The Daily Texan

Total Page:16

File Type:pdf, Size:1020Kb

The Daily Texan 1A1 SPORTS PAGE LIFE&ARTS PAGE 12 Bar-hopping revolutionized Horns fall to No. 1 Kansas NEWS PAGE 5 ‘Sexting’ could lead to emotional abuse TOMORROW’S WEATHER High Low THE DAILY TEXAN 45 36 Tuesday, February 9, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Friction arises over future of Cactus Cafe and advanced and special screen- Three separate entities ings to the University. The cafe’s propose varying shifts bar could only be opened for cer- tain events and whenever cash in venue’s management donations are available. By Ana McKenzie O’Rourke and SEC officials will The Daily Texan present their plan to the Texas Members of the University and Union Board meeting on Feb. 26. Austin community cannot seem to Wiley Koepp, creator of the agree on propositions that would “Save the Cactus Cafe” Facebook maintain the Cactus Cafe, in some group that had 22,457 members as form or another, since the Union of press time, says removing the Board announced on Jan. 29 that current professional management it was phasing out cafe operations would challenge the “essence” of and informal classes. the landmark music venue and Tamir Kalifa | Daily Texan Staff The proposal that Student Gov- would potentially repel out-of- Mathematics junior Michael Schwartz and five other community members discuss the possibilities of organizing public events to ernment President Liam O’Rourke town performers. bring attention to the issue of domestic partner benefits at UT and other Texas public universities. A lack of support at Monday’s addressed in his University-wide “If [the proposal] means wiping meeting stalled attempts to organize a rally for domestic partner benefits at the upcoming Board of Regents meeting. e-mail would shift management the slate clean and departing from of the Cactus Cafe. His plan has the musical offerings ... then that’s some questioning the venue’s au- what’s destroying the brand, and thenticity if put into the hands of [it] doesn’t make sense,” Koepp the suggested student committee. said. GLBT group pushes for benets O’Rourke and members of the The group’s Web site, saveth- Student Events Center board are ecactuscafe.org, filed legal docu- By Gabrielle Cloudy Though the organization vide an employee’s spouse with “It’s really an issue,” Cloud proposing that the cafe remain ments Monday that would es- Daily Texan Staff didn’t officially organize a pro- domestic partner benefits, the said. “My spouse can’t get ben- open and still feature a stage and tablish a nonprofit group called Campus issues including test at the meeting, Corwin said spouse must be legally married efits.” bar structure but fall under the Friends of the Cactus Cafe to use proposed tuition hikes and the joining forces with other advo- to the employee. Under Tex- No public schools in Texas management of an SEC commit- donations to finance Cactus Cafe closure of the Cactus Cafe may cacy groups on campus, includ- as law, marriage is defined as a are allowed to provide domes- tee. O’Rourke did not say who operations. Student involvement have been the reason a Monday ing those who focus on tuition heterosexual relationship. The tic partner benefits to same-sex would serve on the committee but would still be possible under this public meeting aimed at orga- hikes, would help his group’s state does not recognize same- couples, making it illegal for compared it to an SEC committee, organization, Koepp said, and nizing a March 4 protest in sup- cause. sex marriages performed legal- the University to grant domes- similar to the Texas Union’s Film port of domestic partner bene- The University currently ly in another state. tic partner benefits. According Committee that brings movies CAFE continues on page 2 fits saw such a small turnout. does not provide a faculty or Dana Cloud, associate profes- to the faculty and staff associ- “It’s been kind of slow,” said staff member’s domestic part- sor in the Department of Com- ation’s report, five private uni- Michael Corwin, meeting at- ner, who is of the same or op- munication Studies, is an active versities in the state offer ben- tendee and UT’s LAN adminis- posite sex, with the same ben- member of the Pride and Eq- efits to same-sex couples: Bay- trator, at the meeting in Mezes efits it offers a faculty or staff uity Faculty and Staff Associa- lor College of Medicine, South- Hall attended by six people. “It’s member’s spouse, including in- tion, an organization that pro- western University, Trinity Uni- not on the radar of what people surance and sick leave. motes equality