Idea Books Autumn Catalogue 2020 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 Printing: RaddraaierSSP Texts: Dutton R.Hauhart Roger Willems series: Art direction Idea Hans Gremmen Graphic design: Catalogue use Idea Codes. please ordering, When October 2020. in published been yet (*) not had asterisk an with marked Titles notice. without change may and euros in are Prices Information General list. complete the www.ideabooks.nl website our Consult titles. new of list selected a is catalogue This ideabooks.nl www.instagram.com/ ideabooks.nl www.facebook.com/ www.ideabooks.nl [email protected] e-mail 6226154 20 +31 tel The BG 1013 6R Hemweg Nieuwe Idea Books for for

Autumn Catalogue 2020 in-depth analysis. in-depth as well as plans, and drawings, sketches, includes works unbuilt numerous of ume vol second the while Museum, Mimesis the and Museum Afonso Nadir like the works, finished features volume first The to emerge. oeuvre his in found are that situations of plurality the of understanding aglobal allows works unbuilt and built architect’s to the attentive equally Being career. his of examination to this central is concept the and realised the between relationship the yet projects, of number alarge developed has architect guese Portu The Siza. by Álvaro work unbuilt and built both features issue double This Whiting. by Sarah architect the with interview an Includes Brussels. in centre innovation and alearning and , in Arts Fine of School Sint-Lucas Museum, Z33 Hasselt’s are projects featured the Among conflict. aprogrammatic of ation, situ aparticular of opportunity hidden the asite, of potential the possibilities: up opening about is architecture believes Geyter De 1990s. early the in firm own his started and OMA, at Koolhaas Rem with working career his began He years. fifteen past the from projects of selection a features which issue, this of focus the is Geyter De Xaveer architect Belgian Architecture 3. 1. pb, Portuguese/English &bw, 24 cm, x 32 colour ills p, 432 Idea Code 20031 77,50 Euro 9789895462032 ISBN 2020 Porto A.MAG, Works Unbuilt / Works –Built Siza Álvaro 18: A.MAG pb, Spanish/English &bw, cm, x34 25 colour ills p, 256 20300 Code Idea 66,35 Euro ISBN 9788412003468 2020 Escorial El Croquis, El (2006–2020) Geyter De Xaveer 204: Croquis El - - - local context. context. local the on focus a special with Guadalajara, in 2012 in launched was Peredo Macías tudio Es methods. construction and materials local including place, each of resources natural the of advantage take often 2011, in City Mexico in by Barroso established former, by the Projects architecture. their of quality habitable the highlight and ry memo evoke that content emotional an with spaces generating site, surrounding the with harmony in emerges work whose offices two Peredo, Macías Estudio and so Barro by Taller Héctor represented is ture architec Mexican of generation new The 4. ration. inspi of sources own his and reputation international to its contributing thereby to Scandinavia, Hadid Zaha and Woods, Lebbeus Cook, Peter as such peers invited he Aarhus, in Architecture of School the at ateacher As reality. and fantasy between somewhere aperspective from drawings architectural of field the explored who architects of anetwork of part as works and models, drawings, Tønsager’s at look comprehensive a offers monograph This onward. 1970s the from influence his in on lives but 2006, away in passed Tønsager Svein architect Norwegian-Danish The 2. pb, Portuguese/English & bw, 24 cm, x32 colour ills p, 208 20228 Code Idea 44,10 Euro 9789895462070 ISBN 2020 Porto A.MAG, Peredo Macías Estudio / Barroso Taller Héctor 19: A.MAG English pb, cm, colour, 23x33 ills p, 312 Idea Code 20310 Euro 47,30 ISBN 9788792700315 Copenhagen 2020 B, Publisher Architectural Book –My Tønsager Svein - - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 3 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 4. 2. 3. 1.

4 Architecture Autumn 2020 8. 6. 7. 5.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 5 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 55, and Rolling in London. London. in Bridge Rolling and 55, York’s New Pier Campus, View Mountain Google’s Tower Singapore, in Residential Eden are them Among projects. exemplary 20 at look adetailed through dio’s practice stu the of years 20 last the of stock takes –and Gather , Nurture, – Reuse, themes four across divided is instalment This scales. all on work his for known is Heatherwick designers, significant most Britain’s of one Considered 1990s. late the in established Studio, Heatherwick practice design London-based of founder the and adesigner is Heatherwick Thomas 5. the Azores. the in Centre Research and Monitoring Furnas Architec of School the homes, private features selection The 2000. since completed works 20 with innovation their celebrates issue This vernacular. the and historic the from extracted references figurative many with beginnings their of abstraction the combines vocabulary architectural the of enrichment an Such existing. the or topography, the exterior, the with building the of limits the blurring repertoire, rial mate and formal their expanded have Mateus Aires practice Lisbon-based of brothers the century, the of turn the Since 7. pb, Spanish/English &bw, cm, 24 x30 colour ills p, 112 20138 Code Idea 35,00 Euro ISBN 9788409196340 2020 Madrid Avisa, Heatherwick Studio 2000–2020 222: AV Monographs pb, Spanish/English &bw, cm, 24 x30 colour ills p, 112 20241 Code Idea 35,00 Euro ISBN 9788409206919 2020 Madrid Avisa, Works 20 Years, –20 Mateus Aires 225: AV Monographs ture in Tournai (), and the the Tournai in (Belgium),­ture and - - + Arquitectos, and more. and + Arquitectos, Vidal by Luis Campus Loyola Lasso, Cano by Estudio Madrid in Stadium hermoso Valle by Toni Lérida Gironès, in Museum Climate the including territory, Spanish the throughout scattered works of tion aselec presents yearbook The shifts. massive undergoing world aglobalised of representative are –and housing plural and leisure, and children’s play, exercise education, spaces, health context, cultural – themes six across divided are projects year. The past the over Spain in discipline architectural the of overview this in tured fea are buildings 24recent than less No 6. ward-thinking design in the field. in the design ward-thinking Fujimoto’s for it showcases Philippines, the in Residences and Architecture for Museum Calma the and , Court High the Budapest, in Music of Forest the and Pavilion, Gallery Serpentine London’s Guangzhou, in Gardens Mirrored to the cities Japanese various in apartments and houses earlier From world. the around locations in scales and typologies of range awide includes selection the progress, in still eleven with along projects completed fourteen Featuring issue. this of focus the is century the of turn the since activity Fujimoto’s Sou prolific architect Japanese 2000–2020 8. pb, Spanish/English &bw, cm, 24 x30 colour ills p, 232 20196 Code Idea 58,50 Euro ISBN 9788409196357 2020 Madrid Avisa, Spain Yearbook 223–224: AV Monographs pb, Spanish/English &bw, cm, 24 x30 colour ills p, 112 20333 Code Idea 35,00 Euro ISBN 9788409221387 2020 Madrid Avisa, Architects Fujimoto Sou 226: AV Monographs - - - -

6 Architecture Autumn 2020 like none other. force architectural an clearly is Kuma belt, his under scales and typologies of diversity astaggering and design outstanding and innovative eye for asharp With Station. ’s and Takanawa Gateway Scotland, in Dundee V&A the , in House KENZO Tower Turkey,in Rolex Texas, in Dallas the Museum Modern Odunpazari the include works recent Notable Japan. in them of many featured, are buildings 40 than more Marseille, FRAC with Beginning 2020. and 2013 between completed projects his of all covering Kuma, Kengo architect anese by Jap work presents edition special This 9. National Taichung Theatre, and more. and Taichung Theatre, National Centre, Arts Performing Matsumoto ion, Pavil Brugge the include projects Notable building. finished to the prototypes and sketches first the from years, fifteen last the from projects fourteen of a selection featuring Toyo of work &Associates, Ito the into insight offers monograph This users. and environment, building, the between relationship adynamic create to work firm’s his in conceptual together come seamlessly tradition and Technology construction. of task the of peculiarities individual to the approach cess-oriented apro combining Toyo for known is Ito 11. pb, Japanese/English cm, &bw, x30 31 276 colour ills p, 20337 Code Idea 75,20 Euro 9784871404372 ISBN Tokyo 2020 Architecture, Global Edita ADA 2013–2020 Kuma GA: Kengo introduction hb, German/English/Japanese &bw, cm, x 29 22 colour ills p, 120 20119 Code Idea 57,75 Euro ISBN 9783946154389 2020 Münster Deutscher Architektur Verlag, Architects Toyo &Associates, Ito - - - Aquatics Centre. Aquatics Holmen and University, Reykjavík Centre, Visitor Snæfellsstofa including projects, important studio’s most the of a selection features monograph This approaches. of range abroad through design sustainable on based knowledge local developing in engaged is studio architecture the Reykjavík, in based and 1997 in Founded influences. international incorporating and landscape and tradition Icelandic the in rooted firmly both by being characterised be can which architecture, humanist Nordic its for known is Architects Arkís 10. photographs by Fredricksen. Jens large-format as well as sketches, and ings draw original comprises tour rich visually The secrets. its discover again to once villa the revisits book this published, was edition first the owner.its Ten after years of nature private to the due magazines, in appearances infrequent makes only and visited rarely it is reality in theorists, and historians, architects, to among referred widely been has residence the Although 1950s. the in construction its since work Corbusier’s Le of exemplar areclusive remained largely has Shodhan Villa India, Ahmedabad, in Situated 12. hb, English &bw, x24 22 cm, colour ills 224 p, 20139 Code Idea Euro 54,30 9789187543722 ISBN 2020 Stockholm Publishing, +Orfeus Arvinius ofArchitecture Arkís Architects The Elements: Natural pb, English &bw, cm, x29 25 colour ills p, 116 20338 Code Idea 39,80 Euro ISBN 9789353006051 2019 Mumbai Publishers, MSB Shodhan Villa Corbusier’s Le -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 7 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 12. 10. 11. 9.

8 Architecture Autumn 2020 16. 14. 15. 13.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 9 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 chaos. urban to the order strict to bring attempt eye-catching and asincere makes team the buildings, office or residential large and homes private to luxurious spaces, living and interiors restaurant designing From work. abuilt of theme and essence central the to emphasise order in duction re and of exploration an on focused has studio the values, design and style modernist its for Known Israel. in mainly years, the over projects of variety a designed has Architects Kedem Pitsou Tel in Aviv, based and 2000 in Founded 15. photographs, he includes images that re that images includes he photographs, architecture static than Rather tradition. with breaks however, Baan book, this in photographs the With environment-loving. and hyper-contextual, space-conscious, relevant: and attractive to be continues later, designing way of Dudok’s A century Dudok. Willem architect renowned of work the on reflects Baan Iwan Photographer 13. work, mourn, and learn. and mourn, work, live, can people which in landscapes of adesigner as Dudok story: whole the veal hb, English & bw, 24 cm, x28 colour ills p, 152 20161 Code Idea 49,50Euro 9789895462049 ISBN 2020 Porto Editora, A.MAG Projects and Works – Architects Kedem Pitsou Idea Code not set 39,95 Euro ISBN 9789462085817 2020 Publishers, nai010 Baan* by Iwan Dudok pb, Dutch/English &bw, 17 x24 cm, colour ills p, 352 - - timeless aesthetic and qualities. qualities. and aesthetic timeless a reflect which plans, urban and buildings iconic his through identity modern its na (1872–1957), Ljublja of city the gave who Plečnik Jože architect by Slovene designs of concepts fundamental the to illustrate a tool as serves also sketch the Here, able. valu it so makes what is aspect personal this author, and its of eyes the through architecture captures Asketch by hand. drawn sketches today: seen rarely manner a in architecture presents booklet This 16. private homes. homes. private modernist polite of architect an as tion reputa to his counter seem that designs planning and building includes work This forgotten. largely been have but ronment envi built Australia’s of betterment the in significant were which by Boyd, designed projects architectural public urban the unveils Works’ ‘Late culture. design and cities its of quality debased the as saw he what on (1960), attack abiting Ugliness’ Australian ‘The with to prominence rose (1919–1971) Boyd Robin architects, tury mid-cen iconic most Australia’s of One 14. pb, Slovenian/English cm, &bw, x21 15 colour 52 ills p, 20156 Code Idea 6,50 Euro 9789616669634 ISBN 2020 Ljubljana Design, and Architecture of Museum Plečnik with Encounters pb, English cm, &bw, x30 22 colour ills p, 108 Idea Code not set 38,80 Euro ISBN 9780648435594 2020 Melbourne Publications, URO Works* Boyd: Late Robin - - - - -

10 Architecture Autumn 2020 imperfection. imperfection. for ‘mahk’, word of Korean the concept the on especially and concepts, spatial and materiality Korean on views his expand to opportunity an architect the gives graph mono this Cho’s and writings, own views inter Including inspiration. Western with architecture Korean of traditions ancient the combines who architect an of spective per the reflects work his present, the until 1980s the From materials. contrasting combining and space negative of use the include experimentations His chitecture. ar in innovation Korea’s technological South of application his for known is Cho Byoungsoo architect Seoul, in Based 19. Cabral by Peter Zumthor. by Peter Cabral Gloria with interview an with along tured, fea are present to the 1998 from works Nine solving. to problem approach their in recycling material and surroundings the both with engage they projects, of range a across environment the for respect and sustaina on focusing By work. tects’ archi the of much in innovation of source a become has expertise This tile. and brick as such materials vernacular of buildings construct and to create craftsmanship Paraguayan from drawn knowledge uses studio The 2004. in partner as joined 1987, in Cabral Gloria Arquitectura which de Gabinete founded Benítez Solano 17. English hb, cm, colour, 23x33 ills p, 408 set not Code Idea 61,70 Euro 9788792700322ISBN Copenhagen 2020 B, Publisher Architectural of Byoungsoo Cho* Architecture The MAK: pb, Spanish/English &bw, 17 x24 cm, colour ills p, 304 20203 Code Idea Euro 25,20 9788412162516ISBN 2020 Coruña La Editorial, C2C Cabral & Gloria Benítez 6: Solano Archives bility ­bility ------and more. more. and studio, photo spaces, communal ateliers, production and design the of component each through storeys ten descending and offices management the with beginning to bottom, top from explored is building the Chancel, Philippe photographer architecture by French essay avisual In office. corporate and atelier afashion as function present its and building ceptional ex this of asurvey presents By’ Curated ‘A Magazine Stockholm, in headquarters Studios Acne new the of launch the With 20. brella of his foundation. his of brella um the under place take which activities many the course of and activity, research and teaching competitions, numerous works, forgotten his together bringing when appears that puzzle enormous the completes publication This enough. not is efforts his of view apartial only having But universities. of anumber at professorships held has he and published widely been have buildings his of some architect; awell-known is Mangado Francisco 18.

pb, English &bw, cm, 23x30 colour 96 ills p, 20253 Code Idea Euro 15,50 ISBN 9789077745212 2020 A Magazine, Acne Studios by Curated 13: Floragatan pb, Spanish/English &bw, 17 x24 cm, colour ills p, 304 Idea Code not set Euro 25,20 9788412162523 ISBN 2020 Coruña La Editorial, C2C Archives 7: Francisco Mangado* - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 11 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 20. 18. 19. 17.

12 Architecture Autumn 2020 24. 22. 23. 21.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 13 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 a reissue of a pre-war architectural mag architectural apre-war of a reissue features part first The Japan. in buildings timber designing when methods ditional tra and construction timber conventional between disconnection of afeeling hunch, a with began It architecture. timber German in on Tokyo office architectural by asmall conducted astudy is Bau’ ‘Holz Germany 23. AMUNT. of Theissen Jan architect German wa and Hasega Go architect with conversations are to this Added book. this for created newly sections and plans with buildings, researched of photographs contains second The further. to explore inspiration and material source as served that azine contemporary expression. aunique, is his forms, free of arbitrariness modernism and and neo-modernism the of abstractness to the Contrary principle. acertain of adisplay nor idea pictorial a of implementation an neither is ture architec Boltshauser’s how examines monograph this Tschanz, Martin lecturer and by architect Edited possibilities. tural struc and constructive intrinsic their and materials of examination the of context the in develops thus language tectural archi His Boltshauser. Roger architect Swiss of work the in role adefining play reality material its and building of act The 21.

