THEY SAY NOTHING STAYS the SAME (Aru Sendo No Hanashi)
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Japanese Cinema’S Logic], Tokyo: SanIchi Shobo¯
14 DARK VISIONS OF JAPANESE FILM NOIR Suzuki Seijun’s Branded to Kill (1967) Daisuke Miyao I think that motion pictures should create events by themselves . They should not restrict themselves to merely recreating what has actually happened . Once such events created on the screen occur in reality, motion pictures begin to have a relationship with the society for the first time. (Suzuki Seijun quoted in Ueno 1991: 114) Suzuki Seijun’s 1967 film Branded to Kill (Koroshi no rakuin – hereafter Branded) – the story of a contract killer being dismissed by a gangster organization – created a controversial real life incident when Nikkatsu, one of Japan’s oldest film studios, dismissed Suzuki, then one if its contract directors, ten months after its release. On April 25, 1968, Suzuki was directing the television series Aisai-kun konbanwa: aru ketto¯ [Good Evening, Mr Devoted Husband: A Duel]. He received a telephone call from the secretary of Hori Kyu¯saku, the president of Nikkatsu, and was told that the studio would not pay his salary for April. Just like that, Suzuki Seijun was fired from Nikkatsu. To be sure, Branded had not been a financial and critical success. The film journal Kinema Junpo¯ reported that the release of Branded on a double feature with A Bug That Eats Flowers (Hana wo ku¯ mushi, Nishimura Sho¯goro¯, 1967) ‘resulted in less than 2,000 viewers at Asakusa and Shinjuku and about 500 in Yu¯rakucho¯ on the second day’ (quoted in Ueno 1986: 336). Indeed, Yamatoya Atsushi (1994: 38), one of Branded’s screenwriters, recalls that the Nikkatsu theater in Shinjuku where the film was originally screened was more or less empty on its opening day. -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
Mubii Japan 90 Jaar Japanse Cinema
Filmprogramma Mubii Japan 90 jaar Japanse cinema 25 september t/m 16 december 2015 EYE FILMMUSEUM AMSTERDAM eyefilm.nl/japan Ontdek de Japanse cinema in EYE Wie wil weten wat de Japanse film zo uniek maakt, is dit najaar in EYE op het goede adres. Met een overzicht van ruim veertig titels geeft het filmmuseum inzicht in meer dan negentig jaar fascineren- de filmgeschiedenis uit het Verre Oosten, van de vroege twintigste eeuw tot nu. De Japanse cinema geldt als een van de belangrijkste filmculturen van de wereldcinema, met als boegbeelden de beroemde regisseurs Yasujirō Ozu (1903-1963) en Akira Kurosawa (1910-1998). Er zijn echter meer makers die hebben bijgedragen tot de verrassende veelzijdigheid van de Japanse film; tot hen behoort bijvoorbeeld de in Nederland nog vrijwel onbekende Mikio Naruse, die zich – net als Ozu – een meester toont in de tekening van ogenschijnlijk gewone levens. Mūbii Japan (‘Mūbii’ is fonetisch Japans voor ‘movie’) laat zien dat de reikwijdte van de Japanse film groter is dan de lijst bekende namen. Het programma – met het thema van de tragische liefde als rode draad – is een ontdekkingsreis door de Japanse filmgeschiedenis, van Teinosuke Kinugasa’s stille avant-gardeklassieker A Page of Madness (1926) tot de recente arthousefilms van Hirokazu Kore-eda. Van klassiekers als Naked Youth (Nagisa Oshima) en Ran (Akira Kurosa- wa) zijn in EYE recente restauraties te zien; ook put het filmmuseum uit de eigen collectie met werk van meesters als Ozu en Shohei Imamura en besteedt het aandacht aan de Japanse genrefilm. Fraaie voorbeelden zijn de yakuzafilms (Seijun Suzuki, Takeshi Kitano) en koel gestileerde softpornotitels zoals Love Hotel van de in Nederland nauwelijks bekende Sōmai Shinji (1948-2001). -
Kaneto Shindo — 1912- 2012 Luc Chaput
Document generated on 10/01/2021 8:45 a.m. Séquences La revue de cinéma --> See the erratum for this article Kaneto Shindo — 1912- 2012 Luc Chaput Christopher Nolan Number 279, July–August 2012 URI: https://id.erudit.org/iderudit/66965ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Chaput, L. (2012). Kaneto Shindo — 1912- 2012. Séquences, (279), 27–27. Tous droits réservés © La revue Séquences Inc., 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Salut l'artiste | PANORAMIQUE 27 Eugene Polley | 1915-2012 son travail de correspondant de guerre, président du Conseil national polonais Technicien américain, co-inventeur de rend compte de la servitude et de la gran- de la radio-télé. la télécommande pour téléviseur, qui deur militaire dans des conflits perdus ou reçut, avec son collègue Robert Adler de incompris. Il gagna l’Oscar du documen- Amos Vogel | 1921-2012 la compagnie Zenith, un Emmy pour ce taire pour La Section Anderson. Né Amos Vogelbaum, cinéphile et organi- produit maintenant indispensable. sateur américain d’origine autrichienne, fondateur du ciné-club Cinema 16, fonda- Joyce Redman | 1915-2012 teur du département cinéma du Lincoln Comédienne britannique qui gagna l’Oscar Center, cofondateur et premier program- de l’actrice de soutien pour Othello, mais qui mateur du New York Film Festival. -
7Th Sakura Gala Toronto Japanese Film Festival
第7回桜ガラ 7TH SAKURA GALA トロント日本映画祭 TORONTO JAPANESE FILM FESTIVAL May 2015 2015年5月 Vol.41 Issue 5 1 2014 -15 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2 JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Treasurer Chris Reid 4 Toronto Japanese Film Festival Directors Ken Fukushima Anzu Hara 日 Chris Hope 7-8 Heritage & Sedai News Warren Kawaguchi Karen Kuwahara 系 Lorene Nagata 9 Gala News Christine Nakamura Cary Rothbart 13 Donations Ross Saito 文 Nao Seko Tak Yoshida 15-16 Moriyama Nikkei Heritage Centre Inscriptions 化 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 17-20 日本語紙面 Sid Ikeda Miki Kobayashi 会 Mickey Matsubayashi Steve Oikawa Connie Sugiyama 館 JCCC Foundation Chair Shari Hosaki Calendar of Events 役 JCCC Staff James Heron 員 May Executive Director Sat 2 Bazaar [email protected] 416-441-2345 ext.224 Sun 10 Kumihimo Workshop Kathy Tazumi 及 Mon 18 JCCC closed -Victoria Day Accounting/General Administration Manager Thu 21 Movie Night - Kanzaburo [email protected] 416-441-2345 ext.229 Sat 23 Karate Tournament Christine Takasaki び Sat 23 Karaoke Club Community Events Coordinator [email protected] 416-441-2345 ext.221 Mon 25 Manju Workshop Wed 27 Origami Workshop Haruko Ishihara ス Community Rentals Coordinator Sat 30 Sakura Gala [email protected] 416-441-2345 ext.228 Christine Seki タ Corporate Rentals/Programming and Business Development June [email protected] 416-441-2345 ext.231 Thu 11 Toronto JFF opening Sally Kumagawa -
The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
The Undead Subject of Lost Decade Japanese Horror Cinema A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jordan G. Parrish August 2017 © 2017 Jordan G. Parrish. All Rights Reserved. 2 This thesis titled The Undead Subject of Lost Decade Japanese Horror Cinema by JORDAN G. PARRISH has been approved for the Film Division and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract PARRISH, JORDAN G., M.A., August 2017, Film Studies The Undead Subject of Lost Decade Japanese Horror Cinema Director of Thesis: Ofer Eliaz This thesis argues that Japanese Horror films released around the turn of the twenty- first century define a new mode of subjectivity: “undead subjectivity.” Exploring the implications of this concept, this study locates the undead subject’s origins within a Japanese recession, decimated social conditions, and a period outside of historical progression known as the “Lost Decade.” It suggests that the form and content of “J- Horror” films reveal a problematic visual structure haunting the nation in relation to the gaze of a structural father figure. In doing so, this thesis purports that these films interrogate psychoanalytic concepts such as the gaze, the big Other, and the death drive. This study posits themes, philosophies, and formal elements within J-Horror films that place the undead subject within a worldly depiction of the afterlife, the films repeatedly ending on an image of an emptied-out Japan invisible to the big Other’s gaze. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
Gene Dinovi's Jazz Concert
Gene DiNovi’s Jazz Concert : The Nikkei Suite ジーン・ディノヴィ ジャズコンサート「日系組曲」 Rakugo Movie Night “Talk Talk Talk” 落語映画「しゃべれども しゃべれども」 May 2008 2008年5月 Vol.34 Issue 5 1 features 2007-2008 JCCC Board of Directors President Martin Kobayashi VP – Expansion Gary Kawaguchi VP – Management Ann Ashley 日 2 Gene DiNovi Japanese Suite VP – Legacy Arthur Ito VP – Heritage Ken Noma VP – Marketing/Membership Dereck Oikawa 3 Movie Night "Talk Talk Talk" Special Ambassador Sid Ikeda 系 Secretary/VP- Projects Sharon Marubashi 5 Nostalgia Night Treasurer Sri Kugan Past President Steve Oikawa 文 Executive Director James Heron 6 Upcoming Events Directors-at-large Wai Chak Donna Davis Glen Inamoto 化 7-8 Community News Ojan Jamkhou Jane Liu 11 JCCCニュース Yuki Nakamura 会 Lorene Nagata Russell Onizuka 12 日系コミュニティーニュース Tak Yoshida Advisors Miki Kobayashi 館 Mickey Matsubayashi Fred Sasaki CALENDAR OF EVENTS Connie Sugiyama 役 MAY/JUNE/JULY 2008 May JCCC Staff 員 James Heron Thu 1 Bakumatsu Exhibit opening Executive Director Fri 2 Bazaar Prep [email protected] 416-441-2345 ext.224 及 Kathy Tazumi Sat 3 Bazaar Accounting/General Administration Manager Thu 8 Origami Workshop [email protected] 416-441-2345 ext.229 び Sat 10 Karate Tournament Christine Takasaki Community Events/Volunteer Coordinator Thu 15 Masako Goto Pottery Exhibit opening [email protected] 416-441-2345 ext.221 ス Sat 17 Karaoke Club Haruko Ishihara Community Rentals Mon 19 JCCC CLOSED (Victoria Day) [email protected] 416-441-2345 ext.228 タ Wed 21 Manju Workshop Christine Seki Corporate Rentals/Programming and -
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of -
Annual Report Japan Society Board of Directors
333 EAST 47TH STREET |NEW YORK, NY 10017 |JAPANSOCIETY.ORG Annual Report 2016—2017 Japan Society Board of Directors Paul S. Amos II Merit E. Janow Fumio Otani Chris Wachenheim President Dean, School of International and Chairman & CEO Co-President Aflac Public Affairs Toshiba America, Inc. Greenhaven Associates, Inc. Professor of Professional Practice , Stanley M. Bergman International Economic Law & Joseph R. Perella* Takashi Yatsunami Chairman & CEO International Affairs Chairman, Japan Society President & CEO Henry Schein, Inc. Columbia University Founding Partner and Chairman Nippon Steel & Sumitomo Metal U.S.A., Perella Weinberg Partners Inc. Jonathan E. Colby* Robert A. Karr Managing Director Principal Douglas L. Peterson Tomofumi Yoshida PHOTO CREDITS: The Carlyle Group Joho Capital, LLC President & CEO President & CEO S&P Global ITOCHU International Inc. Cover: Hosoda Eisui (active 1790-1823), Wakashu with a Shoulder Gerald L. Curtis Frederick H. Katayama Drum (detail), late 18th-early 19th century. Color woodblock Burgess Professor of Political Science Anchor Punit Renjen print, ROM, Sir Edmund Walker Collection, 926.18.701. Courtesy Columbia University Thomson Reuters Chief Executive Officer SECRETARY of the Royal Ontario Museum, © ROM. From the exhibition A Deloitte Touche Tohmatsu Limited Susan J. Onuma Third Gender: Beautiful Youths in Japanese Prints . Ariel J. Deckelbaum Nobuyuki Kawabata Partner Justin A. Rockefeller Partner Executive Managing Director & CEO, Ingram Yuzek Gainen Carroll & Page 3: Clockwise from top left—Reception for “Gifu: The Paul, Weiss, Rifkind, Wharton & Americas Division Addepar.com Bertolotti, LLP Heartland of Japan” © Daphne Youree • Shodo student © Daphne Garrison LLP Sumitomo Mitsui Banking Corporation Rockefeller Brothers Fund Youree • Audience at “Mind of the Mangaka: Yusei Matsui” © The ImPact George Hirose • A Third Gender: Beautiful Youths in Japanese Richard A.