traditional materials and — Opulent Vision, ford PROJECT, New York techniques such as gesso, wood, and 2010 John Moores Painting Prize, Walker Art Gallery, Liverpool — BRIC Theme Auction, Saatchi £3,000–£4,000 paints made from ground-up semi- Gallery,London — Zhar, Stanislas Bourgain Estimate precious stones mixed with egg yolk. Gallery, Paris ( solo) 2009 Women To Watch, Christies, London — (Self) The wooden supporting boards are Portrait of a lady, Riccardo Crespi Gallery, Milan made of oak in Russian monasteries, — RA Sothebys Auction, London and have been blessed. 2008 Invasion/Evasion, Baibakov Art Projects, Moscow — Morozka, Riccardo Crespi Gallery, Milan ( solo)

A new work generously donated by the artist 83 Image courtesy the artist. Photography by Richard Whitelaw Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #37 Silent Auction david Brian Smith Selected Biography David Brian Smith’s paintings 1981 Born in Wolverhampton, UK D avid Lives and works in London typically represent a solitary Studied at Wolverhampton University Brian Smith figure or figures in psychedelic and and Chelsea College of Art and Design, London 2011 Fruchtbaresland, Carl Freedman Gallery, London symbolic landscapes, alluding to — Home Where We Belong, Weltraum, Munich, DE Great spiritual or heightened emotional 2010 Great Expectations, Carl Freedman Gallery, Expectations-Wo interiors, and richly painted on London (solo) — Newspeak: British Art Now, Part Two, Saatchi Gallery, London — Feral Face, 2013 herringbone linen supports. Born BENDERSPACE, London Oil Paint and Gold Leaf on Herringbone Linen into a farming family which had been 2007 I Believe in Everything, Carl Freedman Gallery, 46 × 30 cm working the lands of Shropshire for London (solo) £ 4,000–6,000 generations, the Smiths had to give 2006 Charming Country, Wagdas Gallery, London (solo) Estimate up the farm after his father’s death in 2006 due to financial hardship, making the image of the shepherd tending his flock, which recurs throughout his work, a poignant autobiographical motif.

A new work generously donated by the artist 85 Image courtesy the artist and Carl Freedman Gallery Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #38 Silent Auction dolly Thompsett Selected Biography D olly Dolly Thompsett’s multi-layered 1969 Born in London paintings engage in the visual language Lives and works in London Thompsett of the sublime and exotic: dramatic, 2012 Vigo Gallery, London (solo) — Metamorphosis, All Visual Arts, The Crypt, One Marylebone Road, Glow Worm Cave vertiginous landscapes, chasms London and impenetrable thickets of jungle. 2011 Dolly Thompsett, Alicia Magolis, Dee Ferris, 2011 Anna Genger Matthew Bown Gallerie, Berlin Mixed media on board Thompsett’s latest epic landscapes are 85 × 63 cm often in portrait-format (as in traditional 2010 Vanitas: The Transience of Earthly Pleasures, Chinese painting). This verticality allows AVA, London — ArtSway, Hampshire, UK (solo) £ 3,000–£4,000 the viewer’s eye to plummet into the 2009 Ritter/Zamet, London (solo) — The Golden Estimate Record, The Collection, Lincolnshire, UK watery darkness, and up into the arched, 2008 Jerwood Drawing Prize, Jerwood Space, London Piranesi-like vaults. The atmosphere is (touring), UK

heavy, redolent and baroque. 2007 Fred [London] Gallery, London (solo)

Her work is part of many collections including Goldsmiths’ College Collection, Neuberger Berman Inc, Ernst & Young and UBS

A new work generously donated by the artist 87 Image courtesy the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #39 Silent Auction mimei thompson Selected Biography Mimei Thompson’s paintings are 1972 Born in Tokyo mimei Lives and works in London caught between abstraction and the 2005 Received an MA in painting from Royal College thompson landscape: works that are filled with of Art, London

painterly motifs suggesting rocks, 2013 ****, Neue Froth Kunsthalle, Brighton, UK Cave Painting — Co-Respondent, Transition Gallery, London vegetation, human and animal forms. (collaboration with Urara Tsuchiya) (Interior) Her recent work employs the motif of 2012 Now the dream is over, Blyth Gallery, London — 2012 CAVE Art Fair, Liverpool, UK — If on a lonely night the cave, to suggest (as in Plato) the a traveller, Transition Gallery, London Oil on canvas 80 × 100 cm unconscious capacities of the human mind. The protean rock-forms in the 2010 Jerwood Contemporary Painters, touring UK £3,000–£4,000 cave might be compared to emerging, 2008 Mime 1, Transition Gallery, London (solo) Estimate nascent ideas. Because nothing here is fully invoked, the viewer is able to project his or her own associations onto the implied forms.

89 Image courtesy the artist A new work generously donated by the artist Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #40 Silent Auction Francis upritchard Selected Biography f rancis Francis Upritchard’s sculptural 1976 Born in New Zealand objects and figures suggest artefacts Lives and works in London upritchard unearthed in an archaeological dig. Upritchard will have a solo exhibition at MIMOCA, Her off-kilter archaic objects might be Japan in April 2013 Old Drinks II 2012 A Hand of Cards, Nottingham Contemporary (solo) utensils or objects from some ancient — A Long Wait, Center for Contemporary Art, 2012 Cincinnati (solo) Glass, steel shelf or contemporary cult. The undeniable Various sizes humour (which sometimes verges 2011 Echo, Kate MacGarry, London (solo) — H x W x D, on the psychedelic) of these works Wentrup, Berlin £4,000–£6,000 emerges from the evident fakery: 2010 In die Höhle, Secession, Vienna (solo) — Simon Estimate Starling: Never The Same River (Possible Futures, they are knowing facsimiles that riff Probable Pasts), Camden Arts Centre, London with the meanings and narratives we 2009 Save Yourself, 53rd Venice Biennale – New Zealand national representation impose on objects both old and new.

A new work generously donated by the artist and Kate MacGarry Gallery 91 Image courtesy the artist and Kate MacGarry, London Photography by Anna Arca Front of Flap / Coated Paper Left Page / Coated paper Right Page / Uncoated paper Inside Flap / uncoated paper

Lot #41 sinta Werner Silent Auction Selected Biography Sinta Werner makes works in a range 1977 Born in Hattingen, Germany Sinta of media (prints, photographs and Lives and works in Berlin installations) that explore spatial 2007 MA Fine Arts, Goldsmiths College, London Werner illusions and realities: in particular, 2012 Setting the Setting, NETTIE HORN, London (solo) — Entree, Bergen, NO (solo) — Higher Atlas, Overshadowed V the relationship between two- and Marrakech Biennale 4th Edition, Morocco

2012 three-dimensional space. By creating 2011 Dialectics of Fake, Basement, FaMa gallery, Work on paper and collage Verona, Italy (solo) — Ein Stuck Ausschnitt, Axel works based on multi-point perspective Obiger, Berlin (solo) — Subtle Construction, 71 × 60.5 cm (rather than the dominant Western Transboavista, Lisbon single-point perspective) she seeks to 2010 Along the Sight Lines, Nettie Horn, London £2,000–£3,000 (solo) — Magic Show, Hayward Gallery, touring Estimate draw our attention to how we visually exhibition, UK apprehend spaces and surfaces.

A new work generously donated by the artist and Nettie Horn Gallery 93 Image courtesy Sinta Werner & Nettie Horn 94 95 thank you for your support thank you for your support

Contemporary Internat ional Colle ctions Centenary Patrons (Cont) Art Society Collectors’ Patrons (Cont) Veronique Parke Trustees Forum Audrey Wallrock Frederique Pierre-Pierre Myriam Blundell Anette Bollag-Rothschild Peter Williams Will Ramsay Javid Cante Donall Curtin Cathy Wills Dan & Ellen Shapiro Tommaso Corvi-Mora Yves & Martina Klemmer Edwin & Dina Wulfsohn Henrietta Shields Sarah Elson Andrzej & Jill Zarzycki Karen Smith Antje Géczy Dr Richard J Sykes & Penny Mason David Gilbert Collections Susie Tinsley Zach Leonard Patrons Centenary Patrons Stephen Webb Keith Morris Marie Elena Angulo & Henry Zarb Malgosia Alterman Astrid Wolman Pia Sarma Robert Bensoussan Tania Bader Mark Stephens, CBE Chair Michael & Philippa Bradley Elizabeth Bauza Cathy Wills Hugo Brown Nicholas Berwin Honorary Patrons Edwin Wulfsohn Loraine da Costa Lance & Pat Blackstone Myriam Blundell Bertrand Coste Nicola Blake Eric & Jean Cass The Contemporary Art Society is extremely grateful to the supporters who generously Laurence Coste Simone Brych-Nourry Frank Cohen invest in our work. Louis & Sarah Elson Debbie Carslaw Denise Esfandi Nicoletta Fiorucci Paul & Gisele Caseiras Costas & Evi Kaplanis Andrew & Antje Géczy Wolf & Carol Cesman Eskandar & Fatima Maleki Colle ctions David & Susan Gilbert Susie Cochin de Billy Alison Myners Committee Kira Heuer Daniela Colaiacovo Nathalie Samani Cathy Wills (Chair) Chris Jermyn Sophie Diedrichs-Cox Simon Turner Hugo Brown Ghislaine Kane Paul Hobson Anita Zabludowicz Donall Curtin Linda Keyte Helen Janecek Loraine Da Costa Keith Morris & Catherine Mason Vanessa Jossel Chris Jermyn Midge Palley Michael & Fiona King Françoise Sarre Rapp Daniele Pescali Audrey Klein Audrey Wallrock Françoise Sarre Rapp Anna Lapshina Michael Webber Susan Rosenberg Zach & Julia Leonard Dasha Shenkman Laetitia Lina Brian Smith Joanna Mackiewicz-Gemes Suling Mead

96 97 Partners & Supporters Partners & Supporters

The Contemporary Art Society is delighted to partner with Boucheron on Wanderlust The Contemporary Art Society is extremely grateful to Sotheby’s for conducting the as Lead Sponsor. We share a commitment to contemporary art and ensuring new works are auction. Special thanks are due to Oliver Barker, Maureen Hooft-Graafland, Antonia available to audiences throughout Europe. Grosse, and their colleagues, for their commitment to Wanderlust

This evening has been made possible with the generous in-kind support of:

We would like to thank the following for corporate sponsorship to make this event possible:

And those generous sponsors and supporters who wish to remain anonymous.

The Contemporary Art Society is indebted to Arts Council England and the Sfumato Foundation for their investment in our work.

98 99 Fine Art shipping, packing & storage, including major gallery and museum expertise

7 Glasshouse Walk London SE11 5ES United Kingdom

t: +44 (0)20 7735 0566 f: +44 (0)20 7793 0137 100

[email protected] 95

75

25

5

0 convergence

A meeting point: a metamorphosis between one state and another; categories redefined, boundaries blurred.

A convergence of substance: ideology, material, process - a place of transformation.

Gallery Exhibition 13 February - 4 May 2013

Art 13 LONDON THE ULTIMATE IN 1-3 March 2013 Grand Hall, Olympia, London W14

The Armory Show NEW YORK 7-10 March 2013 Pascal Kern Pier 92, 12th Ave at 55th St, NYC design William Klein preview at: www.hackelbury.co.uk SaulRichard Leiter Learoyd GarryIan McKeever Fabian Miller HACKEL collectibles Doug & Mike Starn BURY HACKELBURY FINE ART LTD 4 LAUNCESTON PLACE, LONDON W8 5RL T: 020 7937 8688 F: 020 7937 8868 www.hackelbury.co.uk Proud& Sponsor of WANDERLUST Wanderlust 2013 Event Producer: Ludmilla Ivan- Zadeh Project Manager: Laura Eldret Venue:

