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Tribute to Kishore Kumar
Articles by Prince Rama Varma Tribute to Kishore Kumar As a child, I used to listen to a lot of Hindi film songs. As a middle aged man, I still do. The difference however, is that when I was a child I had no idea which song was sung by Mukesh, which song by Rafi, by Kishore and so on unlike these days when I can listen to a Kishore song I have never heard before and roughly pinpoint the year when he may have sung it as well as the actor who may have appeared on screen. On 13th October 1987, I heard that Kishore Kumar had passed away. In the evening there was a tribute to him on TV which was when I discovered that 85% of my favourite songs were sung by him. Like thousands of casual music lovers in our country, I used to be under the delusion that Kishore sang mostly funny songs, while Rafi sang romantic numbers, Mukesh,sad songs…and Manna Dey, classical songs. During the past twenty years, I have journeyed a lot, both in music as well as in life. And many of my childhood heroes have diminished in stature over the years. But a few…..a precious few….have grown……. steadily….and continue to grow, each time I am exposed to their brilliance. M.D.Ramanathan, Martina Navratilova, Bruce Lee, Swami Vivekananda, Kunchan Nambiar, to name a few…..and Kishore Kumar. I have had the privilege of studying classical music for more than two and a half decades from some truly phenomenal Gurus and I go around giving lecture demonstrations about how important it is for a singer to know an instrument and vice versa. -
The Literary Herald
ISSN : 2454-3365 THE LITERARY HERALD AN INTERNATIONAL REFEREED ENGLISH E-JOURNAL A Quarterly Indexed Open-access Online JOURNAL Vol.1, No.1 (June 2015) Editor-in-Chief: Dr. Siddhartha Sharma Managing Editor: Dr. Sadhana Sharma www.TLHjournal.com [email protected] hhhhhhhhhhhhhhhhhhkkkkkkkkkkkkkkkkk;khngggh www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal The Representation of Agony during Partition as shown in M S Sathyu’s film “Garm Hawa” Ms Rekha Paresh Parmar Associate Professor Department of English Veer Narmad South Gujarat University, Surat Abstract “Garm Hawa” (Scorching Winds/Hot Winds) is a 1973 Hindi Urdu drama film directed by M S Sathyu with veteran actor Balraj Sahni as the lead. It was written by Kaifi Azmi and Shama Zaidi, based on an unpublished short story by a famous Urdu writer Ismat Chughtai. This controversial film has won several national awards in 1974 including a National Integration award. This political narrative deals with the plight of a North Indian Muslim businessman Salim Mirza and his family in 1947 in Agra. He is a patriot and a Muslim shoemaker, struggles to survive in this pathetic and critical condition of communal riots. He is in a dilemma either to live in India or to emigrate to Pakistan like his other family members. The Mirza family suffers for not doing anything wrong in this post-partition environment. They could neither manage their business nor got the job. The social and marital relations are affected. Salim Mirza’s elder son Baqar moves to Pakistan with his family. His daughter Amina is frustrated having two affairs with her cousins and committed suicide. -
A Case of Street Vendor Evictions in Bengaluru
