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KAWS Media Release
KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal. -
Tate Report 2010-11: List of Tate Archive Accessions
Tate Report 10–11 Tate Tate Report 10 –11 It is the exceptional generosity and vision If you would like to find out more about Published 2011 by of individuals, corporations and numerous how you can become involved and help order of the Tate Trustees by Tate private foundations and public-sector bodies support Tate, please contact us at: Publishing, a division of Tate Enterprises that has helped Tate to become what it is Ltd, Millbank, London SW1P 4RG today and enabled us to: Development Office www.tate.org.uk/publishing Tate Offer innovative, landmark exhibitions Millbank © Tate 2011 and Collection displays London SW1P 4RG ISBN 978-1-84976-044-7 Tel +44 (0)20 7887 4900 Develop imaginative learning programmes Fax +44 (0)20 7887 8738 A catalogue record for this book is available from the British Library Strengthen and extend the range of our American Patrons of Tate Collection, and conserve and care for it Every effort has been made to locate the 520 West 27 Street Unit 404 copyright owners of images included in New York, NY 10001 Advance innovative scholarship and research this report and to meet their requirements. USA The publishers apologise for any Tel +1 212 643 2818 Ensure that our galleries are accessible and omissions, which they will be pleased Fax +1 212 643 1001 continue to meet the needs of our visitors. to rectify at the earliest opportunity. Or visit us at Produced, written and edited by www.tate.org.uk/support Helen Beeckmans, Oliver Bennett, Lee Cheshire, Ruth Findlay, Masina Frost, Tate Directors serving in 2010-11 Celeste -
Cake and Lemon Eaters Viktor Pivovarov & Ged Quinn
Cake and Lemon Eaters Viktor Pivovarov & Ged Quinn 7. 2. – 20. 4. 2014 Galerie Rudolfinum / malá galerie TISKOVÁ ZPRÁVA Kurátor výstavy: Petr Nedoma Dějinami umění, především dějinami malby, se od nepaměti táhne zásadní otázka vztahu předlohy a obrazu, posléze obrazu a jeho dobové interpretace a konečně problém zduchovnění až kanonizace zobrazení v toku času. Každá doba si znovu vytváří svůj vztah k minulosti v rozpětí od naprostého odmítnutí přes reinterpretaci až po sofistikovanou intelektuální hru s jejím odkazem. Ruský malíř Viktor Pivovarov (1937) a britský malíř Ged Quinn (1963) se ve výstavě Cake and Lemon Eaters (Jedlíci dortíků a citronů) představují společně sevřeným souborem významné části jejich díla s důrazem na zátiší a žánrový obraz. Tematicky je spojuje hluboký vztah k dějinám evropské malby. Oba směřují od starých jistot kanonizovaných významů k dnešní plovoucí mozaice posunutých vyprávění s nejistou interpretací rozprostřenou v nestrukturované ploše. Je to dialog se zděděnou historií evropské malby a literatury s kořeny v narativní tradici měšťanského zátiší, portrétů, krajin a figurálních kompozic postavené do kontrastu s metaforickou hrou s různými vrstvami motivů, symbolů a manipulovaných kontextů současnosti. Klíč k pochopení je často zastřený na způsob starobylých hádanek. Díla obou umělců svou kryptickou nejasností vyvolávají nutkavou touhu a potřebu se pustit do intelektuálního dobrodružství odkrývání vrstev událostí a faktů, které tvoří nám všem společný kulturní a historický základ, do něhož jsme se narodili a v němž neodmyslitelně existujeme. Pivovarov i Quinn nepřistupují k dějinám malby s topornou úctou, ale spíše jako k zásobárně motivů, ke zdroji jazyka, jenž si podržel své významy srozumitelné i pro dnešního člověka. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery -
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected] AN-MY LÊ Born 1960 in Saigon, Vietnam Lives and works in New York Education 1993 MFA Yale University School of Art, New Haven, CT 1985 MS Stanford University, Stanford, CA 1981 BAS Stanford University, Stanford, CA Solo Exhibitions 2015 Murray Guy, New York 2014 MK Gallery, Milton Keynes, UK (curated by Kath Bush), traveling to Hasselblad Foundation, Gothenburg, Sweden Museum aan de Stroom, Antwerp, Belgium 2013 Baltimore Museum of Art, Baltimore 2010 Murray Guy, New York 2008 Events Ashore, Murray Guy, New York The Photographs of An-My Lê, University of Kentucky Art Museum, Lexington, KY 2006 Trap Rock, Dia:Beacon, Beacon, NY Small Wars: Photographs by An-My Lê, Marion Center, Santa Fe, NM; RISD Museum, Providence, RI; Museum of Contemporary Photography, Columbia College, Chicago, traveling to National Media Museum, Bradford, UK; Ffotogallery, Cardiff, Wales, UK; Henry Art Gallery, Seattle, WA (2007); San Francisco Museum of Modern Art, CA; Contemporary Arts Center, Cincinnati, OH; Johnson Museum, Cornell University, Ithaca, NY, Boise Art Museum, Boise, ID (2008) 2004 29 Palms, Murray Guy, New York 2002 Small Wars, MoMA PS1, New York Group Exhibitions 2015 Staging Disorder, University of the Arts in London 2014 Taipei Biennial: The Great Acceleration (curated by Nicolas Bourriaud), Taipei Fine Arts Museum, Taipei Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, FL Conflict, Time, Photography, -