Cover image & background image photography: Erin O’Malley Catalogue design & editing: Modern Activity 30,000+ Items priced Print: Lecturis ISBN: 978-0-9571793-1-8 between $75 USD and $2,250,000 USD

Contemporary Art Society 59 Central Street London EC1V 3AF

www.VandM.com [email protected] 102 www.contemporaryartsociety.org c onditions of business conditions of business

Conditions of Business for Wanderlust Auction and Dinner to be held on Wednesday, 13 March 2013 at 5. If the auctioneer determines that any opening bid is not commensurate with the value of Old Vic Tunnels, Leake Street, SE1 7NN the property, he may reject the same and withdraw the property from sale, and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may The property offered in this sale and listed in this catalogue will be sold by the Contemporary Art reject the advance. Society, registered with the Charity Commissioners under number 208178. Any questions in relation to the auction should be directed to the Contemporary Art Society and not to Sotheby’s, which serves 6. On the fall of the auctioneer’s hammer, the highest bid¬der shall be deemed to have purchased merely as auctioneer for the Contemporary Art Society in conducting the sale and participates on the the offered lot subject to all of the conditions set forth herein and thereupon (a) assumes following terms and conditions which govern the sale of all the property offered (as amended by any the risk and responsibility thereof, (b) will sign a confirmation of purchase thereof and (c) posted notices or oral announcements during the auction): will pay the full purchase price or such part as the Contemporary Art Society may require. The Contemporary Art Society will not release a lot to a successful buyer until payment of the total amount due has been made. If the property is not so removed, it may be sent by the 1. (a) Neither Sotheby’s nor the Contemporary Art Society assumes any risk, liability or Contemporary Art Society at its discretion to storage for the account, risk and expense of the responsibility for the authenticity or the authorship of any property identified in this purchaser and such charges will then be added to the purchase price of the property. catalogue (that is, the identity of the creator or the period, culture, source or origin, as the case may be, with which the creation of any property is identified herein). If the foregoing conditions and other applicable conditions are not complied with, in addition to other remedies available to the Contemporary Art Society by law including, without limitation, (b) All property is sold with all faults and imperfections and errors of description and neither the right to hold the purchaser liable for the bid price, the Contemporary Art Society, at its Sotheby’s nor the Contemporary Art Society makes any representations or warranties of option, may either (a) cancel the sale, retaining as liquidated damages all payments made any kind or nature, expressed or implied, with respect to the property and in no event shall by the purchaser or (b) resell the property on three days notice to the purchaser and for the either of them be responsible for the correctness of any descriptions of property, nor account and risk of the purchaser, either publicly or privately, and in such event the purchaser be deemed to have made, any representations or warranties of physical condition, size, shall be liable for payment of any shortfall between the original sale price and the price quality, rarity, importance, genuineness, attribution, authenticity or provenance of the achieved upon resale, all other charges due hereunder and any incidental damages. property. No statement in the auction catalogue or other description made at the sale, in any sale invoice or elsewhere, shall be deemed such a representation or warranty. 7. Payments for purchases must be made in Sterling and in the following forms; cash, cheque (backed by cheque guarantee card) and all major credit cards. (c) Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored. 8. In the case of commission bids or bids transmitted by telephone, Sotheby’s and the Contemporary Art Society are not responsible for errors or omissions arising out of or resulting (d) Property may be offered subject to reserves. from mechanical difficulties or failure.

9. In no circumstances will Sotheby’s or the Contemporary Art Society rescind any purchase made 2. Any property may be withdrawn by Sotheby’s or the Contemporary Art Society at any time before or refund the amount paid in respect of any lot. the actual sale. 10. Neither shipping nor delivery costs are included in the price at which a lot is knocked down by the 3. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as auctioneer to the buyer. numbered in the catalogue. 11. These Conditions of Sale, as well as the purchaser’s, the Contemporary Art Society’s and 4. Sotheby’s and the Contemporary Art Society reserve the right to reject a bid from any bidder. Sotheby’s respective rights and obligations hereunder, shall be governed by and construed and The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any enforced in accordance with the laws of England and Wales. By bidding at an auction, whether dispute between bidders, the auctioneer shall have sole and final discretion either to determine present in person or by agent, commission bid, telephone or other means, the purchaser shall be the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the deemed to have consented to the exclusive jurisdiction of Courts of England and Wales. sale, the sale records of the Contemporary Art Society shall be conclusive in all respects.

