Real Estate Special

Total Page:16

File Type:pdf, Size:1020Kb

Real Estate Special REALREAL EESTATESTATE SSPECIALPECIAL PAST TIMES IN THE PALISADES Palisadian-Post Thursday, May 25, 2017 Page 17 Bird’s Eye: Soaring 30 stories above The Village. Photo courtesy of Chuck Larsen CELEBRATING OUR HISTORY; CREATING OUR FUTURE By JOHN HARLOW a non-Jamie Lee Curtis version of “Freaky Fri- LA, the air is cleaner. It’s not just the wired gadgets and electric Editor-in-Chief day” and, to maintain the chronological theme, Serious crime is down. Those who remem- cars, even if they are creating a power shortage, “Saturday Night Fever”—will be a wonderful ber horror shows such as the brutal murder of or the fact that a lucky few can dedicate the e are now a little more than one year treat. Palisades High School graduate Teak Dyer in space of a three-car garage to a gift-wrapping from the opening of Rick Caruso’s Pal- Caruso wants to open with “It’s a Won- 1988 can put today’s criminality into perspec- room. It’s the more practical concerns of inhab- Wisades Village, an event likely to be the big- derful Life”—but is that suitable for a summer tive. iting a machine for living. gest seismic change to the landscape since the night? The plague of giant billboards that dated It’s the lack of lead in the paint, more re- Methodist founders arrived nearly a century The forthcoming summer blockbusters to back to the 1950s have been stripped away, liable earthquake proofing, more trustworthy ago. be shown outdoors at Will Rogers State Park thanks to a community upheaval. water supplies—LADWP water is drinkable, The town is reshaping itself rapidly, which and, in August, at Palisades Recreation Center There are—Ruthless Ryderz aside—fewer something the Methodists might have found as- is why we commissioned television executive, will be great fun, and the Palisades Branch Li- fatalities on Sunset Boulevard per driver than at tounding—the use of better building materials drone pilot and eagle-eyed photographer Chuck brary has quietly shown some amazing titles. any time since the road was known as Beverly. that wear better than adobe. Larson to take a snapshot 300 feet above the But, for some, nothing beats a plush seat in the But there is still room for engineering improve- Many new homes, like many but not all Caruso “Big Dig”—before it starts to be filled back row of an old-school theater. ments at the Chautauqua intersection. new cars, are “better” than their predecessors in with concrete to becomesomething, hope- Since the Bay closed, the town has changed The schools are shining beacons of litera- because of technological and social evolution. fully, extraordinary over the next few months. dramatically. cy and energy. If you want proof of the Flynn We expect more, and more is delivered. Some residents still feel conflicted about It no longer votes totally Republican, Effect, a sociological theory that every gener- The Palisades Village, replacing a mori- the Village project, whether they want it to at- although there is, as I am frequently told, a ation can handle around 15 percent more data bund array of defeated businesses, is almost tract people from outside Pacific Palisades, or strong, if low-key, GOP contingency in the than the previous, one way of measuring IQ on here. The hole in our drone picture will soon not, and at what hours. town. (But the last presidential vote was 80 standard tests, just talk to a PaliHi kid. be a deep parking lot. Life will be different for But the legitimate concerns, conspiracy percent Democratic.) Many green areas have been brought back everyone. theories and terrible noise that has surround- The Palisades has recovered from its to life by fiercely determined volunteers, such But this special issue is an excuse to briefly ed its conception and birth may be consigned 1980s slump, when, shockingly, home prices as Barbara Marinacci and Marge Gold. For the look back into the past of the Palisades and to history if Caruso, who everyone agrees is a staggered behind the rest of Los Angeles for a longest time, the heart of the Village was a grim some of the striking homes and estates upon smart man, can pull off what he has promised: while. That was followed in the 1990s by the patch leased by Standard Oil: Now it’s a cool which today’s physical culture is founded. a rejuvenated Village center, a civic heart, beat- arrival of the first “McMansions.” haven known as the Village Green. Just before we forget. ing with aesthetic, recreational and yes, retail The consequences of these super-large The homes themselves? They have been It’s a rich mixture of private and civ- opportunities. homes, at a time when family size and gadgets transformed. ic structures with many agendas: education, And movies. are shrinking, may only be understood by so- Many, despite their size, are environmen- commerce, shelter and, in Will Rogers’ case, To see a film in a theater for the first time in cial scientists in years to come. Most concur it’s tally smarter, warmer or cooler when required, a fantasy dream home, far from the chaos of the Palisades since the twin-screen Bay Theater a mixed blessing. more pleasant places to live than the relatively everyday life. closed in September 1978—our former film re- At the same time, the Palisades has grown humble homes where some Palisadians were That may have caught up with the Pali- viewer Arnie Wishnick recalled it was showing prettier and more civilized. Like elsewhere in born. sades at rush hour, but there was a time … Page 18 Palisadian-Post May 25, 2017 Estates in the Palisades: Yesterday and Today By MICHAEL EDLEN This impressive landmark Special to the Palisadian-Post stands out today: Many people often mistake it for the Getty Vil- In 2001 Randy and Betty Lou la, which is tucked away nearby. Young published “Pacific Pal- The family lived there until isades—Where The Mountains 1935 and later sold it in 1952 Meet The Sea.” Much of the his- when the estate was settled. toric information here is based on During those years, it lost much that book. of the land, due to erosion and slippage down to the highway. y definition, an “estate” is The exclusive sections of the “mostly used to mean a mas- Palisades attracted wealthy peo- Bsive and fabulous house on a big ple even during the Depression piece of land.” The concept began era. One notable estate from that in countries that were developed period was the McCormick estate centuries before the United States in the Huntington Palisades. It in- had even begun. cluded 13 acres of land, combin- In Southern California, the ing 14 separate lots at the time. largest equivalent “estate” originat- It overlooked the Pacific ed with Spanish land grants in the Ocean and Potrero Canyon at the late 18th century, including such section where Alma Real curves properties as the Rancho Boca de into Corona del Mar, and was Santa Monica, which was approx- said to be the highest price paid imately 6,600 acres between what for one residential lot in the coun- is now Topanga Canyon and just try at $365,000 in 1928. past Santa Monica Canyon, and all The property was owned by along the foothills above what is a member of the family that also now Pacific Palisades. During the period of 1890- 1946, these huge ranchos gradual- ly became subdivided and under- went several periods of substantial growth of housing, leaving very few true estate-type properties by the 1950s. Michael Edlen outside Villa Aurora Photos by Rich Schmitt/Staff Photographer In fact, only three percent of the Palisades properties are over until the 1970s. known as Parker Ranch, has also gardens showcase in 1926, which ed before the Depression struck. It one acre today, and most of those Many of the original, larger remained intact. flourished as a tourist attraction stood as the only large house on are either up or down sloping estate-type properties still remain, A lavish estate was created on into the 1940s. Between 1944- the hill for many years after 1930 land. Seventy-five percent of Pal- although often with less land eight acres of land with the high- 48, the property suffered a series and has been owned by several isadian lots are under one-third of around the home than was origi- est elevation of ocean views along of landslides, exacerbated by the wealthy and well-known people. an acre—approximately 15,000 nally owned. A few are still intact 600 feet of what was then named state having widened the coastal The property includes an indoor square feet. with large grounds, such as the Beverly Boulevard—today Sunset highway below it. swimming pool. The Palisades had approxi- Will Rogers Park area. Will Rog- Boulevard—where the west end of Today, only bits of walls, Between 1926-28, the Castel- mately 100 homes in 1925, in- ers bought the land from a devel- Marquez now terminates. hedges, shrubs and some surviving lammare development was planned creasing to 300 by 1930, and then oper in the mid-1920s and added The owner was a wealthy art trees remain. with Italian Renaissance-style experienced a significant growth 60 acres in upper Rustic Canyon collector named Adolph Bern- In the Bel-Air Bay tract, only homes. The first to be built was the The villa of new housing after World War II in 1934. The Getty Villa, originally heimer. He created the Japanese one large-scale home was complet- Villa Leon, a “castle by the sea.” (Continued on page 19) Let us help you FIND YOUR PERFECT bhhscalifornia.com $6,695,000 | 613 El Medio Ave, Pacific Palisades | 7BD/8BA $6,495,000 | 1130 Georgina Ave, Santa Monica | 3BD/2BA $4,945,000 | 1438 Bienveneda Ave, Pac Pal | 4BD/5BA Marco Rufo | 310.230.3765
Recommended publications
  • Greek Art/Roman Eyes
    Greek Art/Roman Eyes: The Reception of Greek Art in the Private Sphere in Ancient Italy A Symposium at the Los Angeles County Museum of Art and the Getty Villa Thursday, Friday, and Saturday, June 4-6, 2009 Program schedule as of May 19, 2009; subject to change. THURSDAY, JUNE 4, 2009 – LOS ANGELES COUNTY MUSEUM OF ART, LEO S. BING THEATER 5905 Wilshire Blvd., Los Angeles, CA 90036 7:00 p.m. Keynote address The Roman Home Transformed: Greek Art and Roman Luxury Andrew Wallace-Hadrill, British School at Rome 8:00 p.m. Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples Exhibtition viewing until 9:30 p.m. FRIDAY, JUNE 5, 2009 – GETTY VILLA, AUDITORIUM 17985 Pacific Coast Highway, Pacific Palisades, CA 90272 8:45 a.m. Check-in opens 9:30 a.m. Welcome: Kenneth Lapatin, J. Paul Getty Museum SESSION ONE: Greeks and Etruscans Moderator: François Lissarrague, Centre Louis Gernet/Getty Research Institute Banquets, Games, Parades, or Something Else? Ideology, Commissions, and Cultural Interaction in Etruscan Regiae Luca Cerchiai, Università degli Studi di Salerno Greek Drinking in Ancient Etruria: Practice and Images Maurizio Harari, Università di Pavia Break Loving Children and the Power of Women: Greek Myths on Etruscan Mirrors Francesco de Angelis, Columbia University Lost in Translation? Greek Myths in Etruscan Painting in the Classical Period Agnès Rouveret, CNRS/Université Paris Ouest Nanterre La Défense Discussion 1:00 p.m. Lunch break and museum visit © 2009 J. Paul Getty Trust Page 1 of 3 3:30 p.m. SESSION TWO: Encounters between Greeks and Italians Moderator: Carol C.
    [Show full text]
  • Malibu 90265 Introduction
    Malibu 90265 Introduction by Taylor Coffman FROM THE SANTA MONICA PIER, it’s a six-mile drive up Pacific Coast Highway to Tuna Canyon Road. Not far along this northwest-to- westerly route lies the site of the Beach House, as William Randolph Hearst and Marion Davies called their grand mansion of the 1920s and ’30s, once the film colony’s most palatial home. Past that, in Pacific Palisades, lies the Bel-Air Bay Club; and then PCH reaches Sunset Boulevard, the world’s only street so-named. On the ocean side is the fish restaurant known as Gladstone’s Malibu. But it’s a false start: the border of that famous town lies almost a mile ahead still. Thelma Todd’s house and the section of Pacific Palisades called Castellammare are next; tucked away nearby, invisible from the main road, is the Getty Villa (J. Paul Getty greatly admired Hearst). Then comes the more working-class enclave of Sunset Mesa, or Parker Mesa. Right past it is the last part of what, overall, amounts to outlying Los Angeles and its coveted Westside, namely, the place where Topanga Canyon Boulevard reaches Topanga State Beach, once a Bohemian seaside haunt but now a bittersweet memory. Go another half mile, past the City of Malibu sign, and watch for a larger sign next to Tuna Canyon Road. It announces “Malibu 27 Miles of Scenic Beauty.” Years ago, in this same spirit of local pride, the old Malibu Township was often said to extend for twenty-six miles. In reality, twenty-nine miles (and even closer to thirty) is more like it in embracing the total Malibu coastline, the long shorefront of what I like to call greater Malibu, the storied land of postal ZIP code 90265.