Idea Code 20293 Code Idea 74,50 Euro ISBN 9784991145605 Tokyo 2020 Books, Gaden of Period Modern Early the in Architecture Timber Bau: Holz hb, Japanese/English cm, &bw, x30 18 colour ills p, 360 hb, English cm, &bw, x30 22 colour ills p, 480 Idea Code not set 99,50 Euro ISBN 9783038630586 2020 Zurich Triest Verlag, Roger Boltshauser* ------takes the form of a distorted self-portrait. self-portrait. adistorted of form the takes book the times at and architect, youngish a of that is view of point Its versa. vice and by text, interrupted images of flow –anon-linear words and images with ture architec to produce attempt an as seen be can book Phiffer.The Adrian urbanist Toronto-based Romanian architect and the of mind the in turns and twists pected Primitivism 24. takes readers through some of the unex the of some through readers takes Ibelings Hans critic architecture Dutch five decades. decades. five over for architecture Nordic in wood of use contemporary the shaped has which Architects, Vandkunsten studio Danish by projects wood-based recent nine features publication This spaces. living pleasant and exteriors, low-maintenance interiors, healthy us give turn in properties smart wood’s naturally component, ing build energy-efficient and digitalised into a material low-tech traditionally this make developments technological While bodies. our and material particular this between relationship aspecial evolved have humans and material, aliving is Wood 22. pb, English &bw, 12x17 cm, colour ills p, 304 C Idea Euro 27,50 ISBN 9789492058089 Amsterdam 2020 Observer, Architecture The Strange – Phiffer Adrian pb, English &bw, 17 x23cm, colour ills p, 192 Idea Code not set 36,20 Euro ISBN 9789189270008 2020 Stockholm Publishing, + Orfeus Arvinius –Wood* Architects Vandkunsten ode 20193 - - -

14 Architecture Autumn 2020 this heritage. this of depiction and visualisation their in years the over employed have designers various that strategies the of image an creates juxtaposition today. The it appears as and War World II during it was as presented is site Each past. the with to identify them allowing thereby a reconstruction, creating without site’s by the visitor felt detachment and oppression the convey to is aim His photographs. and drawings, texts, through them documenting period, post-war the during built all Europe, across from sites commemorative 40 together brings Prins Jacques Architect 27. Dutch educators at the Bauhaus. Bauhaus. the at educators Dutch few the of one Niegeman, Johan architect of ideas the on follow here featured projects design various The future. own their about decisions to make able being from people prevents it often society modern in but citizens, working-class of vulnerability the reducing for atool was gy technolo Bauhaus, the today. For society in groups vulnerable of conditions housing and living the on students and designers by to research Bauhaus the of ideals the links Citizens’ Precarious for ‘Designing centennial, Bauhaus 2019 by the Inspired 25.

Idea Code not set 49,95 Euro ISBN 9789462085961 2020 Rotterdam Publishers, nai010 and Remembrance*Architecture hb, Dutch/English & bw, cm, 23x28 colour ills p, 240 English &bw, 17 pb, x24 cm, colour ills p, 136 Idea Code 20205 14,95 Euro ISBN 9789491444661 ArtEZ Press, 2020 Building on the Bauhaus Legacy Citizens: Precarious for Designing - on commemoration as a design theme. adesign as commemoration on reflecting approach, multidisciplinary their at look inside an offer designers perience ex and architect, landscape architect, the book, this In alive. there happened what of reality the and place the of memory the to keep helping camp’s history, into the insights provide will building The eration. lib after 75 years camp, penal and transit this of site former the on doors its open will museum Anew Netherlands. the in Amersfoort Camp at interned were oners pris 45,000 around War World II, During Amersfoort* 28. Scandinavia. Scandinavia. in societies welfare the support and create helped has architecture how explains Centre Architecture Danish the of nussen Marti by Kent introduction An industry. the in approach a new, welfare-centric to inspire design urban and architecture in themes today’s biggest it tackles projects, recent most their Featuring architecture. to approach generous and holistic, human, firm’s Danish the illuminates Architects by C.F. Möller publication thoughtful This planet. the and people both for future abetter shape can architecture Good 26. hb, Dutch/English &bw, 24 x27 cm, colour ills p, 144 Idea Code not set 29,95 Euro 9789462085954 ISBN 2020 Rotterdam Publishers, nai010 Camp Monument National Place: of Meaning The hb, English cm, &bw, x28 21 colour ills p, 256 Idea Code not set Euro 65,60 ISBN 9789198533514 2020 Stockholm Publishing, +Orfeus Arvinius Welfare for Architecture All* – Architects C.F. Möller - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 15 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 28. 26. 27. 25.

16 Architecture Autumn 2020 32. 30. 31. 29.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 17 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 design principles in landscape architec landscape in principles design sustainable explores she which through Arqui of co-founder and architect, landscape architect, an is Spear Laurinda Miami, in Based 31. colours, and insightful analyses. insightful and colours, bright sketches, projects, of collage dense a as shape takes book the Boom, by Irma Designed to aproject. brings architecture landscape that value the explores – and management water storm change, climate infra –green practice by her addressed topics and issues various the of overview an presents MIAMI’ BIO ‘GEO design. urban and planning, master ture, and experiences. and on stakeholders methodologies perts ex with adialogue is here Presented visit. and work, to live, places attractive provide that environments resilient and rich cally ecologi as well as protection flood able sustain and safe create which solutions nature-based to build ability the strate demon projects These Asia. East South in and Europe across also but Netherlands the in only not nature, with building involve that projects multiple researched and monitored, realised, laboratively designed, col has EcoShape decade, past the Over 29. Idea Code 20328 Code Idea 49,50 Euro 9789461400697 ISBN Amsterdam 2020 &Natura, Architectura MIAMI BIO –GEO Spear Laurinda pb, English &bw, cm, 24 x30 colour ills p, 290 pb, English &bw, 17 x24 cm, colour ills p, 256 Idea Code not set 39,95 Euro 9789462085824 ISBN 2020 Rotterdam Publishers, nai010 Nature* with Building tectonicaGEO, ­tectonicaGEO, structure, ­structure, ------large-format images. large-format impressive, their with publication the out round Swart Siebe and Meer der van Hans beginnings. its since learned has practice the lessons the about discussions depth in- on based essays with along projects, 30 features monograph This solutions. creative but radical with combined all governance, and management, water ture, agricul processes, natural in background a involves projects large-scale of handling skilful their approach, Dutch the tive of Typically representa Netherlands. the in offices innovative and important most the of one to be proved have Architects scape H+N+S Land decades, three last the Over 32. health, and design. design. and health, cohesion, social identity, city biodiversity, mitigation, climate as such issues topical it addresses scholars, by renowned ticles ar survey ten and photos, maps, Through York. New in Park Central as such parks well-known with (Nigeria) –along Ibadan (China), and (Poland), Harbin Chorzów City, –Mexico world the around places different in parks urban large 30 presents It 2015. in Stockholm in held conference international an of out grew book This 30.

Idea Code not set set not Code Idea Euro 32,50 9789492474346 ISBN Blauwdruk, Wageningen 2020 H+N+S Landscape Architects* pb, Dutch/English &bw, cm, 23x30 colour ills p, 192 hb, English &bw, cm, 23x29 colour ills p, 490 Idea Code not set Euro 54,30 9789187543517 ISBN 2020 Stockholm Publishing, + Orfeus Arvinius Parks* Large Need Cities Why - - - -

18 Architecture Autumn 2020 phases, from 1939 to the present. present. to the 1939 from phases, its all through hallmark office’s the bears which airport, the is example One hagen. Copen modern create helped effectively Architects Lauritzen Vilhelm lifestyles. urban and people active for environments creating on focus with a design cific site-spe for strive they project every In today. spirit same the in to work continues office the and motto, his was people” the for art applied is “Architecture 1922. in architect modern Danish leading by this founding its since Copenhagen in active been has Architects Lauritzen Vilhelm 35. realm. spatial new this designing for synergies explores book the to design, analysis from practice, and literature, art, academia, from projects different Through significance. cultural of emptied and sectors maritime traditional and new both from production economic increased of task the with loaded ously simultane planned, fully almost is Sea North the of space The role. a central plays Netherlands the which in seas, alised industri world’s most the of –one Sea North the of case the on based continuum sea-land the of story the tells book This 33.

Idea Code not set 29,95 Euro ISBN 9789462085930 2020 Rotterdam Publishers, nai010 Urbanisation of the Sea* hb, English &bw, cm, 26 x30 colour ills p, 256 Idea Code not set Euro 65,60 9789189270053 ISBN 2020 Stockholm Publishing, +Orfeus Arvinius Copenhagen*Contemporary pb, English &bw, 17 x24 cm, colour ills p, 296 - - - - equal measure. measure. equal in takes and gives that aphenomenon on perspectives architectural of set a fresh environment built the in interested is who anyone offer they geographies, social and political, spatial, Addressing labour. and materials to construction hotels and ports air from ranging issues, and types, sites, global of aseries by analysing answers seek Tom and Avermaete Sabatino angelo essays, educators and historians Michel short six of collection city. this In the and architecture to modern it relates as sation globali of phenomenon complex into the journeys insightful Turn’ offers Global ‘The 1945–1989* 36. revolution. urban this of perspective the from design to housing approaches alternative plores ex book the programme, educational Housing Global Delft’s TU from students by graduate developed projects twelve Presenting transformation. this in factors key the of one is Housing fabric. social and city’s physical the for tive consequences to disrup leading decades, two past the over changes rapid undergone has which capital, Ethiopian the of development ban ur and social the in akey component as housing discuss that projects architectural and essays together brings book This 34. pb, English &bw, 17 x24 cm, colour ills p, 192 Idea Code not set 29,95 Euro ISBN 9789462085831 2020 Rotterdam Publishers, nai010 City the and Architecture of Turn Journeys –Six Global The pb, English &bw, 17 x24 cm, colour ills 224 p, 20350 Code Idea Euro 27,50 ISBN 978942852205 2020 Prinsenbeek Books, Sam Jap Addis Ababa in –Dwelling Housing Global ------

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 19 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 36. 34. 35. 33.

20 Architecture Autumn 2020 40. 38. 37. 39.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 21 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 insider’s look at its architectural geog architectural its at look insider’s fascinating a offers and chapters eighteen in structured is capital German the of ena phenom undiscovered or strange, special, the of atlas This core. clear no with ment settle polycentric as a configuration al Berlin’s unusu strengthened turn in which shrinkage, even and by stagnation terised charac been has phase last This more. once reunited city atwin as revival halting a finally and survival, destruction, growth, Rapid transformations. countless gone under has Berlin century, past the Over 39. scenic spaces, curiosities, and more. more. and curiosities, spaces, scenic upheavals, political history, raphy, urban galleries. galleries. into the daylight funnel now skylights protruding of aseries where station, bus aformer of site the occupies building subterranean two-storey The be. should and can amuseum what for boundaries new sets Architects by JKMM expansion futuristic city, the the of heart the in Tucked away public. international the and critics architecture both among success apopular been has Helsinki in Museum Art Rex Amos the 2018, in opening its since city. But the transforms that experience strong architecturally an deliver time same the at and art of types all for functional fully to be manage seldom museums Art 37. Idea Code not set set not Code Idea 26,55 Euro ISBN 9783944074368 2020 Berlin Press, Ruby Maps* Berlin English German/ pb, bw, cm, 96 ills x31 p, 18 hb, English &bw, cm, x25 19 colour ills p, 128 Idea Code not set 39,60 Euro 9789189270022 ISBN 2020 Stockholm Publishing, + Orfeus Arvinius Architects* JKMM – Museum Art Rex Amos ------ments, and environmental concerns. environmental and ments, require security energy decarbonisation, in trends by and retrofitting, stock building as such targets, efficiency by energy led transition, to energy approaches bridging issues of arange covers book Italy. The in Tre Roma with University coordinated and partnered both projects, Programme Erasmus two of experiences the on based is It region. Mediterranean the in transition energy address can that methods and tools on dialogues presents issue This 40. block, and Malmö Saluhall, among others. others. among Saluhall, Malmö and block, Water Tower, residential ingborg Basaren Hels Konsthall, Liljevalchs Stockhom, in Nationalmuseum as such projects are here Presented landscape. and design, interior planning, urban architecture, of realms the in operates Wingårdhs Gothenburg, in 1977 in Founded Wingårdh. by Gert headed firm Swedish driven artistically the by work recent of selection off, a featuring (2013) left ‘Fresh’ where begins book This 38. English English pb, cm, & bw, x21 15 colour 124 ills p, 20291 Code Idea 17,70Euro ISBN 9788822905413 2020 Rome Quodlibet, Mediterranean Landscapes in Planning Energy #20: QU3 pb, Swedish/English &bw, x24 22 cm, colour ills p, 656 20363 Code Idea 48,65 Euro ISBN 9789198533576 2020 Stockholm Publishing, + Orfeus Arvinius Wingårdh ofArchitecture Gert Collective Emerging The Fresher: - -

22 Architecture Autumn 2020 multiple actors in the debate. the in actors multiple to voice by giving frameworks discursive established to challenge and places, urban of specificity social and local the at look to ambition to an refers “minor” term The to another. discipline one from insights bring or discourse urban in spots blind reveal might concepts diverse These ment. develop spatial of practices other and politics, design, urban architecture, ning, plan in approaches new stimulate that concepts of set a offers publication This 43. exchanged, and can create friction. create can and exchanged, bestowed, are values such where casions oc and sites different the examines book This contested. passionately and publicly most are them between conflicts where heritage, architectural in conspicuous ly especial are values economic and cultural of intersections The economies. global and local of vicissitudes the and markets, estate real prices, property discipline: the outside by forces compromised as seen often are values Yet these values. cultural and economic its between space a in found been always has Architecture 41. pb, English &bw, cm, x18 11 colour ills 224 p, Idea Code not set 19,95 Euro ISBN 9789462085763 2020 Rotterdam Publishers, nai010 for Writing Urban Places* Terms Minor –77 Vademecum pb, English &bw, 17 x24 cm, colour ills p, 240 set not Code Idea Euro 25,00 ISBN 9789492095930 2020 Valiz, Amsterdam Culture* of Economic the and Heritage Architecture: Valuing - - - - it with women as its protagonists. its as women it with rewriting cities, and architecture of raphy historiog dominant the deconstruct and to revisit crucial it is reason this For its. mer equal on fairly, based even or terms, equal on represented not still are and been have women knowledge, of areas other in As public. the and private city, the the and house the both examining politics, to design from topics explores book the refe of frame its as environment built the With histories. general our in silenced been have who women the of contributions the through planning urban and architecture of history the of account arevised is publication Muxí’s Zaida 44. phenomena. post-disaster and pre- to analyse tools ing offer beyond, significantly go can scope its settlement; or abuilding of quality ate appropri the to pinpointing limited not is however, contribution, Its role. essential an to occupy shown is architecture time, Each conditions. living to problematic ed relat is cases most in and hardship, social as well as conflict, and war from resulting disasters humanitarian in true also is This clear. become disaster environmental any in effects its and context building the of importance the by humans, caused or natural whether catastrophe, every After 42. pb, English &bw, cm, x 21 13 colour ills p, 350 Idea Code not set Euro 25,20 9788494938863 ISBN dpr-barcelona, Barcelona 2020 Women, Houses, Cities* Threshold: the Beyond pb, English &bw, cm, x22 15 colour ills 224 p, 20289 Code Idea 24,30 Euro ISBN 9788822905130 2020 Rome Quodlibet, for Architecture Complexity of Forms New Otherwhere: Disasters rence, ­rence, - - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 23 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 44. 42. 43. 41.

