Research Design in Qualitative/Quantitative/ Mixed Methods

Total Page:16

File Type:pdf, Size:1020Kb

Load more

10 RESEARCH DESIGN IN QUALITATIVE/QUANTITATIVE/ MIXED METHODS MICHAEL R. HARWELL University of Minnesota he editors of this handbook assert that cases, these designs are currently available, and educational inquiry is weakly connected the challenge is for more researchers to employ T to the study of promising ideas. The them (or continue to employ them) in a rigorous implication is that much educational research has manner. In other instances, new designs will need a “nuts and bolts” character that limits creative to be developed. The net effect is that the catalog problem generation or problem solving and of research designs available to educational discourages risk taking. The consequences of this researchers is expanding dramatically. This practice are missed opportunities to advance our change does not threaten or undermine the value understanding of important educational problems of designs that are currently widely used, but and solutions. This is a bold assertion, but it is one rather it increases the pool of research designs that is supported by an examination of published available to support rigorous inquiry. and unpublished educational studies. This chapter explores the role of research A key player in this process is a study’s research design in the study of promising ideas in educa- design. In many educational studies, research tion, assuming two conditions are present. First is design reflects a “cookie cutter” approach in which that the idea being pursued is worth pursuing, the same designs are repetitively and narrowly that is, an idea that could reasonably lead to, and applied in ways that may limit what is studied and support, the formation of important educational how it is studied. Research-based ideas that cannot questions and identification of solutions to be easily mapped onto a small number of designs important educational problems. Second is that acceptable to funders and professional journals every phase of the research process linked to are likely to be abandoned or modified to fit studying a promising idea is rigorous. These con- widely used research designs. ditions simplify an examination of the role of The assertion of this chapter is that the study research design in the study of promising ideas. of promising ideas in education would be well Characteristics of three research methodolo- served by the increased use of research designs gies (qualitative methods, quantitative methods, that draw on multiple traditions of inquiry. In some mixed methods) and their role in studying ideas 147 148 SECTION III. OPPORTUNITIES AND CHALLENGES IN DESIGNING AND CONDUCTING INQUIRY believed to be worth studying are described. I use analyze qualitative data; quantitative studies are, two studies to illustrate strengths in the research among other things, studies that collect and design, as well as opportunities to enhance the analyze quantitative data; and so on. results, and give greater attention to mixed meth- Crotty (1998) described four key features to ods because of their relative newness and poten- consider in research design: the epistemology tial. Three ways that researchers can enhance the that informs the research, the philosophical ability of research designs to better support the stance underlying the methodology in question study of promising ideas in educational studies (e.g., post-positivism, constructivism, pragma- are described. I conclude by arguing that mixed tism, advocacy/participatory; see Morgan, 2007), methods offer an especially promising path toward the methodology itself, and the techniques and using research design in ways that support rigor- procedures used in the research design to collect ous inquiry. data. These features inform the descriptions of research designs below. RESEARCH DESIGN Qualitative Research Methods In educational research, it is usually possible Qualitative research methods focus on discov- (and certainly popular) to characterize a research ering and understanding the experiences, per- study’s methodology as qualitative; as quantita- spectives, and thoughts of participants—that is, tive; or as involving both qualitative and quanti- qualitative research explores meaning, purpose, tative methods, in which case it is typically or reality (Hiatt, 1986). In other words, referred to as mixed methods. The term research design is widely used in education, yet it takes on qualitative research is a situated activity that different meanings in different studies. (The locates the observer in the world. It consists terms research method and research design will be of a set of interpretive, material practices that used inter changeably in this chapter.) For exam- make the world visible. These practices ple, in one study, research design may reflect the transform the world. They turn the world into a entire research process, from conceptualizing a series of representations, including field notes, problem to the literature review, research ques- interviews, conversations, photographs, tions, methods, and conclusions, whereas in recordings, and memos to the self. At this level, another study, research design refers only to the qualitative research involves an interpretive, method ology of a study (e.g., data collection and naturalistic approach to the world. This analysis). Perhaps not surprisingly, there is varia- means that qualitative researchers study things tion within and between methodologies in how in their natural settings, attempting to make research design is defined. However, this varia- sense of, or interpret, phenomena in terms of tion does not affect an examination of the role the meanings people bring to them. (Denzin & of research design in promoting rigorous study Lincoln, 2005, p. 3) of promising ideas and, thus, a single definition of research design is not adopted in this chapter. Central to this inquiry is the presence of mul- I assume that research questions are the driving tiple “truths” that are socially constructed (Lincoln force behind the choice of a research design and & Guba, 1985). Qualitative research is usually any changes made to elements of a design as a described as allowing a detailed exploration of a study unfolds. topic of interest in which information is collected Identifying a study’s research design is impor- by a researcher through case studies, ethnographic tant because it communicates information about work, interviews, and so on. Inherent in this key features of the study, which can differ for approach is the description of the interactions qualitative, quantitative, and mixed methods. among participants and researchers in naturalistic However, one common feature across research settings with few boundaries, resulting in a flexible designs is that at one or more points in the and open research process. These unique interac- research process, data are collected (numbers, tions imply that different results could be obtained words, gestures, etc.), albeit in different ways and from the same participant depending on who for different purposes. Thus, qualitative studies the researcher is, because results are created by a are, among other things, studies that collect and participant and researcher in a given situation Chapter 10. Research Design in Qualitative/Quantitative/Mixed Methods 149 (pp. 39–40). Thus, replicability and generalizabil- interviews and media collected during the author’s ity are not generally goals of qualitative research. visits to India in ways that took into account his Qualitative research methods are also described identity; Harry, Sturges, and Klingner (2005), as inductive, in the sense that a researcher may who used the methods of grounded theory to construct theories or hypotheses, explanations, develop a theory providing a new perspective on and conceptualizations from details provided by a ethnic representation in special education; Brown participant. Embedded in this approach is the (2009), who studied the perspectives of university perspective that researchers cannot set aside their students identified as learning disabled; and experiences, perceptions, and biases, and thus Chubbuck and Zembylas (2008), who examined cannot pretend to be objective bystanders to the the emotional perspective and teaching practices research. Another important characteristic is that of a White novice teacher at an urban school. the widespread use of qualitative methods in edu- These studies reflect several important fea- cation is relatively new, dating mostly to the 1980s, tures of qualitative research, including a focus with ongoing developments in methodology and on discovering and understanding the experi- reporting guidelines (Denzin, 2006). The relative ences, perspectives, and thoughts of participants newness of this methodology also means that through various strategies of inquiry. The stud- professional norms impacting research, includ- ies were also conducted in naturalistic settings in ing evidence standards, funding issues, and edi- which inquiry was flexible and guided by par- torial practices, are evolving (see, e.g., Cheek, ticipants’ comments, which in some instances 2005; Freeman, deMarrais, Preissle, Roulston, & were used to construct explanations of their St.Pierre, 2007). Good descriptions of qualitative views and perspectives. An important feature of methods appear in Bogdan and Biklen (2003), several of these studies is their use of elements of Creswell (1998), Denzin and Lincoln (2005), different strategies of inquiry. Miles and Huberman (1994), and Patton (2002). There are several categorizations
Recommended publications
  • Choosing a Mixed Methods Design

    Choosing a Mixed Methods Design

    04-Creswell (Designing)-45025.qxd 5/16/2006 8:35 PM Page 58 CHAPTER 4 CHOOSING A MIXED METHODS DESIGN esearch designs are procedures for collecting, analyzing, interpreting, and reporting data in research studies. They represent different mod- R els for doing research, and these models have distinct names and procedures associated with them. Rigorous research designs are important because they guide the methods decisions that researchers must make dur- ing their studies and set the logic by which they make interpretations at the end of studies. Once a researcher has selected a mixed methods approach for a study, the next step is to decide on the specific design that best addresses the research problem. What designs are available, and how do researchers decide which one is appropriate for their studies? Mixed methods researchers need to be acquainted with the major types of mixed methods designs and the common variants among these designs. Important considerations when choosing designs are knowing the intent, the procedures, and the strengths and challenges associated with each design. Researchers also need to be familiar with the timing, weighting, and mixing decisions that are made in each of the different mixed methods designs. This chapter will address • The classifications of designs in the literature • The four major types of mixed methods designs, including their intent, key procedures, common variants, and inherent strengths and challenges 58 04-Creswell (Designing)-45025.qxd 5/16/2006 8:35 PM Page 59 Choosing a Mixed Methods Design–●–59 • Factors such as timing, weighting, and mixing, which influence the choice of an appropriate design CLASSIFICATIONS OF MIXED METHODS DESIGNS Researchers benefit from being familiar with the numerous classifications of mixed methods designs found in the literature.
  • Fashion Designers' Decision-Making Process

    Fashion Designers' Decision-Making Process

    Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Fashion designers' decision-making process: The influence of cultural values and personal experience in the creative design process Ja-Young Hwang Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Design Commons Recommended Citation Hwang, Ja-Young, "Fashion designers' decision-making process: The influence of cultural values and personal experience in the creative design process" (2013). Graduate Theses and Dissertations. 13638. https://lib.dr.iastate.edu/etd/13638 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Fashion designers’ decision-making process: The influence of cultural values and personal experience in the creative design process by Ja -Young Hwang A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Apparel, Merchandising, and Design Program of Study Committee: Mary Lynn Damhorst, Co-Major Professor Eulanda Sanders, Co-Major Professor Sara B. Marcketti Cindy Gould Barbara Caldwell Iowa State University Ames, Iowa 2013 Copyright © Ja Young Hwang, 2013. All rights
  • The Contribution of Typography and Information Design to Health Communication

    The Contribution of Typography and Information Design to Health Communication

    The contribution of typography and information design to health communication Book or Report Section Accepted Version Walker, S. (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92- 109. ISBN 9781472457424 Available at http://centaur.reading.ac.uk/66530/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Routledge All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Thematic Unit: Communication Design for Public Health The contribution of typography and information design to health communication abstract This chapter is about the role that information design, and typography and graphic communication play in effective public health communication. It introduces the way that information designers work, particularly in relation to what have been called ‘functional texts’ – those that enable people to take some kind of action, or to better understand something. Examples of late-nineteenth- and early-twentieth-century printed ephemera are used to draw attention to the ways that language and visual presentation work together to enhance the meaning of a particular message. The role of pictures in health communication is discussed with reference to Isotype and the work of Otto and Marie Neurath.
  • Design Thinker Profile: Creating and Validating a Scale for Measuring

    Design Thinker Profile: Creating and Validating a Scale for Measuring

    Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2017 Design Thinker Profile: Creating and Validating a Scale for Measuring Design Thinking Capabilities Dani Chesson Antioch University - PhD Program in Leadership and Change Follow this and additional works at: http://aura.antioch.edu/etds Part of the Art and Design Commons, Business Administration, Management, and Operations Commons, Industrial and Organizational Psychology Commons, Leadership Studies Commons, Management Sciences and Quantitative Methods Commons, and the Organizational Behavior and Theory Commons Recommended Citation Chesson, Dani, "Design Thinker Profile: Creating and Validating a Scale for Measuring Design Thinking Capabilities" (2017). Dissertations & Theses. 388. http://aura.antioch.edu/etds/388 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. THE DESIGN THINKER PROFILE: CREATING AND VALIDATING A SCALE FOR MEASURING DESIGN THINKING CAPABILITIES DANI CHESSON A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy October, 2017 This is to certify that the Dissertation entitled: THE DESIGN THINKER PROFILE: CREATING AND VALIDATING A SCALE FOR MEASURING DESIGN THINKING CAPABILITIES prepared by Dani Chesson is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change.
  • Changing Cultures of Design Identifying Roles in a Co-Creative Landscape

    Changing Cultures of Design Identifying Roles in a Co-Creative Landscape

    Changing Cultures of Design Identifying roles in a co-creative landscape Marie Elvik Hagen Department of Product Design Norwegian University of Science and Technology ABSTRACT The landscape of design is expanding and designers today are moving from expert practice to work with users as partners on increasingly complex issues. This article draws up the lines of the emerging co-creative design practice, and discusses the changing roles of the designer, the user as a partner, and design practice itself. Methods and tools will not be considered, as the roles will be discussed in terms of their relations. The co-design approach breaks down hierarchies and seeks equal participation. Research suggests that the designer needs to be responsive or switch tactics in order to take part in a co-creative environment. A case study exploring co-creative roles complements the theory, and finds that the designer role needs to be flexible even when having equal agency as partners and other stakeholders. Sometimes it is necessary to lead and facilitate as long as it is a collaborative decision. Bringing users in as partners in the process changes the design culture, and this article suggests that Metadesign can be the holistic framework that the design community need in order to understand how the different design practices are connected. KEYWORDS: Co-design, Co-creativity, Roles in the Design Process, Participatory Design, Metadesign, Cultures of participation, Design Agenda 1. INTRODUCTION This article seeks to examine how the role of the designer, the role of the user and the role The landscape of design is changing.
  • User-Centered System Design in an Aging Society: an Integrated Study on Technology Adoption by Chaiwoo Lee

    User-Centered System Design in an Aging Society: an Integrated Study on Technology Adoption by Chaiwoo Lee

    User-Centered System Design in an Aging Society: An Integrated Study on Technology Adoption by Chaiwoo Lee M.S. in Industrial Engineering, Seoul National University (2010) B.S. in Industrial Engineering, Seoul National University (2008) Submitted to the Engineering Systems Division in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Engineering Systems at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2014 © 2014 Massachusetts Institute of Technology. All rights reserved. Signature of Author ................................................................................................................................... Engineering Systems Division May 23, 2014 Certified by ............................................................................................................................................... Olivier L. de Weck Professor, Engineering Systems Division and Department of Aeronautics and Astronautics Committee Chair Certified by ............................................................................................................................................... Joseph F. Coughlin Senior Lecturer, Engineering Systems Division Director, MIT AgeLab Thesis Advisor Certified by ............................................................................................................................................... Maria C. Yang Associate Professor, Engineering Systems Division and Department of Mechanical Engineering Committee Member Certified by ..............................................................................................................................................
  • Industrialdesign

    Industrialdesign

    National Endowment for the Arts I N D U S T R I A L D E S I G N A Competitive Edge for U.S. Manufacturing Success in the Global Economy I N D U S T R I A L D E S I G N A Competitive Edge for U.S. Manufacturing Success in the Global Economy April 2017 National Endowment for the Arts 400 7th Street SW Washington, DC 20506 Telephone: 202-682-5400 arts.gov Produced by Office of Programs and Partnerships, Design Program Jason Schupbach, Director of Design Programs, National Endowment for the Arts Content by Heidi Sheppard, Advisor for Technology Collaborations, National Institute for Standards and Technology, Manufacturing Extension Partnership; Courtney Spearman, Design Specialist, Office of Programs and Partnerships, NEA; and Katryna Carter, Design Consultant, Office of Programs and Partnerships, NEA Other Staff Contributors: Don Ball, Assistant Director - Publications, Office of Public Affairs, NEA; Bonnie Nichols, Operations Research Analyst, Office of Research and Analysis, NEA. Designed by Katryna Carter For their valuable assistance with this report, the NEA Design Program would like to thank the following people: Daniel Martinage, Industrial Designers Society of America; Susan Page Estes and Paul Hatch, DesignHouse; all those who were interviewed; and Laska Hurley, Office of Programs and Partnerships. 202-682-5496 Voice/TTY (a device for individuals who are deaf or hearing-impaired) Individuals who do not use conventional print materials may contact the Arts Endowment’s Office for Accessibility at 202-682-5532 to obtain this publication in an alternate format. This publication is available free of charge in PDF format at arts.gov.
  • Design Research Quarterly Volume 2 Issue 1

    Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-1-2007 Design Research Quarterly Volume 2 Issue 1 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2 Issue 1" (2007). Design Research Quarterly. 2. https://dl.designresearchsociety.org/design-research-quarterly/2 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. V.2:1 January 2007 www.designresearchsociety.org Design Research Society ISSN 1752-8445 Paolo Astrade Wonderground 2007 Plenary: Sociedade de Geografia de Lisboa Perspectives on Table of Contents: 3 Forty Years of Design Research Design Nigel Cross 7 Simplicity Per Mollerup 16 Design Thinking Nigel Cross Charles Owen Forty Years of 28 Wonderground and Forward Design Research p. 3 Chris Rust 29 Seven New Fellows of the Design Research Society ICM Report: 30 BRAZIL: 7th P&D Brazilian Conference on Research and Development in Design Daniela Büchler Per Mollerup Design Conference Calendar: Simplicity p. 7 31 Upcoming Events Worldwide Artemis Yagou Call for Papers: 6 Emerging Trends in Design Research 2007 IASDR conference, Hong Kong 15 Shaping the Future? 9th International Conference on Engi- neering and Product Design Ed. Creative Makers Newcastle upon Tyne UK Domain Invention Charles Owen 32 Livenarch Contextualism in Architecture Design Thinking: Trabzon Turkey Notes on Its Analysis Synthesis Nature and Use p .
  • Typography Within the Israeli Linguistic Landscape

    Typography Within the Israeli Linguistic Landscape

    Xavier University of Louisiana XULA Digital Commons Faculty and Staff Publications Summer 8-2015 DESIGN RESEARCH: TYPOGRAPHY WITHIN THE ISRAELI LINGUISTIC LANDSCAPE Shayna Tova Blum Xavier University of Louisiana, [email protected] Follow this and additional works at: https://digitalcommons.xula.edu/fac_pub Part of the Anthropological Linguistics and Sociolinguistics Commons, Critical and Cultural Studies Commons, Cultural History Commons, Discourse and Text Linguistics Commons, Graphic Communications Commons, Graphic Design Commons, Intellectual History Commons, International and Intercultural Communication Commons, Jewish Studies Commons, Modern Languages Commons, Near and Middle Eastern Studies Commons, Other Languages, Societies, and Cultures Commons, Reading and Language Commons, Semantics and Pragmatics Commons, Social History Commons, Sociology Commons, Typological Linguistics and Linguistic Diversity Commons, and the Urban Studies and Planning Commons Recommended Citation Blum, Shayna Tova, "DESIGN RESEARCH: TYPOGRAPHY WITHIN THE ISRAELI LINGUISTIC LANDSCAPE" (2015). Faculty and Staff Publications. 48. https://digitalcommons.xula.edu/fac_pub/48 This Article is brought to you for free and open access by XULA Digital Commons. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of XULA Digital Commons. For more information, please contact [email protected]. DESIGN RESEARCH: TYPOGRAPHY WITHIN THE ISRAELI LINGUISTIC LANDSCAPE Abstract: A linguistic landscape signifies language used within
  • Digital Fabrication and the Design Build Studio