for the GLBT Austin musician have been talking about so far.” In order for the state to pro- community. BENEFITS continues on page 2 laments closure UT upgrades facilities of historic venue Songwriter Slaid Cleaves wanted to work and partly be- to save water, nances cause I wanted to insinuate my- recounts early days of self into that scene.” By Audrey White The University uses about 800 playing, working at cafe The Texas Union Board is shut- Daily Texan Staff million gallons of water provid- ting down operations at the Cac- The University is stepping up ed by the Austin Water Utility By Ben Wermund tus Cafe and phasing out informal its water conservation efforts per year, Walker said. Although Daily Texan Staff classes as part of a request by UT with a series of ongoing initia- some large, local commercial Before singer-songwriter Slaid President William Powers Jr. that tives that would save UT hun- companies, like Samsung, use Cleaves moved to Austin from all UT departments cut their bud- dreds of thousands of dollars more water than the University, Maine in 1991, he knew three gets to accommodate a 2-percent and millions of gallons of water, Austin Water spokesman Kevin things about the city: it was the merit raise for faculty. UT officials said Monday. Buchman said UT is one of the home of “Austin City Limits,” The Cactus Cafe was Cleaves’ Programs range from the re- utility’s top 10 clients in overall South by Southwest and the Cac- introduction to Austin’s live-mu- placement of showerheads and water use. tus Cafe. sic world, so the decision to close faucets with low-flow units in “We have a good relationship “When I told someone I was the venue came as a shock. campus dorms — a process that [with the University],” Buchman moving to Austin, they said ‘You “I went through a series of emo- began in 2007 — to the installa- said. “They’re a good steward have to go play the Cactus,’” tional reactions when I heard the tion of a reclaimed water pipe of our water, and we work very Cleaves said. “I sent a demo tape news,” he said. “Anger at the Uni- on campus, set for completion in closely with them.” before I even moved down — versity and anger that they don’t spring 2011. These and other de- When Austin went under didn’t get a gig for a long time af- seem to understand the value of velopments represent what Jim Stage 2 mandatory watering re- ter that. It was the one gig I knew the place — value to a lot of peo- Walker, UT director of sustain- strictions during fall 2009, UT about before I hit town.” ple who look to the Cactus as the ability, called a change in cam- complied with many aspects of Soon enough, Cleaves was center of the songwriting com- pus consciousness. the regulations, even though it opening for acts including Butch munity. Honestly, I was really de- “UT recognizes that we are was not required to because the Hancock, before becoming a reg- pressed, too. I remember think- not in a wet part of the world, University is a state rather than ular headliner himself. ing — why live in Austin? It’s one and water awareness is going to city entity, Buchman said. “It’s been a venue that I’ve of the jewels of the Austin music be a big deal,” Walker said. “We To minimize water usage dur- played when I first got here and scene.’” could always do more. Short- ing the height of the drought, the was a nobody and still play now Cleaves said his initial attraction er showers in the dorms would University did not run its eight that I have an audience,” Cleaves to the Cactus Cafe was its historical have a visible impact. It takes landmark fountains. This is sig- said. “I even worked as a sound students, faculty and staff to all nificant, Walker said, because man there — partly because I VENUE continues on page 11 be more water conscious. For us, the fountains use about 9 million Fanny Trang | Daily Texan Staff it means more efficient irrigation UT fountains use roughly 9 million gallons of water every year. The and upgrading our equipment.” WATER continues on page 2 University is currently working to conserve water and cut costs. Student prepares to enter graduate school at age 17 By Priscilla Totiyapungprasert In the fall, she took 21 hours, moved more than six hours away have while they’re still in high Daily Texan Staff though this semester she is giv- to Austin, where dual-enrollment school,” said Lorena Dominguez, While other teenagers are fret- ing herself a “break” by tak- classes, AP credit and summer Gonzalez’s adviser in the College ting about college choices this ing 19. Most people who don’t school at UT-Brownsville allowed of Communication.
Recommended publications
  • 1- Frontpage.Indd
    14 The award-winning student newspaper of Imperial College . 05 “Keep The Cat Free” . Issue 1,461 10 ffelixelix felixonline.co.uk This week... Funding review protest A promising future lies ahead for graduates DDanan WanWan Editor-in-Chief mperial College Union took part in a protest that saw students from the 20 leading English uni- Iversities demand that “disingen- uous” tactics by their institutions stop. Ashley Brown, Imperial College Union President, entered the Russell Group offices alongside other student representatives from across the coun- News, Page 3 try this past Monday. They handed over a strong letter of protest insisting that the Russell Group publish their reports submitted to Lord Browne’s Labour in government: The review on higher education fees. The Russell Group is a collective of good, bad and the ugly 20 leading universities, including Im- perial College. The Aldwych Group is a the student union counterpart, describing themselves as the Russell Group’s “watchdog”. The Russell Group had reportedly refused to publicly divulge the content of reports that were to be submitted to the Indepedent Review of Higher Education Funding and Student Fi- nance. The review is led by ex-BP Chief Executive, Lord Browne. How- ever, a spokesperson for the Russell Politics, Page 8 Group told felix that they had “always intended to make the reports publicly available.” Lord Browne had asked all relevant A beautiful linger: Scents parties from across the country to sub- mit a first round of written arguments of the past and present and viewpoints for a review that on completion, will influence the Govern- ment’s decision on increasing univer- sity tuition fees.
    [Show full text]
  • THE TUFTS DAILY Est
    Where You Read It First Snow 36/26 THE TUFTS DAILY Est. 1980 VOLUME LIX, NUMBER 12 TUESDAY, FEBRUARY 16, 2010 TUFTSDAILY.COM Dartmouth policies Universities’ endowments saw tackle rise in drinking major losses last year, report shows BY MICHAEL DEL MORO BY SAUMYA VAISHAMPAYAN about underage drinking. Daily Editorial Board Daily Editorial Board “The town shares with the College the goal of reducing This article is the first in a Tufts students are no lon- the risks to student health and two-part series examining college ger alone in facing harsher safety posed by excessive alco- endowments. Today’s installment measures targeting alcohol hol consumption,” Giaccone focuses on the findings of a report abuse, as Dartmouth College’s said in the Feb. 10 press release. detailing major endowment losses. local police department has “From the statements made in The second article, to appear in unveiled a new enforcement recent days, it is clear that tomorrow’s Daily, will look at the strategy to combat a per- the Greek Leadership Council possible reasons for these losses. ceived rise in underage drink- and other involved student University endowments ing on campus. groups also share this goal across the country, includ- In a Feb. 4 meeting with and are committed to working ing that of Tufts, suffered huge Dartmouth’s Greek life com- energetically to achieve harm losses in the past fiscal year, munity leaders in Hanover, reduction.” according to a Jan. 28 National New Hampshire, Hanover Zachary Gottlieb, president Association of College and Police Chief Nicholas of the Interfraternity Council University Business Officers Giaccone announced a new at Dartmouth, highlighted the (NACUBO)-Commonfund Study strategy of instating compli- proactive approach taken by of Endowments (NCSE) report.
    [Show full text]
  • The Keystone
    THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY FALL 2006 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of the Texas State University System from the CURATOR (right) Raymond, ¡Saludos! are extensively represented in the Wittliff Gallery, tells the (left) Sally Wittliff, 1991, Keith Carter The power of art in life is a story of a cleaning woman who said to him that in the the Bill Wittliff, Dawn Jones, Tommy Lee recurring motif here at the building where she worked there was one of his pictures— Jones, Sam Shepard, THANK YOU Collections, vividly set an old blind man petting a bunch of tiny kittens that were in & John Graves to all contributors forth once again by Graci- his lap and crawling over his shirt—eyes not open yet, blind of (seated)* who made gifts ela Iturbide in her book, like him. An edgy, unsentimental portrait that nevertheless Spirit (center) Emcee this fiscal year for Evan Smith, editor- Eyes to Fly With, upcoming reaches into every single chamber of your heart. She told general support or in-chief of TEXAS in the Wittliff Gallery Keith that she looked at it each day before she started work MONTHLY** to sponsor specific Series (p. 12). In the rare because it made her feel so good. anniversary gala projects: Place (below) revelatory text she ex- The life-changing power of art is not for the practition- Debbie & Jim # Azadoutioun Epperson, president plains how, after the death ers of art alone—it’s for all of us.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Mexican American History Resources at the Briscoe Center for American History: a Bibliography
    Mexican American History Resources at the Briscoe Center for American History: A Bibliography The Briscoe Center for American History at the University of Texas at Austin offers a wide variety of material for the study of Mexican American life, history, and culture in Texas. As with all ethnic groups, the study of Mexican Americans in Texas can be approached from many perspectives through the use of books, photographs, music, dissertations and theses, newspapers, the personal papers of individuals, and business and governmental records. This bibliography will familiarize researchers with many of the resources relating to Mexican Americans in Texas available at the Center for American History. For complete coverage in this area, the researcher should also consult the holdings of the Benson Latin American Collection, adjacent to the Center for American History. Compiled by John Wheat, 2001 Updated: 2010 2 Contents: General Works: p. 3 Spanish and Mexican Eras: p. 11 Republic and State of Texas (19th century): p. 32 Texas since 1900: p. 38 Biography / Autobiography: p. 47 Community and Regional History: p. 56 The Border: p. 71 Education: p. 83 Business, Professions, and Labor: p. 91 Politics, Suffrage, and Civil Rights: p. 112 Race Relations and Cultural Identity: p. 124 Immigration and Illegal Aliens: p. 133 Women’s History: p. 138 Folklore and Religion: p. 148 Juvenile Literature: p. 160 Music, Art, and Literature: p. 162 Language: p. 176 Spanish-language Newspapers: p. 180 Archives and Manuscripts: p. 182 Music and Sound Archives: p. 188 Photographic Archives: p. 190 Prints and Photographs Collection (PPC): p. 190 Indexes: p.
    [Show full text]
  • JOHN ROBERTS - GLASS EIGHTS (CD, Do-LP) DIAL RECORDS (Distribution by KOMPAKT) Release Date: 27Th of September 2010 by Brooke Chroman
    TextText Text OFFICIAL PRESS RELEASE JOHN ROBERTS - GLASS EIGHTS (CD, Do-LP) DIAL RECORDS (distribution by KOMPAKT) Release date: 27th of September 2010 by Brooke Chroman In 2008 John Roberts was asked by Carsten Jost, Pantha Du Prince and Lawrence to be the first American artist on the influential german Dial Records imprint. His releases for Dial and sister label Laid have all received major accolades for their distinct and refined aesthetic. Roberts currently lives in Berlin and performs regularly in Europe's preeminent clubs. His first full-length album debuts a sound impeccably curated! GLASS EIGHTS weaves a fragile lace of melancholy punctuated by intricate 808 patterns, as a synthesized splice confronts the pull of a violin in minor key; the echoes of a disco clap pierce the loom of a somber piano refrain. The narrative of a classic house track begins to deconstruct and unravel itself as Roberts reveals something off-kilter, darker and contemplative of its own genre. This self-reflexive quality is, in part, caused by Roberts’ hyper-acute sense of percussion: a beat drops just after instinct beckons and seems to both unravel and collect itself, resulting in tracks that negotiate the space between a solitary night with headphones and the center of a packed dance floor. With its contemplative instrumental weave, GLASS EIGHTS asks broader cultural questions about the psychological function of music as it blurs distinctions between sublimation and expression, escape and confrontation, medication and symptom, repression and reserve. The electric and grand piano, organ, violin, modular synthesizers and eclectic percussion split, shatter and reform, disclosing an aesthetic sensibility which delicately reflects on the eerie stillness of a grey day, the repetition of a single note on a detuned upright piano, a deflated balloon, the white of a funeral arrangement, exhibiting a kind of discrete, perverse hopefulness.
    [Show full text]
  • The Water Tower Vol. 7 Issue 5
    volume 7 - issue 5 - tuesday, february 23, 2010 - uvm, burlington, vt uvm.edu/~watertwr lauryn schrom by drewdiemar artying isn’t easy. Sure, you tipsy. Fuckin’ Kyle/Kelsey/Mike/Emma So we heard about something on back to my place, minus Mike, cause he usually only do it on put on Party in the USA/Don’t Stop Be- Isham/Loomis/East Ave/Hungerford. This apparently hooked up with some bitty/got weekends. So long as you lievin’/Poker Face and everyone was sing- place was mad chill/shitty/ragin’ /sketchy. locked in the boiler room/passed out in the can sleep in as long as you ing along. I was like, if we’re all jamming It was a highlighter/whiteout/toga party, proccess of takin’ a dump at the party. I want, you’re usually ready to to that shit, it’s time to get moving. and they had a DJ/band/tiger/stripper. I felt about ready to pass out, but first we pile on the alcohol until Sun- We walked down/up to Fiji/Pike/Sig started dancing with this bitty/fratboy/ called in some Wings/Domino’s/Chinese/ day, when you can relax all day and begin Ep/Lambda Iota. We didn’t know if we creature/stool, and was gonna make a headies. We jammed out/freestyled/chat the preparation for next weekend. were gonna get in, but Kyle’s sister is dat- move but they hadta get a ride home. Af- rouletted with some guy’s dick till the shit But there are always those nights ing one of the guys/Emma flirted a bunch ter I danced, we were sitting on a couch, got here.
    [Show full text]
  • Pantha Du Prince: Conference Of
    Pantha Du Prince: Conference of Trees Start time: 8.30pm Running time: 2 hours including interval Please note all timings are approximate and subject to change Martin Aston spoke to Hendrik Weber about giving trees a voice in his new project There are few spaces where a German musician specialising in adventurous and increasingly conceptual techno crosses paths with a 19th century German mathematician, current authors of studies in the communicative behaviour of flora and a 12th century Persian Sufi philosopher. It’s also very timely, as the subject of communication between trees is increasing in both scientific and media fronts. Yet, for the man otherwise known as Hendrik Weber, the genesis of Conference of Trees began two decades ago, in his home town of Baunatal, Central Germany, surrounded by deep forest. ‘I’ve been fascinated by trees since I was about nine, going into the forest, inventing adventures and building huts,’ he recalls. ‘But as you grow older, you start to move away from this sense of completeness. For me, I was hunting more for music and playing in bands, skateboarding and skiing.’ It’s on his own, as Pantha Du Prince (‘a fantasy character...a poetic transporter for the concept behind the music’) that Weber has carved a niche for a style of techno he calls, ‘layered and cinematographic.’ He released the Diamond Daze (2004) and This Bliss (2007) albums on Berlin dance label Dial before signing to Rough Trade and widening his audience with Black Noise (2010) and Elements of Light (2013). The last of these was a collaboration with Norwegian percussion ensemble The Bell Laboratory, after Weber had discovered the carillon, an organ-style instrument consisting of 23 bells while recording Black Noise in the Swiss mountains.
    [Show full text]
  • Current, September 10, 2012
    University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 9-10-2012 Current, September 10, 2012 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, September 10, 2012" (2012). Current (2010s). 114. https://irl.umsl.edu/current2010s/114 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. September 10, 2012 Vol. 46 Issue 1383 News 3 Features 4 Gallery 210 hosts a winning set of A&E 5 exhibits to kick off its fall season Opinions 6 GARRETT KING music and culture. associate professor of art and art history Phillip included sculpture, silk-screens, sketches, As is typical of Gallery 210’s receptions, the Robinson and professor of art and art history photography and even a graphic design portfolio. Staff Writer Comics 8 artists whose pieces were on display came to join Ken Anderson (all UMSL faculty presenting their Douglas stuck to mediums like enamel paint Gallery 210, University of Missouri – St. Louis’ in the festivities and field the questions of 210’s work for the Jubilee) were also present, as was and graphite, Alvarez used paper and mixed resident exporter of St. Louis art and culture, eager patrons. Arny Nadler, the sculptor behind “Whelm.” media and Corley employed cardstock, string and Mon kicked off its fall season on September 6 with a Thursday’s reception welcomed Deb Douglas, The artists’ work varied immensely.
    [Show full text]
  • Label ARTIST Piece Tracks/Notes Format Quantity
    Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes
    [Show full text]
  • WXYC Brings You Gems from the Treasure of UNC's Southern
    IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed.
    [Show full text]
  • Punk Aesthetics in Independent "New Folk", 1990-2008
    PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
    [Show full text]