60% 0FF “Untitled (Cows),” an Acrylic Painting by Brown Which Shows Lounged Cattle

Total Page:16

File Type:pdf, Size:1020Kb

60% 0FF “Untitled (Cows),” an Acrylic Painting by Brown Which Shows Lounged Cattle BUY 1 GET 1 1/2 OFF Buy any dinner entree at regular price, get the second for HALF OFF! Must present coupon, cannot combine with other discounts. One per table. Valid Mon-Thu only. Expires 05/29/19. Happy Hour Monday–Friday 3–6pm Voted “Best of Sacramento” 1315 21st St • Sacramento 3 years in a row! 916.441.7100 GOOD FOOD, GREAT ENTERTAINMENT, GRAND TIME! William Theophilus Brown’s “Standing Bathers.” Delicious Hot Wings & Nachos! Photo courtesy of the estate of Paul wonner and william theoP hilus brown Nightly Drink Specials! to price and sell the pieces. Shields says the money Funding the will be pooled into an endowment fund named after Wonner and Brown, and the interest income will be used to pay for exhibitions, lectures, residencies, publications and more. Crocker also plans a 100-piece 1672 A Hammonton SmartvilleNext to Road,City Limits Marysville Showgirls form exhibit spanning the couple’s 60-year catalog, opening 530-443-2089 in 2023. A gift by two late figurative “Narrowing it down, that’s the tricky part, but that’s the fun part,” Shields says. “I want to really show off painters will help emerging their whole career.” LGBTQ artists Each painting is still being valued, including 60% 0FF “Untitled (Cows),” an acrylic painting by Brown which shows lounged cattle. The total value, and thus the Buy 1 adult Buffet and 2 drinks by MozeS zaraTe [email protected] endowment’s possible fund size, is unclear. get 2nd adult Buffet 60% off “Frankly, it’s going to take a long time to sell 1,800 Paul Wonner and William Theophilus Brown were a works,” he says. “We’ll never sell all of them.” original coupon only • no copies The project is in the early stages, and so the 1 coupon per table. Not for parties of 10 or more. Cannot well-respected painting couple. But respect doesn’t be combined with any other offer. expires 05/30/19. always draw attention from art collectors. beneficiaries haven’t been considered either, Shields In Scott Shields’ experience, their paintings—best says. The artists won’t be restricted to Sacramento, and China known for helping establish the Bay Area figurative won’t have to be alive. SACRAMENTO style in 1950s—tend to be priced for less than Wonner and Brown met in Berkeley in the 1402 Broadway Buffet contemporaries such as Elmer Bischoff, ’50s, both students in UC Berkeley’s 916.930.0888 David Park and Richard Diebenkorn. graduate arts program. Sun-Thurs 11am -9:30pm • Fri & Sat 11am -10:00pm They rented out a studio above PARTY ROOMS AVAILABLE • NOW SERVING BEER & WINE chinabuffetrestaurant.com Another potential factor: Nude male “For them, paintings, of which Wonner and a Volkswagen dealership and Brown created many, are in less it was just the held drawing sessions with other demand than female ones. beauty of the human notable figurative painters, “I think that they did suffer in form regardless of what including Christopher Isherwood, terms of being able to lead their Don Bachardy and Nathan Can’t get lives,” says Shields, Crocker Art gender.” Oliveira. They moved around Museum’s associate director and Scott Shields, California, and so did their styles chief curator. “The art market has associate director, Crocker Art enough of of still-lifes, figures and landscapes. been a little less fair to them.” Museum Wonner and Brown died in 2008 The works evolved, with Brown and 2012, respectively, but their goal— known for painting coppered industrial our coverage? to lift emerging LGBTQ artists—carries on scenes later on, and Wonner for richly at the Crocker. In March, the downtown museum colored everyday objects. announced that it had received a gift of more than 1,800 A constant was the figurative paintings. They CheCk out our new blog works by the pair. The artists’ wishes: Sell the artwork, painted hundreds. and use the money to make queer art more visible. “For them, it was just the beauty of the human form www.sacblog.newsreview.com The museum is working with Heather James Fine regardless of what gender,” Shields says. Ω Art, which has several galleries across the country, 20 | SN&R | 05.16.19.
