Omni Magazine (June 1980)
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Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
The Development History of Chinese Science Fiction from Liu Cixin's Science Fiction
International Journal of Languages, Literature and Linguistics, Vol. 6, No. 3, September 2020 The Development History of Chinese Science Fiction from Liu Cixin's Science Fiction Xia Tianyi nature? At present, China's science fiction is facing many Abstract—In the history of Western literature, science fiction, problems, such as the writer's fault, the decreasing number of as an essential branch of it, has been widely loved by the masses, publications, uneven works, the stagnation of theoretical and and a crowd of outstanding science fiction novelists has been critical research work, etc. How can we stimulate the produced. With a large number of science fiction books adapted enthusiasm of the people for science fiction so that Chinese into films, the novels are also familiar to more audiences. Science fiction has been sprouting since 1902 in China, with the science fiction can develop continuously and healthily? It is a efforts of the pioneers and the relay of the latecomers, there question worthy of further discussion. have been many excellent works. But compared with the situation of western science fiction, it is not supportive of the healthy growth of science fiction in our country, and the public II. A BASIC EXPLANATION OF SCIENCE FICTION has not accepted science fiction novels. This paper will focus on the development history and current situation of science fiction Science fiction is a literal translation of western terms. It in China, and explore the differences between the creative originally meant science, which is a type of popular literature environment of Chinese and western science fiction and the with scientific imagination and innovation. -
Do You Really Need Your Oblique Muscles? Adaptations and Exaptations
SPECIAL ARTICLE Do You Really Need Your Oblique Muscles? Adaptations and Exaptations Michael C. Brodsky, MD Background: Primitive adaptations in lateral-eyed ani- facilitate stereoscopic perception in the pitch plane. It also mals have programmed the oblique muscles to counter- recruits the oblique muscles to generate cycloversional rotate the eyes during pitch and roll. In humans, these saccades that preset torsional eye position immediately torsional movements are rudimentary. preceding volitional head tilt, permitting instantaneous nonstereoscopic tilt perception in the roll plane. Purpose: To determine whether the human oblique muscles are vestigial. Conclusions: The evolution of frontal binocular vision has exapted the human oblique muscles for stereo- Methods: Review of primitive oblique muscle adapta- scopic detection of slant in the pitch plane and nonste- tions and exaptations in human binocular vision. reoscopic detection of tilt in the roll plane. These exap- tations do not erase more primitive adaptations, which Results: Primitive adaptations in human oblique muscle can resurface when congenital strabismus and neuro- function produce rudimentary torsional eye move- logic disease produce evolutionary reversion from exap- ments that can be measured as cycloversion and cyclo- tation to adaptation. vergence under experimental conditions. The human tor- sional regulatory system suppresses these primitive adaptations and exaptively modulates cyclovergence to Arch Ophthalmol. 2002;120:820-828 HE HUMAN extraocular static counterroll led Jampel9 to con- muscles have evolved to clude that the primary role of the oblique meet the needs of a dy- muscles in humans is to prevent torsion. namic, 3-dimensional vi- So the question is whether the human ob- sual world. -
The Vertical Horopter Is Not Adaptable, but It May Be Adaptive Emily A
Journal of Vision (2011) 11(3):20, 1–19 http://www.journalofvision.org/content/11/3/20 1 The vertical horopter is not adaptable, but it may be adaptive Emily A. Cooper Helen Wills Neuroscience Institute, UC Berkeley, USA Vision Science Program, UC Berkeley, USA,& Center for Perceptual Systems, Department of Psychology, Johannes Burge University of Texas at Austin, USA Martin S. Banks Vision Science Program, UC Berkeley, USA Depth estimates from disparity are most precise when the visual input stimulates corresponding retinal points or points close to them. Corresponding points have uncrossed disparities in the upper visual field and crossed disparities in the lower visual field. Due to these disparities, the vertical part of the horopterVthe positions in