    [Show full text]
  • The German/American Exchange on Nazi-Era Art Provenance Research
    2017 PREP Exchanges The Metropolitan Museum of Art, New York (February 5–10) Stiftung Preußischer Kulturbesitz, Staatliche Museen zu Berlin (September 24–29) 2018 PREP Exchanges The Getty Research Institute, Los Angeles (February 25–March 2) Zentralinstitut für Kunstgeschichte, Munich (October 8–12) 2019 PREP Exchanges Staatliche Kunstsammlungen Dresden (Spring) Smithsonian Institution, Provenance Research Initiative, Washington, D.C. (Fall) Major support for the German/American Provenance Research Exchange Program comes from The German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany's Federal Ministry for Economic Affairs and Energy, and its Commissioner for Culture and the Media Additional funding comes from the PREP Partner Institutions, The German/American Exchange on the Smithsonian Women's Committee, James P. Hayes, Nazi-Era Art Provenance Research Suzanne and Norman Cohn, and the Ferdinand-Möller-Stiftung, Berlin 3RD PREP Exchange in Los Angeles February 25 — March 2, 2018 Front cover: Photos and auction catalogs from the 1910s in the Getty Research Institute’s provenance research holdings The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 © 2018Paul J.Getty Trust ORGANIZING PARTNERS Smithsonian Provenance Research Initiative, Smithsonian Institution Washington, D.C. Stiftung Preußischer Kulturbesitz—Staatliche Museen zu Berlin (Prussian Cultural Heritage Foundation—National Museums in Berlin) PARTNERS The Metropolitan Museum of Art, New York The Getty Research
    [Show full text]
  • Cult Statue of a Goddess
    On July 31, 2007, the Italian Ministry of Culture and the Getty Trust reached an agreement to return forty objects from the Museum’s antiq­ uities collection to Italy. Among these is the Cult Statue of a Goddess. This agreement was formally signed in Rome on September 25, 2007. Under the terms of the agreement, the statue will remain on view at the Getty Villa until the end of 2010. Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at The Getty Villa May 9, 2007 i © 2007 The J. Paul Getty Trust Published on www.getty.edu in 2007 by The J. Paul Getty Museum Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049­1682 www.getty.edu Mark Greenberg, Editor in Chief Benedicte Gilman, Editor Diane Franco, Typography ISBN 978­0­89236­928­7 This publication may be downloaded and printed in its entirety. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. ii Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at the Getty Villa, May 9, 2007 Schedule of Proceedings iii Introduction, Michael Brand 1 Acrolithic and Pseudo­acrolithic Sculpture in Archaic and Classical Greece and the Provenance of the Getty Goddess Clemente Marconi 4 Observations on the Cult Statue Malcolm Bell, III 14 Petrographic and Micropalaeontological Data in Support of a Sicilian Origin for the Statue of Aphrodite Rosario Alaimo, Renato Giarrusso, Giuseppe Montana, and Patrick Quinn 23 Soil Residues Survey for the Getty Acrolithic Cult Statue of a Goddess John Twilley 29 Preliminary Pollen Analysis of a Soil Associated with the Cult Statue of a Goddess Pamela I.
    [Show full text]
  • Santa's Coming
    PALIHI’S SUPER BOWL ‘TROPHY’ Vol. 2, No. 3 • December 2, 2015 Uniting the Community with News, Features and Commentary Circulation: 15,000 • $1.00 See Page 25 Turkey Trotting Time ‘Citizen’ Kilbride To Be Honored December 10 By LAURIE ROSENTHAL Staff Writer itizen of the Year Sharon Kilbride lives in the Santa Monica Canyon Chome that she grew up in, on prop- erty that has been in the family since 1839. The original land grant—Rancho Boca de Santa Monica—once encompassed 6,656 acres, and stretched from where Topanga Canyon meets the ocean to what is now San Vicente around 20th Street. Six generations of the Marquez family have lived in Santa Monica Canyon, which was a working rancho. Kilbride’s great-grandfather, Miguel Mar - quez, built the original house, the same one where Kilbride’s mother, Rosemary Close to 1,400 runners spent early Thanksgiving morning running in the third annual Banc of California Turkey Trot, be- Romero Marquez, grew up. According to ginning and ending at Palisades High. (See story, page 27). Photo: Shelby Pascoe Kilbride’s brother, Fred, “The property has never been bought or sold.” Rosemary attended Canyon School, as Ho!Ho!Ho! Santa’s Coming (Continued on Page 4) By SUE PASCOE DRB May Discuss Editor anta and Mrs. Claus are coming to Pacific Palisades for Caruso’s Plans the Chamber’s traditional Ho!Ho!Ho! festivities on Friday, The Design Review Board will hold a December 4, from 5 to 8 p.m. regularly scheduled meeting at 7 p.m. on S Wednesday, December 9, at the Palisades After the reindeer land, Station 69 firefighters will load the Clauses onto a firetruck and deliver them to Swarthmore.
    [Show full text]
  • The Art of Ancient Greek Theater LOS ANGELES—The Art of Ancient
    DATE: June 9, 2010 FOR IMMEDIATE RELEASE GETTY MUSEUM EXHIBITION FOCUSES ON THE REPRESENTATION OF THEATRICAL PERFORMANCE IN ANCIENT GREECE The Art of Ancient Greek Theater At the J. Paul Getty Museum, the Getty Villa August 26, 2010–January 3, 2011 Mixing Vessel with Dionysos and Comic Actors, Greek, About 390 – 380 B.C., Red-figured volute krater attributed to the Pronomos Painter. Terracotta. Lent by the Cleveland Museum of Art, John L. Severance Fund. LOS ANGELES—The Art of Ancient Greek Theater, on view at the Getty Villa from August 26, 2010 – January 3, 2011, is the first exhibition in the United States in over fifty years to focus on the artistic representation of theatrical performance in ancient Greece. Assembling international loans of antiquities from many museums and private collections, the exhibition illustrates the ways in which dramatic performance was depicted in the visual arts of ancient Greece between the fifth and the first centuries B.C. The exhibition is being presented in conjunction with the Getty Villa’s annual outdoor theater performance, Sophocles’ Elektra. “Ancient art and theater share a strong and enduring connection–one that is inspired by mythology and the social, cultural, and political realities of life in ancient Greece and Rome,” says David Bomford, acting director of the J. Paul Getty Museum. “With this exhibition and our annual production in the outdoor theater, we are delighted to bring ancient theater alive at the Getty Villa and invite our visitors to join us and discover how those themes found in ancient times persist today.” -more- Page 2 The Art of Ancient Greek Theater spans centuries of artistic production throughout the cities of the Mediterranean.
    [Show full text]
  • Ability Guidebook: I Am Going to the J Paul Getty Museum
    Ability Guidebooks presents Explore Los Angeles! r k c i l F n o i r E " a J k a b o B y b o t o h P I Am Going To The Getty Villa! A Step-by-Step Guide On How To Visit This Amazing Museum. By Brett Bigham The J. Paul Getty Villa is a famous museum in Los Angeles. People come from all over the world to visit. r k c i l F n o i r E " a J k a b o B y b o t o h P The building is a copy of a Roman villa and has many pieces of art made by Ancient Greeks, Romans and Etruscans! The museum is very big so it is important to stay with your group. After you leave the parking lot you walk up to the entry of the Getty Villa. r k c i l F n o z c i w o d j a Z d a h T y B o t o h P Let's stay together! This is where you enter the museum. Remember, the museum is a serious place. You have to use a quiet voice. l e n n a h C g n i h c a e T e h T y B o t o h P It is free to visit the museum but you have to sign up for a time on the museum website or by calling ahead. You can follow the stairs or take an elevator to get to the front doors of the museum.
    [Show full text]
  • Media Kit 2016
    eal Dr., #213 881 Almaalisades, R CA 90272 Pacific P (310) 454-1321 Fax: (310) 454-1078 aliPost.com www.P 2016 MEDIA KIT $69.00 ONE-YEAR SUBSCRIPTION Reach the PRIME Pacific Palisades market and surrounding areas with the Palisadian-Post Newspaper. SUBSCRIPTION, CIRCULATION & DISTRIBUTION WS: 4,900+ Subscribers BREAKING NE The PALISADIAN-POST and THE SHOPPER are the only two weekly newspapers that assure complete ollowers saturation of the HIGH income households in Pacific Palisades, Santa Monica Canyon and adjoining areas.Palisadian-Post Serving the Community Since 1928 FACEBOOK: 4,000+ F 22 Pages Thursday, January 7, 2016 ◆ Pacific Palisades, California $1.50 Newspapers are delivered weekly by the U.S. Postal Service to every household along with distribution in This Week in ‘Star Wars’ Character Based on PALI LIFE ONLINE Farewell to Mayor Jake Late Pali High English Teacher By FRANCES SHARPE news racks placed near high traffic areas such as restaurants, businesses and markets in The Palisades. Editor-in-Chief irector J.J. Abrams, a Pacific Palisades resident and graduate of Palisades DCharter High School, revealed to his hometown newspaper the Palisadian-Post that he based one of the characters in his box-office record-breaking “Star Wars: The Force Awakens” on his late high school English teacher. “Yes, the character of Maz 5,500+/Weekly was originally based on the great Rose Gilbert,” Abrams told the Post. “We really wanted the story Rich Schmitt/Staff Photographer to feel authentic, despite being a Pacific Palisades Honorary Mayor Jake Steinfeld announced wild fantasy. I mentioned Rose in last month that he is ready to pass the torch to a new mayor.
    [Show full text]
  • DATE: July 09, 2021 for IMMEDIATE RELEASE Getty Exhibition
    DATE: July 09, 2021 FOR IMMEDIATE RELEASE Getty Exhibition Reassembles Medieval Italian Triptych Paolo Veneziano: Art and Devotion in 14th-Century Venice is the first monographic exhibition on the artist in U.S. The Crucifixion, about 1340-1345 Paolo Veneziano (Italian (Venetian), about 1295 - about 1362) Tempera and gold leaf on panel Unframed: 33.9 × 41.1 cm (13 5/16 × 16 3/16 in.) Framed: 37.2 × 45.4 × 5.7 cm (14 5/8 × 17 7/8 × 2 1/4 in.) National Gallery of Art, Washington, Samuel H. Kress Collection, 1939.1.143 LOS ANGELES - Paolo Veneziano (about 1295–about 1362) was the premier painter in late medieval Venice, producing religious works ranging from large complex altarpieces to small paintings used by Christians for personal devotion. A new exhibition, on view at the J. Paul Getty Museum, Getty Center, from July 13 through October 3, 2021, brings together numerous paintings that reveal the delicate beauty and exquisite colors that distinguish Paolo Veneziano’s art. The centerpiece of the show reunites painted panels that originally belonged together but are today housed in different collections. “It is fairly commonplace for museums around the world to own fragments of what were once larger ensembles, dismantled in later centuries for sale on the art market,” explains Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle Director of the J. Paul Getty Museum. “Paolo Veneziano: Art and Devotion in 14th-Century Venice presents a rare exception: a completely intact triptych for personal devotion, on loan from the National Gallery of Parma, Italy. The appearance of this triptych was the basis for the reconstruction of an almost identical triptych, the so-called Worcester triptych, reassembled for the first time in this exhibition.” Portable devotional triptychs, self-supporting and with closable shutters, were regularly made by artists and craftspeople in Venice throughout the fourteenth century.
    [Show full text]
  • Villa Aurora and Thomas Mann House in Los Angeles by Kerstin Zilm
    Villa Aurora and Thomas Mann House in Los Angeles by Kerstin Zilm Kerstin Zilm: During the Nazi Regime, German artists, scientists, and other intellectuals found refuge in Southern California. Lion Feuchtwanger and Thomas Mann were two of the more prominent “exiles in paradise.” Their new surroundings reminded them of the Mediterranean while they were constantly thinking about the country, friends, and family they had to leave behind. Exile, transatlantic relationships, and debates about pressing global issues — those themes fill Feuchtwanger’s and Mann’s former homes again today. Take a trip to the Villa Aurora and the Thomas Mann House in Pacific Palisades. Margit Kleinman: Feuchtwanger himself was then under the Vichy government interned in the South of France for about six months, in Les Milles, an internment camp. And she, Marta, was only interned for a couple of weeks in a women’s camp. Kerstin Zilm: Margit Kleinman, director of the Villa Aurora, tells the story about how Lion and Marta Feuchtwanger came to Los Angeles. She leads a spontaneous tour through the maze of rooms, staircases, and hallways, across creaky wooden floors, past black and white pictures, drawings, and busts. About 15 visitors follow her through the last home that the Feuchtwangers created for themselves. Lion died in California in 1958, his wife almost thirty years later, in 1987. Lion Feuchtwanger had been a critic of Adolf Hitler since the 1920s. The Nazis took away his German citizenship and publicly burned his books. The couple first fled to Southern France, which proved to not be safe. Margit Kleinman: ..