Words from the Arts Council Collection Aberystwyth Arts Centre 21 September – 9 November 2002
Words from the Arts Council Collection Aberystwyth Arts Centre 21 September – 9 November 2002 The role of language in art is the focus of a new exhibition, Words from the Arts Council Collection. It features works by 29 artists, ranging from the modern master Ben Nicholson and senior figures Gilbert & George and David Hockney, to the younger generation including Tracey Emin, Mona Hatoum and Martin Boyce. This new National Touring Exhibition, organised by the Hayward Gallery, has been selected from the Arts Council Collection in collaboration with Plymouth City Museum and Art Gallery, and comes to Aberystwyth in September before touring extensively around the UK. Artists’ engagement with language as a visual and conceptual tool takes many forms. It offers many ways to explore the potential of a means of communication we often take for granted. Words find their way into art in both conventional and unexpected ways, replacing the image, or functioning as a code for it. Ian Hamilton Finlay’s neon poem Strawberry Camouflage appeals to the viewer with its seductive colours and simple wordplay. Fiona Banner’s The desert covers a huge length of gallery wall, and transcribes, in the artist’s own words, the events of the film Lawrence of Arabia. Ben Nicholson worked within the Cubist tradition and in his painting Bocque, 1932, mimicked the style of lettering found in the bar or the café of the period. David Hockney used the idea of graffiti in his early ‘Pop’ masterpiece, We Two Boys Together Clinging, 1961. An artwork may consist only of its description, a proposal for its making, or instructions for looking. -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
Press Release
97 & 99 HOXTON STREET LONDON N1 6QL 020 7739 8080 [email protected] WWW.PEERUK.ORG CROCODILE CRADLE Simon Moretti 20 February – 20 March 2021 PEER is delighted to presentCrocodile Cradle, a new exhibition on three platforms: a filmed performance online and via QR code; a text collage on the gallery's glass façade; and a book, to be published this summer. The gallery doors remain closed during current government restrictions. Artist Simon Moretti has invited 51 artists including Fiona Banner, Tacita Dean, Lubaina Himid, Christian Marclay and Cerith Wyn Evans to supply a text that they have written or found for this collaborative project. The artists' texts have been brought to life with a reading by actor Alastair Mackenzie; a 38-minute-film of his one-take performance will be viewable on smartphones via a QR code, accessible from the gallery windows and online at peeruk.org. A live performance and publication will follow later in the year. Moretti said, "I have always been interested in the possibilities of different exhibition structures and to have a collaged text that can be exhibited, read or performed online or physically in a gallery. At this time while we are all dealing with social distancing or isolating in one way or another, in and out of lockdowns, I like the idea for all of us to be connected through a single work." Artists, in order of appearance are: Liam Gillick | Lubaina Himid | Helen Cammock | Matilde Cerruti Quara | Nedko Solakov | Jimmie Durham | Tacita Dean | Andrea Bowers | Erica Baum | Liliana Moro | Giorgio Sadotti -
Gillian Wearing Biography