space that stimulate corresponding pointsVis pitched top-back. Many have suggested that this pitch is advantageous for discriminating depth in the natural environment, particularly relative to the ground. We asked whether the vertical horopter is adaptive (suited for perception of the ground) and adaptable (changeable by experience). Experiment 1 measured the disparities between corresponding points in 28 observers. We confirmed that the horopter is pitched. However, it is also typically convex making it ill-suited for depth perception relative to the ground. Experiment 2 tracked locations of corresponding points while observers wore lenses for 7 days that distorted binocular disparities. We observed no change in the horopter, suggesting that it is not adaptable. We also showed that the horopter is not adaptive for long viewing distances because at such distances uncrossed disparities between corresponding points cannot be stimulated. The vertical horopter seems to be adaptive for perceiving convex, slanted surfaces at short distances. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
11 MUS302 Drones Noises Grains Glitch and Conclusion 2017
DR BRIAN BRIDGES [email protected] MUS302 WEEK 11 FROM DRONES AND NOISE(S) TO GRAINS AND GLITCH/FROM NOISE TO SEQUENCE AND BACK! PRECURSOR: SOUND AND CATEGORISATION ▸ What are the various ways you could categorise this sound recording? PRECURSOR: SOUND AND CATEGORISATION ▸ What are the various ways you could categorise this sound recording? CATEGORISING SOUND Luigi Russolo (1913) (1) Roars/Claps/Dripping Water/Bellows (energetic transients? TBH I’m at a loss with this category!) (2) Whistles/snores/snorts (human noises, with harmonic content?) (3) Whispers, mutterings, grumbles, grunts, gurgles (transient noises?) (4) Shrill sounds, cracks, buzzings, jingles, shuffles (high freqeuncy sounds from small sounding objects/small efforts?) (5) Percussive noises using various struck materials (sound gestures which tell us a lot about their materials?) (6) Animal and human voices (source-recognition becoming a factor?) CATEGORISING SOUND Based on timbral theories? (1) High versus low frequency? Resonant peaks or bell-like sounds? (harmonics/partials ‘ringing out’?) (2) Synchronised versus ‘loose’ sound–gesture combinations (3) Obvious transient detail versus smooth drones? CATEGORISING SOUND ▸ By Material? ▸ (Wood/Metal/Water/Plastic) ▸ By form of articulation (struck, rubbed, plucked, bowed, scratched)? ▸ By Source? (Human, animal, nature, technology, with subdivisions)? ▸ By Medium? (e.g. the sound of old records, old tape recordings, low-fi digital, transistor radio, old speaker, etc.) ▸ By acoustic space or location? By social space/activity? -
UNIVERSITY of CALIFORNIA, SAN DIEGO Unsampled Digital Synthesis and the Context of Timelab a Dissertation Submitted in Partial S
UNIVERSITY OF CALIFORNIA, SAN DIEGO Unsampled Digital Synthesis and the Context of Timelab A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by David Medine Committee in charge: Professor Miller Puckette, Chair Professor Anthony Burr Professor David Kirsh Professor Scott Makeig Professor Tamara Smyth Professor Rand Steiger 2016 Copyright David Medine, 2016 All rights reserved. The dissertation of David Medine is approved, and it is acceptable in quality and form for publication on micro- film and electronically: Chair University of California, San Diego 2016 iii DEDICATION To my mother and father. iv EPIGRAPH For those that seek the knowledge, it's there. But you have to seek it out, do the knowledge, and understand it on your own. |The RZA Always make the audience suffer as much as possible. —Aflred Hitchcock v TABLE OF CONTENTS Signature Page.................................. iii Dedication..................................... iv Epigraph.....................................v Table of Contents................................. vi List of Supplemental Files............................ ix List of Figures..................................x Acknowledgements................................ xiii Vita........................................ xv Abstract of the Dissertation........................... xvi Chapter 1 Introduction............................1 1.1 Preamble...........................1 1.2 `Analog'...........................5 1.3 Digitization.........................7 1.4 -
Worldcon 75 Souvenir Book
