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Children's Drawings from the Terezín Ghetto, 1942-1944
The Jewish Museum in Prague JMP Explore Permanent collection Children’s Drawings from the Terezín Ghetto, 1942-1944 Children’s Drawings from the Terezín Ghetto, 1942-1944 The exhibition is on the first floor of the Pinkas Synagogue The story of children deported to the Terezín ghetto Comprised of 19 sections, this exhibition outlines the story of Jewish children deported to the Terezín ghetto during the Second World War. In 1941–1945, Terezín served as a way station to the concentration and death camps in the east. The story begins with reflections on the events immediately following 15 March 1939, when Bohemia and Moravia were occupied by the Nazis and transformed into a Protectorate. This is followed by a description of transports to the Terezín ghetto (starting on 24 November 1941), everyday ghetto life and the conditions in the children's homes. There are also depictions of holiday celebrations and of the dreams that the imprisoned children had of returning home or of travelling to Palestine. This section provides a sort of poetic interlude between the brutal uprooting from their homes and deportation to Auschwitz, which is the final and most tragic chapter of the whole story. Friedl Dicker-Brandeis and art classes in Terezín The story is depicted through children’s drawings which were created in the Terezín ghetto between 1942 and 1944. These drawings were made during art classes that were organized by Friedl Dicker-Brandeis (1898–1944), a painter, interior and stage designer, graduate of the Bauhaus, and pupil of Franz Čížek, Johann Itten, Lyonel Feininger, Oskar Schlemmer and Paul Klee. -
The Europe Trip
TEMPLE ISAIAH • HERITAGE JOURNEY TO PRAGUE, KOLIN AND BERLIN • LED BY CANTOR LISA DOOB GE JOURN A 2 0 2 0 E IT 2 3 , Y R 6 - E 1 i l H r H p A IA A S I E THE L P EUROPE M E TRIP T TOLL FREE 888-811-2812 | Search on arzaworld.com for more details 888.811.2812 New York: 500 7th Ave | 8th Floor | New York, NY 10018 Prague: Soukenicka 1194/13 | 110 00 Prague 1 | Czech Republic Jerusalem: 19 Washington Street | P.O. Box 71047 | Jerusalem, Israel 9171000 Tel Aviv: 6 Beit Hillel Street | Tel Aviv, Israel 6701709 YOUR TOUR EDUCATOR Every journey we offer is accompanied by a Tour Educator (TE) who brings your itinerary to life. Some of our TE’s have decades of firsthand experience leading people to particular places. Your TE will provide you with an authentic understanding of the locations you will visit, will introduce you to the locals, and will share his/her enthusiasm and passion for the local culture. The result is a journey that transforms your understanding of a place, connecting you to the people and places you encounter in a way that is palpable and unforgettable. Our TE's are like no other: intelligent, knowledgeable, engaging and fun. They will become an indispensable part of your experience and some might just become lifetime friends. OUR TRIP APRIL 16-23, 2020 FROM $2,995 LAND ONLY HIGHLIGHTS A journey of inspiration and education Connect to Jewish history in Prague, Kolin, and Berlin Bauer Villa, Prague's Castle District, and Berlin’s Brandenburg Gate: European gems Explore Czech and European art Shabbat in Prague Outstanding service with expert tour educator DAY 1 DEPARTURE were buried here. -
Czech Republic Today
Rich in History 1 2 Magic Crossroads Whenever European nations were set in motion, they met in a rather small area called the Czech Republic today. Since the early Middle Ages, this area was crossed by long trade routes from the severe North to the sunny South; at the beginning of the first millennium, Christianity emerged from the West, and at its end communism arrived from the East. For six hundred years, the country was an independent Czech kingdom, for three hundred years, it belonged among Austro-Hungarian Empire lands, and since 1918 it has been a republic. In the 14th century, under the Bohemian and German King and Roman Emperor Charles IV, as well as in the 16th century under the Emperor Rudolf II, the country enjoyed a favourable position in European history and also played a great role internationally in the arts and in social affairs. In 1989, the whole world admired the Czechoslovak “velvet revolution” lead by charismatic dramatist Václav Havel, which put an end to socialist experimentation. Numerous famous architects, who built Romanesque churches in Germany but were no longer commissioned to build in their home countries due to the coming Gothic period, succeeded there; at the same time, the French type of Gothic architecture took root in Bohemia. A number of Italian Renaissance or Baroque architects, painters and sculptors, who crossed the Alps to find new opportunity for creating master works and look for well-paid jobs, were hired by members of Czech nobility and clergy; astonished by the mastery of Czech builders and craftsmen with whom they cooperated, they created wonderful castles and breathtaking Catholic churches. -
Jewish Museum in Prague 2011 Annual Report Contents
Jewish Museum in Prague 2011 Annual Report Contents 1 Legal framework of JMP activities and bodies | 2 2 General information about the JMP | 3 a) Properties and sites overseen by the JMP | 3 b) Services provided by the JMP | 4 3 Visitor numbers | 5 4 Organizational and staff structure | 7 5 Exhibitions | 8 a) Robert Guttmann Gallery | 8 b) Exhibitions of the Department for Education and Culture | 9 c) Exhibitions held in co-operation with other institutions | 9 6 Care and documentation of the collections | 10 a) Care of the collections | 10 b) Documentation | 11 7 Specialist activities | 13 a) Collections Department | 13 b) Shoah History Department | 14 c) Department of Jewish History and Jewish Studies | 16 d) Archives | 17 e) Library | 18 8 Preparation of new exhibitions and changes to the JMP | 20 9 Acquisitions | 22 10 Educational activities | 23 11 Cultural activities | 26 a) Evening programmes at the Department for Education and Culture | 26 b) Concerts at the Spanish Synagogue and other public cultural events | 28 c) Israeli Season at the Jewish Museum in Prague | 29 d) Commemoration of the 70th anniversary of the first deportations | 30 12 Publications | 31 13 Co-operation with institutions | 32 a) Specialist co-operation and loans | 32 b) Involvement in other projects | 33 14 Maintenance and reconstruction | 35 15 Investments | 36 16 Grants and donations | 37 17 Financial results in 2011 | 39 Appendix 1 – 2011 budget implementation | 41 Appendix 2 – Profit and loss statement | 42 Appendix 3 – Balance sheet | 43 Appendix 4 – Staff structure | 44 Appendix 5 – Building repairs and reconstruction | 45 Legal framework of JMP activities and bodies The Jewish Museum in Prague (JMP), an association of legal entities with common interests, was registered by the Prague 1 District Authority on 30 September 1994. -
The Cuba Family Archives for Southern Jewish History at the Breman Museum
THE CUBA FAMILY ARCHIVES FOR SOUTHERN JEWISH HISTORY AT THE BREMAN MUSEUM Mss 381, Wittenberg Family Papers Box 1, File 29 Travel journal – Africa, 1995 ANY REPRODUCTION OF THIS MATERIAL WITHOUT THE EXPRESS WRITTEN CONSENT OF THE CUBA FAMILY ARCHIVES IS STRICLY PROHIBITED ● ● ● Cuba Family Archives 62 •4: Travel Journal AFRICA JOURNAL ENTRIES OJt -1 ~~~~~~~~ (-~~~~~~~~~~- Cuba Family Archives 64 •-.: Travel Journal AFRICA Travel Journal AFRICA •"¥ 65 \ Cuba Family Archives " 66 •'J: Travel Journal AFRICA Travel Journal AFRICA- •-.: 67 JOURNAL ENTRIES 1 I I· ' Cuba Family Archives Travel Journal AFRICA •'J.: 69 Cuba Family Archives 70 •;,: Travel Journal AFRICA Travel Journal AFRICA •4: 71 JOURNAL ENTRIES JOURNAL ENTRIES Cuba Family Archives 72 ·~ Travel Journal AFRICA Travel Journal AFRICA ·~ 73 JOURNAL ENTRIES JOURNAL ENTRIES ; Cuba Family Archives 74 ·~ Travel Journal AFRICA Travel Journal AFRICA ·~ 75 JOURNAL ENTRIES Cuba Family Archives 76 •4• Travel Journal AFRICA Cuba Family Archives 78 •4t Travel Journal AFRICA Travel Journal AFRICA •'.it: 79 Cuba Family Archives 80 ·4: Travel Journal AFRICA Travel Journal AFRICA •'J/ 81 JOURNAL ENTRIES Cuba Family Archives 82 ·~ Travel Journal AFRICA Travel Journal AFRICA ·~ 83 JOURNAL ENTRIES Cuba Family Archives 84 ·~ Travel Journal AFRICA Travel Journal AFRICA ·~ 85 JOURNAL ENTRIES JOURNAL ENTRIES Cuba Family Archives AMERICAN MUSEUM OF NATIIBAL IDSTORY FAMILY SAFARI JULY 1995 PARTICIPANT UST Mr. Allyn Arden New York, NY Mr. Charles Boyer ~ f -~ c l ' · ~ ?,..,u ,..,,.. -~ ~· ,J - " , / Prospect, KY Ms. Ruth Compton Washington, DC Mrs. Phyllis Ellis Evanston, IL Master Dai tie! Mariner Shaven ·wn, PA Mrs. Clar;1 Friedman New Ynrk, NY Mr. Jonath;.n Friedm~·1 Scarsd'\le, NY Dr. -
Whole Dissertation Hajkova 3
Abstract This dissertation explores the prisoner society in Terezín (Theresienstadt) ghetto, a transit ghetto in the Protectorate Bohemia and Moravia. Nazis deported here over 140, 000 Czech, German, Austrian, Dutch, Danish, Slovak, and Hungarian Jews. It was the only ghetto to last until the end of Second World War. A microhistorical approach reveals the dynamics of the inmate community, shedding light on broader issues of ethnicity, stratification, gender, and the political dimension of the “little people” shortly before they were killed. Rather than relegating Terezín to a footnote in narratives of the Holocaust or the Second World War, my work connects it to Central European, gender, and modern Jewish histories. A history of victims but also a study of an enforced Central European society in extremis, instead of defining them by the view of the perpetrators, this dissertation studies Terezín as an autarkic society. This approach is possible because the SS largely kept out of the ghetto. Terezín represents the largest sustained transnational encounter in the history of Central Europe, albeit an enforced one. Although the Nazis deported all the inmates on the basis of their alleged Jewishness, Terezín did not produce a common sense of Jewishness: the inmates were shaped by the countries they had considered home. Ethnicity defined culturally was a particularly salient means of differentiation. The dynamics connected to ethnic categorization and class formation allow a deeper understanding of cultural and national processes in Central and Western Europe in the twentieth century. The society in Terezín was simultaneously interconnected and stratified. There were no stark contradictions between the wealthy and majority of extremely poor prisoners. -
Visitor Regulations of the Jewish Museum in Prague, a Common Interest Group
Visitor Regulations of the Jewish Museum in Prague, a common interest group of legal entities, listed in the Association Register at the Municipal Court in Prague under Entry No. L 59006, Business ID number: 60459263, registered seat: U Staré školy 141/1, Josefov, 110 00 Prague 1, Czech Republic. Section 1 Definition of terms 1) For the purposes of the Visitor Regulations of the Jewish Museum in Prague (hereinafter referred to as "the Visitor Regulations"), the Jewish Museum in Prague (hereinafter referred to as "the Museum") refers to the following sites (address in brackets): Maisel Synagogue (Maiselova 10, Prague 1–Josefov), Pinkas Synagogue (Široká 3, Prague 1–Josefov), Old Jewish Cemetery (Široká 3, Prague 1–Josefov), Klausen Synagogue (U Starého hřbitova 3, Prague 1–Josefov), Ceremonial Hall (U Starého hřbitova 3, Prague 1–Josefov), Spanish Synagogue (Vězeňská 1, Prague 1–Josefov), Robert Guttmann Gallery (U staré školy 3, Prague 1–Josefov), Information and Reservation Centre (Maiselova 15, Prague 1–Josefov), Department for Education and Culture in Prague (Maiselova 15, Prague 1–Josefov), Department for Education and Culture in Brno (třída Kpt. Jaroše 3, Brno), (hereinafter referred to as "Museum sites", or individually as a "Museum site"). Together, these sites comprise the premises of the Museum. 2) "Museum site" refers to any site of the Jewish Museum in Prague that may be visited during opening hours. 3) "Visitor" refers to any person who has met the conditions set out in the Visitor Regulations for visiting a site of the Jewish Museum in Prague. Section 2 Opening hours 1) The Museum sites are open: Winter: 9 a.m. -
Anne Frank, the Young Diarist from Amsterdam, May Be
