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Weaving Technology: Advances and Challenges Ii
Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies. -
Rural Craft Hubsof West Bengal
Rural Chau Mask Craft Charida Hub Purulia Chau Mukhosh Shilpi Sangha Supported by the Department of MSME&T, Government of West Bengal and West Bengal Khadi & Village Industries Board Rural Craft HubsOf West Bengal Handicrafts of Bengal embody our rich heritage of aesthetics, cr ea tivity and artistry. The craft sector provides low cost, green livelihood opportunities to more than 5.5 lakh men and women. Jalpaiguri Alipurduar The sector represents economic lifeline of the vulnerable sections of the society, with women accounting for around 50% of the crafts persons and a significant number belonging to the scheduled castes, tribes and religious minorities. In today's globalised world, the growing retail industry, fashion and luxury markets, demand for green production, potential for e-commerce have created new opportunities for developing a vibrant craft economy thereby providing increased income opportunities to the craft communities like the Patuas, potters, weavers, wood carvers, Dokra makers etc. Besides its high potential for employment, the craft sector is economically important from the point of low capital investment, high ratio of value addition, and high potential for export and foreign exchange earnings for the country. The Government of West Bengal thus aims to unleash the potential of the sector in terms of employment, enterprises, export and growth. The Department of MSME&T, Government of West Bengal in collaboration with UNESCO, New Delhi is developing 10 rural craft hubs in the state. The vision is to develop the villages with families traditionally skilled in craft traditions like Sitalpati, Madurkathi, Terracotta, Patachitra, Dokra, Wooden and Chau masks, Wooden and Clay doll making and Kantha as vibrant craft hubs connected to national and international market. -
Dr. Mahuya Hom Choudhury Scientist-C
Dr. Mahuya Hom Choudhury Scientist-C Patent Information Centre-Kolkata . The first State level facility in India to provide Patent related service was set up in Kolkata in collaboration with PFC-TIFAC, DST-GoI . Inaugurated in September 1997 . PIC-Kolkata stepped in the 4th plan period during 2012-13. “Patent system added the fuel to the fire of genius”-Abrham Lincoln Our Objective Nurture Invention Grass Root Innovation Patent Search Services A geographical indication is a sign used on goods that have a specific geographical origin and possess qualities or a reputation that are due to that place of origin. Three G.I Certificate received G.I-111, Lakshmanbhog G.I-112, Khirsapati (Himsagar) G.I 113 ( Fazli) G.I Textile project at a glance Patent Information Centre Winding Weaving G.I Certificate received Glimpses of Santipore Saree Baluchari and Dhanekhali Registered in G.I registrar Registered G.I Certificates Baluchari G.I -173-Baluchari Dhanekhali G.I -173-Dhaniakhali Facilitate Filing of Joynagar Moa (G.I-381) Filed 5 G.I . Bardhaman Mihidana . Bardhaman Sitabhog . Banglar Rasogolla . Gobindabhog Rice . Tulaipanji Rice Badshah Bhog Nadia District South 24 Parganas Dudheswar District South 24 Chamormoni ParganasDistrict South 24 Kanakchur ParganasDistrict Radhunipagol Hooghly District Kalma Hooghly District Kerela Sundari Purulia District Kalonunia Jalpaiguri District FOOD PRODUCTS Food Rasogolla All over West Bengal Sarpuria ( Krishnanagar, Nadia Sweet) District. Sarbhaja Krishnanagar, Nadia (Sweet) District Nalen gur All over West Bengal Sandesh Bardhaman Mihidana Bardhaman &Sitabhog 1 Handicraft Krishnanagar, Nadia Clay doll Dist. Panchmura, Bishnupur, Terrakota Bankura Dist. Chorida, Baghmundi 2 Chhow Musk Purulia Dist. -
Toward Eliminating Pre-Consumer Emissions of Microplastics from the Textile Industry
Toward eliminating pre-consumer emissions of microplastics from the textile industry Photo credit: Mark Godfrey Photo credit: Devan King Abstract There is growing global awareness that microfibers are, we know enough to take microplastics are a potentially harmful action now to reduce the flows of these pollutant in oceans, freshwater, soil and air. materials into natural systems like rivers While there are many important sources of and oceans. The elimination of pre- microplastic pollution, we now know the consumer microfiber pollution will require textile lifecycle of manufacturing, use and changes along all stages of the textile disposal is a major emission pathway of supply chain. These changes include: microplastics. Microplastics emitted during a textile’s lifecycle are referred to as 1. Better understanding the relative microfibers or ‘fiber fragments.’ To date, emissions of microfibers at each much of the attention has focused on the manufacturing step (from fiber to yarn shedding, washing and disposal of to fabric to garment). synthetic textiles by consumers. 2. Developing microfiber control technologies and codifying best However, this is only part of the picture practices. and ignores microfiber leakage during the manufacturing and processing of these 3. Scaling these solutions to Tier 1, 2 and 3 materials. We estimate that pre-consumer suppliers via a combination of textile manufacturing releases 0.12 million regulatory and brand or retailer-led metric tons (MT) per year of synthetic action. microfibers into the environment – a similar 4. Continuing to raise industry, order of magnitude to that of the consumer government and consumer awareness use phase (laundering). That would mean of the topic. -
Australian Superfine Wool Growers Association Inc
AustrAliAn superfine Wool Growers’ Association inc. AustrAliAn superfine Wool Growers Association inc. AnnuAl 2015-2016 www.aswga.com 1 | Annual 2015/2016 Australian Wool Innovation On-farm tools for woolgrowers Get involved in key initiatives such as: • Join an AWI-funded Lifetime Ewe Management group to lift production - www.wool.com/ltem • Join your state’s AWI extension network - www.wool.com/networks • Benchmark your genetic progress with MERINOSELECT - www.wool.com/merinoselect • Reducing wild dog predation through coordinated action - www.wool.com/wilddogs • Training shearers and woolhandlers - www.wool.com/shearertraining • Enhanced worm control through planning - www.wool.com/wormboss • Getting up to scratch with lice control - www.wool.com/lice • Flystrike protection and prevention - www.wool.com/fl ystrike VR2224295 www.wool.com | AWI Helpline 1800 070 099 Disclaimer: Whilst Australian Wool Innovation Limited and its employees, offi cers and contractors and any contributor to this material (“us” or “we”) have used reasonable efforts to ensure that the information contained in this material is correct and current at the time of its publication, it is your responsibility to confi rm its accuracy, reliability, suitability, currency and completeness for use for your purposes. To the extent permitted by law, we exclude all conditions, warranties, guarantees, terms and obligations expressed, implied or imposed by law or otherwise relating to the information contained in this material or your use of it and will have no liability to you, however arising and under any cause of action or theory of liability, in respect of any loss or damage (including indirect, special or consequential loss or damage, loss of profi t or loss of business opportunity), arising out of or in connection with this material or your use of it. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
National Institute of Fashion Technology
National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 National Institute Of Fashion Technology 29th Annual Report 2014-15 21.09.2015 NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 CONTENTS 01 Board of Governors (2014-15) 77 Design Space 05 NIFT - Introduction 83 International & Domestic Linkages 07 Significant Landmarks (2014-15) 86 National Resource Centre 08 Student Development Activities 87 Cluster Development Inititative 09 NIFT Campuses 91 Information Technology Inititative ACADEMIC DEPARTMENTS 93 Continuing Education Programme 11 Fashion Design 97 Campus Placements 19 Leather Design 101 Ph.D. and Research 27 Textile Design 110 FOTD 37 Knitwear Design 112 Admissions 2014 45 Fashion & Lifestyle Accessories 113 Convocation 2014 53 Fashion Communication 114 Abbreviations 61 Fashion Technology Auditor’s Report & 71 Fashion Management Studies 116 Statement of Accounts NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 BOARD OF GOVERNORS Members as on March 2015 Smt. Kiran Dhingra, IAS (Retd.) 83 C Village Chairperson BOG NIFT Gancim- Bhatim Post Office Goa Velha Talukh Tisvadi Goa – 403108 Sh. Naresh Gujral 5, Amrita Shergil Marg Hon’ble M.P Rajya Sabha New Delhi-110003 (22-07-2014 up to 31-03-2015) Shri S. Selvakumara Chinnayan, S-3, SCP Residency, Hon’ble M.P Lok Sabha BVB School Main Road, Thindal, (21-10-2014 up to 31-03-2015) Distt. Erode- 638 012 Tamil Nadu Smt. Poonam Mahajan, Block no. 2 Bhima Worli Sagar Hon’ble M.P Lok Sabha Cooperative Society (21-10-2014 up to 31-03-2015) Dr. -
Portland Daily Press: June 20,1870
DAILY' PRESS. lORNING. JUNE 20, 1870. t8.00 per annum, in avance. * rviutiim ■'«·>-„ MISCELLANEOUS. MISCELLANEOUS. WANTK» Is published every day (Sundays excepted) l,y MISCELLANEOUS. the THE DAILY PRESS Portland Publishing Co., ! Wanted J DAILY CARRIAGES CARRIAGES ! IΤ Proposals Rations anà press. DATION as for Street, housekeeper by an Americai At iny Exchange Portland. AS widow lady in a small where there are n< BUSINESS DIRECTORY. small ch family Ship PORTLAND. Dollars a Year in Idren ; a widower 1er red. address Chandlery. Teems:—Eight advance. At Reduced Prices. or call pre Pl.ase at No. 6 Lincoln St. Mrs. W. F. M. jnnl7*lw COLLECTOR'S OFFICE, Advertising Agency. District of ) The Maine State Press Portland and Falmouth, J AT WELL A CO., 174 Middle Street. Monday Morning, J cue Messrs. J. IYI. Kimball Portlan J uue 20,1870. & Co., 302 & 304 Street, Wanted. d, d, 1870. ) Congress PROPOSALS will be received at this every Thursday at as published Mommra MAINE. SITUATION Porter or Fireman in Hotel. Ad· SEALEDoffice until Saturd «y, at 12 o'clock M.. the 2f>tt Agricultural & Seeds. if PORTLAND, dr se Implement* Kepnblican $>.50 a year; paid in at S2.00 a A before Monday next, at ibis office, clay ot June instant, lor the su of Rations Congressional Con- advance, junl7*3t ρ ply to the SAWYER Λ: WOODFORD, No. 11» ExchaniC St. year. «ruBTEE." pttty officers and seamen ot the U. S. Revenue vention. "OLD Steamer "Mahoning" or other Revenue Cuttei REPOSITORY." or any FIRST Cuiters ti.at may be stationed at this for Auctioneer. -
Learn to Weave on the Knitters Loom
Learn to weave on the Knitters Loom spinning | weaving | carding | felting | knitting | dyeing Welcome to the wonderful world of weaving ... YOUR FIRST PROJECT – A SCARF You will need: Warp A pair of sharp scissors Use Ashford Tekapo in stripes of white, blue, yellow and green. A measuring tape Length – 2m (78ins) allowing 15cm (6ins) at each end for fringe Cardboard warp sticks Number of ends – 88 One long table or two smaller tables Finished width – 26cm (10¼ins) Yarn Weft For this project we have used Ashford Tekapo, a smooth Ashford Tekapo #206 Natural White. DK (double knit) sport weight yarn with a slightly textured handspun look, for the warp and the weft. Ashford Tekapo 8ply/DK yarn (100% wool, 200m/218yds, 100gm net) #206 Natural White, #230 Midnight Blue, #203 Butter, #221 Chartreuse. WARP AND WEFT These are two terms you will need to know as they form the basis of all weaving. The warp threads are put onto the loom first. They are held on the loom under tension between the front and back roller. The weft threads pass over and under the warp threads to form the woven fabric. warp weft SHED The shed is the opening formed in the warp, through which the shuttle passes. OPTIONAL ACCESSORIES Extra reeds 10, 20, 30, 40, 50 and 60 dents per 10cm (2.5, 5, 7.5, 10, 12.5 and 15 dents per inch), vari dent reed, loom stand, pickup sticks, shuttles, weaving needles, tapestry beater, warp thread weights, fringe twister. Knitters loom 30cm (12"), carry bag included, loom stand optional back roller warp stick ties handle cog pawl shuttles warp reed support block sticks clamps reed warping threading hook peg base cardboard warp sticks front roller warping peg THE LOOM The reed has large holes and slots to accommodate a larger The shuttle is used to carry the weft yarn from side to side to variety of yarns. -
Split‐Shed Workshop Instructed by Deborah Silver Set‐Up Instructions