souvenir book A Worldcon for All of Us Ireland has a rich tradition of storytelling. A BID TO BRING THE It is a land famous for its ancient myths WORLD SCIENCE FICTION and legends, great playwrights, award- winning novelists, innovative comics artists, CONVENTION TO DUBLIN and groundbreaking illustrators. Our well- FOR THE FIRST TIME established science fiction and fantasy community and all of the Dublin 2019 team AUGUST 15TH — AUGUST 19TH 2019 would consider it an honour to celebrate Ireland’s rich cultural heritage, contemporary www.dublin2019.com creators and fandoms everywhere. [email protected] We love our venue, the Convention Centre twitter.com/Dublin2019 Dublin, and we believe that its spell-binding facebook.com/dublin2019 allure will take your breath away as you watch the sun set over the city before the Kraken rises from the River Liffey! © Iain Clark 2015 A Worldcon for All of Us Ireland has a rich tradition of storytelling. A BID TO BRING THE It is a land famous for its ancient myths WORLD SCIENCE FICTION and legends, great playwrights, award- winning novelists, innovative comics artists, CONVENTION TO DUBLIN and groundbreaking illustrators. Our well- FOR THE FIRST TIME established science fiction and fantasy community and all of the Dublin 2019 team AUGUST 15TH — AUGUST 19TH 2019 would consider it an honour to celebrate Ireland’s rich cultural heritage, contemporary www.dublin2019.com creators and fandoms everywhere. THE 75TH WORLD SCIENCE FICTION CONVENTION [email protected] We love our venue, the Convention Centre twitter.com/Dublin2019 -
Optical Illusion - Wikipedia, the Free Encyclopedia
Optical illusion - Wikipedia, the free encyclopedia Try Beta Log in / create account article discussion edit this page history [Hide] Wikipedia is there when you need it — now it needs you. $0.6M USD $7.5M USD Donate Now navigation Optical illusion Main page From Wikipedia, the free encyclopedia Contents Featured content This article is about visual perception. See Optical Illusion (album) for Current events information about the Time Requiem album. Random article An optical illusion (also called a visual illusion) is characterized by search visually perceived images that differ from objective reality. The information gathered by the eye is processed in the brain to give a percept that does not tally with a physical measurement of the stimulus source. There are three main types: literal optical illusions that create images that are interaction different from the objects that make them, physiological ones that are the An optical illusion. The square A About Wikipedia effects on the eyes and brain of excessive stimulation of a specific type is exactly the same shade of grey Community portal (brightness, tilt, color, movement), and cognitive illusions where the eye as square B. See Same color Recent changes and brain make unconscious inferences. illusion Contact Wikipedia Donate to Wikipedia Contents [hide] Help 1 Physiological illusions toolbox 2 Cognitive illusions 3 Explanation of cognitive illusions What links here 3.1 Perceptual organization Related changes 3.2 Depth and motion perception Upload file Special pages 3.3 Color and brightness -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
January 1999 to December 2008
ROBERT J. SAWYER Science Fiction Writer ᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭ PROFESSIONAL ACHIEVEMENTS A Decade in Review January 1999 to December 2008 ᔢ Novels Published * Flashforward (1999) * Calculating God (2000) * Hominids (2002, also serialized in Analog) * Humans (2003) * Hybrids (2003) * Mindscan (2005) * Rollback (2007, also serialized in Analog) ᔢ Novels Sold * Five to Tor: • Hominids (contracted 1999) • Humans (contracted 1999) • Hybrids (contracted 1999) • Mindscan (contracted 2002) • Rollback (contracted 2002) * Three to Ace: • Wake (contracted 2007, serial rights sold to Analog) • Watch (contracted 2007) • Wonder (contracted 2007) ᔢ Short Fiction * Appeared in Year’s Best SF 5 * Commissioned story for The Globe and Mail * Commissioned story for The Toronto Star * Commissioned story for Nature: International Weekly Journal of Science * Two stories in Analog (one short story, one novelette) * Commissioned stories for anthologies: • Be VERY Afraid! • Down These Dark Spaceways • Far Frontiers • Future Wars • FutureShocks • Guardsmen of Tomorrow • I, Alien • In the Shadow of the Wall • Janis Ian’s Stars • Men Writing Science Fiction as Women • Microcosms • Slipstreams • Space Inc. • Space Stations ᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭ SAWYER • Page 2 ᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭᔭ • Star Colonies • TransVersions • Visions of Liberty ᔢ Short Story Collections * Iterations and Other Stories * Identity Theft and Other Stories * Relativity: