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Sermons on the Old Testament of the Bible by Jesus of Nazareth
Sermons on the Old Testament of the Bible by Jesus of Nazareth THROUGH DR. DANIEL G. SAMUELS This online version published by Divine Truth, USA http://www.divinetruth.com/ version 1.0 Introduction to the Online Edition For those already familiar with the messages received through James Padgett , the Samuels channelings are a blessing in that they provide continuity and integration between the teachings of the Bible and the revelations received through Mr. Padgett. Samuels’ mediumship differed from Padgett’s in that it is much more filled with detail and subtlety, which makes it a perfect supplement to the “broad strokes” that Padgett’s mediumship painted with. However, with this greater resolution of detail comes greater risk of error, and it is true that we have found factual as well as conceptual errors in some of Samuel’s writings. There are also a number of passages where the wording is perhaps not as clear as we would have wished – where it appears that there was something of a “tug-of-war” going on between Samuels’ and Jesus’ mind. In upcoming editions we will attempt to notate these passages, but for now the reader is advised (as always) to read these messages with a prayerful heart, asking that their Celestial guides assist them in understanding the true intended meaning of these passages. The following is an excerpt from a message received from Jesus regarding the accuracy and clarity of Dr. Samuels’ mediumship: Received through KS 6-10-92 I am here now to write...and we are working with what is known as a "catch 22" on earth at this time, which means that it's very difficult to convince someone about the accuracy and clarity of a medium -through the use of mediumistic means. -
The Septuagintal Isaian Use of Nomos in the Lukan Presentation Narrative
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects The eptuaS gintal Isaian Use of Nomos in the Lukan Presentation Narrative Mark Walter Koehne Marquette University Recommended Citation Koehne, Mark Walter, "The eS ptuagintal Isaian Use of Nomos in the Lukan Presentation Narrative" (2010). Dissertations (2009 -). Paper 33. http://epublications.marquette.edu/dissertations_mu/33 THE SEPTUAGINTAL ISAIAN USE OF ΝΌΜΟΣ IN THE LUKAN PRESENTATION NARRATIVE by Mark Walter Koehne, B.A., M.A. A Dissertation Submitted to the Faculty of the Graduate School, Marquette University, In Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2010 ABSTRACT THE SEPTUAGINTAL ISAIAN USE OF ΝΌΜΟΣ IN THE LUKAN PRESENTATION NARRATIVE Mark Walter Koehne, B.A., M.A. Marquette University, 2010 Scholars have examined several motifs in Luke 2:22-35, the ”Presentation” of the Gospel of Luke. However, scholarship scarcely has treated the theme of νόμος, the Νόμος is .תורה Septuagintal word Luke uses as a translation of the Hebrew word mentioned four times in the Presentation narrative; it also is a word in Septuagintal Isaiah to which the metaphor of light in Luke 2:32 alludes. In 2:22-32—a pivotal piece within Luke-Acts—νόμος relates to several themes, including ones David Pao discusses in his study on Isaiah’s portrayal of Israel’s restoration, appropriated by Luke. My dissertation investigates, for the first time, the Septuagintal Isaian use of νόμος in this pericope. My thesis is that Luke’s use of νόμος in the Presentation pericope highlight’s Jesus’ identity as the Messiah who will restore and fulfill Israel. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Eschatological Blessing (Hk'r"B.) of the Spirit in Isaiah: with Special Reference to Isaiah 44:1-5
DOI: https://doi.org/10.28977/jbtr.2016.10.39.307 The Eschatological Blessing (hk'r"B.) of the Spirit in Isaiah / YunGab Choi 307 The Eschatological Blessing (hk'r"B.) of the Spirit in Isaiah: with Special Reference to Isaiah 44:1-5 YunGab Choi* 1. Introduction The primary purpose of this paper is to explicate the identity of the “eschatological1) blessing (hk'r"B.) of the Spirit”2) in Isaiah 44:3. The Hebrew term — hk'r"B. — and its derivative form appear ten times (19:24, 25; 36:16; 44:3; *Ph. D in Old Testament at Trinity Evangelical Divinity School. Assistant Professor of Old Testament at Kosin University. [email protected]. 1) The English term “eschatology” comes from Greek word eschatos (“last”). Accordingly in a broad sense, “[e]schatology is generally held to be the doctrine of ‘the last things’, or of ‘the end of all things.’” (Jürgen Moltmann, The Coming of God: Christian Eschatology [Minneapolis: Fortress Press,1996], 1). In a similar vein, Willem A. VanGemeren defines eschatology as “biblical teaching which gives humans a perspective on their age and a framework for living in hope of a new age” (Willem A. VanGemeren, Interpreting the Prophetic Word: An Introduction to the Prophetic Literature of the Old Testament [Grand Rapids: Zondervan, 1990], 88). G. B. Caird defines eschatology as “the study of, or the corpus of beliefs held about, the destiny of man and of the world” (G. B. Caird, The Language and Imagery of the Bible [Grand Rapids: William B. Eerdmans Publishing Company, 1980], 243). -
The Chosen Episode 1 – “I Have Called You by Name”
The Chosen Episode 1 – “I Have Called You By Name” SCRIPTURE Isaiah 43: 1-4 But now, thus says the LORD, who created you, Jacob, and formed you, Israel: Do not fear, for I have redeemed you; I have called you by name: you are mine. When you pass through waters, I will be with you; through rivers, you shall not be swept away. When you walk through fire, you shall not be burned, nor will flames consume you. For I, the LORD, am your God, the Holy One of Israel, your savior. I give Egypt as ransom for you, Ethiopia and Seba in exchange for you. Because you are precious in my eyes and honored, and I love you, I give people in return for you and nations in exchange for your life. Luke 8:1-3 Afterward he journeyed from one town and village to another, preaching and proclaiming the good news of the kingdom of God. Accompanying him were the Twelve and some women who had been cured of evil spirits and infirmities, Mary, called Magdalene, from whom seven demons had gone out, Joanna, the wife of Herod’s steward Chuza, Susanna, and many others who provided for them out of their resources. John 20:1-18 On the first day of the week, Mary of Magdala came to the tomb early in the morning, while it was still dark, and saw the stone removed from the tomb. So she ran and went to Simon Peter and to the other disciple whom Jesus loved, and told them, “They have taken the Lord from the tomb, and we don’t know where they put him.” So Peter and the other disciple went out and came to the tomb. -
Music Preferences of Geriatric Clients Within Three Sub-Populations Janelle Sikora
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Music Preferences of Geriatric Clients within Three Sub-Populations Janelle Sikora Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUSIC PREFERENCES OF GERIATRIC CLIENTS WITHIN THREE SUB-POPULATIONS By JANELLE SIKORA A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Summer Semester, 2013 Janelle Sikora defended this thesis on July 15, 2013. The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jayne Standley Committee Member Dianne Gregory Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii I dedicate this to my loving parents, Victor and Pat Sikora, who have supported me throughout college. They are generous, kind, and always there for me. They are my rock. iii ACKNOWLEDGMENTS I would like to thank Dr. Kimberly VanWeelden for her guidance, support, and motivation throughout this process. Dr. VanWeelden’s research is what inspired me to conduct this study and I am grateful to have been fortunate enough to work with her. I thank Dr. Jayne Standley and Professor Dianne Gregory for being on my committee, educating me, and preparing me to be a professional. I thank both Dr. Farbman and Cindy Smith from AMTA for their help and taking the time to locate contacts for this study. -
Clyde Mcphatter 1987.Pdf
Clyde McPhatter was among thefirst | singers to rhapsodize about romance in gospel’s emotionally charged style. It wasn’t an easy stepfor McP hatter to make; after all, he was only eighteen, a 2m inister’s son born in North Carolina and raised in New Jersey, when vocal arranger and talent manager Billy | Ward decided in 1950 that I McPhatter would be the perfect choice to front his latest concept, a vocal quartet called the Dominoes. At the time, quartets (which, despite the name, often contained more than four members) were popular on the gospel circuit. They also dominated the R&B field, the most popular being decorous ensembles like the Ink Spots and the Orioles. Ward wanted to combine the vocal flamboyance of gospel with the pop orientation o f the R&B quartets. The result was rhythm and gospel, a sound that never really made it across the R &B chart to the mainstream audience o f the time but reached everybody’s ears years later in the form of Sixties soul. As Charlie Gillett wrote in The Sound of the City, the Dominoes began working instinctively - and timidly. McPhatter said, ' ‘We were very frightened in the studio when we were recording. Billy Ward was teaching us the song, and he’d say, ‘Sing it up,’ and I said, 'Well, I don’t feel it that way, ’ and he said, ‘Try it your way. ’ I felt more relaxed if I wasn’t confined to the melody. I would take liberties with it and he’d say, ‘That’s great. -
The Nature of God and Christ Doctrinal Study Paper
United Church of God, an International Association .......... The Nature of God and Christ Doctrinal Study Paper Approved by the Council of Elders August 2005 All scriptures are quoted from The Holy Bible, New King James Version (© 1988 Thomas Nelson, Inc., Nashville, Tennessee) unless otherwise noted. THE NATURE OF GOD AND CHRIST Doctrinal Study Paper Table of Contents Page Classical Trinitarian View of the Godhead 4 Question of Origins 5 Summary of Principal Views on the Origin of Christ 6 OLD TESTAMENT SECTION 6 The Tetragrammaton 6 The Shema and the “Oneness” of God 8 God (Elohim) in the Plural or Collective Sense 11 Anthropomorphic or Amorphical God 11 The God of the Old Testament 12 Theophanies 14 Angel of God’s Presence and YHWH 15 Who Was Married to Israel? 17 Who Led Israel to the Promised Land?—The 1 Corinthians 10:4 Question 19 NEW TESTAMENT SECTION 20 Neoplatonic, Gnostic and Jewish Concepts of the Logos 20 The Biblical Origin of the Logos 23 The Logos as the Agent of Creation 24 The Only Begotten Son of God 25 The Logos Empties Himself of Glory 26 The Logos Is Identified as Jesus Christ in Revelation 27 Christ’s Testimony of Glory He Shared With the Father 27 The Testimony of David Is Verified by Christ 28 Preexistence of Christ Confirmed by the Priesthood of Melchizedek 29 Christ’s Testimony of His Preexistence 31 Jesus Was Worshipped (Yet Only God Is to Be Worshipped) 32 The Testimony of Peter 32 God’s Purpose for Creating Humankind 33 Christ the Redeemer 34 God’s Purpose for Humanity 35 “One” (Greek Heis/Hen) God in the -
The Wonder Years Episode & Music Guide
The Wonder Years Episode & Music Guide “What would you do if I sang out of tune … would you stand up and walk out on me?" 6 seasons, 115 episodes and hundreds of great songs – this is “The Wonder Years”. This Episode & Music Guide offers a comprehensive overview of all the episodes and all the songs played during the show. The episode guide is based on the first complete TWY episode guide which was originally posted in the newsgroup rec.arts.tv in 1993. It was compiled by Kirk Golding with contributions by Kit Kimes. It was in turn based on the first TWY episode guide ever put together by Jerry Boyajian and posted in the newsgroup rec.arts.tv in September 1991. Both are used with permission. The music guide is the work of many people. Shane Hill and Dawayne Melancon corrected and inserted several songs. Kyle Gittins revised the list; Matt Wilson and Arno Hautala provided several corrections. It is close to complete but there are still a few blank spots. Used with permission. Main Title & Score "With a little help from my friends" -- Joe Cocker (originally by Lennon/McCartney) Original score composed by Stewart Levin (episodes 1-6), W.G. Snuffy Walden (episodes 1-46 and 63-114), Joel McNelly (episodes 20,21) and J. Peter Robinson (episodes 47-62). Season 1 (1988) 001 1.01 The Wonder Years (Pilot) (original air date: January 31, 1988) We are first introduced to Kevin. They begin Junior High, Winnie starts wearing contacts. Wayne keeps saying Winnie is Kevin's girlfriend - he goes off in the cafe and Winnie's brother, Brian, dies in Vietnam. -
1 Lent 5—Year C Isaiah 43:16-21 Psalm 126 Philippians 3:4B-14