Recommended publications
  • Sobriety First, Housing Plus Meet the Man Who Runs a Homeless Program with a 93 Percent Success Rate and Why He Says Even He Couldn’T Solve San Francisco’S Crisis
    Good food and drink Travel tips The Tablehopper says get ready for hops Bay Area cannabis tours p.18 at Fort Mason p.10 Visiting Cavallo Point — Susan Dyer Reynolds’s favorite things p.11 The Lodge at the Golden Anthony Torres scopes out Madrone Art Bar p.12 Gate p.19 MARINATIMES.COM CELEBRATING OUR 34TH YEAR VOLUME 34 ISSUE 09 SEPTEMBER 2018 Reynolds Rap Sobriety first, housing plus Meet the man who runs a homeless program with a 93 percent success rate and why he says even he couldn’t solve San Francisco’s crisis BY SUSAN DYER REYNOLDS Detail of Gillian Ayres, 1948, The Walmer Castle pub near Camberwell School of Art, with Gillian Ayres (center) hris megison has worked with the home- and Henry Mundy (to the right of Ayres). PHOTO: COURTESY OF GILLIAN AYRES less for nearly three decades. He and his wife, Tammy, helped thousands of men get off the Cstreets, find employment, and earn their way back into Book review: ‘Modernists and Mavericks: Bacon, Freud, society. But it was a volunteer stint at a winter emergency shelter for families where they saw mothers and babies Hockney and The London Painters,’ by Martin Gayford sleeping on the floor that gave them the vision for their organization Solutions for Change. The plan was far from BY SHARON ANDERSON tionships — artists as friends, as photographs and artworks, Gayford traditional: Shelter beds, feeding programs, and conven- students and teachers, and as par- draws on extensive interviews with tional human services were replaced with a hybrid model artin gayford’s latest ticipants who combined to define artists to build an intimate history of where parents worked, paid rent, and attended onsite book takes on the history painting from Soho bohemia in the an era.
    [Show full text]
  • Abstract and Figurative: Highlights of Bay Area Painting January 8 – February 28, 2009 John Berggruen Gallery Is Pleased to Pr
    Abstract and Figurative: Highlights of Bay Area Painting January 8 – February 28, 2009 John Berggruen Gallery is pleased to present Abstract and Figurative: Highlights of Bay Area Painting, a survey of historical works celebrating the iconic art of the Bay Area Figurative movement. The exhibition will occupy two floors of gallery space and will include work by artists Elmer Bischoff, Theophilus Brown, Richard Diebenkorn, Manuel Neri, Nathan Oliveira, David Park, Wayne Thiebaud, James Weeks, and Paul Wonner. Abstract and Figurative is accompanied by an illustrated catalogue with an introduction by art historian and Director of the Palm Springs Art Museum and former Associate Director and Chief Curator of the Fine Arts Museums of San Francisco, Steven A. Nash. Many of the works included in Abstract and Figurative are on loan from museums and private collections and have rarely been exhibited to the public. John Berggruen Gallery is proud to have this opportunity to bring these paintings together in commemoration of the creative accomplishments of such distinguished artists. Please join us for our opening reception on Thursday, January 8, 2009 between 5:30 and 7:30 pm. Nash writes, “There is no more fabled chapter in the history of California Art than the audacious stand made by Bay Area Figurative painters against Abstract Expressionism in the 1950s.” This regionalized movement away from the canon of the New York School (as championed by artists Jackson Pollock and Willem de Kooning, and critic Clement Greenberg, among others) finds its roots in 1949, when a young painter by the name of David Park “gathered up all his abstract- expressionist canvases and, in an act that has gone down in local legend, drove to the Berkeley city dump and destroyed them.”1 Disillusioned with the strict non-representational tenets of a movement that promoted the Greenbergian notion of “purity” in art towards a perpetually evolving abstraction, Park submitted Kids on Bikes (1950), a small figurative painting, to a 1951 competitive exhibition and won.