Split‐shed Workshop instructed by Deborah Silver Set‐up Instructions Your loom needs to be pre‐warped. You may use either a 15 dent reed at one end per dent (epd) or an 8 dent reed at 2 epd. The warp yarn is 8/4 cotton carpet warp. This yarn is fine, cheap, and strong, yet very forgiving of tension issues. Many companies carry and it comes in lots of colors, but I recommend one spool of the Smokey Blue (color 06). It works well with most weft colors. DO NOT use linen or linen blends! You will need 146 warp ends. The repeat is: 4 3 2 3 4 1. Note on the draft that there are extra ends at the selvedges. Double the last end at each selvedge. (Thread 2 ends together in the reed and heddles.) Plan the length of the warp for 40” of woven cloth plus loom waste. You may wish to make it longer for further sampling. If you bought one 8 oz. spool, the warp may be as long as 4 yards and you will still have plenty left for weft. Tie‐ups on a jack loom are according to the diagram. Skip tying up treadle #5 if possible. Black squares are rising shafts. For direct tie‐up looms: Treadles should be tied up consecutively: 1 2 3 4. Shafts 3 & 4 will be treadled with one foot. You will need to change the tie‐up order for the other two weave structures. For table looms or any loom where a shaft cannot be held up in a half‐raised position by treadling: Split‐shed weaving creates two mini‐sheds by moving a layer of warp ends in‐ between the raised and lowered ends. -
Simple Loom Weaving Kit WE GATHER
WE GATHER Simple Loom Weaving Kit WEGATHERGOODS.COM @WEGATHER YOU’RE A WEAVER NOW! You are about to take your place in a long, ancient history of one of the earliest textile techniques ever used by humans. Welcome! Weaving has been part of our human experience for at least 30,000 years and is one of the most important and widespread methods of making cloth, baskets, and other functional and fabulous objects. This Simple Loom Weaving Kit employs many of the same tools and techniques that people have been using for thousands of years. It’s up to you to make them yours! At its most basic, weaving is the interlacing of two sets of perpendicular yarns or linear elements. Woven textiles are generally stable and not very stretchy. They can be thick and rugged, light and delicate, and everything in between. There are countless dierent approaches to weaving, it’s rules and traditions, and some of those are shared in this booklet. Follow those that speak to you and make your own rules where necessary. As you learn and practice, you will find what works best for you. Here are a few suggestions to get you started: •Loom maintenance - Your loom and tools are lovingly cut from birch plywood, which sometimes has the propensity for splintering. If you find this happening, use a fine grit sandpaper to smooth those areas. •Even tension - Weaving is built upon tension. Try to keep this as even as possible, but remember that your goal is function, not perfection. •No knots - You almost never use an actual knot in weaving. -
Government of India Ministry of Commerce & Industry Department for Promotion of Industry and Internal Trade
GOVERNMENT OF INDIA MINISTRY OF COMMERCE & INDUSTRY DEPARTMENT FOR PROMOTION OF INDUSTRY AND INTERNAL TRADE LOK SABHA UNSTARRED QUESTION NO. 3954. TO BE ANSWERED ON WEDNESDAY, THE 18TH MARCH, 2020. GRANTING GI-TAG 3954. DR. SUKANTA MAJUMDAR: DR. JAYANTA KUMAR ROY: SHRIMATI SANGEETA KUMARI SINGH DEO: SHRI RAJA AMARESHWARA NAIK: SHRI VINOD KUMAR SONKAR: SHRI BHOLA SINGH: Will the Minister of COMMERCE AND INDUSTRY be pleased to state: वाणि煍य एवं उद्योग मंत्री (a) whether the Government grants Geographical Indicators (GI)-tag to agricultural, natural or manufactured goods; (b) if so, the list of products with GI Logo issued/ to be issued, product-wise and State-wise; (c) whether the Government has ratified any international Intellectual Property (IP) treaty referred to in the International Intellectual Property Index (IIPI); (d) if so, whether the Government has launched the ‘Scheme for Intellectual Property Rights (IPR) Awareness – Creative India; Innovative India’; and (e) if so, the steps taken by the Government to improve the IPR regime in the country? ANSWER वाणि煍य एवं उद्योग मंत्री (श्री पीयूष गोयल) THE MINISTER OF COMMERCE & INDUSTRY (SHRI PIYUSH GOYAL) (a) & (b): Yes, sir, agricultural, natural or manufactured goods are registered as Geographical Indications (GI) by the Geographical Indications Registry as per the provisions of the Geographical Indications of Goods (Registration & Protection) Act, 1999. As on 10.03.2020, 362 Indian products have been registered as GIs. The list of GI products registered State-wise is enclosed as Annexure. (c): A private entity namely, Global Intellectual Property Centre of the U.S.