The Role of Informality in Shaping Public Space in India: A Case of Street Vendor Evictions in Bengaluru (Mohandas, Meghna) ([email protected]) 1 Abstract: The unequal treatment of citizens based on identity, class and income is a phenomenon that can be observed in most countries of the world, including democracies. In the particular case of street vending, which is a socially and economically relevant informal activity that is prevalent in both rural and urban areas of India, the issue of evictions from public spaces by authorities is a regular phenomenon. In recent years, multiple civil society organizations have formed coalitions and developed a voice to protect street vendors from exploitation by various groups that hold positions of power (Lintelo, 2010). Their efforts have resulted in policies and acts that aim to regulate the act of street vending in India. However, the legal systems introduced by the government to resolve issues of street vendors have many loopholes. Some of these drawbacks have been utilized by people in positions of power to evict street vendors from their locations of work. An example of this is the evictions of street vendors from outside the Lakshmi Devi Park, Bengaluru, that was orchestrated by the local resident’s association, along with the police force. This article aims to raise questions on the illegal status of street vending in India, and its relevance in a neo-liberal context of growing inequality. Keywords: Street Vending, Informality, Public Space, Urban 2 “The cities everyone wants to live in should be clean and safe, possess efficient public services, be supported by a dynamic economy, provide cultural stimulation, and also do their best to heal society's divisions of race, class, and ethnicity. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
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B N Mandal University, Madhepura Combined B.Ed Entrance Examination (Session 2016-2018) Held on 17-07-2016
B N Mandal University, Madhepura Combined B.Ed Entrance Examination (session 2016-2018) held on 17-07-2016 List of Candidates with Marks Obtained according to OMR response Sr.NO Scan Roll Name Father's Name Marks 1 101935 102397 MANISH KUMAR SATYANARAYAN PAUDDAR 91 2 104387 100623 ARCHANA KUMARI SURENDRA PRASAD SINGH 91 3 100364 102881 MUNNA KUMAR BIJENDRA PRASAD YADAV 89 4 100775 103318 PAPPU KUMAR YADAV YOGENDRA PRASAD YADAV 88 5 100503 102819 MUKESH KUMAR DASHRATH PRASAD YADAV 87 6 101985 102438 MANMOHAN KRISHNA ANJANI VERMA 85 7 102651 104205 RANDHIR KUMAR NANDKUMAR YADAV 85 8 102673 104229 RANJAN KUMAR RAMDEO MEHTA 85 9 101112 101320 DHANANJAY KUMAR BHARAT JHA 84 10 101986 102439 MANMOHAN KUMAR PRAMOD JHA 84 11 102044 102504 MD AFTAB ALAM MD MOKHTAR ALAM 84 12 102286 104733 SANGEET KUMAR KUSHESHWAR DAS 84 13 103674 100126 AJAY KUMAR RAJENDRA PRASAD YADAV 84 14 103890 100385 AMRESH KUMAR DAS SHANKAR PRASAD DAS 84 15 100770 103310 PAPPU KUMAR SHAMBHU PRASAD YADAV 83 16 100790 103334 PAWAN KUMAR GHURAN PRASAD YADAV 83 17 100810 103287 PANKAJ KUMAR MOHAN MAHTO 83 18 100917 103428 PRABHASH KUMAR PRABHAKAR RAMCHANDRA PRASAD YADAV 83 19 101097 101516 GOPAL SHARAN BHUPENDRA YADAV 83 20 101111 101319 DHANANJAY KUMAR GANESH PRASAD YADAV 83 21 101968 102412 MANISHA VIJAY KUMAR YADAV 83 22 102354 103919 RAHUL KUMAR MAHENDRA PRASAD YADAV 83 23 102394 103929 RAHUL KUMAR YADAV ASHOK YADAV 83 24 103909 100348 AMIT KUMAR MEHTA PANCHA NAND MEHTA 83 25 104964 105666 SUNIL KUMAR DINESH PANDIT 83 26 100763 103302 PANKAJ KUMAR SINGH ABDHESH KUMAR SINGH -
Movies of Feroz Khan
1 / 2 Movies Of Feroz Khan Feroze Khan (born July 11, 1990) is famous for being tv actor. ... Padmavati is undeniably the most awaited movie of the year and it won't be hard to call it a hit .... Feroz Khan Movies List. Thambi Arjuna (2010)Ramana, Aashima. Welcome (2007)Feroz Khan, Anil Kapoor. Ek Khiladi Ek Haseena (2005)Fardeen Khan, .... See more ideas about actors, pakistani actress, feroz khan. ... Khushbo is Pakistani film and stage Actress. c) On some minimal productions (e. Want to Become .... Tasveer Full Hindi Movie (1966) Film cast : Feroz Khan, Kalpana, Helen, Sajjan, Rajendra Nath, Nazir Hasain, Leela Mishra, Raj Mehra, Lalita Pawar, Sabeena. MUMBAI, India (Agence France-Presse) — Feroz Khan, a Bollywood ... he made “Dharmatma,” the first Hindi-language movie shot on location .... Actor Rishi Kapoor tweeted that the two actors, who worked together in three films, died of Cancer on the same date. Known for his flamboyant persona, Feroz Khan was an actor, director and producer who had a long innings in the Hindi film industry. The actor .... Feroz Khan was born at Bangalore in India to an Afghan Father, Sadiq Khan and an Iranian mother Fatima. After schooling from Bangalore he shifted to Bombay .... He would have turned 79 on September 25. However, actor, director and producer Feroz Khan – one of his kind in the Hindi film industry .... Feroz Khan All Movies List · Ek Khiladi Ek Haseena - 2005 · Ek Khiladi Ek Haseena (2005)Feroz Khan , Fardeen Khan , Koena Mitra , Gulshan Grover , Kay Kay , .... India's answer to Clint Eastwood, Feroz Khan is known as the most stylish bollywood actor. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR ND MONDAY, THE 22 MAY, 2017 INDEX PAGES 1. APPELLATE JURISDICTION 01 TO 62 2. COMPANY JURISDICTION 63 TO 72 3. ORIGINAL JURISDICTION 73 TO 81 4. REGISTRAR GENERAL/ 82 TO 92 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 22.05.2017 1 (APPELLATE JURISDICTION) 22.05.2017 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MR. JUSTICE A.K. CHAWLA AFTER NOTICE MISC. MATTERS ____________________________ 1. REVIEW PET. 116/2017 CHUNNU FASHIONS & ORS ANSHUJ DHINGRA LAW OFFICES In W.P.(C) 10589/2016 Vs. EDELWEISS ASSET RECONSTRUCTION COMPANY LIMITED (Disposed-off Case) COURT NO. 1 (DIVISION BENCH-I) HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MS. JUSTICE PRATHIBA M. SINGH FRESH MATTERS & APPLICATIONS ______________________________ 1. W.P.(C) 4292/2017 RAVINDER YADAV PET IN PERSON CM APPL. 18734/2017 Vs. BSES & ANR 2. W.P.(C) 4320/2017 RAVINDER YADAV PET IN PERSON CM APPL. 18797/2017 Vs. COMMISSIONER, DELHI POLICE & ORS FOR ADMISSION _______________ 3. FAO(OS) 130/2017 PUNJ LLOYD LTD RISHI AGRAWALA CM APPL. 15374/2017 Vs. M/S HADIA ABDUL LATIF JAMEEL CO LTD & ANR. 4. FAO(OS) 148/2017 YOGESH JAIN & ANR AVADH KAUSHIK CM APPL. 18145/2017 Vs. RAKESH JAIN & ORS 5. W.P.(C) 4086/2017 COURT ON ITS OWN MOTION AS DIRECTED Vs. UNION OF INDIA & ORS. 6. W.P.(C) 4263/2017 M/S METRO TRANSIT PVT. -
Unit-2 Silent Era to Talkies, Cinema in Later Decades
Bachelor of Arts (Honors) in Journalism& Mass Communication (BJMC) BJMC-6 HISTORY OF THE MEDIA Block - 4 VISUAL MEDIA UNIT-1 EARLY YEARS OF PHOTOGRAPHY, LITHOGRAPHY AND CINEMA UNIT-2 SILENT ERA TO TALKIES, CINEMA IN LATER DECADES UNIT-3 COMING OF TELEVISION AND STATE’S DEVELOPMENT AGENDA UNIT-4 ARRIVAL OF TRANSNATIONAL TELEVISION; FORMATION OF PRASAR BHARATI The Course follows the UGC prescribed syllabus for BA(Honors) Journalism under Choice Based Credit System (CBCS). Course Writer Course Editor Dr. Narsingh Majhi Dr. Sudarshan Yadav Assistant Professor Assistant Professor Journalism and Mass Communication Dept. of Mass Communication, Sri Sri University, Cuttack Central University of Jharkhand Material Production Dr. Manas Ranjan Pujari Registrar Odisha State Open University, Sambalpur (CC) OSOU, JUNE 2020. VISUAL MEDIA is made available under a Creative Commons Attribution-ShareAlike 4.0 http://creativecommons.org/licences/by-sa/4.0 Printedby: UNIT-1EARLY YEARS OF PHOTOGRAPHY, LITHOGRAPHY AND CINEMA Unit Structure 1.1. Learning Objective 1.2. Introduction 1.3. Evolution of Photography 1.4. History of Lithography 1.5. Evolution of Cinema 1.6. Check Your Progress 1.1.LEARNING OBJECTIVE After completing this unit, learners should be able to understand: the technological development of photography; the history and development of printing; and the development of the motion picture industry and technology. 1.2.INTRODUCTION Learners as you are aware that we are going to discuss the technological development of photography, lithography and motion picture. In the present times, the human society is very hard to think if the invention of photography hasn‘t been materialized. It is hard to imagine the world without photography. -
S. No. Name of the Project Anganwadi Centre No. Name of The
ICDS Projects S. No. Name of the Anganwadi Name of the Name of the Address of the Anganwadi Project Centre No. Anganwadi Anganwadi Centre Worker Helper Babarpur 1 Neetu Lalita Gali Number - 49, D Block, Janta Mazdoor Colony 2 Pavitra Chetna D - 362, Janta Mazdoor Colony 3 Virendri Vimlesh D - 282, Janta Mazdoor Colony 4 Chandresh Pal Geeta Sharma L - 392, Janta Mazdoor Colony 5 Archana Raj Kumari A - 49, B - 383, Janta Mazdoor Colony 6 Bharti Pandey Meena B - 334, Janta Mazdoor Colony 7 Vijay Laxmi Deepali Jamshed Anwar - 49 / L - Jaidev 350, Janta Mazdoor Colony 8 Vijay Laxmi Devki Aklota L - 132, Gali Number - 27, Janta Mazdoor Colony 9 Rajni Anju Sharma K - 97, Janta Mazdoor Colony, Gali Number - 5 10 Manju Sharma Vimlesh Deva K - 336, Chaman Panwali, Sushil Gali Number - 4 11 Babita Sonia F - 555, Nazta, Mazdoor Colony 12 Manju Sharma Geeta Vikas F - 179, Janta Mazdoor Devender Colony 1 13 Bharti Vandarna I - 30, Janta Mazdoor Maheswari Colony 14 Akshma Sharma Sunita Om I - 58, Block Khazoor Wali Gali, Janta Mazdoor Colony 15 Sangeeta Poonam Goyal A - 338, Idgah Road, Janta Mazdoor Colony 16 Jayshree Poonam Pawan J - 160, Janta Mazdoor Colony 17 Anjana Kaushik Shradha E - 49, B - 60, Janta Mazdoor Colony 18 Pooja Kaushik Sarvesh E - 49, D - 265, Janta Mazdoor Colony 19 Neetu Singh Rita Sharma E - 49, E - 11, Janta Mazdoor Colony 20 Konika Sharma Sunita Anil E - 49 / 128, Janta Mazdoor Colony 21 Monika Sharma Prem Lata D - 96, Gali Number - 3, Janta Mazdoor Colony 22 Rajeshwari Poonam Manoj W - 586, Gali Number - 3 / 8, Sudama Puri -
List of Candidates Called for Interview for Admission to Ph.D. History
History Ph.D Admission Interview 30th July, 2018 at 9:30 a.m. onwards The following candidates should appear for the Ph. D interviews subject to their fulfilling the eligiblity requirements. Copy of application form and admit card are mandatory for Ph.D interview. Sl. No Name Category Form No 1 Ruby Kumari GEN 18HIST200097 2 Anjashi Sarkar GEN 18HIST200144 3 Sweety Garg GEN 18HIST200485 4 Bibek Broto Talukder GEN 18HIST200876 5 Anand Shankar GEN 18HIST201101 6 Manmohan Krishna GEN 18HIST201964 7 Bharat Rohin SC 18HIST202451 8 KM Shalini SC 18HIST202833 9 Ashok Kumar Atal SC 18HIST203017 10 Vikash Kumar Singh GEN 18HIST203213 11 Neeharika Joshi GEN 18HIST203257 12 Ashish Kumar SC 18HIST203530 13 Moni PWD + OBC 18HIST203859 14 Namita Singh GEN 18HIST203883 15 Manoj Kumar GEN 18HIST203941 16 Shyamu OBC 18HIST204292 17 Rakesh GEN 18HIST204339 18 Vikas Malik GEN 18HIST204698 19 Surabhi Pandey GEN 18HIST204719 20 Palak vashist GEN 18HIST205269 21 Shweta Singh OBC 18HIST205441 22 Shankar Singh Potlia OBC 18HIST205993 23 Anand Shekhar Pradhan GEN 18HIST206189 24 Nishant Sunil Zodape SC 18HIST206598 History Ph.D Admission Interview 30th July, 2018 at 2:00 p.m. onwards The following candidates should appear for the Ph. D interviews subject to their fulfilling the eligiblity requirements Copy of application form and admit card are mandatory for Ph.D interview. Sl. No Name Category Form No 1 Dinesh Verma SC 18HIST207165 2 Nikeeta Verma GEN 18HIST207173 3 Siya Ram Beniwal OBC 18HIST207221 4 Gazanfer Ahmad Yatoo GEN 18HIST207387 5 KM Bandana Devi SC