24 Architecture Autumn 2020 48. 46. 45. 47.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 25 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 — — — — — — 47. — — — — — 45. Idea Code not set MAD Dreamscape Architects 20:09 600 a+u 20400 Code Idea Practice and Theory 1970s: the in Isozaki Arata 20:08 599 a+u 20259 Code Idea inArchitecture the 70s 20:07 598 a+u 20254 Code Idea Projects 435–908 4– Files MVRDV 20:06 597 a+u 20257 Code Idea ofArchitecture Hope 20:05 596 a+u Idea Code 20256 Computational Discourses 20:04 595 a+u pb, Japanese/English &bw, cm, x29 22 colour ills p, 184 30,00 Euro Tokyo 2020 Shinkenchiku-Sha, Magazine a+u Idea Code 20335 Code Idea Roldán + Berengue 226: Viva Arquitectura 20199 Code Idea yVirus Vida 225: Viva Arquitectura Idea Code 20160 Nishizawa Ryue 224: Viva Arquitectura 20124 Code Idea Architects Grafton 223: Viva Arquitectura 20123 Code Idea Sauerbruch Hutton 222: Viva Arquitectura pb, Spanish/English &bw, cm, 24 x30 colour ills p, 80 18,70 Euro 02141256 ISSN 2020 Madrid Avisa, Viva Arquitectura examination of his architecture. his of examination this define aspects two These identity. Japanese and modernism both with intertwined intricately therefore is and modernism, of context the within identity architectural aJapanese established work Maekawa’s perspective. architect’s an and aWestern both from Maekawa on vision unique her introduces architect, Belgian a Sande, van Hera editor Guest Raymond. Antonin and Corbusier Le both for worked has who architecture, modernist nese Japa in figure (1905–1986), aleading Maekawa Kunio features issue This 48. — — — 46. pb, Japanese/English & bw, cm, x29 22 colour ills p, 184 20255 Code Idea 33,95 Euro ISBN 4910051330505 Tokyo 2020 Shinkenchiku-Sha, JA Maekawa 117: Kunio Idea Code 20334 Code Idea +Partners Foster 099: AV Proyectos 20242 Code Idea Fala Dossier 098: AV Proyectos 20125 Code Idea Tham & Videgard 097: AV Proyectos pb, Spanish/English &bw, cm, 24 x30 colour ills p, 80 11,70 Euro 1697493XISSN 2020 Madrid Avisa, AV Proyectos -

26 Architecture Autumn 2020 an opportunity for architects. architects. for opportunity an it is activating and mapping, detecting, of task The scales. different on nowhere and everywhere present is that Space basis. adaily on underutilise yet and together, produce we that space unbuilt and built as “wanderspace” define They agenda. the on patrimony existing the of growth needless the puts RE-ST book, this With built. been already has what of possibilities the to overlook continue we scarce, ingly increas becoming are spaces open While 51. Wanderspace and others. Roth, Christopher Ishigami, Junya Roi, Le Eva Hasegawa, Go include Contributors more. much and villages, and islands remote in working in interest architects’ Japanese concepts, garden Oudolf’s Piet Berlin’s Tiergarten, of faces many the Kinshasa, in high-rise alow-tech Paris, around structures earthen Benin, southern in courtyards and forests sacred include features and topics Its regime. climatic new the of backdrop the against localities and matter, nature, land, with relationship arenewed about ideas and projects features issue sixth magazine’s The 49. hb, Dutch/English cm, &bw, x21 10 colour ills p, 336 20330 Code Idea 29,95 Euro 9789462085893 ISBN 2020 Rotterdam Publishers, nai010 pb, English &bw, 24 cm, x32 colour ills p, 228 20202 Code Idea Euro 27,65 9782960253016 ISBN 2020 Paris Accattone, 6 Architecture on Magazine Accattone - surveillance on daily life. life. daily on surveillance mass of impact the and space, public of militarisation the catastrophe, climate disease, epidemic of spread the as such events, global to current attention draws lexicon The self-reliance. and surveillance, safety, as such terms familiar of nitions defi the “escape”, it widens of language to the approach aspatial creating By life. civic from withdrawal of action the to describe alexicon is ‘Retreat’ Shoshan, Malkit and Otero, Marina Pohl, Baraona Ethel thinkers and by architects Edited Retreat* 52. demonstrations. demonstrations. and pandemic worldwide of times current in space public on reportage aphoto tains con book the findings committee’s to the addition in and committee, independent by an selected were projects chosen The space. public ways to create remarkable and infrastructure, in beauty through ing engineer design, in activism countryside, the and cities densified both in housing new are them to offer.Among has erlands Neth the that design landscape and urban of range the showcasing projects standing out of consists magazine Kamer’ ‘Blauwe of editors by the compiled yearbook The 50.

282 p, ills bw, 11 x 18 cm, pb, English pb, bw, cm, ills p, 282 x18 11 Idea Code not set Euro 15,75 ISBN 9788494938856 dpr-barcelona, Barcelona 2020 pb, Dutch/English &bw, cm, 23x30 colour ills p, 186 set not Code Idea 29,50 Euro 97894 ISBN Blauwdruk, Wageningen 2020 Netherlands 2020* the in Design Urban and Yearbook Architecture Landscape - - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 27 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 52. 50. 51. 49.

28 Architecture Autumn 2020 56. 54. 53. 55.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 29 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 built environment – from this perspective. this –from environment built building, –design, architecture examines issue This photographs. and paintings, chairs, tables, with spaces furnish and networks, other and infrastructures, cities, and houses build we how people: for itable hab globe the make we ways which in the meant Arendt for “world” The thinking. architectural as here thinking spatial stand under certainly Yet can we inhabitants. its and world the with concerned it is as thinking, “political” is thinking spatial that stated (1906–1975) once Arendt Hannah philosopher German-American The 55. — — — 53.

Dutch/English &bw, 17 pb, x24 cm, colour ills p, 128 20267 Code Idea 22,95 Euro ISBN 9789462085619 2020 Rotterdam Publishers, nai010 Oase 106: Table Settings Idea Code 20295 Code Idea Showcasing Architecture 409: C3 20237 Code Idea Distancing of Social Year the in Density Defending 408: C3 20211 Code Idea Architects Grafton 407: C3 pb, Korean/English &bw, cm, 23x30 colour ills p, 248 29,60 Euro ISSN 20925190 2020 Seoul Publishing, C3 Magazine C3 - - — 56. with Courtyard by MOS. Courtyard with House the of mutations subtle the and Architects, Holl by Steven Library Point Hunters Aixopluc, and Agonism chitectural Ar by Fake Industries House OE at looks architecture contemporary for institution independent Athens-based this issue, first its of launch the With media. the in recorded seldom too only and overlooked, frequently is process creative The product. architectural final the consume to simply pushed often are we days These within. it from criticise and to understand manner, elaborate and informed amore in ture architec to revisit aims ‘DOMa’ process, architectural the on focusing A magazine 54. pb, English &bw, 16x24 cm, colour 172 ills p, 20332 Code Idea 20,00 Euro 9780999237373 ISBN CityContemporary and theArchitecture on 49: Observations Log pb, English &bw, 16 x24 cm, colour 172 ills p, 20180 Code Idea 20,00 Euro ISBN 9780999237366 York 2020 New Anyone Corporation, of Practice Modes Expanding 48: Log pb, Greek/English &bw, cm, 23x30 colour ills p, 128 20265 Code Idea 26,50 Euro 9772654206008 ISBN 2020 Athens Magazine, DOMa 1 DOMa - -

30 Architecture Autumn 2020 — 59. Earth. the cohabiting for agency of forms ing embrac and imagining in play can design role the examining coexistence, enable better which knowledge and practices, ideas, of arange presents issue This ings. be other and land to the violence great caused has development human-centric Such centred. and special, detached, as humans of conceived has that ideas of lineage destructive the encounter must we wherein entanglement, ecological our to confront us forces that acrisis is This on. goes list the permafrost… thawing extinct mass drought, Bushfires, story. eco-horror an in living are like we it feels now Right 57. pb, English & bw, x27 cm, 20 colour ills p, 132 Idea Code not set Euro 15,00 18603211 ISSN 2020 Rotterdam Publishers, Board Urbanism* Pandemic 33: MONU pb, English &bw, x27 cm, 20 colour ills p, 132 20146 Code Idea Euro 15,00 18603211 ISSN 2020 Rotterdam Publishers, Board Urbanism Affordable 32: MONU pb, English cm, &bw, x30 21 colour ills p, 128 Idea Code not set 22,95 Euro ISBN 9780648685869 2020 Melbourne Publications, URO crisis* of atime in coexistence for –Designing Decentre 28: Kerb ­ion, global warming, superstorms, - - Torsten Lange, and others. Henni, Samia Davidovici, Irina include Contributors style. of concept a pure beyond far point nature, multifaceted to their due and, postmodernism evolving the of examination an illustrate articles the chapters, five in Arranged building. spontaneous and informal in to interest approaches, user-oriented and urbanism, realism, from historicism, range Themes authors. by contemporary essays critical by ‘archithese’, accompanied journal the in appeared originally that contributions of selection a offers publication This tivity that is “authoriality”. is that tivity asubjec encompass alone they whereby forms, design of consistency material and sensitive the explores and subjectivities creative hybrid up it opens individuality, their from authors matter. Freeing of powers anonymous the with shared to be aprocess rather are but myth, modern the of aremnant individual-creator, the on dependant longer no are authorship of overcoming the author-persona. Forms and authorship of concept the tinises scru ‘Vesper’ of instalment second The 58. 60.

pb, German/French/English &bw, 17 cm, x22 colour ills p, 506 Idea Code not set 66,35 Euro ISBN 9783038630593 2020 Zurich Triest Verlag, Postmodernity, 1971–1976* of Search in Positions archithese reader: Critical pb, Italian/English cm, &bw, x29 21 colour ills 224 p, 20225 Code Idea 19,90 Euro ISBN 9788822904164 2020 Rome Quodlibet, 2: Author-Matter Vesper - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 31 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 60. 58. 59. 57.

32 Architecture Autumn 2020

Art 64. 62. 61. 63.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 33 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 Western art. Western traditional Japanese and contemporary both from elements incorporate and larger are works recent more Her insects. other and butterflies various and gecko, leon, chame peacock, like the dwellers land or fishes, deep-sea various and like jellyfish creatures sea depicts she whereby world, natural by the inspired often are motifs Her works. detailed finely and delicate supremely creating in herself immersed has she years 30 almost For technique. the of master atrue is Fukuda Masayo and papercutting, of art Japanese the is ‘Kirie’ 63. ette with bold colours. bold with ette silhou asimple as animal the by depicting legacy to this tribute pays Carron region. Alpine rugged this in to valley valley from cargo to transport upon relied were Mules 1940s. the as recently as mules 2,000 over of herd a had which for Valais, significance aspecial has but world, the around places many in composure and endurance, effort, of figure emblematic an is animal The mule. the of image the on focuses Carron exhibition, the For Switzerland. Valais, in Dam Mauvoisin at Carron Valentin painter by Swiss work of exhibition an with conjunction in appears book This 61. Japanese/English introduction Japanese/English hb, x26 colour, cm, 19 ills p, 134 20201 Code Idea Euro 28,15 ISBN 9784336065926 Kokushokankokai, Tokyo 2020 Fukuda Masayo of Art Papercut The English hb, cm, colour, 23x30 ills p, 56 20305 Code Idea Euro 28,00 ISBN 9789492811776 Amsterdam 2020 Publications, ROMA Simple Ami –Un Carron Valentin - - waves, and patterns. patterns. and waves, ocean theatre, women, and men animals, plants, birds, them among genre, or ject sub aparticular on focuses section Each characters. and themes of into arange insight broad offers volume this sketches, Hokusai’s of compendium Adense career. active highly his during work of volume limitless aseemingly produced period Edo the of printmaker painter, and ukiyo-e ist, art Japanese famous today. This ognised rec widely is legacy artistic Hokusai’s some, for unfamiliar is name his if Even 64. distinct disciplines in the artist’s oeuvre. disciplines distinct three the illustrating “magazines” mat large-for three of consists It image. and language between connection the as sees artist the something observation, attentive to ode an is publication the writers, various by contributions and Grootens Joost by Studio design graphic With elements. visual important most the form always nature from fragments which in location, on or studio his in made drawings large awe-inspiring his for known best is artist Dutch The stills. film and photographs and space, public in works drawings, presents Sublime’ the of Academy Odijk’sErik ‘The 62.

Idea Code 20312 42,20 Euro ISBN 9784808709310 TokyoTokyo 2011 Bijutsu, Encyclopedia of Hokusai Sketches Japanese/English pb, cm, bw,624 x21 ills p, 15 pb, Dutch/English &bw, cm, 27 x36 colour ills p, 104 20174 Code Idea 35,00 Euro ISBN 9789492852212 2020 Prinsenbeek Books, Sam Jap Sublime the of Academy –The Odijk Erik - - - -

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Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 68. 66. 67. 65.

36 Art Autumn 2020 72. 70. 69. 71.

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38 Art Autumn 2020 evoke birth and death. death. and birth evoke that scenes mythical and mountains, and trees with merging figures human children, and mothers girls, innocent and creatures small as such themes with dealt as well as astranger, and awoman both being of difficulties the to express pressionism neo-ex of forms and colours powerful the with experimented has Ikemura years, the Over work. of body remarkable artist’s Japanese-Swiss the at look engaging an offers catalogue vibrant and dense this Ikemura, by Leiko exhibition solo scale alarge- of occasion the on Published 75. 73. with each other as a single team. team. asingle as other each with collaborated who members of a collective backgrounds, diverse from it emerged that is ‘Cosmo-Eggs’ of features discerning most the of One events. related and in Venice presentation the upon reflects Tokyo in thus 2020). It (April Museum tizon Ar the at homecoming later its and 2019) (May Biennale Venice the at exhibition Pavilion Japan the of opening the tween be time the in positioned is book This

pb, Japanese/English & bw, cm, 23x30 colour ills p, 360 20194 Code Idea 42,95 Euro 9784763018373 ISBN Tokyo 2020 Kyuryudo, &Stars Earth Planet: –Our Ikemura Leiko Cosmo-Eggs: Reflections on pb, Japanese/English &bw, x26 cm, 19 colour ills p, 248 20246 Code Idea Euro 32,35 ISBN 9784907562205 Tokyo 2020 Torch Press, 2019 Venezia di Biennale La at Pavilion Japan the at Cosmo-Eggs - - - and frightening in Shinto teachings. teachings. Shinto in frightening and auspicious both are creatures The vases. can saturated and style painting acrylic exuberant bright, her to develop Komatsu inspired guardians fierce These shrines. protect that ‘komainu’ the encountered first and animals befriended she where Japan, Nagano, of regions mountainous the with familiar became she achild, As audience. alive of front in performances painting does often and symbolism, Shinto of depictions vibrant her for known is Komatsu Miwa artist Emerging 76. es works divided across six themes. themes. six across divided works es introduc and approach unique Morimura’s from it draws techniques, and periods time to according organised are works which in exhibition a“typical” than Rather himself. artist by the curated guest &Design, Art of Museum Toyama the at bition Prefectural exhi acorresponding of cancellation the despite appears publication This approach. thematic this to explore continued since has and 1985, in (famous) artists by other works in himself by placing self-portraits creating began Morimura Yasumasa 74. pb, Japanese/English &bw, cm, 23 x 30 178 colour ills p, Idea Code 20197 58,00 Euro ISBN 9784763018366 Tokyo 2020 Kyuryudo, World the to Power, –Yamato Komatsu Miwa Japanese/English pb, cm, x21 colour, 21 ills 126 p, Idea Code 20210 Euro 42,30 ISBN 9784864800464 TokyoLixil, 2020 Be Seriously Unserious World? the Change to Want – Morimura Yasumasa - - -

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Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 76. 74. 75. 73.