    [Show full text]
  • Visions of the Davis Art Center
    Lost and Found: Visions of the Davis Art Center Permanent Collection 1967-1992 October 8 – November 19, 2010 This page is intentionally blank 2 Lost and Found: Visions of the Davis Art Center In the fall of 2008, as the Davis Art Center began preparing for its 50th anniversary, a few curious board members began to research the history of a permanent collection dating back to the founding of the Davis Art Center in the 1960s. They quickly recognized that this collection, which had been hidden away for decades, was a veritable treasure trove of late 20th century Northern California art. It’s been 27 years since the permanent collection was last exhibited to the public. Lost and Found: Visions of the Davis Art Center brings these treasures to light. Between 1967 and 1992 the Davis Art Center assembled a collection of 148 artworks by 92 artists. Included in the collection are ceramics, paintings, drawings, lithographs, photographs, mixed media, woodblocks, and textiles. Many of the artists represented in the collection were on the cutting edge of their time and several have become legends of the art world. Lost and Found: Visions of the Davis Art Center consists of 54 works by 34 artists ranging from the funky and figurative to the quiet and conceptual. This exhibit showcases the artistic legacy of Northern California and the prescient vision of the Davis Art Center’s original permanent collection committee, a group of volunteers who shared a passion for art and a sharp eye for artistic talent. Through their tireless efforts acquiring works by artists who were relatively unknown at the time, the committee created what would become an impressive collection that reveals Davis’ role as a major player in a significant art historical period.
    [Show full text]
  • As I Am Painting the Figure in Post-War San Francisco Curated by Francis Mill and Michael Hackett
    As I Am Painting the Figure in Post-War San Francisco Curated by Francis Mill and Michael Hackett David Park, Figure with Fence, 1953, oil on canvas, 35 x 49 inches O P E N I N G R E C E P T I O N April 7, 2016, 5-7pm E X H I B I T I O N D A T E S April 7 - May 27, 2016 Hackett | Mill presents As I Am: Painting the Figure in Post-War San Francisco as it travels to our gallery from the New York Studio School. This special exhibition is a major survey of artwork by the founding members of the Bay Area Figurative Movement. Artists included are David Park, Elmer Bischoff and Richard Diebenkorn, as well as Joan Brown, William Theophilus Brown, Frank Lobdell, Manuel Neri, Nathan Oliveira, James Weeks and Paul Wonner. This exhibition examines the time period of 1950-1965, when a group of artists in the San Francisco Bay Area decided to pursue figurative painting during the height of Abstract Expressionism. San Francisco was the regional center for a group of artists who were working in a style sufficiently independent from the New York School, and can be credited with having forged a distinct variant on what was the first American style to have international importance. The Bay Area Figurative movement, which grew out of and was in reaction to both West Coast and East Coast varieties of Abstract Expressionism, was a local phenomenon and yet was responsive to the most topical national tendencies.