Lent 5—Year C Isaiah 43:16-21 Psalm 126 Philippians 3:4b-14 John 12:1-8 We are one week out from Holy Week. How did we get here? It always come so fast, too fast. We can feel the momentum building. Everything is in motion; it’s dizzying, and like a rollercoaster that’s left the station, there’s no turning back. All the lessons pick up on this theme of motion. Our Collect starts us off by admitting how “unruly our wills and affections” are. Have you ever come up against something that your will couldn’t conquer, and the harder you tried to force something, control something, the more you tried to go it on your own, the worse it got? Have you ever experienced getting swamped by your affections, a.k.a. feelings, been completely swept off your feet by your feelings? Well, then you know something about “unruly wills and affections.” The Collect goes on to name “the swift and varied changes of the world”—truer words were never spoken. The changes in our world are swifter than we can keep up with; the variations of the changes are startling and overwhelming. Our hearts long for a place to be fixed, to be still, to be anchored, where true joys are to be found. And the Collect lifts up the resolution, even as it names the dilemma—we pray: “God grant your people grace to love what you command and desire what you promise.” The answer is surrender—the answer is always surrender—surrendering to loving a life tethered to God’s commands, tethered to the way of Jesus, allowing ourselves to desire the fruits of a life lived in alignment with God and to yearn for the abundant life that Jesus promises. -
Ostriches Into Sirens: Towards an Understanding of a Septuagint Crux
journal of jewish studies, vol. lv, no. 1, spring 2004 Ostriches into Sirens: Towards an Understanding of a Septuagint Crux Manolis Papoutsakis Dumbarton Oaks In memory of Michael P. Weitzman s her name denotes, Naamah, the sister of Tubal-cain, was ‘pleasant’ A andsowasNaomi, the mother-in-law of Ruth. In the case of Naomi, the connection between her personality and her name was established in the biblical narrative itself (Ruth 1:20): ïàø÷ éîòð éì äðàø÷ú ìà ïäéìà øîàúå ãàî éì éãù øîä éë àøî éì (‘She said to them “Call me no longer Naomi [i.e. Pleasant], call me Mara [i.e. Bitter], for the Almighty has dealt bitterly with me” ’).1 The particulars, however, about Naamah were introduced only in post-biblical exegesis. Naamah’s appeal consisted in that she was both physically attractive and musical. The notion of her physical beauty has been discussed by Pear- son, who ingeniously identified her with Norea, an intriguing female fig- ure that appears in Gnostic texts from Nag Hammadi, in Mandaean and Manichaean literature, and in Christian heresiological writings (Irenaeus, Epiphanius and Philaster):2 the proper name ‘Norea’ and alternative forms have all been convincingly traced back to Ωραα (‘beautiful’), a Greek trans- lation of ‘Naamah’.3 Once ‘the sons of God’ and ‘the daughters of men’ of 1 Biblical passages in English are quoted from B. M. Metzger and R. E. Murphy (eds), The New Oxford Annotated Bible with the Apocryphal / Deuterocanonical Books, Oxford / New York, 1989. Unless stated otherwise, translations throughout this article are the author’s. -
Entertainment
PRODUCTION Shows 12 Fabulous Series 2019 3 Fantastic Entertainment Package Discounts! Series Harmonic SERIES Tribute SERIES Presenter SERIES January 23 January 7 January 17 Jukebox Saturday Night The Boxers/Fire And Rain The Van Dells Jukebox Saturday Night is a musical The Simon & Garfunkel Tribute, The For years, the Van Dells review of the great Big Bands of the Boxers, has entertained thousands of 1930’s, 40’s and 50’s. These can’t miss S&G fans around the country. Greg and have entertained audiences performances celebrate America’s Swing Todd’s tight vocals on classic tunes like across the country with Era. This show features the greatest hits The Sounds of Silence or The Boxer will take their fun and exciting recorded by Glenn Miller, Duke Ellington, Tommy and Jimmy Dorsey, you right back to the early days of soulful tribute to the 50’s and Count Basie, Benny Goodman, Jimmie Lunceford, Artie Shaw, Harry guitars and tunes. The James Taylor Experience featuring the Fire 60’s with their full five James, Les Brown, Woody Herman and many others. & Rain Band performs many of JT’s best. Of course you’ll hear all piece band. This upbeat of the familiar mellow tunes like Carolina in My Mind and Fire & show is packed with February 11 Rain, but don’t forget all of the great upbeat hits like Your Smiling comedy, choreography and all the greatest hits. From Doo-Wop Face, How Sweet It Is, and Up on the Roof, too! favorites to Motown classics, and everything in between, there’s Maryellen Hooper (Opener) something for everyone to enjoy.