40 Art Autumn 2020 80. 78. 77. 79.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 41 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 changing, and becoming. becoming. and changing, growing, slowly creatives, emergent six of projects the between moves she Here Wanderer’. ‘The created Besten projects, walking performative long on a focus With to survive. order in future our shape to how of idea acollective develop must we when atime in connections virtual to build hopes she stories Through media. and life between and people, between future, and past the between connections making process the in scales, all of tives narra of search in world the through by moving home of notions researching writer and artist an is Besten Monique 79. this fascination towards the realm of tech of realm the towards fascination this turned has Hein Juan volcano. erupting an atop rising furiously or detonation, nuclear a after like amushroom blossoming and upwards pushing by destruction, shaped are They imagination. avivid or storm ing approach an than more something signify clouds certain But fun. for just or weather the to predict either them, to decode attempting help cannot –we humans for fascination aspecial hold Clouds 77. captures what he finds most interesting. most finds he what captures and images, and information of body vast into a peers sky. He the in clouds seeking of instead cloud digital the mining nology, pb, English &bw, cm, x20 13 colour ills p, 146 Idea Code not set Euro 15,75 ISBN 9788412039092 dpr-barcelona, Barcelona 2020 Wanderer* –The Besten Monique Idea Code not set Euro 30,85 9788797052068 ISBN 2020 Bay, Copenhagen Disko Bombs* and –Clouds Hein Juan hb, English &bw, cm, x25 20 colour ills p, 44 - - - while delving into Dulac’s obsession. into Dulac’s delving while hydra regenerative the of visualisation acomplex in storytelling and art, research, scientific combines Tietäväinen Ville designer graphic and Tammi illustrator and Maija by artist book This plans. Dulac’s interrupted something Obviously, polyp. freshwater immortal aseemingly hydra, researching been had She food. of supply ayear’s and agenerator, for gasoline well, afreshwater with laboratory research afully-equipped itself Finland, Eastern in cabin aremote at discovered were audiotapes Her 2014. since missing been has Dulac Cornelia biologist Canadian 80. traditional thinking and view of humanity. humanity. of view and thinking traditional heterosexist and patriarchal, Euro-centric, to the alternatives to create viewers invites piece the others, and caregivers, artists, thinkers, activists, with interviews Through world. the and others, to oneself, proaches ap emerging explores that work a video (2020), “Becoming” with coincides Book’ ‘Bud viewpoint. a non-anthropocentric from society and history examine they wherein 2012, in collaboration their began Terike Haapoja artist visual and Gustafsson Laura playwright and Writer 78. hb, English &bw, cm, x22 20 colour ills p, 128 20116 Code Idea 41,50 Euro 9789526089621 ISBN Aalto University, Helsinki 2020 Hydra Polyp Freshwater the Concerning Dulac Cornelia of Memoirs Lost Immortal: pb, English cm, &bw, x21 15 colour ills p, 182 20224 Code Idea Euro 23,20 9789525939262 ISBN 2020 Helsinki Publications, Garret Book –Bud Gustafsson&Haapoja -

42 Art Autumn 2020 butterflies. and crabs, boar, deer, wild frogs, monkeys, as such work, of body Koson’sin rich appear occasionally also animals other of Arange book. this in detail vibrant in reproduced are which of many flowers, and birds of prints comprised production his of majority The printmaking. ukiyo-e traditional revitalised that movement (“new prints”) ‘shin-hanga’ the of part considered is and centuries 20th early and 19th late the during active designer print and painter aJapanese was Koson Ohara 83. eternity. meta­ poses and perceptions our to refine us encourages viewer. work the of The senses physical the affect powerfully yet quietly that spaces to create order in forms al sculptur and light, sound, of fragments as elements these harnessing history, and locations particular of memories the Hisakado everyday collects phenomena, interior. museum’s to the respond which Art, of Museum Tokyo the Municipal for conceived artist the installations sioned commis newly the documents cation publi this exhibition, solo Hisakado’s Tsuyoshi of occasion the on Appearing 81. phorical questions about concepts of Japanese/English introduction Japanese/English pb, x26 cm, colour, 18 ills p, 144 Idea Code 20313 Euro 32,35 ISBN 9784808711290 TokyoTokyo 2019 Bijutsu, Sing Birds Bloom, Flowers Where Paper On Paradise Koson: Ohara pb, Japanese/English cm, &bw, x30 21 colour ills p, 168 20247 Code Idea 49,50 Euro ISBN 9784907562212 Tokyo 2020 Torch Press, Spiral of Practice – Hisakado Tsuyoshi - - - of Art Museums. Art of Association Japan the of programme study overseas the of part as 2015, in conducted research on based is Japan in work ser’s Schmeis of aretrospective for catalogue This subjects. and colours astonishing of aplethora amidst other each with secting inter etchings, many his in coexist These line. sensual flowing, the and line accurate superbly detailed, highly the currents: by two characterised be can work of body His culture. Japanese by influenced deeply became Kyoto in and studied (1942–2012) Schmeisser Jörg Hamburg, in Arts Fine of University the attending After 84. copy, reflect, and alter these themes. themes. these alter and copy, reflect, ways in that act also and outside, and inside death, and life nature, and beings human between oscillate life of creation the of expressions Her scenes. primordial to evoke canvas on colours faint layers and motifs, delicate with elements natural combines Naito space, the with a dialogue in engaging In Naito. Rei artist by the work showcases Creation’ ‘Mirror Kanazawa, in Art Contemporary of Museum Century 21st the at exhibition an for catalogue The 82. Japanese pb, x26 colour, cm, 19 172 ills p, 20158 Code Idea Euro 36,25 9784763018267 ISBN Tokyo 2020 Kyuryudo, Neverending Journeys Retrospective: Schmeisser Jörg Japanese/English pb, cm, colour, 23x30 ills p, 200 Idea Code not set Euro 83,90 ISBN 9784908062315 Tokyo He, 2020 He Creation* –Mirror Naito Rei - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 43 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 84. 82. 83. 81.

44 Art Autumn 2020 88. 86. 85. 87.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 45 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 objects and objects. art functional simultaneously –are wordplays existential often with painted – spray canvases Shillinglaw’s as serve that es mattress soiled the pile, ajunk in doned aban or street the on discarded Whether environments. external and domestic between tension to the attention our drawing literary, or philosophical, playful, become suddenly objects everyday These histories. own their of sense heightened a and words added the of meaning the both to carry begin they so interventions, textual his using mattresses mundane transforms Shillinglaw David artist British 87. windows which surround it. surround which windows prostitution and brothels plentiful the from light with coalesces church the from light red the evening, the in Late 1566. of iconoclasm Calvinist the in destroyed were red) (including colours vibrant their with windows glass stained its and District, Light Red city’s crowded the of midst the in situated is Kerk Oude The light. red in church’s visitors the interior, bathing alters drastically work site-specific The history. rich to its connected and Kerk dam’s Oude Amster in Chapel Sepulchre Holy the for designed Calò, Andreotta by Giorgio tion interven art an is Graf)’ (Heilig ‘Anastasis 85. English pb, cm, x21 colour, 15 ills p, 28 20339 Code Idea 10,60 Euro 9781912722457 ISBN 2020 London Trade Books, Rough Mantras Mattress – Shillinglaw David pb in a box, English abox, in pb cm, colour, 24 x33 ills p, 112 Idea Code 20231 45,00 Euro ISBN 9789492811622 Amsterdam 2020 Publications, ROMA – Anastasis Calò Andreotta Giorgio - - - - sity of meanings suggested by the title. title. by the suggested meanings of sity diver the also but materials, and practices of diversity great a reflect volume this in texts The increases. stuff “real” with fascination our yet, And images. of sibility acces remote the to facilitate materials countless on rely we removed, physically and digital more ever becomes world the As behaviour. material its of knowledge our through only apparent becomes ty amedium’s temporali of experience Our coded. and symbolic be can Material 88. ence in rugged nature. rugged in ence experi an from us with take and perceive we what on reflects she which in stones of recordings field several performs artist the way, the Along shapes. and forms various their in rocks explores Sparre Africa, South in Valley, into caves and Death of desert the across Stockholm, of archipelago the through Moving transformed. and created are relationships these how and nature, in physical and spiritual the for asearch is Ground’ to the ‘Ear for point starting The lives. our constitute that patterns social and behaviours, nisms, mecha the investigates Sparre Ulrika 86. pb, English &bw, 17 x24 cm, colour ills p, 128 20331 Code Idea Euro 28,25 ISBN 9789198606522 Art, Stockholm 2020 of Institute /Royal Theory and Art and its Materialities –Painting Matters Material pb, English &bw, cm, x25 33 colour ills p, 48 20132 Code Idea 43,00 Euro 9789151943824 ISBN 2020 Stockholm Publishing, Theory and Art Ground the to Ear – Sparre Ulrika - - - - -

46 Art Autumn 2020 with the works’ original meanings. original works’ the with to connect performances to use asked were artists of generation ayounger Here, awhole. as collection the as well as tion, preserva and decay art land about tions ques raising time, over changed also have significance social its and art on Views transformation. adynamic of part become since have works the polder, empty an occupying Initially others. and Morris, Robert Boezem, by Marinus works iconic nine with art, land of collection unique a holds Flevoland of province Dutch The 91. Bente Eriksen. Eriksen. Bente botanist and Eva Nyberg, and Sanders Dawn educators science plant Wilson, Mark and Snæbjörnsdóttir Bryndís artists by 2018 and 2015 between undertaken project botanical and artistic, agogical, aped from stems book This perception. human in passive and silent, still, appear can instance, for Plants, behaviours. and physiologies different entirely possessing responsibly with non-human organisms and conceptually to engage humans for aneed is there challenges, the Despite 89. pb, English & bw, cm, x28 20 colour ills p, 208 set not Code Idea 29,95 Euro ISBN 9789462085886 2020 Rotterdam Publishers, nai010 The Flevoland Collection* Live: Art Land hb, English &bw, cm, x28 20 colour ills p, 280 20143 Code Idea 29,90 Euro 9783962160012 ISBN 2020 Berlin Box, Green The Blindness Plant Beyond - - - into Broby’s archives by Line-Gry Hørup. by Line-Gry archives into Broby’s project research illuminating and haustive ex an of outcome the is ‘Blood’ more. and notes, articles, poems, slides, tions, illustra images, scrapbooks, comprised This untouched. Museum, School Danish the at room avacant in 1999,in sitting rediscovered only was part remaining The death. his after shortly Aina, wife, by his delivered were that drawings and scripts, manu letters, personal of a collection was first The parts. two in Library Danish Royal the of department manuscript the to given was (1900–1987) by-Johansen Bro Rudolf writer Danish of archive The 92. about the region. the about narratives conventional of a reassessment for calling and art Arab about knowledge expanding 2018, summer in Amman in held colloquium public of a findings the presents second the 2018; in held events and exhibitions documents volume first amirage’swith light”. publication’s The it over write “Truth black, is Darwish: Mahmoud poet late by the set challenge the following narrative their to reinvent and world, our reimagine to reflect, and to pause artists invited al-Funun Darat artists, Arab contemporary for support its of anniversary 30th the To commemorate 90. pb, English & bw, x24 cm, 20 colour ills p, 434 20145 Code Idea 50,00 Euro 9789490629243 ISBN Amsterdam 2020 Publishing,Kunstverein Hørup Line-Gry by Broby-Johansen R. of Archive and Poems The Blood: pb, English &bw, 17 x24 cm, colour ills p, 328 20389 Code Idea Euro 30,85 ISBN 9789082148435 Amman 2020 Foundation, Shoman Khalid The Today Art Arab Examining Truth Black: is - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 47 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 92. 90. 91. 89.

48 Art Autumn 2020 96. 94. 93. 95.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 49 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 Småland over the last four years. four last the over Småland in place taken have that collaborations and the workshops, residences, conferences, on reflecting texts plus exhibitions, recent of aseries presents book The formulated. be can region the of image updated an knowledge, local and art contemporary international between a dialogue creating to approaches different developing and questions posing By Småland. of standing under ahistorical and acommon both characterise themes three These urban. the and rural the between relationship the on perspectives various offering emigration, and immigration, neurship, entrepre of issues at looks volume This 95. to at home or online. or home to at education, higher and school primary from context, any for intended are assignments The cross-disciplinarity. encourage also they importantly more but design, and sic, mu theatre, performance, arts, visual the to connect book this in collected ments assign arts 100 almost The engaging. otherwise or committed, socially poetical, funny, contrary, unusual, bold, are ments assign These students. and participants challenges maximally which but simple seemingly is that assignment an concept: the knows arts the teaches who Everyone 93. pb, English &bw, 17 x24 cm, colour ills p, 280 20301 Code Idea 29,40 Euro 9789187543388 ISBN 2020 Stockholm Publishing, +Orfeus Arvinius Småland New pb, English &bw, cm, x22 15 colour ills p, 304 Idea Code 20308 19,90 Euro 9789492095756 ISBN 2020 Valiz, Amsterdam Assignments Arts Wicked - - ­ - - tives. perspec different from archives on views and practices their about authors several by writings gathers book This forensics. and collectivity, source, open to image, related discussions as well as practices, and bodies non-institutional through images visual of types other and videos of archiving the in resulted has This place. common become has images cumulating ac and recording, detecting, networks, social and technology digital of rise rapid the with decade, past the Over society. modern our in discipline and surveillance, colonisation, of legacy the to serve tend often practices archival Institutional 96. serious. intentionally funny, albeit and beguiling both is text the drawings, own Coates’s with throughout Illustrated us. dumbfound otherwise might that problems to solve techniques practical own his developed has Coates aHuman”, Marcus personating aBat”, “Im “Crawling”, and “Becoming as such exercises of aseries Using others. of behalf on to work reason unconscious and imagination their to access groups and individuals to enable steps concise and clear out sets “trips”, book this in-depth ly increasing and exercises of aseries Using 94. pb, English &bw, cm, x18 11 colour ills p, 212 Idea Code not set Euro 15,75 ISBN 9788412039061 dpr-barcelona, Barcelona 2020 Autonomous Archiving* – Collective Artikisler pb, English &bw, cm, x18 13 colour ills p, 320 set not Code Idea Euro 15,95 ISBN 9781906012618 Book Works, London 2020 Marcus Coates* Unconscious Reasoning by to Guide APractical UR... - - - - -

50 Art Autumn 2020 existence and deep secrecy. secrecy. deep and existence humans balance between an unapologetic and hunted when seen only are animals where aplace beauty, and trauma with filled alandscape portrays It elements. autobiographical to include expanded but inhabitants, its of stories the and land of apiece of adocumentary as began project The photographs. taking for perimeter their was boundary island’s The by boat. only accessible aplace Maine, of coast the off Island Peaks on together lived they when 2016, in Creek’ ‘Sleep started Guilmoth Paul and Hausthor Dylan Artists 99. predominant theme. theme. predominant series’ the becomes Jordan) by Michael (inspired logo “Jumpman” small its with jersey tournament the while games, the of shots action-filled with interspersed are audience staff,and players, the of portraits group and Ari’s individual area. York City New greater the from players basketball school high best the of some features which tournament, the in ipate partic can older and six ages of Players York. New Brooklyn, in Tournament League Youth McRae Conrad the documented Marcopoulos 2019, Ari and 2014 Between Photography 97. 144 p, ills bw, 17 x 22 cm, pb, no text bw, no pb, ills p, 17 cm, 144 x22 20182 Code Idea 36,75 Euro ISBN 9786188434158 2019 Void, Athens Sleep Creek – Guilmoth &Paul Hausthor Dylan pb, English &bw, cm, 16x22 colour ills p, 816 20258 Code Idea 45,00 Euro 9789492811752 ISBN Amsterdam 2020 Publications, ROMA Youth League Tournament McRae –Conrad Marcopoulos Ari - across as everyday street photographs. street everyday as across come might what of background into the recede would otherwise which ferences, dif cultural of portrayal subtle a rather is result The traffic. of direction to the it comes when rules opposing have many Ger and Japan other, because each face always cars parked the arrangement his in Interestingly, identical. almost is cars the of year and make the Oftentimes models. similar of pairs as years of acouple of course the over took he images the ranges ‘Silver’, ar he series the In Leipzig. and Yokohama cities: two in cars silver parked to photograph Tomiyasu decided Hayahisa 100. accompanies the series of images. of series the accompanies Lombaerts Herman by Atext reflection. and theology of abeacon still is which space, this of experience the to visualize invited was Goiris Geert photographer later, years Nine contemplation. for space into acontemporary chapel this of mation transfor the led Tom Callebaut architect interior 2011 In intact. still is 1924 from chapel current The there. outbuildings and churches consecutive five of remains the uncovered has research Archaeological Belgium. modern-day in Groot-Bijgaarden at site Wivina the on settled Benedictines of acommunity 1124, year the Around 98. 52 p, ills bw, 28 x 21 cm, hb, English hb, cm, bw,52 ills x21 p, 28 Idea Code 20401 Euro 32,00 9783952489468 ISBN 2020 Zurich everyedition, Tomiyasu –Silver Hayahisa pb, English &bw, cm, x36 28 colour ills p, 44 Idea Code not set Euro 25,00 9789492811813ISBN Amsterdam 2020 Publications, ROMA –2020* Goiris Geert - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 51 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 100. 98. 99. 97.

52 Photography Autumn 2020 102. 104. 101. 103.

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Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 Mishima. Yukio playwright and author and Hijikata, Tatsumi Ohno, Kazuo of Hosoe by Eikoh photographs contains set The expression. Hijikata’s creative documents also which (1961), 2’ Experience Dance ‘The of tion edi afacsimile with together published is reprint The environments. absurd or extreme and topics, taboo imagery, grotesque and by playful characterised is and nature “distressing” its for known is form art This performance. dance of style butoh the of founder Tatsumi Hijikata, choreographer Japanese of work the (1960), featuring Experience’ Dance of the of ‘Association reprint first the is This 103. presents an overview of his entire oeuvre. entire his of overview an presents aKyoto at museum by Sugimoto exhibition major first This consciousness. of origins the and perception, human time, of concept the of exploration ongoing his of facets are All directing. theatre and ture, architec places, and times different from documents historical and art collecting include also Sugimoto’s interests motifs. conceptual with techniques camera mat works combining sophisticated large-for photographic for acclaim global earned has Sugimoto Hiroshi 1970s, the Since 101. Japanese/English summary Japanese/English bw, pb, ills x23cm, p, 25 44 20178 Code Idea 58,60 Euro ISBN No Tokyo 2020 Nagasawa, Akio Experience –Dance Hosoe Eikoh hb, Japanese/English &bw, cm, 24 x29 colour ills p, 230 20348 Code Idea 57,45 Euro ISBN 9784582207194 Kyoto 2020 Heibonsha, Vitam –Post Sugimoto Hiroshi - - - the narrative of these parallel places. places. parallel these of narrative the interweaves Snoek juxtapositions, their and images his Through centres. urban dynamic and powerful as rebuilt since War, been World have both and Second the during bombings traumatic suffered cities both strong: are them between parallels other. The to each next cities two the of panoramas modern-day places Snoek Otto ‘Rotterdam/Dresden’, In Dresden* 104. sea as it offers itself to the eye. the to itself it offers as sea the show photographs black-and-white landscapes and their transformations. The man-made and natural the of a panorama present lens, awide-angle with and light natural in deep, metres -30 0and between taken images, The Park. National lanques Ca the of coastline 162-kilometre entire the by following 2020, and 2018 between time, in point agiven at seascapes water under the of state the to capture out set Floc’h Nicolas Calanques, the of scapes sea underwater the on project research photographic ‘Invisible’, avisual, With 102.

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54 Photography Autumn 2020 being. being. ahuman as to survive needed necessities the out to map attempts or rituals, stories, as read be can It poetry. and mysticism of aspace inhabits also work the nature, and alienation, like isolation, issues ing investigat and memory, and transition as such themes on focusing While years. six of aperiod over formats camera multiple using captured images colour and chrome mono of array an in depicted passed, have that on times reflection fragmented a is On’ Now ‘From series Peitersen’s Arnild Alexander photographer Danish 107. relation between warfare and the media. the and warfare between relation symbiotic but contentious the of view insiders’ an offers also Brody perspective, apersonal from anecdotes In meditative. and confronting, –intimate, ative process cre humorous darkly often and evolving an through manoeuvres book the manuals, field by military inspired adesign With journalist. civilian independent an as istan to Afghan travelled and army the left later War, Iraq the he during propaganda visual make to assigned soldier as a off Starting Afghanistan. and Iraq in wars American the of experience to the elegy searing Brody’s Ben is Servicemember’ ‘Attention Servicemember 105. pb, English &bw, cm, 24 x30 colour ills p, 112 20165 Code Idea 51,40 Euro ISBN 9788797052051 2020 Bay, Copenhagen Disko On Now – From Peitersen Arnild Alexander pb, English &bw, 17 x24 cm, colour ills p, 300 20252 Code Idea 45,00 Euro ISBN 9780997216318 York 2020 New Books, Mass –Attention Brody Ben - - - - for our examination. examination. our for –a fossil artefact like an preserved is item every negatives, as form original their in here Reproduced witness. bear they which to events the and owners unidentified their about to wonder left are we context, or information further any Without evidence. and contraband, objects, confiscated of negatives 15,000 over contained archive the 1993, and 1991 between centres city’s detention the of one at Shot 2010. in Beijing of outskirts the on plant cling recy a from salvaged film negative of abag from taken images of comprised Sauvin’s ’17-18-19’Thomas aseries is 108. than engaging. than rather it –escapist revealing of instead reality, conceal can photography how show that negatives of aseries gathered Terpstra Jelle Rein all. at war the of sign no is Yet there wartime. during Netherlands the in life everyday in us immersing more, and roads, country windmills, farms, lips, tu landscapes, year.the photographs He day, of weather, and time the the records also and negatives, his of margins the in stops aperture and times shutter down writes he medium, the of handling his in Meticulous Netherlands. the of occupation German the during active tographer, pho amateur enthusiastic an Imagine 106.

English hb, cm, x21 colour, 15 ills 224 p, 20181 Code Idea Euro 47,25 9786188434141 ISBN 2020 Void, Athens –17-18-19 Sauvin Thomas English bw, Dutch/ pb, ills p, 17 cm, 48 x22 20221 Code Idea 22,00 Euro 9789072532466 ISBN Amsterdam 2020 Publishers, Van Zoetendaal Rein Jelle Terpstra – Dark Dunes - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 55 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 108. 106. 107. 105.

56 Photography Autumn 2020 112. 110. 109. 111.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 57 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 true connection with their environment. with their connection true their reveals Cavalier context, own their in townspeople photographing By behaviour. dictating and habits people’s impacting subliminally away have of ever, politics How lives. their live they which against backdrop the than more no often is this inhabitants, For past. the in conflicts by armed marked been have that places photographs He it. in live who people the of lives the affects this how and landscape urban the in visible becomes upheaval cal politi how investigates Cavalier Bertrand 111. vens that appear frequently in Bol’s in work. frequently appear that vens ra and crows the are father his of pictures with Interspersed one. to aloved goodbye saying inevitably of process the from sult re would Crow’, what or ‘White series the making up end would he that predicted have not could Bol possible. degree best to the alleviated pain his with but to speak able longer no ahospice, of comfort the in away passing finally until months, six next the over deterioration man’s gradual derly touching and intimate chronicle of the el the of chronicle intimate and touching a began and camera his took he sponse, re In cancer. with diagnosed was Bol Hans photographer of father the 2011 In 109. 160 p, ills bw, 24 x 30 cm, pb, English pb, bw, cm, ills p, 24160 x30 Idea Code 20390 35,00 Euro 9789490119850 ISBN 2020 Amsterdam Fw:Books, Concrete Doesn’t Burn – Cavalier Bertrand English Dutch/ bw, pb, ills cm, p, 12x18 68 Idea Code 20240 20240 Code Idea 30,00 Euro ISBN 9789080876798 Nijmegen 2020 Publications, Verso Recto Crow –White Bol Hans ------families, and strangers. friends, of community this of images the through place of sense elusive an captures and frontier Western American the of aspects economic and domestic, social, into the window visual a dynamic provides book the photographs, 24,000 over from Culled Wyoming. southern in business aphotofinishing of proprietor the as century 20th early the in collected she photographers by amateur images the and work own Nichols’ features 1948’ 1899- Archive Nichols Webb Lora the from Selections Wyoming: ‘Encampment, 112. unpretentious portraits trigger curiosity. curiosity. trigger portraits unpretentious The environment. urban crude their of expression metaphoric as serve that faces unpolished the echoing thus surfaces, and objects inanimate of irregularities the exposing unapologetically flash, a harsh uses Seguin interiors. and scenes street inscrutable with alternated are portfolio this in portraits The cooperation. their for asks then conversation, through them with aconnection establishing life, of walks all from locals approaches He place. multi-ethnic avibrant, Belleville, of neighbourhood Parisian the from people unveils book Seguin’s first Loïc 110. English hb, cm, x28 bw, ills p, 21,5 108 Idea Code not set 40,00 Euro 9789490119898 ISBN 2020 Amsterdam Fw:Books, Nichols Archive 1899-1948* Webb Lora the from Selections Wyoming: Encampment, hb, English &bw, cm, x20 13 colour ills p, 208 Idea Code not set 36,75 Euro ISBN 9786188434127 2020 Void, Athens –Half-Light* Seguin Loïc

58 Photography Autumn 2020 between the images. the between connections visual comical or unsettling often forging and watercolours with ed paint shapes paper adding folds, and cuts Beek Van arranging. flower of art Japanese the and cacti, for caring trees, bonsai tending as such subjects with collages, playful her for source primary the are ’70s ’60s, and 1950s, the from magazines and books Specialist ways. changing stantly con in images arranges she material, photographic found of archive a growing From object. depicted the of importance or rarity incredible the in into abelief viewers to guide photography of codes visual established the uses Beek van Ruth 115. world of conflicting emotions. emotions. conflicting of world a itself summer, in Stockholm of portrait asingle to constitute seem images the Rather, passing. time of sense any outside step somehow they collectively but years, three of aperiod over made was images 60 than more of series The time. first the for it again to see able be and place familiar to this return to then order in Stockholm, of city home his from alienation an to achieve familiarity away from walks He point. astarting as walking uses he which for book, third Eriksson’s August is This 113. English pb, colour, 16x23cm, ills p, 88 set not Code Idea 33,00 Euro 9789072532480 ISBN Amsterdam 2020 Publishers, Van Zoetendaal –Eldorado* Beek van Ruth hb, English &bw, cm, 24 x31 colour ills p, 144 20298 Code Idea 50,90 Euro ISBN 9789198606515 2020 Stockholm Publishing, Theory and Art When Nothing Happens Happens –What Eriksson August - - selection of images. of selection meditative and eclectic an in spatiality and perspective, scale, light, of experience the examines she studies, photographic Through Caucasus. Georgian the in and Montserrat around Tibet, and Sahara the in stones up picked she when for ing search was Boer Den that connection this precisely is It to eternity. even maybe or earth, to the connection to seek seem we so, doing In stones? up to pick tend we do Why again. look and to look, still, be to down, –to slow time along for existed has that to something connecting about is photobook second Boer’s den Claudia 116. astrophysics. to all at not however, and system, solar to the related loosely only is book The sun. the was friend best her and moon, the was Mattes stars; and planets to the related nicknames other each gave friends Her life. her to mythologise attempt innocent an as ateenager, was she when started all this it, describes she As prose-poetry. own artist’s the of passages with Chile in Desert Atacama the in and eclipse solar tal ato during shot images connects Mattes, by Hanna System’, aphotobook Lunar ‘The System 114. hb, English &bw, 24 cm, x32 colour ills p, 118 Idea Code not set Euro 32,00 ISBN 9789492051554 2020 Breda Connection, Eriskay The To aStone* Up Pick – Boer den Claudia English hb, cm, x33 colour, 21 ills p, 112 20091 Code Idea Euro 32,00 ISBN 9783947858088 2020 Berlin Verlag, K. Lunar –The Mattes Hanna - -

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−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 116. 114. 115. 113.

60 Photography Autumn 2020 120. 118. 117. 119.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 61 C M C M

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62 Photography Autumn 2020 the history of places. of history the and history, personal timelessness, and time of exploration his with confrontation intimate –an images his of labyrinths the in lost getting encourage pages mat and personality. The book’s large-for practice his of view insider’s an readers gives Cohen by Jem Atext works. recent Ackerman’s most of aglimpse to catch ty opportuni unique a offer images 130 than more its and universe, future and past his of arecollection is ‘Epilogue’ material. unpublished previously with combined City’ Time ‘End project debut his from works (2010) features Life’ ‘Half book his since publication Ackerman’s first Michael 123. of various ethnicities. various of Iranians of portraits with along collections, three from images of aselection presents Stranger’ Familiar war. and ‘The olution, rev modernisation, by rapid environment living their and people Iranian the upon brought changes the to register tography pho to documentary turned and periods, crucial Iran’s most contemporary of one during lived Jalali Iran. in universities several at photography taught he decades, three of course the Over photographers. Iranian of generation anew educating in role asignificant played (1944–2010) Jalali Bahman Tehran, in photographer Born Stranger 121. English pb, &bw, cm, x32 22 colour 52 ills p, Idea Code not set 31,50 Euro ISBN 9786185479015 2020 Void, Athens Hunger: Epilogue* – Ackerman Michael Persian/English bw, pb, ills p, cm, x19 13 144 Idea Code 20340 16,95 Euro ISBN 9786001523113 Tehran 2020 Publishers, Nazar Familiar –The Jalali Bahman - - - - many places around the world. the around places many in meat horse of traditions and culture the documents volume This disappearing. is meat horse of consumption and tion produc the today But demand. high in was meat horse affordable poor, and were people many recovery, post-war of time Atthat meat. horse taboo: consider now many what in abusiness began Peeters Heleen of grandfather the 1948 In therapy. medical and competitions, recreation, for used status, amoral with pets tic domes as seen often are they Currently to war. agriculture and transport from history, along share horses and Humans 124. issues and developments within China. China. within developments and issues contemporary address who archivists and artists, photographers, international and Chinese by both made projects visual 20 over presents It audiences. Chinese and Western between incomprehension of gap undeniable an bridge to help like this exhibition an to create urgency the felt they times pandemic these In Lundgren. Ruben and Yining by He curated Photo, by Breda Imagined’ ‘China exhibition the of overview an is publication This 122. Dutch/English pb, cm, x31 colour, 20 ills p, 232 set not Code Idea 40,00 Euro ISBN 9789492051561 2020 Breda Connection, Eriskay The –Horse* Peeters Heleen pb, English &bw, cm, 24 x34 colour 52 ills p, 20394 Code Idea 12,50 Euro ISBN 9789492051585 2020 Breda Connection, Eriskay The Imagined China - - -

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−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 124. 122. 123. 121.

64 Photography Autumn 2020 128. 126. 125. 127.

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66 Photography Autumn 2020 N’Dour. Youssou Youth, and Sonic Isaak, Chris Stansfield, Lisa Kravitz, Lenny Byrne, David Jackson, Joe Vega, Suzanne Hiatt, John Tori Faithfull, Amos, Marianne Costello, Elvis White, Barry including period, this from artists pop 60 of aselection shows Portraits’ ‘Music hotels. around and in or backstage sessions, photo the for minutes afew were only there time the of most and favourable, too not were circumstances the Often magazines. other and OOR’ ‘Muziekkrant Dutch the for artists pop renowned internationally photographed Doove Hester 2001, 1989 and Between 1989–2001 131. city, Stettler captures her many facets. many her captures city, Stettler the in out or backstage from snapshots and portraits private In personalities. different on took also –she model and ie, group girl, aparty just not was 53, of age the at 2016 away in passed who Corinne, Enemy, Motorhead, and the Beastie Boys. Public Bowie, David them among cians, musi and figures celebrity to numerous access him getting in role apivotal played she 1980s, the in scene Zurich’s party in Akey figure 1986. and 1980 between worked he whom with Acid), Coco, Colli, (aka Corinne Stettler, Bruno photographer of muse to the dedicated is book This 129. hb, English &bw, x27 cm, 22 colour ills p, 160 20342 Code Idea 35,00 Euro 9789462263802 ISBN Lecturis, 2020 Portraits –Music Doove Hester map, English &bw, cm, 27 x20 colour ills p, 160 20395 Code Idea 41,00 Euro ISBN No 2020 Zurich everyedition, Stettler by Bruno Corinne - - period. this on mark their left reality and tations expec between gap the and transitions that clear is It to Europe. moving after year first their in partly also and there, together year last their during country, son’s home his Brazil, in set partly is series The ship. relation and lives their in time a pivotal 2019, capturing and 2018 between taken were photographs The ateenager. now is who son, his on camera the turns again Weijde once der van Erik ‘Lithium’ In 132. poet many know and love today. love and know many poet rock the way for making mid-1970s, the by matured gradually style reckless and tour. on erratic went His and 1972 in album solo first his released Reed Underground, Velvet The band rock legendary the from departure his Following Vos. Sebastiaan by authored career, solo Reed’s of years early the on background informative by an supplemented is which photobook, this for made was images these of selection extensive An occasions. several on dam Amster in interviews and concerts during Reed Lou musician photographed root Hanek 1977, and 1972 Gijsbert Between 130. 32 p, ills bw, 21 x 30 cm, pb, English pb, cm, bw, x30 ills p, 32 21 Idea Code not set 16,00 Euro ISBN 9789492811806 2020 Amsterdam Publications, ROMA –Lithium* Weijde der van Erik 56 p, ills bw, 24 x 30 cm, pb, English pb, bw, cm, ills p, 2456 x30 20222Idea Code Euro 25,00 ISBN 9789082265057 Amsterdam 2020 Books, Photography Hanekroot Amsterdam in Reed Lou – Hanekroot Gijsbert - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 67 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 130. 132. 129. 131.