104 105 auction info auction info

A uctioneer Oliver Barker, Deputy Chairman, Senior International Specialist Contemporary Art, The live auction, conducted by Oliver Barker, Senior International Specialist at Sotheby’s, Sotheby’s Oliver Barker is Deputy Chairman, Senior International Specialist, at Sotheby’s London will take place at approximately 9:30pm. Lots 1 — 9 inclusive, described on London, having joined Sotheby’s Impressionist & Modern Art Department in June p.11 — p.25 of this catalogue, will be sold in the live auction. 1994. In October 2004 he oversaw the sale of Damien Hirst’s Pharmacy, which sold at All art works on p.31 — p.93 (Lots 10 — 41) will be sold in the silent auction Sotheby’s London for £11 million against a pre-sale estimate of £3.5-4.9 million. He was throughout the evening. In order to bid in the silent auction, guests use their instrumental in organizing the (RED) auction in New York to benefit the Global Fund and personalised log in on the iBid hand sets on the dinner tables. Full instructions on how to the landmark Damien Hirst sale, Beautiful Inside My Head Forever, which achieved a world use these can be found on p.106. record for a single-artist sale. More recently Oliver has been pivotally involved in a significant rise in value in Contemporary British art. Oliver has been responsible for bringing to the market a Ab sentee Bidders group of works by Lucian Freud that brought £4.6 million; the Jerry Hall Collection which If you are unable to attend the evening but would like to bid for any of the works, please commanded well-above estimate total of £2.5 million; and Francis Bacon’s Figure in visit www.contemporaryartsociety.org.uk for an absentee bidding form or call 020 7017 Movement which sold for $14 million, far surpassing expectations of $7-10 million. 8400. Absentee bids can be submitted up until 5pm on Friday 8 March 2013, but we would The Contemporary Art Society is honoured and delighted to have Oliver leading the advise submitting them at your earliest convenience. live auction again after his wonderful success at last year’s LEAP! event. P ayment When the live and silent auctions have finished, successful bidders should speak with a representative of the Contemporary Art Society who will take payment. Payment can be made by credit card, debit card, cheque (made payable to the Contemporary Art Society) or cash. Successful Absentee bidders will be contacted on Thursday 14 March to arrange payment.

collection Once payment has been received, buyers will be given the contact details of Tony Ancell, of OTT Transporters, who can deliver art works to any central London address for a fixed fee of £50+VAT. Delivery outside of London may also be arranged by agreement with OTT at additional cost to the purchaser. Works not collected by Monday 15 April will be liable for additional charges for storage.

Resale The Contemporary Art Society respectfully requests that works purchased at Wanderlust are not resold in the near future. Should an owner wish to sell a work at a later date, it is good practice to offer the work in the first instance to the gallery which represents the artist. If you would like guidance on this, please contact the Contemporary Art Society on 020 7017 8400.

sale results Sale Results can be obtained from the Contemporary Art Society after 18 March 2013.

106 107 Sin le t AuCTion & Pledge System

How to make a Bid or Pledge

Step #1 To scroll through the list of items and for more information, or to make a bid or pledge, tap on the item panel

S tep #2 To make a bid or pledge tap the ‘Bid’ or ‘Pledge’ button

S tep#3 Click on your name on the touchscreen keypad and chose your own 4-digit pin number. You can now enter the amount that you would like to bid or pledge

S tep#4 You will then be informed if your bid or pledge has been accepted. If your bid is lower than the current bid or is invalid, you will havethe option to enter a higher amount

S tep#5 You may bid on the silent auction or pledge a donation at any time during the evening

108