    [Show full text]
  • Fine Modernmodern Artart
    FINEFINE MODERNMODERN ARTART Wednesday, March 6,2, 2019 NEW YORK FINE MODERN ART AUCTION Wednesday, MARCH 6, 2019 at 10am EXHIBITION Saturday, March 2, 10am – 5pm Sunday, March 3, Noon – 5pm Monday, March 4, 10am – 6pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com FINE PAINTINGS AUCTION Tuesday, MARCH 12, 2019 at 10am EXHIBITION Saturday, March 9, 10am – 5pm Sunday, March 10, Noon – 5pm Monday, March 11, 10am – 6pm LOCATION DOYLE 175 East 87th Street New York City 212-427-2730 www.Doyle.com FINE MODERN ART INCLUDING PROPERTY FROM THE ESTATES OF Hilda U. and Rudolph Forchheimer FINE MODERN ART Jeanne Frank A Gentleman, Park Avenue and Southampton, New York Sidney B. Jacques Wednesday, March 6, 2019 at 10am Carl Lesnor Dorothy Lewis 2013 Irrevocable Trust Peter Mayer CONTENTS A Distinguished New York Collector J. Robert and Gladys Rosenthal FINE MODERN ART - MARCH 6 1001-1155 Bernice and Jules Teck FINE PAINTINGS - MARCH 12 2001-2127 INCLUDING PROPERTY FROM A Beekman Place Apartment A Collector Glossary I A Short Hills, New Jersey Private Collector Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII FINE PAINTINGS INCLUDING PROPERTY FROM THE ESTATES OF An East Hampton Collection David Follett A Gentleman, Park Avenue and Southampton, New York Sidney B. Jacques Property of a Lady Peter Mayer Lucille and Charles Plotz Romulo M. Prudente Marianne Schaller INCLUDING PROPERTY FROM A Bedminster, New Jersey Collector Property to be Sold for the Benefit of the Philanthropic Programs of the Heckscher Foundation for Children A New York Collector The Collection of Faith Stewart-Gordon A Short Hills, New Jersey Private Collector Lot 1034 1001 1005 1006 1003 1002 1008 1007 1004 1001 1002 1003 1004 1005 1006 1007 1008 Carol Anthony David Aronson Sally Michel Avery Sally Michel Avery Theresa Bernstein Jean-Charles Blais Oscar Bluemner Angel Botello American, b.
    [Show full text]
  • Rose Mandel: a Sense of Abstraction November 15, 2017 – January 13, 2018
    FOR IMMEDIATE RELEASE Rose Mandel: A Sense of Abstraction November 15, 2017 – January 13, 2018 Deborah Bell Photographs is honored to present the first solo exhibition in a New York gallery of work by the American photographer Rose Mandel (1910-2002). Comprising some 30 rare, and often unique, vintage prints from her archive, the exhibition will feature portraits, close-up abstracted views of nature, and dynamic seascapes made between 1946 and 1972. The exhibition's title, A Sense of Abstraction, refers to the primary visual and psychological currents of Mandel's work: symbolism, surrealism and abstract expressionism. Although Mandel's photographs were published and exhibited in her lifetime, and her work received renewed appreciation in the 1990s, she rarely sold her prints. Mandel is closely associated with the well-established modernist tradition in Northern California photography as represented by Edward Weston, Ansel Adams and Imogen Cunningham, yet her nature studies and abstract landscapes also belong to the broader American landscape tradition exemplified by Minor White, Walter Chappell, Harry Callahan, Ralph Eugene Meatyard, and others who explored complex symbolic meanings in their images of the natural world. In 2013, eleven years after her death, Mandel received her first retrospective exhibition. Held at the de Young Museum in San Francisco, and organized by Guest Curator Susan Ehrens, an independent photography historian, the accompanying catalogue represents the first monograph on Mandel's work. In his introductory essay, Julian Cox, Founding Director of the Department of Photography at the Fine Arts Museums of San Francisco, praises the "retrospective 'rediscovery'" of Mandel's oeuvre. Born in Poland, Mandel studied art in Paris, and child psychology with Jean Piaget in Switzerland.