    Digital Fabrication and the Design Build Studio

    Digital Fabrication and the Design Build Studio Historically, there has been a rift between design and construction in architec- ture, but the growing popularity of design/build in the profession and in the university setting has begun to mend the gap. Currently, for many professional practices the integration of construction with design follows a set strategy; tech- nology is reserved for the design sequence, followed by construction via tradi- tional methods (by hand). But, we are at a point of transition in architecture. WILLIAM JOSEPH CARPENTER Digital devices are now the norm in the office and the academic studio. Students and Southern Polytechnic State University professionals design with three-dimensional digital tools, and, through this technol- ogy, design and construction are inextricably woven together in a continuous feedback loop. In particular, recent university design/build programs are following more closely the model of the Dessau Bauhaus, by employing the latest technologies to find new ways to create and construct architecture. Because these programs have now propa- gated more widely, it is prudent to examine the different methods of application in order to understand the potential ramifications of each program type. It appears that most programs can fit into one of two categories: 1) Traditional Full-Scale or 2) Digi- tally Crafted Segments. In the first type, the program adheres to traditional building methods, like the balloon frame. Technological advances are limited to environmental concerns; materials are chosen to increase energy efficiency or reduce the impact the building has on the environment. The construction component of these courses is usu- ally manifested in the erection of entire buildings (small, modest pavilions or homes).
  • Contemporary Processes of Text Typeface Design

    Contemporary Processes of Text Typeface Design

    Title Contemporary processes of text typeface design Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/13455/ Dat e 2 0 1 8 Citation Harkins, Michael (2018) Contemporary processes of text typeface design. PhD thesis, University of the Arts London. Cr e a to rs Harkins, Michael Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Contemporary processes of text typeface design Michael Harkins Thesis submitted for the degree of Doctor of Philosophy Central Saint Martins University of the Arts London April 2018 This thesis is dedicated to the memory of my brother, Lee Anthony Harkins 22.01.17† and my father, Michael Harkins 11.04.17† Abstract Abstract Text typeface design can often be a lengthy and solitary endeavour on the part of the designer. An endeavour for which, there is little in terms of guidance to draw upon regarding the design processes involved. This is not only a contemporary problem but also an historical one. Examination of extant accounts that reference text typeface design aided the orientation of this research (Literature Review 2.0). This identified the lack of documented knowledge specific to the design processes involved. Identifying expert and non-expert/emic and etic (Pike 1967) perspectives within the existing literature helped account for such paucity. In relation to this, the main research question developed is: Can knowledge of text typeface design process be revealed, and if so can this be explicated theoretically? A qualitative, Grounded Theory Methodology (Glaser & Strauss 1967) was adopted (Methodology 3.0), appropriate where often a ‘topic of interest has been relatively ignored in the literature’ (Goulding 2002, p.55).
  • A Proposed Model for Successful Design Research Planning

    A Proposed Model for Successful Design Research Planning

    A Proposed Model for Successful Design Research Planning A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Design In the School of Design of the College of Design, Architecture, Art and Planning by Jami Peets B.S. Brigham Young University M.Des University of Cincinnati April 2015 Committee Chair: Mike Zender, M.F.A. Committee Members: Mary Beth Privitera, M.Des., Todd Timney, M.F.A. ABSTRACT This thesis investigates design research planning for product design through researching design literature and interviewing current industry practitioners. Research findings are illustrated through a proposed conceptual model for successful design research planning. This thesis also provides a discussion of current industry challenges and mitigations. References in design literature regarding design research planning for product design are dispersed and not easily accessible. Successful design research planning provides a framework for obtaining useful design insights, which produces robust design solutions. Design research planning is any activity preparatory to design research, such as making a research plan, conducting stakeholder interviews, and recruiting. This thesis uses design literature and current industry practices in design research planning to propose a model for success. The body of literature that addresses design research planning is mainly in user experience sources, but it also draws from industrial design and general design literature. Seventeen companies in product design participated in interviews (12) or completed a survey (5) about their planning activities and their challenges and how they face them. The central component of the conceptual model is the research plan.