    [Show full text]
  • Historic-Cultural Monument (HCM) List City Declared Monuments
    Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No.CF No. Adopted Notes 1 Leonis Adobe 23537 Calabasas Road 8/6/1962 2 Bolton Hall 10116 Commerce Avenue 8/6/1962 3 Nuestra Senora la Reina de Los 100-110 Cesar E. Chavez Ave 8/6/1962 Angeles (Plaza Church) & 535 N. Main St 535 N. Main Street & 100-110 Cesar Chavez Av 4 Angel's Flight 4th Street & Hill8/6/1962 Dismantled 05/1969; Relocated to Hill Street Between 3rd St. & 4th St. in 1996 5 The Salt Box (Former Site of) 339 S. Bunker Hill Avenue 8/6/1962 Relocated to (Now Hope Street) Heritage Square in 1969; Destroyed by Fire 10/09/1969 6 Bradbury Building 216-224 W. 3rd Street 9/21/1962 300-310 S. Broadway 7 Romulo Pico Adobe (Rancho Romulo) 10940 Sepulveda Boulevard 9/21/1962 8 Foy House 1335-1341 1/2 Carroll Avenue 9/21/1962 9 Shadow Ranch House 22633 Vanowen Street 11/2/1962 10 Eagle Rock 72-77 Patrician Way 11/16/1962 7650-7694 Scholl Canyon Road Eagle Rock View Drive North Figueroa (Terminus) 11 West Temple Apartments (The 1012 W. Temple Street 1/4/1963 Rochester) 12 Hollyhock House 4800 Hollywood Boulevard 1/4/1963 13 Rocha House 2400 Shenandoah Street 1/28/1963 14 Chatsworth Community Church 22601 Lassen Street 2/15/1963 (Oakwood Memorial Park) 15 Towers of Simon Rodia (Watts 10618-10626 Graham Avenue 3/1/1963 Towers) 1711-1765 E. 107th Street 16 Saint Joseph's Church (site of) 1200-1210 S.
    [Show full text]
  • We Have Been Working on Our Online Version of the Palisadian-Post for More Than a Year
    Palisadian-Post Serving the Community Since 1928 24 Pages Thursday, September 7, 2017 ◆ Pacific Palisades, California $1.50 We have been working on our online version of the Palisadian-Post for more than a year. We have tested it, tried to break it at 3 a.m. and, we hope, improved it. So, now, it’s here—the Pal- and politics, but also receive flavors that will be coming to isadian-Post Online, for sub- Breaking News Alerts by Rick Caruso’s Palisades Vil- scribers who think that clear, email. A traffic warning could lage project next summer. strong, generous, community save your day! We hope the lucky winner journalism is worth paying for. But wait: There’s more. will share a slice with our staff Yes, it’s time to turn on From now on, every photographer, Rich Schmitt. your digital subscription so registered subscriber will be And the next prize? A you can read your town’s automatically entered into night of dining fun at Kay ‘n only weekly newspaper on- a quarterly drawing for free Dave’s Cantina on Sunset line—from wherever you are goodies from around town. Boulevard when it reopens in the world. This week it will be a next month. Dave himself You will not only learn ev- luscious cake baked to your might be there to greet you! erything that is happening in taste by Sweet Laurel Bak- And so much more to Pacific Palisades, from family ery—an early opportunity to enjoy … only in your Palisadi- events and sports to crime sample the mouthwatering an-Post.
    [Show full text]