68 Photography Autumn 2020 136. 134. 135. 133.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 69 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 us and every corner leads to a new expe to anew leads corner every and us protect really cannot walls the where place imaginary an arelationship, in being of concept the addresses he time same the at But possible. is everything where space a psychological as home his depicts Nobel Yurian Quintanas house. artist’s the of rooms and corridors the within place takes and dream, abizarre through ajourney on you to send text and photography mixes It person. first the in told astory is This 135. strange and unstable. unstable. and strange is everything how. journey, this In knowing already without face must we that rience ageing, and true love. true and ageing, mobility, social about is book this have, to tend all we that stereotypes with flirts story their While story. life fascinating their relating while to parties her inviting were they soon and friends, became ple cou the and Longly adrink. for in her asked he surprise to her but to apologise, started She there. doing was she what her asked and out came aman when Brussels of outskirts the on acampsite at caravans illuminated of pictures taking been had She evening. aDecember on “Plume” dog little their and Nicole, Blieke, met Longly Katherine photographer Belgian 133. Idea Code not set 31,50 Euro ISBN 9786185479022 2020 Void, Athens Moons* Dream – Nobel Quintanas Yurian 96 p, ills bw, 23 x 30 cm, pb, English pb, bw, cm, 96 ills p, 23x30 French/English pb, cm, x32 colour, 22 ills p, 88 20409 Code Idea 30,00 Euro ISBN 9789492051547 2020 Breda Connection, Eriskay The &Plume Hernie – Longly Katherine - - bought, sold, and admired. admired. and sold, bought, assessed, being constantly is that thing some as and character ever-changing an as model, as a career in a meaning find to attempt an is It identity. and self-image impact structures these how investigate to body own her uses she wherein life, and documentary and fiction,performance between moves that book ahybrid is and objectification. ‘Unprofessional’ ideals, beauty structures, power its ing to question attention her turns now she role, this in years ten spent Having model. aprofessional as time her explores sen Rasmus Søes Matilde artist burg-based Gothen text, and photography Through Unprofessional* 136. signs. and traces, markings, handwritten of use recurrent the for notable unfold, scapes land changing the as emerges that a style in work of body acoherent developed has Pugin nature. or by humans created traces and signs for quest obsessive almost an by characterised approach artistic an illustrates and decades four covers land, Switzer in Gruérien Musée at work his of exhibition an with conjunction in lished creative ‘Tracehumance’, purpose. pub his to achieve technique available every with experimented has Pugin Jacques artist-photographer career, his During 134. hb, English &bw, cm, 23x31 colour ills p, 256 set not Code Idea Euro 46,25 9788797052075 ISBN Bay, Disko – Rasmussen Søes Matilde pb, French/English &bw, 17 x24 cm, colour ills p, 240 20393 Code Idea 48,10 Euro set not ISBN 2020 Zurich &Drang, Sturm – Tracehumance Pugin Jacques Copenhagen 2020 ------

70 Photography Autumn 2020 with art. with relationship tense photography’s as such topics address that texts critical as well as presented, are points focal thematic of anumber which through selections, 300 around features book The 2015. since Basel in Kabinett Meuron de Pierre and Herzog Jacques the at conserved been has which collection, diverse their of portrait first the is This worldwide. photographs of are among the most important collectors Herzog Peter Today, and Ruther tographs. pho 500,000 than more boasts now that acollection of genesis to the led 1970s the in market aflea at discovery A chance Collection 139. professionals or amateurs. either towards aimed texts in content theoretical and instructions precise bining com writings, her at back look fascinating a casts book This moment. the of poetry the capturing and to modernity committed was Abbot practice. her in role influential (1857–1927), an Atget played turn in who by Eugène work encountered also she where studio Ray. his at to Man was It assistant an as Paris, in photography learned first She science. and portraiture, architecture, of fields the in work her for known best is (1898–1991) Abbot Berenice 137. German/English hb, colour, 24 cm, x 32 ills p, 360 20266 Code Idea 64,10 Euro ISBN 9783856169350 2020 Basel Verlag, Merian Christoph Herzog Peter and Ruth the from Photographs Time: Exposure 184 p, ills bw, 13 x 21 cm, pb, English pb, bw, cm, ills p, x21 13 184 20185 Code Idea Euro 21,25 ISBN 9788412090802 2020 Madrid Ivorypress, WritingsSelected – Abbot Berenice - - steps in the “real” world. world. “real” the in steps first their taking in photographers aspiring assisting towards geared is and a platform talents young offers Eyes’ ‘Fresh remains. rest the from out to stand how of question the yet And attention. gain and work their to share photographers individual for easier been never it has platforms, digital and media social of rise the with tionally, Addi Europe. throughout academies art and schools various from graduate photographers year, talented many Each 140. d’Agata, Sophie Calle, and others. and Calle, Sophie d’Agata, Antoine Kleist, von Pierre Suke, Katja Klein, William photography: contemporary in players major with talks includes book The emerge. will photography temporary con of ageography interviews these from that hope Coignet’s is It process. the in intentions their revealing work, respective their reread curators and publishers, photographers, 20 than more of selection a Here, work. their in form essential an is photobook the whom for and him, inspire that artists those with engagements pursued has Coignet Rémi 2008, Since 138. hb, English &bw, 17 x23cm, 416 colour ills p, 20261 Code Idea 30,00 Euro ISBN 9789090332949 2020 Amsterdam XPublishers, 2020 Eyes Fresh 304 p, ills bw, 13 x 20 cm, pb, English pb, bw, cm, ills p, x20 13 304 20213 Code Idea 22,10 Euro ISBN 9791092727364 2020 Paris Publishing, Eyes The 3 –Conversations Coignet Rémi - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 71 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 140. 138. 139. 137.

72 Photography Autumn 2020

Theory & Literature 144. 142. 141. 143.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 73 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 or around the field of design. of field the around or against, with, struggles in engaged those from emerge views and voices of array conveyance and storytelling, an expansive of modes accessible with insight scholarly Applying class. and ethnicity, der, culture, gen of intersections the through design at looks and self-critique, disciplinary of modes queer-feminist and de-colonial, situated, to foster design of notions ern West by problematising grain the against going proposes It past. the in and today problems, environmental and political, social, reinforcing and perpetuating, ing, creat in design of complicity the of ment assess critical a offers publication This 143. and drawings by Lotte Schröder. by Lotte drawings and design graphic With surviving. simply and living between difference the of marker only the as stands view, culture their In reality. new our to diagnose seek Gielen Pascal professor sociology cultural and Munck De Marlies philosopher publication, this With lifeless. becomes simply art bodies, with to resonate unable it is When arm’s adigital length. at kept when aura their lose people art, of either. Like works it, without do cannot education and Art beings. human for is nearness priceless how us taught has crisis coronavirus The 141. pb, English & bw, 17 x24 cm, colour ills p, 448 Idea Code not set Euro 27,50 ISBN 9789492095886 2020 Valiz, Amsterdam Pedagogies, and Perspectives* Histories, Intersecting Struggles: Design 64 p, ills bw, English ills p, pb, 12x17 cm, 64 20309 Code Idea 9,90 Euro ISBN 9789492095862 2020 Valiz, Amsterdam Covid-19after Education and Art Nearness: - - - - potentially viable alternate reality. reality. alternate viable potentially a becoming is space outer colonising and Earth the leaving Nowadays, terms. ger stron and stronger in survival of urgency the pose Anthropocene the of effects the and change, climate global of acceleration the bio-resources, Vanishing future. the to imagine and times, present like our situation acrisis in used to be tools artistic and conceptual of aset ah’s advances Ark’ ‘No missions, space Mercury and Apollo the in used kits survival by the Inspired 144. eration, and more. more. and eration, coop thinking, “wild” flexibility, for space to provide aims School No inquisitiveness. intrinsic for attention little and approach, aunitary bureaucracy, legislation, rules, by overshadowed often are values these system current the In together. living and learning of forms all of elements basic are developing and making, thinking, unrestricted experimentation, Curiosity, education. traditional questions mentally funda and learning of meaning the up to open wants movement School No The Education 142. hb, English cm, &bw, x25 21 colour ills p, 280 Idea Code not set 51,00 Euro ISBN 9789198533569 2020 Stockholm Publishing, +Orfeus Arvinius Kit* Survival Space Improbable An Noah’s Ark: pb, English &bw, cm, x22 15 colour ills p, 204 20349 Code Idea 19,90 Euro ISBN 9789492095855 2020 Valiz, Amsterdam Creative of A Movement Manifesto: School No - - - -

74 Theory & Literature Autumn 2020 munity well-being. munity com and to culture regard with societies for responsibility and concern ashared is force driving The world. the around from studies case and essays many includes and change, social and society civil on art of impact the about thinking current of dium compen multi-layered,dense, polyvocal a is It contexts. given their in societies and communities, people, empowering in operational been have practice creative of cases how exploring environments, social their and people affect organisations cultural and artworks, artists, which way in the investigates Art’ of ‘Forces 147. realities. and constructs sociocultural these of tions contradic and intricacies the with deal that artworks presents It perspectives. female as well as male from war and men and virility, and fascism rape, violence, fatherhood, nudity, sexuality, male of tion representa the examining positions, both explores book This ashamed. also they and by others, shamed being are Men men. of self-esteem and self-image the influences substantially which sexuality, male of perception our impacts culinity mas “toxic” on focus The scrutinised. closely been has power of exercise culine #MeToo mas the the Since movement, 145. pb, English &bw, x24 cm, 15 colour ills p, 448 Idea Code not set Euro 27,50 9789492095893 ISBN 2020 Valiz, Amsterdam from a Changing World* Perspectives Art: of Forces pb, English &bw, 17 x23cm, colour ills p, 240 Idea Code not set Euro 25,00 ISBN 9789492095923 2020 Valiz, Amsterdam Masculinity* and Shame! ------proached by mainstream media. by mainstream proached ap is topic that how positions that story news arecent in embedded each themes, topical into twelve structured are projects The cycles. funding and openings, gallery shows, graduation of bubbles the outside trans amore for strives research This understood. or known yet not is what to discover quest the in ties possibili new up open and understanding, alter perspective, the shift that projects presents volume This neoliberalism. to counter thinking ways of alternative and viable to contribute hoping designers and artists for crucial are skills research Solid 148. point of being able to change them. them. to change able being of point to the even feelings, our manipulates and represents technology how explore that globe the around from artists by 20 works presenting emotions, and technology between relationship changing swiftly the explores Feelings’ ‘Real beings. human other with than technology with more communicate we seems It on. goes list the needs… our after look and conversations to our listen appliances intelligent tions, rela human in deficits for compensate robots sex healthcare, in deployed are robots humanoid lives: daily our of realm every in predominates technology Digital Technology 146.

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−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 148. 146. 147. 145.

76 Theory & Literature Autumn 2020 152. 150. 151. 149.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 77 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 environment that is perceived as aesthet as perceived is that environment aliving Naukkarinen, to Ossi According 151. interpretations and ideas. and interpretations competing of space a multidimensional is aesthetics how to understand tools the readers giving living, 21st-century of pects as aesthetic the about questions explores book This dining. or shopping are we while and profiles media social our update we when choices our guide values Aesthetic adifference. makes feel and sound, look, view. things of How point this from in live we world the assess continuously we and life, of quality our improves pleasant ically teddy bear. teddy first his co-authored: is book the whom with interlocutors, of intimate most and strangest the them, Among past. his from things encounters he as nostalgia and memory explores he displacement, this of course the In loss. and time, place, on meditations of aseries uprooting, of tale way. a is This personal adeeply in sions posses his of stock taking occasioned to Manhattan move Arecent volumes. 10,000 his reorganising while Library” My Benjamin’s Walter “Unpacking of version own his to write author’s: the of dream lifelong a fulfilled book this of creation The 149. Idea Code 20207 20207 Code Idea Euro 38,55 9789526038407 ISBN Aalto University, Helsinki 2020 Aesthetics as Space – Naukkarinen Ossi pb, English &bw, cm, 17 x21 colour ills p, 222 160 p, no ills, 13 x 20 cm, pb, English pb, cm, x20 13 ills, no p, 160 20306 Code Idea 16,60 Euro 9783947858156 ISBN 2020 Berlin Verlag, K. My Library –Unpacking Weiss S. Allen - - - year period. year new the with begins and seasons four the to according organised is book The ings. mean their and words certain between relationships the as well as introduces, he word each for given are explanations detailed and Clear itself. ceremony tea formal the and spirits, and gods days, ceremonial objects, important calendar or to useful phenomena, natural other and fauna, and flora seasons, the from range Themes culture. and traditions Japanese of heart very the upon touch that cepts con and phrases, words, collected has Sosei Hamana Bruce expert Tea ceremony 152. Smith, and others. and Smith, Mark Phillips, Mey, Vera Rasheedah Khalili, Remy Jungerman, Rajkamal Kahlon, Yazan Hoyle, Findlay, Sophie Mei Shona Craen, de Irene Butler, Season Alvarado, by Narda contributions With to universality. claim time’s questions subsequently and time, in oneself locating of importance the edging acknowl with starts issue first the edge, knowl situated our of premise the from Working scale. aglobal on perspectives local diverse together bringing at aimed theory and practice cultural for lication pub international an is Journal’ ‘Errant 150. Japanese/English pb, cm, colour, x19 13 ills p, 112 20275 Code Idea 21,10 Euro 9784473044006 ISBN KyotoTankosha, 2020 Way Tea of the in Words Beautiful 100 – Sosei Hamana Bruce pb, English &bw, 17 x24 cm, colour ills p, 128 20307 Code Idea Euro 15,00 ISBN 9789083079301 2020 Amsterdam Journal, Errant We? are 1: Where Journal Errant - - - - -

78 Theory & Literature Autumn 2020 of our waterways. our of secrets supernatural the of search in time, in back journey occult an takes he Moore, Alan magician the and by awitch Aided Bramwell. David author and er-songwriter by sing conceived programme radio experimental an as began Water’ of Cult ‘The history. alternative this through shape their take that publications four on orate collab and work new to create asked were artists of Arange practice. magical of lore folk and culture the with dialogue seeks books of series this Cornwall, in Magic and Witchcraft of Museum the of identity and history the from Taking inspiration 155. their lives. lives. their in encounter often people that forces and powers archetypal as antiquity of gods the of imagining aradical is Aphrodite’ ‘Empty history. alternative this through shape their take that publications four on orate collab and work new to create asked were artists of Arange practice. magical of lore folk and culture the with dialogue seeks books of series this Cornwall, in Magic and Witchcraft of Museum the of identity and history the from Taking inspiration 153. 32 p, ills bw, 15 x 21 cm, pb, English pb, cm, bw, x21 ills p, 32 15 20278 Code Idea 10,50 Euro 9781912722723 ISBN 2020 London Trade Books, Rough Water of Cult The English pb, cm, &bw, x21 15 colour ills p, 32 20277 Code Idea 10,50 Euro 9781912722709 ISBN 2020 London Trade Books, Rough Fate of Encyclopaedia An Aphrodite: Empty - - - - - in music scenes and DIY punk. DIY and scenes music in predators to sexual art, modern in puppets uncanny and films fantasy ’80s disturbing –from preoccupations and obsessions Calleja’s personal Jen author of spective from the creatures per carefree and selfish, hungry, these explores ry. ‘Goblins’ histo alternative this through shape their take that publications four on collaborate and work new to create asked were artists of A range practice. magical of folklore and culture the with dialogue seeks books of series this Cornwall, in Magic and Witchcraft of Museum the of identity and history the from Taking inspiration 156. illustrator Stephanie von Reiswitz. Reiswitz. von Stephanie illustrator and artist by London-based illustrations and Belfast, in lives who Erskine, by Wendy stories short two comprises Real’ is ‘Satan history. alternative this through shape their take that publications four on orate collab and work new to create asked were artists of Arange practice. magical of lore folk and culture the with dialogue seeks books of series this Cornwall, in Magic and Witchcraft of Museum the of identity and history the from Taking inspiration 154.