GILLIAN WEARING BIOGRAPHY Born in Birmingham, United Kingdom, 1963 Lives and works in London, United Kingdom. Education: Goldsmiths' College, University of London, B.A. (Hons.) Fine Art, 1990 Chelsea School of Art, B.TECH Art & Design, 1987 Solo Exhibitions: 2014 Gillian Wearing, Regen Projects, Los Angeles, CA, December 11, 2014 – January 24, 2015 Gillian Wearing, Maureen Paley, London, UK, October 13 – November 16, 2014 Rose Video 05 | Gillian Wearing, The Rose Art Museum, Brandeis University, Waltham, MA, November 11, 2014 – March 8, 2015 We Are Here, The New Art Gallery Walsall, Walsall, UK, 18 July – 12 October 2014 2013 Gillian Wearing, Museum Brandhorst, Munich, Germany, March 21 – July 7, 2013. PEOPLE: Selected Parkett Artists’ Editions from 1984-2013, Parkett Space, Zurich, Switzerland, February 9 – March 11, 2013. 2012 Gillian Wearing, Whitechapel Art Gallery, London, United Kingdom, March 28 – June 17, 2012; travels to K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany, September 8 – January 6, 2013; Pinakothek der Moderne, Munich, Germany, March – July 2013. 2011 Gillian Wearing: People, Tanya Bonakdar Gallery, New York, NY, May 5 – June 24, 2011 2009 Gillian Wearing: Confessions/ Portraits, Videos, Musée Rodin, Paris, France, April 10 – August 23, 2009 2008 Gillian Wearing: Pin-Ups and Family History, Regen Projects, Los Angeles, CA, July 12 – August 23, 2008 2007 Gillian Wearing: Family Monument, special project curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica de Arte Contemporanea di Trento, -
PUBLICATIONS Autumn 2013
PUBLICATIONS Autumn 2013 CORNERHOUSE PUBLICATIONS AUTUMN 2013 INDEX TO FEATURED PUBLISHERS Cornerhouse provides a specialist sales and distribution service for many of the most Art Editions North 1 Art Editions North Blain|Southern distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide innovative publishers, galleries and museums working in contemporary visual arts. Our Blain|Southern 1 list encompasses all the visual arts including architecture, art theory and education, The Bluecoat 2 design, digital media, fashion, fi lm and video, painting, performance, photography and sculpture. We have over 2,800 titles currently available. If you require further details or British Council 2 if you want to place an order please contact us or visit our online bookstore. Chinese Arts Centre 3 For further information about our services, please contact Paul Daniels, Publications Cornerhouse 3 Director. Drawing Room 4 Cornerhouse Publications Ffotogallery 4 70 Oxford Street, Manchester M1 5NH, England Focal Point Gallery 4 Publications Director Paul Daniels GlobalArtAffairs Publishing 5 orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies Hayward Publishing 5 trade orders / enquiries +44 (0)161 200 1501 Ikon Gallery 7 mail order / enquiries +44 (0)161 200 1502 Information as Material 8 Catrin Huber WALK ON Bill Viola general enquiries +44 (0)161 200 1503 Fictional Spaces From Richard Long to Janet Frustrated Actions John Hansard Gallery 9 fax +44 (0)161 200 1504 Cardiff: 40 Years of Art Walking and Futile -
1497514212Gedquinnecatalogue
26 May–8 July, 2017 Pearl Lam Galleries, Hong Kong Pedder Building Cover: I Hear an Axe Has Flowered, 2017 (detail) Inner cover: Bela Forgets the Scissors, 2016 (detail) Rose, Cherry, Iron Rust, Flamingo is the first solo exhibition of Ged Quinn (b. 1963, UK) in Asia. Widely regarded as one of the leading painters in Britain, Quinn is renowned for his multi-layered landscape paintings that incorporate art historical subjects and the use of trompe l’oeil to challenge the idea of painting. Inspired by the poetry technique the “ideogrammic method” by the late American poet Ezra Pound, the exhibition title, Rose, Cherry, Iron Rust, Flamingo, alludes to the use of concrete images to create an abstract concept and explores the different expository potentials of image making central to our reading of painting itself. To create illusionary landscapes that oscillate in between the familiar and the surreal, Quinn carefully selects imageries from diverse historical and allegorical subjects and then renders them in front of idealised landscape backdrops by well-known masters of history paintings, like Claude Lorrain and Nicolas Poussin, from the Baroque period. Taking an active interest in French New Wave filmmaker Jean-Luc Godard’s use of montage and the Mnemosyne Atlas project by German art historian Aby Warburg, which investigates iconography and universalism in art, Quinn uses images without a linear progression or logic in mind. For the artist, making a painting is a visible thought process based on his own memory and improvisation to create a meta-narrative. The artist’s intention is to provoke an intertextual reading of painting; he takes it to a place where politics, literature, philosophy, and cultural memory create a vitality and tension that is both surreal and transcendental.