Narco-narratives and Transnational Form: The Geopolitics of Citation in the Circum-Caribbean Jason Frydman
[email protected] Brooklyn College Abstract: This essay argues that narco-narratives--in film, television, literature, and music-- depend on structures of narrative doubles to map the racialized and spatialized construction of illegality and distribution of death in the circum-Caribbean narco-economy. Narco-narratives stage their own haunting by other geographies, other social classes, other media; these hauntings refract the asymmetries of geo-political and socio-cultural power undergirding both the transnational drug trade and its artistic representation. The circum-Caribbean cartography offers both a corrective to nation- or language-based approaches to narco-culture, as well as a vantage point on the recursive practices of citation that are constitutive of transnational narco-narrative production. A transnational field of narrative production responding to the violence of the transnational drug trade has emerged that encompasses music and film, television and journalism, pulp and literary fiction. Cutting across nations, languages, genres, and media, a dizzying narrative traffic in plotlines, character-types, images, rhythms, soundtracks, expressions, and gestures travels global media channels through appropriations, repetitions, allusions, shoutouts, ripoffs, and homages. While narco-cultural production extends around the world, this essay focuses on the transnational frame of the circum-Caribbean as a zone of particularly dense, if not foundational, narrative traffic. The circum-Caribbean cartography offers 2 both a corrective to nation- or language-based approaches to narco-culture, as well as a vantage point on incredibly recursive practices of citation that are constitutive of the whole array of narco-narrative production: textual, visual, and sonic.