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B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 79 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 156. 154. 155. 153.

80 Theory & Literature Autumn 2020

Performing Arts 160. 158. 157. 159.

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84 Graphic Design Autumn 2020 166. 168. 165. 167.

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−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 172. 170. 171. 169.

88 Graphic Design Autumn 2020 174. 176. 173. 175.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 89 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 collection at the time of writing. of time the at collection entire the depicts volume present The years. 20 last the in Dot’, sometime Dot ‘Dot or Library’ Serving The of ‘Bulletins al’ Annu Library Serving ‘The of issue an in illustrations as appeared they that – is board aOuija and plate, license German a paint, green of to acan sleeves, LP and photographs, paintings, from range which – objects these of denominator common sole the Apparently, Belgium. Ghent, in space 019, at artist-run an objects framed (mostly) of collection Library’s Serving The of installation along-term with tandem in published is year’s edition This 175. possible futures. and present, past, its with concerned those all for education design graphic contemporary of field the of overview urgent an provides Mirrors’ Many and ‘One Wood), Luke and Haylock (Brad ucators designer-ed by two Edited reproduced. and received, taught, imagined, is design graphic ways which in to the up mirror avivid today. holds It education design graphic of hierarchies and rules the tion ques who practitioners and by educators writing recent and new of selection tional interna awide together brings book This 173. or one of its immediate antecedents, antecedents, immediate its of one or pb, English cm, &bw, x30 21 colour ills p, 218 20441 Code Idea 30,00 Euro ISBN 9789492811011 2020 Amsterdam Publications, ROMA 2020/21 (Objects)* Annual Library Serving The 256 p, ills bw, English ills pb, p, 16x24 cm, 256 20286 Code Idea Euro 23,50 ISBN 9780995473010 Occasional Papers, London 2020 Mirrors Many and One - - - - new artistic ambition. ambition. artistic new a designers graphic and culture, graphic anew acquired have artists where era an in art and design graphic between nections con new potential of symbol or symptom a art, to democratise desire the upon reflect They posters. artists’ of collection ahistorical on based design, graphic and art between exist that relationships versial contro the of discussion their continue Chancogne Thierry and Dupeyrat Jérôme /Pyrénées-Méditerranée, Occitanie MRAC the at collection’ the rearranged I to ‘Honey, avisit of occasion the On 176. 174. in silver ink on dark blue paper. blue dark on ink silver in printed strikingly geometry, rhombic using created patterns magical these with treat optical an with ones loved and friends your Surprise logo. Tokyo Olympic 2020 the for design winning the submitted who Tokolo, Asao artist by Japanese designs features postcards 24square of book This French/English pb, cm, &bw, x30 21 colour ills p, 80 20192 Code Idea Euro 15,50 9791095991212 ISBN 2020 Paris Empire, Éditions Posters Artists issue): (special 22 Faire Idea Code 2020 Code Idea Euro 25,10 ISBN 9784864800471 TokyoLixil, 2020 Connect Tokolo –Rhombus Asao Japanese/English pb, cm, x15 colour, 15 52 ills p, 9 - -

90 Graphic Design Autumn 2020 es, cups, vessels for sake, and more. more. and sake, for vessels cups, es, dish jars, bowls, of tea collection fine this of record photographic aremarkable is Shoko, Aoki’s wife, of support the with ble possi made monograph, This artworks. as but sale for not them, to exhibit desire the expressed had He works. favourite own his of collection alarge up built he lifetime, his During glaze. without firing and glaze, white glaze, iron marks, brush glaze, slip white them among techniques, of variety a using pieces ceramic to creating life his of much devoted (1953–2005) Ryo Aoki 179. Interior & Product Design innovations. these of extension an as furniture modern design to how explores Kuma book, this In jects. ob delicate create and scale minimise that designs sophisticated sought have designers Japanese centuries, the Over architecture. this of nature transparent the from stems also rather but floor, the on matting tatami on sitting of practice to the solely due not is furniture towards stance unique this that believes Kuma Kengo architecture. Japanese traditional within apresence of much have not does furniture world, Western to the contrast In 177. Japanese/English pb, cm, x28 colour, 22 ills p, 204 20110 Code Idea 46,90 Euro ISBN 9784903348520 ADP, Tokyo 2020 Ryo Aoki English hb, cm, x28 colour, 22 ills p, 264 20302 Code Idea 68,00 Euro ISBN No Tokyo 2020 Amsterdam/ &Style, Time blends into the surroundings that –Furniture Kuma Kengo - - - manship on display is remarkable. is display on manship crafts and beauty simple The function. obvious their transcend seemingly which of all objects, everyday these even infuses culture traditional through resonance its and sense aesthetic Japanese familiar The leaves. and ceramics, paper, twine, hemp straw, rice like bamboo, materials natural uses ‘tsutsumu’, as known packaging, Japanese Traditional advertising. and sign de graphic Japanese of 1995), amaster (1905– Oka Hideyuki of collection sonal per the from are book this in photographs 200 than more the in shown pieces The 180. 178. mately 300 works. works. 300 mately approxi by examining Futurists, Italian the with began which career, his at back looks Machines’ Useless the Made Who Man The Munari: ‘Bruno exhibition anese Jap itinerant The age. any of to anyone appealing immediately and idea a simple on based are Munari’s works genre, the of regardless activities, wide-ranging his of scope the grasp to difficult it is Although education. to children’s art himself voted (1907–1998) Munari Bruno de artist Italian the books, picture of writer prolific and apainter, as designer, work his Besides Japanese pb, x27 colour, cm, 19 ills p, 244 20069 Code Idea Euro 43,65 ISBN 9784909290014 Tokyo 2020 Concent, Japanese Packaging of Origin The Tsutsumu: Idea Code 20109 37,60 Euro ISBN 9784763018083 Tokyo 2019 Kyuryudo, Munari Bruno pb, Japanese &bw, x26 cm, 19 colour ills p, 388

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−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 180. 178. 179. 177.

92 Interior & Product Design Autumn 2020 184. 182. 181. 183.

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Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 rary life and society. and life rary contempo in Heath’s of story relevance the solidifying also –while collaborations politics, architecture, experimentation, feminism, environment, –the themes several on commentary in-depth an offers publication This America. post-war in forces creative significant most the of one of influences and foundations osophical phil the emphasising Ceramics, Heath of history the and (1911–2005) Heath Kiertzner Edith on resource definitive the as serves Philosophies’ Heath: ‘Edith 183. crisis. of atime in design and culture, brand ownership, and to objects relationship our it discusses addition, In Agaton. Lotta stylist and Martin-Löf, Andreas architect Williams, Nathan director creative Alvarez, Anton artist features magazine the issue first its In culture. material and visual our ways to meaningful in contributing are who farmers urban and producers, design designers, interior artists, architects, adifference: making individuals with time spend and people, and homes exceptional Visit craft. and art, design, interiors, vian Scandina on focusing platform online and magazine aprint both is Era’ New ‘The 181.

hb, English &bw, 17 x24 cm, colour ills p, 320 set not Code Idea 50,00 Euro 9781988860121 ISBN Information Office, Vancouver 2020 Edith Heath: ­ pb, English cm, &bw, x30 22 colour ills p, 228 Idea Code not set 18,10 Euro 9789189270039 ISBN 2020 Stockholm Publishing, + Orfeus Arvinius 1* Magazine Era New The Philosophies* - - - critical junctures for transformation. transformation. for junctures critical on focusing especially more, and tions, assump connections, unveil and explore contributors 25 than by more Essays tions. contradic social mounting of day’s world to in engagement meaningful and critical of forms novel offers and design” “social of notion simplistic or reductive often the confronts which material, the with intertwined is social the how of reading complex and nuanced amore incorporates design that demands field The materiality. of role the by emphasising realm social the with of, think interact at, and look way we the challenges publication This 184. sion and growing matter. growing and sion inclu to social material, waste recycling and loom the reviving from processes, and to materials shape giving are designers how show authors The more. and thetics, aes organic practice, ethical thinking, circular production, future of responsible a previewing design, contemporary in makers new the introduces volume This Trend company, Union. Paris-based her of director Fimmano, Philip with closely works Edelkoort Lidewij Trend forecaster 182.

pb, English & bw, 14 cm, x22 colour ills p, 240 20214 Code Idea 19,90 Euro ISBN 9789492095848 2020 Valiz, Amsterdam Social Matter, Social Design hb, English &bw, 17 x24 cm, colour ills p, 448 20344 Code Idea 55,00 Euro 9789462263918 ISBN Lecturis, Eindhoven 2020 Love of A Labour - - - - -

94 Interior & Product Design Autumn 2020 imagined and rendered into an art form. form. art into an rendered and imagined mals to endearingly mythological beasts, mam and insects from animals, various of form the in designed netsuke features exclusively book This on. century 18th the from objects ornate small these prized have collectors enthusiastic elsewhere, and Japan In period. Japan’s Edo during widespread most was production their and ornate, especially became accessories these time, Over akimono. of sash to the attached be may article an by which toggle abutton-like as dress traditional Japanese of part as worn wood, or ivory of often ornaments, carved small are ‘Netsuke’ 187. and rising talents. rising and masters senior by both art great of gence emer the as well as galleries, and tors collec dedicated through clay Japanese contemporary in interest Western recent behind reasons many the explores book This artists. by contemporary works tural sculp and functional both upon touching broadened, and deepened has love this decades, two past the In ceramics. anese Jap with enamoured been have curators and collectors century, mid-19th the in West the with to trade opened Japan Since 185. Japanese/English pb, colour, 12 x16cm, ills p, 256 20303 Code Idea 33,75 Euro ISBN 9784838105854 Kyoto 2020 Shoin, Suiko Mitsumura Art Netsuke in Animals Japanese/English 174 hb, colour, 17 cm, x25 ills p, 20304 Code Idea 45,00 Euro ISBN 9784838105922 Kyoto 2020 Shoin, Suiko Mitsumura Ceramics Contemporary Japanese of Allure The - - - - - contributors. by international articles ten the among is pandemic, the with relationship its at looking now is and phenomena climate on worked long has who Rahm, Philippe architect by Swiss Atext time. and space of moment aprecise in anchored tion construc socio-cultural intimate, an is interior the objects, and furniture of tion accumula asimple longer no worldwide; people many of lives to the central came be dwelling private the imposed, were measures containment As perspectives. of range awide from interiors our of design and architecture the of re-examination a forced has pandemic Covid-19 The 188. what we refer to as contemporary design. contemporary to as refer we what define comprehensively to more attempt an is result the object, the of to that given the of value the from one, digital to the city real the From scales. and markets, els, mod in changes problems, scenarios, new challenges, its today, including design with to do having themes current of number a across subject complex this consider they analysis in-depth Through future. the in be will design of role the what and is, design contemporary what about tions ques poses Larcher Claudio thinkers, and designers Italian eight of dialogue a from emerges which book, this In 186. pb, French/English &bw, cm, x25 20 colour ills p, 212 Idea Code not set 36,50 Euro ISBN 9791095513094 2020 Paris Publishing, T&P 2: Interiors* Raddar 144 p, no ills, 14 x 22 cm, pb, English pb, 14 cm, x22 ills, no p, 144 20226 Code Idea 17,70Euro ISBN 9788822905161 2020 Rome Quodlibet, City the Change to aSpoon Designing - - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 95 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 188. 186. 187. 185.

96 Interior & Product Design Autumn 2020

Fashion & Textile 192. 190. 189. 191.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 97 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 Japanese people. the for have colours that importance the of asense with textiles woven her imbue classics and culture Japanese of studies own Her materials. her of sources natural the for respect her in mirrored is nature towards attitude sincere pure, her and yarn, to silk transferred then and plants ex has she which colours of harmony and variety rich the embraces She 32. of age the at weaving and dyeing of vocation the study to independently began Shimura 1924, in Born Shiga. Art, Modern of Museum the of collection the from Shimura by Fukumi work of exhibition an with conjunction in appears book This 191. the Meiers. Meiers. the abundance of personal contributions from an and geographies, scales, of ration explo the for formed is abasis history, recent from phenomena cultural our and architecture built of constructs the with world natural the of juxtaposition this In their nature/mother work: human nature. of all in present is that atheme of dualities the on dialogue open an and reflection for acall as assignment their approached Meier Luke and Lucie issue. this curating with tasked were Sander Jil house fashion German the of directors co-creative The 189.

Japanese/English pb, x26 colour, cm, 19 ills p, 208 Idea Code 20315 30,95 Euro ISBN 9784808711320 TokyoTokyo 2019 Bijutsu, Weave Life to Vocation Her Shimura Fukumi: pb, English &bw, cm, 23x30 colour 242 ills p, 20163 Code Idea 26,75 Euro ISBN 9789077745229 2020 Antwerp A Magazine, Luke and Lucie Meier by Curated 21: A Magazine tracted from from ­tracted - machine printing. printing. machine of age Japan’s golden during a designer as active was who Terada, by Tetsuro left collection enormous the from selected designs 240 around presents book ing fascinat This occurred. influences other many and culture, pop motifs, Japanese traditional incorporated that designs new of spectrum abroad of production and creation the when was 1970s the to up period the Kyoto,In particular, in of textiles. field the in possible production mass made Japan in printing machine of development further and arrival The 192. value for both maker and user is key. is user and maker both for value of production the wherein practice, and Minagawa’s thinking explores publication the illustrations, and projects, video ings, draw design original as well as tableware, and goods, interior garments, textiles, of array arich Featuring shape. and mind, beginning, ending, returning, enhancing, ‘tsuzuku’: term the of meanings multiple the around centres catalogue exhibition this anniversary, 25th its Marking 1995. in brand textile and fashion Perhonen Minä the established Minagawa Akira 190. pb, Japanese &bw, cm, x15 11 colour ills p, 286 20166 Code Idea 16,95 Euro 9784861527739 ISBN Kyoto 2020 Seigensha, Kyoto Patterns Modern hb, Japanese &bw, x27 cm, 18 colour ills p, 280 20169 Code Idea Euro 41,85 ISBN 9784861527647 Kyoto 2020 Seigensha, Akira /Minagawa Perhonen Minä - -

98 Fashion & Textile Autumn 2020 metaphysical space. space. metaphysical and physical finding about to be seems more, and fashion, to music, architecture and art from ranging disciplines of nation by acombi inspired wigs, of collection remarkable This character. new entirely an becomes and “persona” adifferent on takes wearer the wigs, handcrafted his of one on putting When transformations. of power the and masks classics: the in origins their with phenomena parallel two of reinterpretation amodern is Tomihiro of Kono work the Underlying 195. an easily understandable way. understandable easily an in written are explanations and history The addressed. also are evolved accessories kimono other and obi the how and sons, sea different during worn were kimonos different how class, social wearer’s to the according Variations years. the ways over many in changed have they how examines and by women worn kimonos introduces book This nobility. by the worn was ing cloth large-sleeved similar when period, Heian the in found be can garment bolic sym highly and colourful this of origins The culture. Japanese of element ditional atra as recognised widely is kimono The 193. English 174 pb, cm, x21 colour, 15 ills p, 20260 Code Idea 39,35 Euro ISBN 9780998620503 York 2020 New Editions, Konomad 2017–2020 Making Wig of Art The 111: –Personas Kono Tomihiro Japanese/English pb, x26 cm, colour, 18 ills p, 128 20314 Code Idea 30,95 Euro ISBN 9784808711559 TokyoTokyo 2020 Bijutsu, Kimono to Introduction An - - - - - figures within the textile field. textile the within figures leading by several essays new publishes also book The expressions. and tives, perspec points, departure of range wide a represent practitioners these Together practices. respective their of part central a as and/or techniques materials textile of application intrinsic an is common in have all they What 2020. and 2015 between there exhibited have who designers and artisans, artists, 34 of work the presents volume This design. and craft, art, fibre and textile to showcasing dedicated gallery aStockholm-based is Fiberspace 196. wild and varied. varied. and wild both are offerings magazine’s the content, disposable with crammed world whelming over an from escape an as Styled ble. innumera are functions its and like, they how it shape can wearer The influences. cultural rich of full and sizes, and shapes different in available colourful, malleable, life: for metaphor aperfect perhaps scarf, the about is issue This media. and society, fashion, on perspectives and approaches different to seek mechanism acoping as humour uses and Institute Fashion dam Amster by the published is ‘Garment’ 194. hb, English &bw, x26 cm, 20 colour ills p, 236 Idea Code not set 56,55 Euro 9789189270015 ISBN 2020 Stockholm Publishing, +Orfeus Arvinius Design 2015–2020* + Craft Art, Fiberspace: English pb, &bw, cm, x29 19 colour 96 ills p, 20230 Code Idea Euro 15,00 ISBN 9789081747783 2020 Amsterdam AMFI, Issue Scarf The 2020: Garment - - - -

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 99 B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 196. 194. 195. 193.