“Poor devils” of the Camps Dutch Jews in Theresienstadt, 1943–19451 Anna Hájková nne Frank, the young diarist from Amsterdam, may be the best-known victim of the Holocaust.2 Her diary breaks off with the capture of the Jews hiding at 263 Prinsengracht Street, and, with the termination of the diary, Anne Frank Ais as good as dead. Anne’s incarceration in Auschwitz-Birkenau and later in Bergen-Belsen, where she died seven months after her arrest, are often presented as a footnote to her story.3 This treatment of Anne Frank’s last seven months is symptomatic of the story of the Dutch Jews once they were deported outside of the Netherlands; this topic has been widely neglected in large parts of the historiography of the Holocaust of Dutch Jewry.4 Many scholars of the 1 This article was a long time in the making, and I am extremely grateful to many colleagues and friends for their help, advice, support, and reading and commenting along the way. Among others, I’d like to thank Guido Abuys, Merav Amir, Doris Bergen, Hubert Berkhout, Hartmut Kaelble, the late René Kruis, Anna Manchin, Jaroslava Milotová, Ted Muller, the late Miloš Pojar, Corinna Unger, and Lynne Viola; and the many people who in 2001 were so helpful and generous talking with me about their Terezín experience. 2 On Anne Frank as the point of departure for an important new history of the Ho- locaust in the Netherlands, see Katja Happe, “Die Geschichte der Judenverfolgung in den Niederlanden: Schwerpunktsetzungen innerhalb eines neuen Projekts” in Krijn Thijs und Rüdiger Haude, eds., Grenzfälle: Transfer und Konflikt zwischen Deutschland, Belgien und den Niederlanden im 20. -
From the Recent Dance Today
Guest Editor’s Introduction to Mahol Akhshav (Dance Today) 36 Judith Brin Ingber Extraordinary was the word describing Arizona State University’s of the ruses developed by the artists against their tormentors (ASU) international research conference1 “Jews and Jewishness in to maintain the imprisoned’s inner freedom even in the death the Dance World,” October 13-15, 2008 in Tempe, Arizona, USA. camps. Judith Brin Ingber’s “Correcting a Published Error: ‘Kamila The conference celebrated and examined the impact of Jewish Rosenbaumová, the Choreographer of Theresienstadt’s Broučci artists and scholars and the Jewish experience in the dance field and Brundibár died in Auschwitz’ and Other Quandaries” writes of and broader communities. As editors of this issue, we continue the challenges over many years researching through many archives the inclusivity that was so remarkable at ASU, presenting no exact for facts about the Czech choreographer Kamila Rosenbaumová definition or finality on Judaism, Jews or Jewishness and dance (who actually survived several camps including Auschwitz). Yehuda but continuing the dialogue and interactions with the articles we Hyman’s realization that the specter of Kristallnacht (Or the Night present in this issue. The authors (living in Israel, the United States, of Broken Glass, Nov. 9, 1938 when German synagogues, homes, Germany, France, England and Argentina) explore a multitude of schools and businesses were torched) continues to foul the air in ideas and aspects of Judaism, as well as individual dancers, some of the central square of Freiburg, Germany on the site of its destroyed whom may be introduced for the first time and others who may be synagogue. -
Jewish Synagogues in Prague
Kedma: Penn's Journal on Jewish Thought, Jewish Culture, and Israel Volume 2 Number 4 Fall 2019 Article 5 2018 Photo Collection: Jewish Synagogues in Prague Miriam Minsk University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/kedma Part of the Jewish Studies Commons, Near and Middle Eastern Studies Commons, and the Religion Commons This paper is posted at ScholarlyCommons. https://repository.upenn.edu/kedma/vol2/iss4/5 For more information, please contact [email protected]. Photo Collection: Jewish Synagogues in Prague Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License This photography is available in Kedma: Penn's Journal on Jewish Thought, Jewish Culture, and Israel: https://repository.upenn.edu/kedma/vol2/iss4/5 Photo Collection: 3 Jewish Synagogues in Prague, October 2019 Miriam Minsk 1 2 1. The ark inside the Pinkas Synagogue in Prague. The synagogue was built in 1535 and is no longer in use. The former synagogue is now a memorial to the Jews from the Bohemian lands who were killed in the Holocaust. 