    [Show full text]
  • Excerpted From
    Excerpted from ©2003 by the San Jose Museum of Art. All rights reserved. May not be copied or reused without express written permission of the publisher. click here to BUY THIS BOOK 1 79 RICHARD SHAW 1980, porcelain with glaze transfer, 14 9 8 ⁄2 in. Collection of the San Jose Museum of Art, Martha’s House of Cards Museum purchase with funds from the Collections Committee. Douglas Sandberg Photography. susan landauer the not-so-still life WHEN ART CRITIC HILTON KRAMER visited a survey of the the Poindexter Gallery in 1963, he was deeply impressed by the nerve of Richard Diebenkorn’s Knife in a Glass of that same year (fig. 80), a tiny still genre in california, life hanging amid a welter of larger figurative can- vases in the artist’s New York solo show. “One hardly knows,” he pondered in his review, “whether to 1950–2000 embrace its audacity—it is certainly a very beauti- ful painting—or shudder at such naked esthetic atavism.”1 Kramer’s appraisal can only be under- stood within the context of the extreme degrada- tion still life had suffered since midcentury. It is not that the genre had run dry, dissipating itself into dull familiarity. On the contrary, as Patricia Tren- ton’s essay in this volume attests, from the 1920s into the 1940s modernists in California as else- where had freed the genre from its staid reputation and transformed it almost beyond recognition. Dada and Surrealism had opened the Pandora’s box of still life iconography—its precincts were now host to every subject imaginable, from fur-lined cups to armadillos (see fig.
    [Show full text]
  • WILLIAM THEOPHILUS BROWN American, 1919-2012
    WILLIAM THEOPHILUS BROWN American, 1919-2012 Lonely Boat, 1988 Acrylic on canvas Gift of the William Brown and Paul Wonner Foundation Fund of the Social Project Network in celebration of the Figge Art Museum 10th Anniversary, 2016.13.1 Seated Man, 1994 Acrylic on canvas Gift of the William Brown and Paul Wonner Foundation Fund of the Social Project Network in celebration of the Figge Art Museum 10th Anniversary, 2016.13.2 Lonely Boat | Seated Man William Theophilus Brown (American, 1919-2012) William Theophilus Brown was born in Moline, Illinois, and came from a long line of intellectuals who socialized with authors such as Ralph Waldo Emerson and Henry David Thoreau. He studied piano at Yale and graduated in 1941, at which time he was drafted into World War II. Following his discharge, he studied painting at the University of California, Berkeley and moved between the artistic centers of New York City and Paris. During these travels, Brown met a large number of accomplished artists, including Pablo Picasso, Georges Braque, Alberto Giacometti, and Willem de Kooning. His growing success, as well as his continued relationships with other talented artists, all contributed to Brown becoming recognized as a prominent member of the Bay Area Figurative Movement. A product of its time Brown’s friend and gallerist, Thomas Reynolds, said of him: “Theophilus Brown was one of those rare artists who was successful at every stage of his career...” In the 1950s, Brown gained national attention when Life Magazine featured three of his paintings of football players. This caught the attention of Felix Landau, who owned a Los Angeles gallery and began exhibiting Brown’s work.
    [Show full text]
  • Download Lot Listing
    IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, November 15, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, November 15, 2017 at 11am EXHIBITION Saturday, November 11, 10am – 5pm Sunday, November 12, Noon – 5pm Monday, November 13, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 EUROPEAN ART INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART Elsie Adler European 1-58 Rhoda Blumberg American 59-87 Charles Austin Buck Helen Getler POST-WAR & CONTEMPORARY ART Dr. Paul Hershenson Post-War 88-132 Rita Hirsch Contemporary 133-159 Mary Kettaneh The Collection of Willa Kim and William Pène du Bois Eve G. Kingsland Glossary I Ellin Jane Krinsly Trust Conditions of Sale II Eugene M. Lang Terms of Guarantee IV Dorothy Lewis 2013 Irrevocable Trust Information on Sales & Use Tax V A New York Private Estate Buying at Doyle VI Harry Oppenheimer Selling at Doyle VIII A Private New York Estate Auction Schedule IX Miriam and Howard Rand, Beverly Hills, California Company Directory X Stanley Silverstein, New York Absentee Bid Form XII The I. A. Victor III Trust The James P. and Joan M. Warburg Collection INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A New York Collection A New York Collector The Collection of Faith Stewart-Gordon Lot 12 1 3 Jean-Joseph Benjamin Constant Sir John Lavery, R.A. French, 1845-1902 British, 1856-1941 Lady with a Jewel Box (Prima Donna Marguerite in “Jewel Song” of Gounod’s ‘Faust’ Portrait of the Artist’s Wife Signed Benj.
    [Show full text]
  • Nathan Oliveira Oral History Transcript
    San Francisco Museum of Modern Art Regional Oral History Office 75th Anniversary The Bancroft Library Oral History Project University of California, Berkeley SFMOMA 75th Anniversary NATHAN OLIVEIRA Painter and Sculptor Interview conducted by Jess Rigelhaupt in 2007 Copyright © 2008 by San Francisco Museum of Modern Art Funding for the Oral History Project provided in part by Koret Foundation. ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Nathan Oliveira, dated May 11, 2007. This manuscript is made available for research purposes. All copyrights and other intellectual property rights in the manuscript, including the right to publish, are reserved to the San Francisco Museum of Modern Art.
    [Show full text]
  • Parish FEBRUARY 3, 2019 the Week Ahead
    FOURTH SUNDAY AFTER THE EPIPHANY Parish FEBRUARY 3, 2019 the week ahead Sunday, February 3 NOTES 8:00am Holy Eucharist 9:00am Coffee Hour ELCOME TO ALL VISITORS! Trinity is a place where you will find open minds, open 9:00am Church School hearts and open doors. We believe that as people of God, we can all share in God's love; 10:00am Holy Eucharist a love that is inclusive, ever abundant and meant to be expressed through our action in 11:30am Coffee Hour W 4:45pm 11th Step Centering Prayer the world. We are delighted to have you with us and hope you will come back often. If you would Tuesday, February 5 like to learn more about life here at Trinity please: 5:30pm Episcopal 101 Wednesday, February 6 Fill out a Welcome Card Visit our Welcome Table Noon Base Community Join us for coffee on the Labyrinth Plaza Visit our website at www.trinitysb.org Thursday, February 7 10:30am Women’s Circle 2:30pm Samarkand Eucharist 7:30pm Choir Rehearsal Parish Notes: These pages contain information events at trinity Friday, February 8 about today’s worship and our upcoming meetings 12:15pm Noontime Concert and events. Sunday, February 10 9:00am Church School Open Communion: From whatever tradition 9:00am Parish Nurse you come and wherever you are in your journey EPISCOPAL 101 9:30am Holy Eucharist of faith, you are welcome at our table. You will CLASSES CONTINUE 11:00am Annual Meeting find simple directions on how to participate in the See Page 2 3:00pm Youth Group Meeting worship bulletin.
    [Show full text]
  • Dart for Art 2016
    WELCOME TO DART FOR ART 2016 Thank you for supporting a life changing organization! Tonight’s proceeds directly fund treatment grants for children and young adults suffering with Lyme disease. Often the lack of diagnosis and costly treatment plans, (typically not covered by insurance), leaves families on their own to battle the debilitating disease. By being here tonight, you are raising hope for those struggling. Over the past 5 years, LymeLight Foundation has provided treatment grants totaling $1,658,000 to 303 individuals in 40 states. This would not have been possible without you. You are giving children a fighting chance to regain their health and the opportunity to lead productive lives. Exciting News: Two Strategic Financial Relationships • The Laurel Foundation will cover operating expenses through 2020. This means ANY donation received will directly fund treatment grants. • The Steven and Alexandra Cohen Foundation has given a significant multi year grant that directly funds treatment grants. The fun, lively and entertaining Dart for Art evening would not be possible without the generous support from our Corporate Sponsors, Patrons, Galleries and Wonderful Artists. Thank you to all supporters and event attendees and best of luck with your “Dart”! 1 THANK YOU DART FOR ART 2016 CORPORATE SPONSORS PICASSO LEVEL Pacific Frontier Medical, Inc. CHAGALL LEVEL Beyond Balance, Inc. DZH Phillips LLP Foothill Chiropractic and Wellness Center Law Offices of Barbara Arnold LifeSource Water Systems Payne Financial Consulting Group Sam Malouf
    [Show full text]