100 Fashion & Textile Autumn 2020

Popular Culture 200. 198. 197. 199.

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 101 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

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104 Popular Culture Autumn 2020

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106 Gift Autumn 2020 Support Your Local Bookstore!

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Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 visits from representatives. cancelled book fairs and and travel uncertain of times current our in catalogue to our additions latest the about to date up way to keep It’s aperfect Design. or Architecture, Photography, Art, receive: like to would you subjects which choose also can ­ About header the under website, our on newsletters for up sign You can subject? adifferent on is one each and week, every anewsletter out sends Books Idea know you Did – Newsletter. You – Newsletter. request one. request to [email protected] at us contact please yet, website trade to the login a have don’t but account atrade have you If website. our on account trade to your automatically you connects which link, order the on by clicking directly newsletter the from titles Bookshops can order

108 Autumn 2020

C3 Magazine →29, 30 Magazine C3 36 →35, Lee James Byars, Nature with Building 56 →55, Ben Brody, 9 →10, Robin Boyd, 102 →101, Aladin Borioli, Boltshauser, Roger →57, Hans Bol, 58 →47,Blood 48 →61, 62 Onno Blase, Beyond the Threshold Blindness Plant Beyond 42 →41, Monique Besten, 22 →21, Maps Berlin 12 →11, Solano Benítez, Taller Héctor Barroso, 26 →25, AV Proyectos Index 5 →6, AV Monographs Collective Artikisler 26 →25, Viva Arquitectura →7, Architects 8 Arkís 102 →101, Archivio 12 →11, Archives 32 →31, reader archithese and Architecture Art Netsuke in Animals →97,A Magazine 98 4 →3, A.MAG Japanese of Allure 5 →6, Mateus Aires Ackerman, Michael on Magazine Accattone 72 →71, Berenice Abbot, 26 →25, a+u Magazine Less with More Be 2021: the in Words Beautiful 100 Index → 17, 18 14 → 13, 24 → 23, → 47, 48 4 → 3, → 49, 50 16 →15, Remembrance 96 → 95, 96 → 95, The Ceramics, Contemporary 64 → 63, →27,Architecture 28 104 →103, Agenda Way Tea of →77, 78 Fukuda, Masayo → 33, 34 → 33, Masayo Fukuda, 5 →6, Fujimoto, Sou 72 →71, Eyes Fresh 22 →21, Fresher 76 →75, Art of Forces 12 →11, 13 Floragatan 54 →53, Nicolas Floc’h, →99, 100 Fiberspace →89,Faire 90 72 →71, Time Exposure →77, Journal 78 Errant →59, August 60 Eriksson, Enya: ATreatise on in Planning Energy →79, 80 Aphrodite Empty →3,4 Croquis El 9 →10, Willem Dudok, 104 →103, Draisine →67, Hester Doove, 68 →29,DOMa 30 Otherwhere Disasters 74 →73, Struggles Design Precarious for Designing to aSpoon Designing →61, Mathias Depardon, →59, Claudia Boer, 60 Den 4 →3, Xaveer Geyter, De Dancers, Artists, Lovers Water, of Cult →79, The 80 →39, 40 Cosmo-Eggs Contemporary 72 →71, Rémi Coignet, →49, Marcus 50 Coates, 12 →11, Byoungsoo Cho, 64 → 63, Imagined China →57,Cavalier, Bertrand 58 34 →33, Valentin Carron, Andreotta Giorgio Calò, 12 →11, Gloria Cabral, → 81, 82 → 81, Pleasures Unguilty Landscapes → 21, 22 Mediterranean 24 → 23, 16 →15, Citizens 96 → 95, City the Change 62 82 → 81, →19, 20 Copenhagen 46 → 45, Koson, Ohara → 43, 44 →43, Ohara Koson, TomihiroKono, → 99, 100 →39, Miwa 40 Komatsu, 86 →85, Karacho Kira 104 →103, Memos Kimono 84 →83, Na Kim, 32 →31, Kerb 104 →103, Kenbu Designs, Katagami 22 →21, Architects JKMM 64 →63, Bahman Jalali, 26 JA →25, ToyoIto, →7, 8 to Kimono, Introduction RE/Search IN/Search Memoirs Lost Immortal: →39, Leiko 40 Ikemura, 104 →103, Gonzo I Am 54 →53, Eikoh Hosoe, →37,Holzer, Jenny 38 14 →13, Bau Holz of Encyclopedia Hokusai, →87, Jost Hochuli, 88 Tsuyoshi Hisakado, 102 →101, Your Self Help 42 →41, Juan Hein, 5 →6, Studio Heatherwick 94 →93, Edith Heath, 66 →65, Peter Hauser, Gijsbert Hanekroot, H+N+S Landscape Gustafsson&Haapoja Antje →57,Guenter, 58 →51, 52 Geert Goiris, →79, 80 Goblins Turn, →19, The 20 Global Dwelling Housing, Global →99, 100 Garment →37, Dora 38 García, →97, Shimura Fukumi, 98 A Guide to → 85, 86 to →85, A Guide →99,An 100 76→ 75, 42 → 41, Dulac Cornelia of 34 →33, Sketches 44 → 43, → 67, 68 →17,Architects 18 42 → 41, →19, Ababa 20 Addis in

B C M Y slurB B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y C 20 C 40 C 80 B C M Y slurC slurM B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurY B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y CMY B C M Y CM CY MY CMY B C M Y 0 B C M Y CMY CMY CMY CMY Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Heidelberger Druckmaschinen AG CM CY MY CMY B C M Y 0 B 20 B 40 B 80 B C M Y CMY CMY CMY CMY B C M Y CMY C 20 C 40 C 80 B C M Y slurB B C M Y 0 B C M Y B C M Y CMY M 20 M 40 M 80 B C M Y slurC slurM B C M Y 0 Y 20 Y 40 Y 80 B C M Y CMY CMY CMY CMY B C M Y B C M Y slurY B C M Y 0 B C M Y CMY CMY CMY CMY B C M Y C M C M C M C M 109 C M C M

Y Y Y Y Y Y −−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B B B B 0 B B

−−−−−−−−−−−−−−− 1 −−−−−−−−−−−−−−− 2 −−−−−−−−−−−−−−− 3 −−−−−−−−−−−−−−− 4 −−−−−−−−−−−−−−− 5 −−−−−−−−−−−−−−− 6 −−−−−−−−−−−−−−− 7 −−−−−−−−−−−−−−− 8 −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−−− 10 −−−−−−−−−−−−−− B = B −−−−−−−−−−−−−− 12 −−−−−−−−−−−−−− C = C −−−−−−−−−−−−−− 14 −−−−−−−−−−−−− M = M −−−−−−−−−−−−− 16 −−−−−−−−−−−−−− Y = Y −−−−−−−−−−−−−− 18 −−−−−−−−−−−−−− X = X −−−−−−−−−−−−−− 20 −−−−−−−−−−−−−− Z = Z −−−−−−−−−−−−−− 22 −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−−− 24 −−−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− 26 −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−−− 28 −−−−−−−−−−−−−−− 29 −−−−−−−−−−−−−−− 30 −−−−−−−−−−−−−−− 31 −−−−−−−−−−−−−− 2 Mapplethorpe, Robert Mangado, Francisco 84 →83, Papers Magic 26 →25, Kunio Maekawa, Estudio Peredo, Macías →69, Katherine 70Longly, →29,Log 30 → 7, 8 Corbusier Le →47, Live Art Land 48 94 A→93, Love, of Labour Travels around Kurosawa →7, Kengo 92 Kuma, 91, 8, Peitersen, Alexander Arnild Arnild Alexander Peitersen, 64 →63, Heleen Peeters, 66 Tolo →65, Parra, Mirrors Many and One 34 →33, Erik Odijk, →29, 30 Oase Manifesto School No Two of Dimension Norm, 74Noah’s →73, Ark →49, 50 Småland New The Magazine, Era New 74 →73, Nearness →77, Ossi 78 Naukkarinen, 44 →43, Rei Naito, 66 →65, Agency MYOP 92 →91, Bruno Munari, Yasumasa Morimura, 32 →31, MONU C.F.Möller, Architects Kyoto Patterns Modern →97, Perhonen Minä 98 Luke and Meier, Lucie The Place, of Meaning →59, Hanna 60 Mattes, 46 →45, Matters Material 84 →83, Karel Martens, →51, 52 Ari Marcopoulos, → 11, 12 → 11, 4 → 3, 86 →85, World the → 55, 56 → 55, → 89, 90 74→ 73, 84 → 83, 94→ 93, → 39, 40 16 → 15, → 97, 98 → 97, 98 16 → 15, 36 → 35,

Hayahisa Tomiyasu, → 89,Tokolo, Asao 90 →87, Typeforms Tibetan →55, Jelle Rein Terpstra, Most The Books, Swiss 54 →53, Hiroshi Sugimoto, →67, Bruno Stettler, 68 66 →65, Steiner, Rudolph →17, Laurinda Spear, 18 46 →45, Ulrika Sparre, 5 →6, Yearbook Spain 82 →81, American Sound Matilde Rasmussen, Søes Social Matter, Social 54 →53, Otto Snoek, →51, 52 Creek Sleep 4 →3, Álvaro Siza, 46 →45, David Shillinglaw, →37, Ellen 38 Sheidlin, Masculinity and Shame! Annual, Library Serving →57, Loïc Seguin, 58 104 →103, This All See Secondary the of Science 44 →43, Jörg Schmeisser, 56 →55, Thomas Sauvin, →79, Real is 80 Satan 92 →91, Aoki Ryo, 36 →35, Ruby, Sterling →61, 62 Roy, Kourtney the from Handbills Retro →29,Retreat 30 →67, Lou Reed, 68 76 →75, Feelings Real 96 →95, Raddar Yurian Nobel, Quintanas →69, 70 Jacques Pugin, 9 →10, Jože Plečnik, Architects Kedem Pitsou 14 13, → Phiffer,Adrian → 51, 52 88 56 →87,Beautiful 88 → 69, 70 94 →93, Design 76→ 75, →89,The 90 102 → 101, 86 → 85, Era Showa Taisho and → 69, 70 9 → 10, Your Sealed Fate is Yearbook Landscape →87,Yago, Naonori 88 →61, 62 Erwin Wurm, Assignments Arts Wicked Large Need Cities Why →27, 28 Wanderspace Scrap Poster Vintage 32 →31, Vesper 36 →35, Paolo Ventura, 82 →81, Helmi Vent, Architects Vandkunsten Weijde, Erik Van der →59, Ruth 60 Van Beek, Architecture Valuing 24 →23, Vademecum Sea the of Urbanisation Library My Unpacking 92 →91, Tsutsumu →47,Truth Black is 48 4 →3, Svein Tønsager, → 105, 106 → 105, →27, 28 Netherlands the in Design Urban and Architecture → 49, 50 →17,Parks 18 104 → 103, 14 → 13, → 67, 68 24 → 23, → 19, 20 → 77, 78

110 Index Autumn 2020

gmail.com nicolasfriedmann@ Tel +34 639825342 Barcelona Friedmann, Nicolás Latin America [email protected] 75 2036711 +81 Fax Tel 75 7220034 +81 Kyoto Representation Onishi, Julie &Asia Japan [email protected] mnet-mail.de stefan.schempp@ Tel +49 89 23077737 Michael Klein, Velden Munich Schempp, Stefan &Austria Germany diffusion.fr contact@macadam- Tel 659390015 +33 Nantes Richard Sébastien Francophone Belgium & Switzerland France, [email protected] 1435 2491 +852 Fax 0534 Tel 9193 +852 Hong Kong Helen Fung Services, China Publishers SAR Kong &Hong China perimeterdistribution.com idea@ Tel +61 394848101 Thornbury Distribution, Perimeter Australia & New Zealand Representation [email protected] 6209299 20 +31 Fax Tel 6226154 20 +31 Amsterdam Idea Books, All other countries [email protected] 4033575 +1Fax 646 Tel 9485 966 +1 212 York New Galgiani, Phillip and Canada States United [email protected] 7422319 208 +44 Fax 7471061 208 Tel +44 London Data, Art & Ireland Kingdom United [email protected] 45106426 02 +39 Fax Tel 45103601 02 +39 Milan Bookport, S. Europe

B slurB B 0 B 20 B 40 B 80 B B B B 0 B B B B 0 B B B B 0 B B 0 B 20 B 40 B 80 B B B slurB B 0 B B B B 0 B 111 B B B 0 B B

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slurY 3 Architecture − 33 Art 51 Photography

Y 73 Theory & Essays Idea Books Idea M 81 Performing Arts −−−−−− 29 −−−−−−−−−−−−−−

C 83 Graphic Design

B 91 Interior & Product −−−−−−−−− Design 97 Fashion & Textile 101 Popular Culture

M 105 Gift Y C 109 Index 111 Representation Y 8 2 M C B Y M C Y C M Y C M Y C M − Y M C B −−−−−−−−−−−−−−− 27 −−−−−−−−−−−−−− Y 80 Y 40 Y 20 0 Y 26 M C B M slur C slur Y M C B −−−−−−−−−−−−−− 25 −−−−−−−−−−−−−−− − M 80 40 M M 2 0 Y C M Y 4 2 M C B − Y M C B −−−−−−−−−−−−−−− 23 −−−−−−−−−−−−−− 0 Y 22 M C B B slur −−−−−−−− − Y M C B −−−−−−−−−−−−−− Z = −−−−− C 80 C 40 C 20 Y M C Y 20 M C B Y C M Y M C Y M C Y C M Y M C B −−−−−−−−−−−−− X = −−−−−−−−−−−−−− − 0 B 8 40 B 0 2 B 0 Y 8 1 M C B Y C M Y M C Y M C − G −−−−−−−−−−−−−− Y = −−−−−−−−−−−−− M Y C M Y C 16 Prinect Micro−6i Format 102/105 Dipco 4.5f (eps) © 2009 Hei delberger Druckmaschinen A Y M C Y M C Y C M Y M C Y M C B −−−−−−−− −−−− M = −−−−−−−−−−−−− − 0 Y 4 1 M C B Y C M Y M C Y C M − Y M C B −−−−−−−−−−−−−− C = −−−−−−−−−−−−− Y C M Y 12 M C B Y C M Y C M Y C M Y C M Y M C B −−−−−−−−−−−−− B = −−−−−−−−−−−−−− − Y 80 Y 40 Y 20 0 Y 0 1 M C B slur Y − Y M C B −−−−−−−−−−−−−−− 9 −−−−−−−−−−−−−− M 80 M 40 M 20 Y M C Y 8 M C B − −−−−−−− Y M C B −−−−−−−−−−−−−−− 7 −−−−−−− 0 Y 6 M C B slurM slurC Y M C B −−−−−−−−−−−−−−− 5 C 80 C 40 C 20 M Y C Y 4 M C B Y M C Y M C Y M C Y C M Y M C B −−−−−−−−−−−−−−− 3 B 80 B 40 B 20 0 Y 2 M C B B slur Y M C B −−−−−−−−−−−−−−− 1 M Y C