2. The walls of the Pinkas synagogue are filled with the names of the Jews from the Bohemian lands who died in the Holocaust. The memorial was created between 1955 and 1960. 3. The arks in the Maisel Synagogue (left) and the Klausen Synagogue (right) in Prague, both of which are now museums that hold old Jewish artifacts. 4. The outside of the Maisel Synagogue in Prague. The synagogue was first built in 1592 but was rebuilt many times. -
The Ancient Josefov Jewish Quarter in Prague
Journal of Civil Engineering and Architecture Volume 11, Number 3, March 2017 (Serial Number 112) David Publishing David Publishing Company www.davidpublisher.com Publication Information: Journal of Civil Engineering and Architecture is published monthly in hard copy (ISSN 1934-7359) and online (ISSN 1934-7367) by David Publishing Company located at 616 Corporate Way, Suite 2-4876, Valley Cottage, NY 10989, USA. Aims and Scope: Journal of Civil Engineering and Architecture, a monthly professional academic journal, covers all sorts of researches on structural engineering, geotechnical engineering, underground engineering, engineering management, etc. as well as other issues. Editorial Board Members: Dr. Tamer A. El Maaddawy (Canada), Prof. San-Shyan Lin (China Taiwan), Dr. Songbai Cai (China), Prof. Vladimir Patrcevic (Croatia), Dr. Sherif Ahmed Ali Sheta (Egypt), Prof. Nasamat Abdel Kader (Egypt), Prof. Mohamed Al-Gharieb Sakr (Egypt), Prof. Marina Traykova (Bulgaria), Prof. Olga Popovic Larsen (Denmark), Prof. George C. Manos (Greece), Dr. Konstantinos Giannakos (Greece), Pakwai Chan (Hong Kong), Chiara Vernizzi (Italy), Prof. Michele Maugeri (Italy), Dr. Giovanna Vessia (Italy), Prof. Michele Di Sivo (Italy), Prof. Valentina Zileska-Pancovska (Macedonia), Dr. J. Jayaprakash (Malaysia), Mr. Fathollah Sajedi (Malaysia), Prof. Nathaniel Anny Aniekwu (Nigeria), Dr. Marta Słowik (Poland), Dr. Rafael Aguilar (Portugal), Dr. Moataz A. S. Badawi (Saudi Arabia), Prof. David Chua Kim Huat (Singapore), Dr. Ming An (UK), Prof. Ahmed Elseragy (UK), Prof. Jamal Khatib (UK), Dr. John Kinuthia (UK), Dr. Johnnie Ben-Edigbe (UK), Dr. Yail Jimmy Kim (USA), Dr. Muang Seniwongse (USA), Prof. Xiaoduan Sun (USA), Dr. Zihan Yan (USA), Dr. Tadeh Zirakian (USA), Dr. Andrew Agapiou (UK). Manuscripts can be submitted via Web Submission, or e-mailed to [email protected] or [email protected]. -
Temporary Exhibitions
[email protected] TEMPORARY EXHIBITIONS “My Cup of Kafka… ” Drawings, Prints and Paintings by Jiří Slíva The very popular exhibition of work by the graphic artist and illustrator Jiří Slíva at the Jewish Museum’s Robert Guttmann Gallery came to a close on 27 January 2019. Over the course of 11 months, it was seen by as many as 52,274 visitors. On view were a number of drawings, colour lithographs, etchings, pastels and several oil paintings on Slíva’s favourite subjects – Franz Kafka, Sigmund Freud, the Golem, Jewish customs and symbols and biblical motifs, as well as other works inspired by Jewish writers. Jaroslav Róna – "Drawings from Elsewhere…" On Wednesday 6 March 2019, the Robert Guttmann Gallery hosted a preview of a new exhibition of work by the artist Jaroslav Róna (b. 1957), a founding member of the famous Czech art group Tvrdohlaví (The Stubborn). The subject of this exhibition is a set of Róna’s Drawings from Elsewhere from 2012–2018, which gives us an opportunity to delve more deeply into the artist’s world and ideas. Róna works in the fields of painting, sculpture, graphic art, drawing, mosaics, set design and stained glass. His drawings are an inseparable component of his work. They are the indispensable means of recording, seeking, shaping, and formulating new ideas and myths. All of Róna’s artworks convey a story, whether from the distant past or some future world, or whether about an entire civilization or an individual life. In this way, they differ from the purely visual or aesthetic visions of modern art concepts.